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Have you booked your Summer Socials in Canary Wharf yet?

With the warmer weather upon us, the neighbourhood has a wealth of options for groups and parties of all sizes in the east London sunshine

Relax by the water at The Boathouse - image by Canary Wharf Group
Relax by the water at The Boathouse – image by Canary Wharf Group

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ADVERTISMENT FEATURE

Canary Wharf is built on connections, creating a community of people and organisations with opportunities to come together, grow, evolve, discuss, create ideas and make things happen.

Central to bringing people together are event spaces and experiences, offering a variety of unique venues for every occasion. 

From large team meetings and workshops to corporate parties, private dining, team bonding and more, we’ve got the space and the opportunities to showcase, engage, impress and bring people together. 

Looking for the right location for your next event?

Explore below for inspiration or follow this link

Bask in the rays on the terrace at No 35 Mackenzie Walk - image by Canary Wharf Grou
Bask in the rays on the terrace at No 35 Mackenzie Walk – image by Canary Wharf Group

celebrate outdoors in Canary Wharf

>> When the sun starts shining, it’s time to head outside and Canary Wharf has some amazing venues with outdoor space to arrange an alfresco meet-up…

The Boathouse

Harbour Quay Gardens / Wood Wharf

Inspired by intimate speakeasies and chic Parisian jazz clubs, The Boathouse boasts modern facilities, stylish décor and a large rooftop area with ample seating.

Max Capacity – 25 seated, 200 standing

bookings@boathouselondon.co.uk

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The Parlour

Park Pavillion / Canada Square

This is a gorgeous bar and restaurant perfect for both daytime and evening events with its large terrace.

Max Capacity – 200 seated, 550 standing

info@theparlourbar.co.uk

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Humble Grape

Mackenzie Walk

This venue boasts more than 400 artisan wines on its list, innovative cooking in its kitchen and private hire spaces.

Max Capacity – 90 seated, 120 standing

events@humblegrape.co.uk

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Hawksmoor Bar

Water Street / Wood Wharf

The water-level floating bar and events space offers a variety of different options including a beautiful outdoor terrace.

Max Capacity – 300 standing

woodwharf@thehawksmoor.com

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BrewDog

Churchill Place

Whether you’re planning a business meeting, private party or special celebration, BrewDog Canary Wharf is ideal.

Max Capacity – 310 seated, 510 standing

canarywharfbar@brewdog.com

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GoBoat

Churchill Place

Enjoy a team social with a difference aboard your own self-drive boat, cruising the waters around Canary Wharf.

Boat Capacity – 8

ahoy@goboat.co.uk

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Emilia’s Crafted Pasta

George Street / Wood Wharf

Walking into this venue is like entering a bustling trattoria in Italy’s Emilia Romagna region, with all the plentiful food and drink options one would expect. There’s also an alfresco space for outdoor dining.

Max Capacity – 60 plus 24 seated outside

hello@emiliaspasta.com

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No 35 Mackenzie Walk

Mackenzie Walk

No 35 Mackenzie Walk is a lively bar and restaurant – the perfect spot for large scale breakfast or brunch events, seated three-course dining or drinks receptions with DJ and substantial canapés or finger food. 

With a dedicated events team on hand to help organise your event, they have tried and tested menus and packages to suit all occasions. The large bar and extensive south-facing waterside terrace makes it a perfect summer party destination.

Max Capacity 90 seated, 300 standing

reservations@no35mackenziewalk.co.uk

TRIBE Hotel offers hospitality at its on-site bar and restaurant, Feels Like June - image by Canary Wharf Group
TRIBE Hotel offers hospitality at its on-site bar and restaurant, Feels Like June – image by Canary Wharf Group

stay in Canary Wharf

>> For Summer Socials that stretch into the night, why not book a place to stay and cut out the commute in the morning?

TRIBE Hotel

Water Street / Wood Wharf

With 312 rooms set across six floors, this venue also boasts a 24-hour, free-flowing ‘Social Hub’ plus dining and event destination Feels Like June which can seat up to 220.

Rooms To Book – 312 

reservations.canarywharf@mytribehotel.com 

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Vertus Edit

Union Square / Wood Wharf

Opened in March, Vertus Edit offers guests a choice of 378 studios across two buildings in West Lane with rooms ranging in size from 200sq ft to 301sq ft. 

Each comes with a fully-equipped kitchen, dining space, comfy double beds, super-fast wi-fi, and a bright bathroom with a walk-in shower and complimentary toiletries.

Guests can enjoy shared spaces, including a lush garden lounge and landscaped terrace, co-work, gym, meeting rooms and private dining rooms.

Rooms To Book – 378 

reservations@vertusedit.com

Dishoom has plenty of options for group bookings - image by Canary Wharf Group
Dishoom has plenty of options for group bookings – image by Canary Wharf Group

fine dining for Summer Socials

>> Food is at the heart of a good celebration and Canary Wharf offers an extensive range of options for group bookings, ideal for team lunches or larger gatherings

Blacklock

Frobisher Passage

Nestled beneath the train tracks of the North Dock in Canary Wharf, Blacklock is perfect for group dining, serving up sharing plates of chops, succulent steaks and plenty in between. 

Max Capacity – 120 seated

canarywharf@theblacklock.com

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Brasserie Marceline

Water Street / Wood Wharf

Planning an event? French cuisine specialist Marceline has the perfect space for it. Choose from the elegant main dining room, their waterside terrace, or semi-private and fully private dining rooms. 

Max Capacity – 400 standing

events@marceline.london

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Din Tai Fung

Crossrail Place

A Taiwanese restaurant and bar where award-winning Xiao Long Bao soup dumplings meet group dining perfection. There’s even a private space that can accommodate up to 16 guests.

Max Capacity – 130 seated

canarywharf@dintaifung-uk.com

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Food at Caravan - image by Canary Wharf Group
Food at Caravan – image by Canary Wharf Group

Caravan

Reuters Plaza

Located in the heart of Canary Wharf, sitting alongside Konstantin Grcic’s iconic Six Public Clocks artwork, Caravan Canary Wharf delivers superb all day dining.

Max Capacity – 150 seated

events@caravanrestaurants.co.uk

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Dishoom

Water Street / Wood Wharf

Nestled in a little corner of Wood Wharf, Dishoom brings to life the glittering-shimmering, big-business, metropolitan scene of ‘70s Bombay. Perfect for groups.

Max Capacity – 40 on terrace

reservations@dishoom.com

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Hawksmoor Wood Wharf

Water Street / Wood Wharf

Hawksmoor’s dedication to flavour and ethical sourcing has seen the venue achieve the highest rating from the Sustainable Restaurant Association. The venue boasts a 150-cover restaurant, a 120-cover bar and private dining room for up to 20 guests

Max Capacity – 150+ seated

woodwharf@thehawksmoor.com

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Kricket

Frobisher Passage

Tucked beneath the DLR in Canary Wharf, a reimagined space combines new and unique design. Kricket offers a vibrant setting for groups. Known for its modern Indian food, the menu is perfect for sharing.

Max Capacity – 80 seated

events@kricket.co.uk 

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Roe

Park Drive / Wood Wharf

Set across three stunning floors with a wrap-around terrace, Roe offers

event spaces overlooking the water – perfect for private dining or special occasions.

Max Capacity – 250+ seated

events@roerestaurant.co.uk

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Mallow

Water Street / Wood Wharf

This 100% plant-based restaurant in the heart of Wood Wharf serves seasonal, sustainable food, inspired by cuisines from all over the world. The first floor is available for private hire, with movable seating to assist in creating memorable gatherings.

Max Capacity – 100+ seated

canarywharf@mallowlondon.com

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Patty&Bun

Park Drive / Wood Wharf

This is your one stop shop for an epic team lunch, boozy bash or even

full venue hire for something more bespoke. The team can tailor menus and packages to help your event run with ease.

Max Capacity – 60 seated

canarywharf@pattyandbun.co.uk

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Wahaca

Park Pavillion / Canada Square

Wahaca brings the vibrant energy of Mexico to Canary Wharf. Available spaces include a bookable private terrace bar overlooking the park and exclusive venue hire.

Max Capacity – 180 seated

canarywharf@wahaca.co.uk

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The Ivy In The Park

Canada Square

The venue offers a range of options for group bookings including two private dining spaces decorated in vivacious botanical style. The first floor is also available for hire.

Max Capacity – 50 seated

events@theivy-collection.com

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Roka

Park Pavillion / Canada Square

Roka Canary Wharf offers several versatile spaces for your events. The dining room features elegant interiors and a central robata grill, for dining groups of up to 60 guests or 120 when hired exclusively.

Max Capacity – 120 seated

infocanarywharf@rokarestaurant.com

Fairgame offers games, street food and fairground-themed bars - image by Canary Wharf Group
Fairgame offers games, street food and fairground-themed bars – image by Canary Wharf Group

competitive socialising

>> Action-packed gatherings are an increasingly popular option for groups looking to add an extra layer to their events. Check these Canary Wharf options out…

The Cube

Charter Street / Wood Wharf

Combining intense physical and mental skill, The Cube pushes the boundaries of immersive gaming. Based on the Bafta-award winning TV gameshow, players must master balance, speed and judgement across seven games. 

Max Capacity – 440

groupbookings@bookthecube.com

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Pitch Wharf

Churchill Place

Pitch Wharf is a dynamic, multifunctional venue with a stunning waterside terrace, designed to host events of all sizes. Guests can enjoy

everything from virtual golf games and Mario Kart in their immersive bays to roulette and shuffleboard, creating a unique blend of energy and competition.

Max Capacity – 400

events@pitchldn.co.uk

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K1 Speed

Cabot Place

K1 Speed is one of the UK’s most trusted corporate event providers, offering an exhilarating indoor go-karting experience in Canary Wharf. Featuring over 500m of track, next-generation electric karts, and an exclusive bar and lounge area, K1 Speed is the perfect choice for your next event.

Max Capacity – 150

sales@k1speed.com

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Fairgame

Fisherman’s Walk

Classic fairground games, reimagined. One unique, immersive experience. This is the funfair… exactly like you don’t remember. With games and drinks packages starting from just £41pp, get in touch with the team now to discuss your next event or social.

Max Capacity – 600

events@wearefairgame.com

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Electric Shuffle

Cabot Square / North Colonnade

Bringing together groups of up to 350 guests can be a hassle, but it doesn’t have to be. Electric Shuffle’s high energy tournaments are the ultimate team-building activity

that’s sure to make you the hero of the office party. Located in the heart of Cabot Square, their venue

features two stylish bars, 10 cutting-edge, digially enhanced shuffleboard tables, and vibrant interiors, perfect for turning good nights into great ones.

Max Capacity – 350 standing

bookings@electricshuffle.com

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Clays

Cabot Square / Wren Landing

Take a shot at a fantastic interactive experience and make Clays your target for a guaranteed fun-filled

event that everyone will love.  All packages include unlimited gameplay in private or semi-private shooting pegs, fully loaded with

delicious food and premium drink options. Set in a spectacular cocktail bar where you can enjoy dancing and post-game celebrations all in one place.

Max Capacity – 330

events@clays-group.com

Boisdale Of Canary Wharf - image by Boisdale
Boisdale Of Canary Wharf is ideal for Summer Socials that stretch into the evening and beyond – image by Boisdale

Summer Socials lates…

>> Summer Socials need not end early evening – Canary Wharf has plenty of venues where the party can go on into the small hours…

Soma

Frobisher Passage

A modern and minimalist take on the classic speakeasy, Soma serves drinks inspired by the Indian subcontinent and beyond. In 2022, Soma Soho, the sister to the brand’s new Canary Wharf bar, was voted Best Bar at the GQ Food And Drink Awards. This is a hidden gem – elegant and understated – just waiting to be discovered, a favourite of those in the know.

Max Capacity – 50 standing

canarywharf@hovarda.london

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Hovarda

Water Street / Wood Wharf

Hovarda, the iconic Aegean restaurant and bar that’s already turned heads in Soho, has arrived on the Wharf and it’s everything you’ve been waiting for. Nestled in the trendy Wood Wharf district, this isn’t just a place to eat – it’s an experience.

Max Capacity – 250 standing

canarywharf@hovarda.london

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Pergola On The Wharf

Crossrail Place

Pergola On The Wharf is a botanical waterside Eden, grown for naturally good times. Flooded with natural light via floor-to-ceiling windows, strewn with vines and ferns, the indoor space is home to two bars, a beautiful open kitchen and a private dining room.

Max Capacity – 700 standing

events@incipio-group.co.uk

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The Alchemist

Reuters Plaza

The Alchemist Canary Wharf is a creative cocktail bar and restaurant with theatre and immersive experiences at its core. Cocktails include serves that change colour, smoke and even levitate. The food menu takes influence from South East Asia and the Americas with playful versions of much loved dishes. The vibrant location has live DJ’s throughout the weekend, playing disco house, classic house and soulful tracks.

Max Capacity – 300 standing

reservations@thealchemistbars.com

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Brera Lounge

Cabot Square

Located next to the fountains in Cabot Square, Brera Lounge offers a captivating escape. Guests are invited to indulge in the flavours of authentic Italian pizza, expertly crafted cocktails, and the calming

ambiance of premium shisha beside rushing water.

Max Capacity – 200 seated

tasso@italika.co.uk

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The Cocktail Club

Cabot Square / Wren Landing

The venue benefits from a large,

open-plan space with eclectic interior design and a large outdoor

terrace. Have Champagne roaming on trays for your guests’ arrival and why not surprise them with a couple of immersive circus acts. Expect swinging lamps and a large range of cocktails.

Max Capacity – 200 standing

info@thecocktailclub.com

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Boisdale Of Canary Wharf

Cabot Place

A lively restaurant and music venue serving modern British food, comprising of the UK’s largest whisky bar, a garden terrace, the Hine bar, a cigar lounge and library, overlooking Cabot Square with the City’s skyline in the distance. There are multiple spaces available for private hire within the venue.

Max Capacity – 250 seated

reservations@boisdale-cw.co.uk

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COMING SOON

Canary Wharf never stands still and Mediterranean venues Barbarella and Brother Marcus at YY Londonplus Lina Stores in Crossrail Place will soon be opening their doors to offer further options…

For more on the venues featured, follow this link

Read more: Brother Marcus opens its doors in Canary Wharf

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Kokin at The Stratford sees chef Daisuke Shimoyama play with fire

From Kanagawa, Japan, to London via Tokyo and Michelin stars, east London has a new restaurant on the seventh floor of Stratford’s most striking tower

Chef Daisuke Shimoyama has opened Kokin at The Stratford - image by Jon Massey
Chef Daisuke Shimoyama has opened Kokin at The Stratford – image by Jon Massey

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The calm interior of Kokin – a restaurant recently opened on the seventh floor of The Stratford hotel in E20 – somewhat belies the elemental forces at work in its kitchen.

The soft light that streams through full height glazing falls on the gentle greens and greys of its furnishings.

There’s a lot of exposed wood and playful music in the air.

But sit with chef Daisuke Shimoyama for a while and it quickly becomes clear this is a place of contradictions.

It’s a space tailored to fine dining, but one he’s determined to make accessible and welcoming to locals.

His food is exacting, but honed on primal flames, smoke and charcoal.

He’s softly spoken and polite, but there’s passion smouldering beneath the surface.

“I started working in my uncle’s restaurant in Kanagawa, Japan, when I was 13 years old, washing dishes,” said Daisuke, whose family were widely involved in the hospitality sector, selling kitchen equipment.

“In the beginning I wasn’t really interested in cooking. I watched my uncle and my family making food, but I was more into playing computer games. 

“At the start I didn’t like working in the restaurant.

“My uncle was very strict and would wake me at 6am to go to the fish market. I didn’t like the smell, but gradually I got used to it.

“Then a few years later, I found myself really beginning to enjoy it.

“I went on to work in many different kinds of restaurant – big hotels, small places – and when I was 27 years old, I joined Ryugin in Tokyo, which completely changed the way I thought about everything.”

The restaurant is located on the seventh floor of the hotel - image by Jon Massey
The restaurant is located on the seventh floor of the hotel – image by Jon Massey

from Umu to Hannah and now, Kokin…

Now recognised by Michelin with a maximum three stars, Ryugin had Daisuke working gruelling shifts that would begin on Saturday mornings and finish on Sunday evenings.

He relished it. While on this fresh path, he immersed himself in Kappou and Kaiseki cuisine, mastering intricate techniques such as processing massive eels and filleting poisonous puffer fish.

He also trained as a professional sake sommelier, before setting out to explore the world.

That journey eventually led him to London where, 14 years ago, he joined Michelin-starred Umu in Mayfair as sous-chef, before rising to become the restaurant’s head chef. 

“I learnt a lot, working in Japan – not just about food, but also about mindset,” said Daisuke.

“While I was at Umu, I also decided to pursue my own vision of street food on my days off via a venture in Brick Lane.

“This was selling Japanese comfort food, katsu, tempura and rice and I did that for six years, before launching my own restaurant, Hannah, at County Hall in central London.”

The venue combined a wide range of influences from Daisuke’s experiences growing up in rural Gunma to his time in Tokyo and London.

“I really loved cooking there,” he said.

“But we were serving Omakase tasting menus at £125 or £185 for eight or 11 courses.

“Sometimes that can take three hours.

“It’s wonderful, but it’s a commitment.

“With this opportunity at The Stratford, I really want to make something more approachable.

“I’ve completely changed my style again – it’s something I’ve always done, actually. 

“Kokin serves food that’s in some ways similar to Hannah, but it’s more approachable and here I’m using fire and charcoal really as ingredients in the cooking.

“These are primitive things.

“For me, fire reminds me of when I was a child, it’s full of memories.

“It really adds something aromatic to the food.

“We’ve only just opened so there hasn’t really been time yet, but I want to be out on the floor talking to guests at their tables about the food – I love to make customers happy.

“I want this to be a place where local people feel comfortable coming and to welcome them as friends.

“Of course, business is important, but community is essential.”

Daisuke uses fire and smoke as key ingredients in Kokin's cuisine - image by Kokin
Daisuke uses fire and smoke as key ingredients in Kokin’s cuisine – image by Kokin

dining at Kokin

As for the food, dishes are available a la carte or via set lunch menus.

There’s a strong focus on seafood, but with the smoke of apple and cherry wood running throughout the creations.

“There’s a clear drive to offer twists and unexpected combinations to keep everything fresh too.

“We serve bluefin tuna from Portugal, for example,” said Daisuke. “In fine dining, chefs generally only use otoro, the fatty belly of the fish.

“But we also present akami, leaner cuts and chutoro, which both offer different, subtle flavours.

“We’re also using the kama, the collar of the fish, cooked for around three hours at a low temperature – it’s similar to a steak in some ways and comes bone-in.

“I want to introduce people to unusual cuts – we also deep-fry the tail.”

Ably supported by long-term colleague, Shukyee Chow, Daisuke and the team are as quietly stoked as their fires to welcome as many people through Kokin’s doors as possible.

Dishes are cooked by eye over the flames before being served - image by Kokin
Dishes are cooked by eye over the flames before being served – image by Kokin

from the past to the present

The restaurant takes its name from the Japanese terms for past and present – an intentional reference to the comparatively “primitive” fire that sears its way through the venue’s menu and the modern techniques found in its dishes.

“We have many modern pieces of kitchen equipment in the restaurant world – convection ovens, for example,” said Daisuke.

“It’s very easy for chefs, there’s no need to spend three hours cooking something on a flame. 

“But using fire in this way, for me, gives greater depth to the dishes.

“I’m always working with the smoke and the heat and watching because every piece of fish is different and needs to be carefully observed.” 

Daisuke is keen to welcome locals to the restaurant - image by Kokin
Daisuke is keen to welcome locals to the restaurant – image by Kokin

key details: Kokin

Kokin is located at The Stratford hotel in, well, Stratford.

The restaurant is open from noon-2pm for lunch and from 5pm-10pm for dinner from Tuesday to Sunday and is closed on Mondays.

Find out more about the restaurant here

Read more: Brother Marcus opens its doors in Canary Wharf

Read Wharf Life’s e-edition here

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Third Space continues improvements with launch of Recovery Spa

The health club rarely stands still with new facilities for regeneration and renewal, a co-working lounge and plans for a Hyrox training area

The newly opened Reformer Pilates studio in the Canary Wharf club - image by Third Space
The newly opened Reformer Pilates studio in the Canary Wharf club – image by Third Space

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Muscles can be trained by progressively overloading them.

In response to the greater weight or number of reps, the body is prompted to respond – growing in size, strength and capability. 

It’s an apt analogy for Third Space’s approach to its offering.

The last time I sat down with David Burrow, senior general manager at Third Space Canary Wharf, Europe’s largest luxury health club, was about to embark on a major renewal project. 

Changing rooms were refitted, showers replaced, saunas and steam rooms upgraded, lighting boosted and tweaked, flooring improved and training areas refreshed with new equipment including weights and cardiovascular fitness machines.

But seemingly the Canada Square club has barely taken a rest before plunging into its latest round of upgrades.

It’s a case of going straight into the next set.

“We’ve converted the space at the front of the club, which used to be The Pearson Room, into a beautiful Reformer Pilates studio,” said David, who is in his ninth year managing the club.

“It overlooks the wonderful grass square through floor-to-ceiling glazing, which really adds something to the class experience – it’s a design feature.”

Third Space Canary Wharf's senior general manager, David Burrow - image by Jon Massey
Third Space Canary Wharf’s senior general manager, David Burrow – image by Jon Massey

responding to members’ needs

The conversion is in response to demand.

Reformer Pilates, which makes use of spring-loaded beds to resist or support an individual’s movement, is booming right now, with businesses popping up across the capital.

The latest studio doubles the club’s provision at its main Canary Wharf site – both spaces a response to the demand seen since launch at its nearby Wood Wharf branch.

“We knew it was going to be popular, but the demand is incredible,” said David.

“We run classes every hour, on the hour in all three of our studios and we’re also expanding our programme throughout our other clubs beyond the Wharf because it’s what our members want.

“There’s a waiting list for almost every session.

“What’s been key for us is having the right quality of instructor. 

“As a piece of apparatus, Reformers are pretty standard but having someone with the right level of experience is what keeps people coming back.

“The success of Reformer Pilates at Third Space has been driven by our instructors and they are absolutely sensational.

“They are all different and deliver their own style of training but at a level of quality our members expect.

“We provide high end Reformers, but it’s the teaching that’s incredible and helps members be the best version of themselves, while feeling they can really connect and progress.”

The square-facing studio isn’t the only addition to the front of the club.

Next door is a lounge space that’s also proving popular.

“In response to flexible working we’ve tried to create a place where people can find a happy medium between using a laptop and socialising,” said David. 

“We’ve got soft-seating areas for people to relax and have conversations, and we’ve got a breakfast bar where people can work. 

“It’s been another hugely popular addition and soon we will open a balcony area off it that people will be able to use too.”

The new Recovery Spa - Third Space
The new Recovery Spa – Third Space

stars of the Recovery Spa at Third Space

Perhaps the most substantial change in recent weeks at the venue has been the reopening of the venue’s spa, now with a very clear focus on recovery.

Open to both members and non-members alike, it’s a tranquil space away from the more intense areas of the club.

David said: “We’ve changed it from something more traditional into a Recovery Spa for regeneration and renewal.

“We do all the things you’d expect such as facials, aesthetic treatments, massage and acupuncture, but we’ve also added new features such as Cryotherapy, Red Light Therapy and a Vibroacoustic Bed.

“We test all of these things thoroughly before making the decision to include them in our offering.

“We’re always sceptical. I went to try the bed and it was a really fascinating sensory experience.

“In the middle of the afternoon I was wide awake, thinking there was no way it would make me fall asleep.

“But I got on it, switched it on and a minute later I was out.

The spa includes a Cryotherapy chamber that can take up to two people - Third Space
The spa includes a Cryotherapy chamber that can take up to two people – Third Space

“There was a tap on my shoulder 25 minutes later and I woke up.

“It’s a very clever tool and you can have different programs with different frequencies, depending on what your aim for the session is.

“The benefits of good sleep are so enormous and people are increasingly aware of that.

“You need rest and repair time to function properly and this bed helps people access that.

“Another thing that can help people in many different ways is our new Cryotherapy chamber that can take up to two people.

“They step into a space chilled to -85ºC and it shocks the body into simulating recovery with a euphoric feeling that’s incredible. 

“It’s short – you can go in for three minutes and your skin temperature drops significantly.

“It can be challenging, but you come out feeling great.

“The demand for that and cold plunges is increasing everywhere and it’s a must if we’re going to provide an area where people can recover and regenerate more effectively.

“Wellness – feeling better and being better – is so important to people and I think that’s a good thing – the right direction of travel for our industry.”

Third Space is currently giving new members at Canary Wharf their £100 joining fee back as club credit to spend on its products and services such Natural Fitness Food, personal training, Recovery Spa treatments and more...

rocking Hyrox and more

Speaking of the future, these changes are far from the end of the story, with competitive exercise concept Hyrox inspiring the next move.

“We’ve got another project that will almost double the size of our free weights area, adding on a Hyrox studio – the first gym to have a space dedicated to the sport,” said David.

“Although the contests are about sport and the drive to achieve, there’s a huge communal element to it, so competitors are both doing better physically and feeling better because you have that community there.

“The process of change is non-stop and we’re constantly reviewing feedback from our members and data on what they use.

“Some people love the dynamism of a Yard WOD at peak time in Canary Wharf. Others prefer something more chilled. 

“What we want is an offering that allows everybody to be the best version of themselves.”

Red Light Therapy is also on offer - Third Space
Red Light Therapy is also on offer – Third Space

key details: Third Space

Third Space membership for The Wharf including full access to its Canary Wharf and Wood Wharf clubs currently costs £230 per month.

Group membership including all sites excluding Mayfair costs £279 per month, with an all-club deal costing £305.

Members receive 25% off their Recovery Spa booking included with membership.

You do not need to be a Third Space member to use the spa with sessions 
available to book online. 

Find out more about the health club here

Read more: Lina Stores is set to open its doors in Canary Wharf

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Dagenham Green delivers well connected homes on an historic site

Development by The Hill Group and Peabody is currently marketing apartments in The Empire building close to Dagenham Dock station

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Crossing rivers can save you significant amounts of money when it comes to east London property.

A studio in a residential tower just south of Canary Wharf on the Isle Of Dogs might cost you £565,000.

Travel over the River Lea to Royal Docks and you can get a newly built one-bed for £459,000.

Keep heading east along the A13 – over the River Roding – and the starting price for a one-bed at Dagenham Green is £275,000, a little over 51% less than a smaller property in E14. 

“Dagenham Green is a development that will appeal to people who are priced out of the areas they are renting in but who want to get on the ladder in east London,” said Eloise Solari.

“It’s a great time and place to invest, especially when people realise just how well connected and convenient the development is.”

As head of sales at The Hill Group, which is building Dagenham Green as a joint venture with housing association Peabody, Eloise is no stranger to the attractions of east London.

Her career has seen her work for developers that have transformed vast swathes of this corner of the capital including Galliard Homes and Ballymore. 

With significant regeneration moving ever eastwards, she joined Hill in October and is thrilled to be working on a site with so much potential value for those taking their first steps towards owning a property.

stepping onto the ladder at Dagenham Green

“I feel really passionate about building for first-time buyers,” she said.

“Dagenham Green will have a concierge service and a lounge area for residents, but we know that putting in lots of amenities can increase service charges for people and that can affect affordability.

“It’s also good for the local economy if local businesses and providers don’t have competition from on-site services such as gyms.

“That way residents have greater freedom to decide what they spend their money on.”

Those decisions will be important for the area going forward.

“While Dagenham Green is located in Zone 5, both it and nearby Barking are seeing extensive building projects come to fruition with significant new infrastructure on former industrial land. 

Hill and Peabody’s scheme alone will see around 3,500 homes built over 45 acres on a site that once hosted the Ford Motor Company’s stamping and tooling operations at its massive east London operation.

Paying respect to that history will be a heritage trail at Dagenham Green marking the achievements of women working in the firm’s factories who fought for fair remuneration in the 1960s to bring them into line with their male counterparts.

That struggle resulted in the Equal Pay Act 1970.  

But the development is also very much looking to the future, with 10 acres of landscaped parkland including playgrounds and water features, all set to be created.

Plans also include a new school, a market square, cycle and pedestrian routes and pocket gardens for residents and visitors to enjoy.

The developers are currently marketing homes at The Empire building for private sale in the first phase, which also includes towers that will house rental properties. 

Eloise said: “Every apartment at The Empire has its own balcony – the designs are really well thought out.

“The apartments are very light and properties come with all the conveniences you’d expect.”

In addition to Bosch kitchen appliances in the kitchens and sleek bathrooms – delivered via high quality modular construction – much thought has been paid to storage space.

The newly finished on-site show home, for example, features extensive built-in general cupboard space as well as a separate utility area.

transport connections at Dagenham Green

Perhaps central to Dagenham Green’s appeal, however, is its location.

The development is right next to Dagenham Dock station, offering a direct C2C rail link into Fenchurch Street in 21 minutes.

For those with lives in east London, this is the tip of the iceberg. 

The line connects to the likes of Barking and West Ham, offering a plethora of possible destinations via Tube, rail and DLR services.

That includes a commute to Canary Wharf or Stratford of about 20 minutes.

“Buyers are looking for a good work-life balance so a massive commute can be challenging,” said Eloise. 

“The Empire is located very close to the station and many people don’t realise how well connected Dagenham is, whether it’s the trains, the buses or even London City Airport.

“One of the benefits of buying early on at a big development is that the starting prices are so reasonable – it’s a good time to invest.”

surrounded by local amenities

While Dagenham Green will boast a cafe, medical centre, supermarket, commercial space and a car club on-site, residents will also benefit from what’s already in the local area.

“We’re not far from Lakeside Shopping Centre here by car and there’s also a local Asda and Merrielands Retail Park just up the road,” said Eloise. 

“We’ve had a lot of interest from local residents and businesses since we opened the marketing suite and we really welcome people coming in to say hello.”

With The Empire on a path to completion, buyers can expect brick-faced homes designed to maximise views over a five-acre urban park that pays homage to Dagenham’s marshlands. 

There will be a boardwalk area with a large pond aimed at encouraging as great a variety of flora and fauna as possible to make their homes in the area alongside incoming residents.

Also on the sustainability front, the development will feature an air-source heat pump energy centre to provide low-carbon energy.

Look east, it’s the future.       

key details: Dagenham Dock

Prices for apartments in The Empire building at Dagenham Green start at £275,000 for a one-bed, with two and three-beds also available.

The 193 shared ownership homes at the scheme are expected to launch through Peabody over the summer.

Find out more about the development here

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The Space names Matthew Jameson as permanent artistic director

Appointment builds on six years at the venue with the man at the helm keen to welcome east Londoners into the Isle Of Dogs arts centre

Matthew Jameson is The Space's new permanent artistic director and co-CEO - image by Jon Massey
Matthew Jameson is The Space’s new permanent artistic director and co-CEO – image by Jon Massey

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Opened in 1996, The Space has spent nearly three decades hosting theatre and arts performances on the Isle Of Dogs.

Born of a dream dreamt by the late Robert Richardson – who also had a hand in creating the Roundhouse in Camden – the venue spent 19 years under the care of Adam Hemming who took over the reins in 2005.  

Now a new era has officially dawned.

Matthew Jameson has been named permanent artistic director and co-CEO of The Space, after a year as interim director following Adam’s departure. 

With nearly six years at the venue, he brings with him a wealth of experience as deputy director.

Now he’s looking ahead.

The Space's summer season is set to feature Lavvies, a play set in a ladies loo featuring former cast members of Grange Hill - image by The Space
The Space’s summer season is set to feature Lavvies, a play set in a ladies loo featuring former cast members of Grange Hill – image by The Space

a dream realised

“It’s always been a pipe dream of mine to run my own venue, but I never thought I would actually become attached to one,” he said.

“It’s the distance between a long-standing fantasy and reality.

“While getting to where I am hasn’t been like writing a goal down on paper and saying it would happen, looking back, I can see it’s the path I was going to take.

“It’s got me here and I’m really glad about that.

“My background is as an actor and performer who then fell into writing because there were things I wanted to see on stage that weren’t being written.

“Then I got into directing because people weren’t directing my work, so I thought I would give it a try.

“I came to The Space because it’s a wonderful place to be and I wanted to help others to work and make the opportunities for them that I’d had.

“I stayed with the venue and learnt all the things on the job which have got me to this position.

“I’m so grateful to have had this opportunity, it’s been like a lengthy apprenticeship.

“While I remain the custodian of The Space and the wonderful things that happen in this beautiful venue, there is a sense I’m no longer holding the fort.

“There’s a feeling of freedom and liberation – it’s great to take control and see what we can do in the future.

“There’s a certain giddiness in having the title of artistic director which goes beyond my functional role.

“I’m responsible for directing the art in this building and that’s a job that mingles with the the ghosts, the shadows and the memories of all the things I’ve seen in this room over the years.”

Snoligoster sees a Florida folktale transported to east London - image by The Space
Snoligoster sees a Florida folktale transported to east London – image by The Space

embracing the roots

Among Matthew’s ambitions for the venue are two key pillars, ensuring its programme is accessible, enjoyable and relevant to a local audience and also a focus on presenting a varied offering.

“People are likely to see a return to the original roots of The Space,” he said. 

“It was established as a multi-form arts centre that had room for all forms of expression with a particular focus on music.

“We already have a series of recitals and we’ll be looking to make greater use of our Steinway baby grand in future.

“We’d never want to lose our identity as a theatre, but looking at regional venues you see a depth and breadth of programming that’s pretty inspirational. 

“There’s room for all sorts of things under this roof – cinema nights, our regular symphonic metal goth nights and things we’ve never tried before.

“Now seems like a fantastic time to try them.

“I think it’s interesting people yearn for communal activities – I don’t know what subcultures we’ll be welcoming but, in a place like London, if you build it, then audiences will come to you.

“Our patron, Sir Ian McKellen has called this one of his favourite performance spaces in the world and I agree with him.

“Even after three decades we’re still finding new ways to use the building. It’s grand enough to be epic and do the big things, and small enough to share profound intimacies.

“At The Space you’re never more than 10 metres from the performers, you get that connection with someone who is baring their soul in their performance and giving you something wonderful.

“I think the immediate thing for me is making sure we’re listening to the communities, to the people of the Isle Of Dogs and east London – ensuring we know what it is they want to see on our stage, and that we’re representing them.

“I’m very conscious that a lot of people at the moment, who may be sceptical or hesitant to come to the theatre, should see it as an art form that can be daft, silly, wonderful and cheerful as well as  gloomy, dark and highfalutin.

“I’m not saying we shouldn’t present the more serious work, but there is a duty to remember the light, the hope and the positivity we can bring.

“I’m going to tease the word ‘panto’ – something we haven’t previously embraced, but traditionally its a genre that’s all about making local jokes and engaging people who live in the area.

“We’re going to do something bright, something fun.

“There might be something to think about too, especially for the parents, but it will be something joyful whether you’re a regular theatregoer or watching a show on stage for the first time.”

Lobster Pot is a play about domestic terrorism that's also a comedy - image by the Space
Lobster Pot is a play about domestic terrorism that’s also a comedy – image by the Space

summer season at The Space

Right now, Matthew and the rest of the team at the venue are simply looking forward to The Space’s summer programme.

He said: “I keep looking at it and thinking it’s a really wonderful mixture.

“There are things which are about the state of the nation and the world, plus stories I wasn’t aware of dealing with things like religious mania and indoctrination.

“The jewel in the crown of our artistic vision for this season is going to be The Yourspace Festival, which we’re hoping to turn into a regular fixture.

“We’re starting off with a weekend in July, turning The Space over to local community groups – people we’ve worked with before – and inviting them back to do whatever they want.

“One of my first acts as artistic director will be to give control of the stage to the people.

“Other highlights include Lobster Pot, which is a play about domestic terrorism that’s also a comedy and a show called Lavvies featuring cast members from Grange Hill who recently got back in touch and have collaborated on a piece set in a ladies’ loo.

“Then there’s Snoligoster, a folktale from the Florida swamps, captured and shipped to east London and so very many more.”

key details: The Space

The Space is located on Westferry Road and is easily accessed from Canary Wharf via D7, 135 and 277 buses, which stop right outside the venue. It’s a 10-minute walk from Mudchute DLR.

The performance hub features a packed programme throughout the year while The Space Bar to the rear of the venue serves up food and drinks daily to all-comers. 

It’s currently open 5pm-11pm, Monday to Thursday, noon-midnight on Fridays, 10am-midnight on Saturdays and 10am-10pm on Sundays, with plentiful brunch options at the weekend. 

Find out more about the venue, including listings here

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Brother Marcus opens its doors for all-day dining in Canary Wharf

As the East Mediterranean bar and restaurant brand welcomes its first Wharfers, we sit down with co-founders Alex Large and Tasos Gaitanos

Expect tables filled with East Med dishes at Brother Marcus - image by Brother Marcus
Expect tables filled with East Med dishes at Brother Marcus – image by Brother Marcus

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For Wharfers who’ve been around the sun a few times, catching its rays on the terrace with a pint of bad lager outside The Slug And Lettuce in Reuters Plaza was an essential – if oft messy – rite of passage. 

Tucked away to the right of the main exit from Cabot Place and Canada Place shopping malls en route to the Jubilee line, it was an ever-present temptation – a detour via dependable, if not luxurious debauchery.

Swept away in the project to refresh the building above – now YY London, soon to be home to unicorn Revolut – the space it once occupied has been in chrysalis mode for a few years just waiting for May 28, 2025.

Coinciding with the publication of our latest print issue, it’s now that Brother Marcus spreads wide is metaphorical butterfly wings to welcome Wharfers through the doors – taking this prominent corner of the estate from the ridiculous excesses of the Slug to the sublime of its future.

Founded the best part of a decade ago by three school friends – Tasos Gaitanos, Alex Large and Arthur Campbell – the incoming brand now operates across six sites with branches in Spitalfields, South Kensington, Borough, Angel and Covent Garden.

Spearheading that growth are Alex and Tas, with Arthur having since stepped away from the business, although not the friendship.

Connection is important and any significant time spent with the co-founders makes it clear where their priorities lie.

“We’re in a people business and that’s the end of it,” said Tas.

“We have one rule. Our job is to bring joy to our guests, but you can’t do that without bringing joy to the whole team and everyone needs to be on board with that.

“That’s how we’ve created something that resonates with people.”

Brother Marcus co-founders Alex Large, left, and Tasos Gaitanos - image by Jon Massey
Brother Marcus co-founders Alex Large, left, and Tasos Gaitanos – image by Jon Massey

channelling creativity into hospitality

Both Tas and Alex initially embarked on artistic careers before becoming involved in hospitality.

Alex trained as an actor and trod the boards in the West End, notably in A Midsummer Night’s Dream at the Noel Coward Theatre.

Tas spent about four years in Edinburgh, “taking my photography career incredibly seriously”. 

But freelance cycles of boom and bust saw both drawn to the world of food and drink.

A journey working for various businesses eventually led them to Balham and the opening of the first Brother Marcus.

“We had about £10,000 we’d got together for a street food truck,” said Alex.

“But we managed to get a cafe opened on that budget, building almost all of the furniture ourselves in Tas’ garden in three days. 

“Due to the lack of money, we worked with a guy in Georgia over Skype to build a website.

“I remember the first customer’s face. He wanted porridge, but we had to say it was off the menu.

“We were our own suppliers, pushing a shopping trolley down the high street from Sainsbury’s. 

“But that first day was awesome, even though we’d barely slept for three days.”

Tas added: “We opened on the Thursday and immediately realised we needed to employ five more people.

“By the Saturday we had 45-minute queues, not because they were long but as a result of it taking us so much time to serve people.”

Harissa eggs with kale and smashed avocado on sourdough toast - image by Brother Marcus
Harissa eggs with kale and smashed avocado on sourdough toast – image by Brother Marcus

expanding the Brother Marcus brand

Things have come on some distance since 2016, with Brother Marcus’ Canary Wharf restaurant the group’s largest to date with 90 covers inside and a further 84 on its expansive outdoor terrace, complete with retractable roof.

So what will it be serving up amid the terracotta, wicker pendant lights and textured curves? 

“We’re all-day dining, so we go from breakfast and lunch to dinner – everything is inspired by the East Mediterranean region,” said Tas.

“In the mornings we have breakfast pittas, with fillings like double crispy bacon or kofta and egg.

“They come with labneh, kasundi relish and are sprinkled with za’atar.

“Then, if you want to be really indulgent, we have larger dishes that we also serve during brunch at weekends.

“There’s a fried chicken rosti dish that can have halloumi, bacon and sausage added to it.”

Alex added: “These are all served with speciality coffee and, at weekends, amazing cocktails – when we offer two for £20.

“If you want to go mad, you can, or you can just have a quick breakfast.”

The restaurant is ready to welcome Wharfers - image by Brother Marcus
The restaurant is ready to welcome Wharfers – image by Brother Marcus

from lunch into indulgence

While accurate, rapid service is essential at breakfast time, Brother Marcus promises a more sedate, indulgent pace at lunchtimes for those who prefer to take things easy.

Its menu features meat, seafood and vegetables grilled over charcoal on skewers, a wide selection of mezze and “rip and dip” pitta bread with freshly made dips.

“Creating Brother Marcus has involved a lot of research, a lot of trips to the East Med,” said Tas.

“There’s a huge element of curiosity and exploration that goes into it.

“I’m from Cyprus, my mum’s English, my dad’s Cypriot but I was born in Crete, so I feel Cretan.

“I came to school in England, which is where I met Alex and Arthur – I understand what you get when you share culture and food.

“Every time we do one of these trips, it’s about trying a bit of this and a bit of that and then working out how we frame the flavour in a London context.

“We want to do that with our food, but also with our spaces.

“When you’re over there, the textures you see on the walls might be anything from 800 to 2,000 years old, so we have to ask how we can bring those colours – that feel – to a restaurant in Canary Wharf.”

Alex added: “What’s happened with this site in Canary Wharf is that we’ve been braver, as we’ve grown up with this brand.

“We’ve been more confident in using what we’ve discovered and what we love, rather than by playing things safe.

“We’re also really excited about the outdoor seating area, where people can drink, and it’s going to be our best by a long way and should open in the first week of June.”

A breakfast of granola and apricot at Brother Marcus - image by Brother Marcus
A breakfast of granola and apricot at Brother Marcus – image by Brother Marcus

the importance of food to Brother Marcus

Throughout our conversation, it’s clear both Alex and Tas are passionate about sharing the things they enjoy – something reflected in the act of breaking bread over mezze in one of their restaurants.

“One thing that’s been undeniably an integral part of our brand is having open kitchens and bars – a passion for ingredients and for making everything in-house,” said Tas, whose favourite dish on the menu is the lamb kofta skewers.

“There’s a real love for the quality and output of the food and beverages we want to deliver.

“We want to blur those boundaries between where the guests are sitting and where the chefs are working to gives customers the feeling of what it means to be part of the action of a restaurant.

“I think we’ve got the layers of that really nicely. If there are no barriers between me, the chef and the food, then that’s brilliant.

 “We’ve got this amazing mezze for £42 per person, so if people don’t want to decide, they can put their trust in our team members and we’ll curate the experience – find out what they like and dislike and then try to overfeed them so they leave satisfied and in a better place than when they arrived.”

Alex, who has a weakness for the brand’s cod’s roe taramasalata – “it’s the real deal” – added: “One of the great things about our concept that lines up with this area is that, if you want to come to dinner and spend £30 to £40 a head, that’s possible.

“Equally, if you want to come and spend £100 a head, you can do that as well. That works for the wide variety of people who work, live in or visit Canary Wharf.

“The area had been on our radar for a while, but it was always the case that is didn’t feel quite right before. 

“Canary Wharf has developed so much in recent years, it’s incredible now.

“As soon as this site at YY London came up it felt like we’d fit in.

“Sustainable expansion is key and hospitality and growth are enemies.

“We’ve learnt some serious lessons over the years – you have to protect the quality of what you’re doing.” 

The restaurant is the brand's largest, able to serve 90 covers inside and a further 84 on its weatherproof terrace - image by Brother Marcus
The restaurant is the brand’s largest, able to serve 90 covers inside and a further 84 on its weatherproof terrace – image by Brother Marcus

a drink and a name

In addition to food, Brother Marcus will offer a range of drinks including a wine list  where half of the bottles for sale at the restaurant come from the East Med. 

“When you come to our restaurant, the menu has got to tell a story, so the drinks also need to do that,” said Tas. “We wouldn’t be doing our guests a service if we just offered classic gin-and-tonics.

“We’re a creative company, so we do twists on classics – we work with seasonal ingredients, and we do things which differentiate us from other places – we’re proud of that.”

 Which just leaves one final story to tell, perhaps best served with a glass of rose on the venue’s terrace.

Brother Marcus is named for one of Alex’s twin siblings.

Alex’s tales of Brother Marcus’ gregarious scrapes became so frequent the name stuck and a brand was born.

Perhaps Brother Ben will get a venture in future.

The design takes its cues from multiple trips to the East Med to find inspiration for flavours and decor - image by Brother Marcus
The design takes its cues from multiple trips to the East Med to find inspiration for flavours and decor – image by Brother Marcus

key details: Brother Marcus

The latest branch of Brother Marcus is located on the lower floor of YY London in Canary Wharf’s Reuters Plaza. 

Taking bookings from May 28, 2025, for its soft launch, the restaurant is open from 7am-11pm, Monday to Friday, from 9am-11pm on Satudays and from 9am-9pm on Sundays.

Full service is set to begin from June 3.

Find out more about the restaurant and bar here

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Crumbs And Munch set to grow as it gears up for market

Bakery business born of a lockdown hobby has ambition to turn full-time as success continues a Surrey Quay Shopping Centre pop-ups

Crumbs And Munch trading at Surrey Quays Shopping Centre - image by Rita Law
Crumbs And Munch trading at Surrey Quays Shopping Centre – image by Rita Law

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Rita Law wasn’t intending to start a business in London.

Having decided to take a career break, she’d booked an Airbnb for a month in the city with the idea of studying drawing. 

That, however, was in February 2020 – two weeks before the UK went into a nationwide lockdown as the global pandemic washed over the country.

While she had studied in Bristol some years before, she’d only visited London a couple of times and didn’t really know the city.

Rita started off baking banana bread during lockdown and has now expanded her range - image by Rita Law
Rita started off baking banana bread during lockdown and has now expanded her range – image by Rita Law

an unexpected stay

“I got stuck here because of the travel restrictions and my course was cancelled – to be honest, I started panicking a bit,” said Rita, who was born and raised in Hong Kong before embarking on an international career as an advertising producer in Poland and beyond. 

“I’d only booked accommodation for a month because I thought I’d figure out which neighbourhood I’d like to spend time in later – but then I couldn’t find anywhere to stay.

“Eventually I found a place in Lewisham and lived there for the whole of lockdown.”

It was there, having found a new job in the UK in advertising, that Rita – like so many of us – started experimenting with baking.

She began with banana bread, sharing her efforts with friends and neighbours. Word started to spread.

“People loved it and started asking if they could order it,” she said.

“I didn’t know how to run a business or what the legal requirements might be, but that’s when I started to have the idea that maybe baking could be more than just a hobby.

“I wasn’t entirely thinking about it seriously at the time because I was still planning to return home but then I met my boyfriend and decided to stay.

“So, I was working full-time in advertising but I started to do some research into baking as a business and last year, in August, I launched Crumbs And Munch.

“At the moment I’m a home baker, working out of my kitchen in Canning Town.

“I was so nervous when the council came to inspect it, but I got a five-star rating.

“It’s been quite a journey. It’s really the positive feedback from my friends and family gave me the confidence to do it.”

Rita's aim is to go into baking full time following her success selling at the market - image by Jon Massey
Rita’s aim is to go into baking full time following her success selling at the market – image by Jon Massey

digital sales for Crumbs And Munch

Initially selling her products online, Rita got her first taste of face-to-face sales at Thrive’s pop-up markets in Surrey Quays Shopping Centre.

“The first one was so good,” she said. “It was a real shock, because I didn’t think people would buy from a nobody.

“I wasn’t established, so I only brought a few trays of banana bread and a few trays of muffins and I expected to have a lot left over, but I sold out.

“That gave me more confidence to think I could do more, so I thought about scaling the business up and making it more presentable, as well as thinking about product development.”

Having started out specialising in banana bread, Rita has since expanded her range to feature brownies, muffins, stuffed cookies and more.

She aims to trial a new product every time she trades at the market, which is also where she gets her ideas.

“I love talking to my customers face-to-face, so that I can get inspiration,” she said.

“I spend a lot of time doing that and they make suggestions – I learn so much from them.

“It takes a week for me to work on a new recipe, to test it and make sure it’s a product I can make reliably and sell and then I bring it back to the market to try it out – I love that.

“It’s like I connect with the community and I’m baking for them. 

“Nothing is baked more than two days in advance because it all has to be fresh.

“I also think I’ve identified a gap, it’s not that easy to buy banana bread but it’s often something people bake at home.

“I think that connection can be quite strong for my customers.

“People get that home-baked taste and the smell and recall their childhoods.

“It’s what grabs their attention when they’re passing.

“I also think presentation is very important, being from an advertising background. I really enjoy making my stall presentable, with all the products laid out.”

Crumbs And Munch trials new products on a monthly basis - image by Rita Law
Crumbs And Munch trials new products on a monthly basis – image by Rita Law

growing Crumbs And Munch

Having taken solid first steps with her fledgling business, the plan is now to embark on the next chapter.

“This is now the time to scale up and take on a more permanent site where I can connect with my customers more regularly,” said Rita.

“I know it will be a huge commitment – having a stall at an indoor market – but I’m excited to start working on it and I’ve already submitted an application for a pitch at Greenwich Market. 

“Beyond that, in the future, I’m very interested in establishing a community hub where I can bring together baking with storytelling.”

In addition to finding a more permanent place to trade, Rita is also looking at moving her operation to a commercial kitchen so she can ramp up to full-time production.

The impetus, however, is the way her bakes make her customers feel.  

“I’ve already bought an extra fridge, but you can only do so much in a home kitchen,” she said. “So I have that ambition.

“Selling these products on the market actually feels quite emotional for me sometimes – the people buying them are trusting me and I’m so glad they like them.

“I do feel overwhelmed at times with the positive feedback.

“It feels like I do a little magic and people really enjoy my stuff. 

“Hopefully I’ll be able to take this business full-time in the second half of this year – that’s what I’m planning for.” 

key details: Crumbs And Munch

Crumbs And Munch currently sells its products online and in-person at Thrive’s monthly pop-up markets at Surrey Quays Shopping Centre.

The next few are set to be held on May 31, June 28 and July 26, 2025.

Find out more about the bakery business and order online here

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Tutankhamun: The Immersive Exhibition review – a sight to see

It might be more Hollywood than British Museum, but this ancient Egyptian showcase delivers on spectacle, scarabs and VR baubles

This isn't Indiana Jones, it's King Tut, but not as you know him - image by Jon Massey
This isn’t Indiana Jones, it’s King Tut, but not as you know him – image by Jon Massey

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First off, the important thing to know about Tutankhamun: The Immersive Exhibition is what it is and what it isn’t.

Madrid Artes Digitales’ extensive installation at Excel’s Immerse LDN isn’t a serious showcase of archaeological artefacts.

If you want to see the genuine stuff, pop over to the British Museum where they have a vast array of real things dating back 3,000 years.

The Russell Square institution has more than 100 mummies alone and they’ll let you look at them for free.

Tutankhamun: The Immersive Exhibition has perhaps a dozen, somewhat sorry-looking historic objects, plus a bunch of replicas in varying degrees of quality.

Somebody didn’t want to pay the extra cash for the King Tut mask with the inlays, so the colours are just painted on.

But this is because Tutankhamun: The Immersive Exhibition is really all about spectacle.

The visuals are stunning, even if the narrative arc is far from clear - image by Jon Massey
The visuals are stunning, even if the narrative arc is far from clear – image by Jon Massey

a flurry of facts

Visitors are initially introduced to a series of museum-like displays offering info on the Boy King and the discovery of his barely-touched tomb in the 1920s. 

These are pretty informative, presenting a drip-feed of knowledge.

There are teasing mysteries too such as the questions over Tutankhamum’s parentage – was his mum actually the famous Nefertiti, for example?

There’s quite a bit on archaeologist Howard Carter, his partnership with Lord Carnarvon and how their blockbuster discovery took the world by storm. 

There’s some depth – just enough to get the neurons firing as we wander into a space grandly titled “The Treasure Room”.

But this is not a touring museum, it’s an entertainment.

The replicas that lie within – including a full-size mummy, the ersatz death mask plus the odds-and-ends collection of bits from ancient Egypt – are only an aperitif. 

What this “exhibition’s” creators are really all about is digital.

Replicas in the exhibitions' 'Treasure Room' - image by Jon Massey
Replicas in the exhibitions’ ‘Treasure Room’ – image by Jon Massey

Tutankhamun: The Immersive Exhibition, a digital spectacle

First we enter a room with projections on all four walls and the floor. Here, a 30-minute looped video presents a visually arresting vision of – what exactly? 

Golden geckos run around the floor, sandstorms act as screen wipes, followed by infestations of scarabs, scorpions and, at one point, an unstoppable cascade of golden jewellery. 

Lightning flashes, deep voiceovers intone important-sounding words. If there is a narrative at all, presumably it’s the life of King Tut, but to be honest, that’s not the point.

It’s a surprisingly fun and engaging watch. 

Imaginative in the extreme (Gods come to life, temple pillars telescopically retract for unclear reasons), it’s like an ancient Egyptian acid trip made flesh for our amusement. 

This is equally true of the not one, but two VR experiences that follow.

The first takes place in a swivel chair and starts off as a tour of the tomb.

Reality is quickly left behind, however as we ascend to the afterlife, complete with lava, giant God statues and a heart weighing ceremony with Anubis.

The graphics aren’t amazing and the content is balderdash – Nefertiti is now definitely Tut’s mum, for example – but it’s diverting for seven minutes or so. 

In the second one, we don headsets and wander around a room.

One minute we’re in the tomb, the next we’re on the dig site.

Then we’re half trapped under some poorly rendered sand.

Other guests are represented as the top third of a greyscale Howard Carter, which adds an extra level of silliness to proceedings.

Maybe there’s a plot but who knows? And frankly, who cares? 

At about £25 a go the ride is amusing.

There’s a light shower of facts, followed by at least 90 minutes of solid nonsense that’s worth a watch purely because nobody seems at any point to have queried whether it’s a good idea to flood the screen with golden rings, just because you can.

Even what purports to be a serious holographic presentation of the mummification process features sky water, or something.

You have to see it to believe it.  

4/5 ****

Columns are brightly coloured and sometimes bounce up and down like telescopes - image by Jon Massey
Columns are brightly coloured and sometimes bounce up and down like telescopes – image by Jon Massey

key details: Tutankhamun: The Immersive Exhibition

Tutankhamun: The Immersive Exhibition is booking until June 29, 2025, at Excel London’s Immerse LDN in Royal Victoria Dock. 

Tickets start at £22 plus booking fees and can be purchased via Eventim or Fever.

The exhibition is located about five minutes from Custom House station offering DLR and Elizabeth Line services.

Find out more about the experience here

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Cancer Awareness Trust aiming to deliver trusted info for patients

Level39-based charity is developing Cancer Platform as a resource for those with a diagnosis and their loved ones that’s set to launch in 2026

Cancer Awareness Trust chief tech and data officer, Daniel Woolf - image by Jon Massey
Cancer Awareness Trust chief tech and data officer, Daniel Woolf – image by Jon Massey

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We live in an unprecedented age of information.

Never before have so many people had access to such a wealth of content at the mere tap of a finger. 

But with the vastness of a largely unregulated digital world comes the issue of quality.

With not only humans (who are bad enough) but AIs churning out swathes of answers, opinions and hallucinations as they whisper what it heard or saw, humanity is increasingly submerged in a sea of at best confusion and at worst falsehoods.

It’s not so very long ago that wellness blogger Belle Gibson fooled hundreds of thousands of followers and Apple with her tale of overcoming brain, blood, spleen, uterine and kidney cancers,  mostly through exercise, healthy eating and a positive mindset. 

In reality there’s no evidence the Australian social media personality was ever diagnosed with the disease – but that didn’t stop her developing an app, gaining widespread influence and being embraced by one of the world’s largest tech firms. 

Her twisted story is especially relevant, given its use of cancer as a jumping off point.

About half of us will develop some form of the disease during our lives. 

Cancer Awareness Trust is based at Canary Wharf tech community Level39 in One Canada Square - image by I-Wei Huang
Cancer Awareness Trust is based at Canary Wharf tech community Level39 in One Canada Square – image by I-Wei Huang

searching for information

“At the point of diagnosis, the vast majority of people will go online to search for information, as do their loved ones,” said Daniel Woolf.

“But they can easily find themselves in the wrong place – TikTok or Instagram, for example. 

“A short-form video of someone who is very charismatic may lead someone to go away and make life-changing decisions because they are looking for a glimmer of hope.

“But are they trustworthy? 

“Something like one in three online sources is either misinformation or not pertinent to a particular individual’s diagnosis.”

That’s what the development of Cancer Platform is seeking to change.

“Sitting beneath the umbrella of the Cancer Awareness Trust – a charity based at tech community, Level39, in Canary Wharf – the mission is to create a free-to-use app which delivers expert information, stories and services. 

As the organisation’s chief tech and data officer, it’s Daniel’s job to oversee the app’s development, a task he’s relishing after a long career in the NHS.

“I planned to be there for four weeks and ended up being there for 17 years,” he said.

“I’ve been an engineer, a data analyst and have directed a number of teams at regional and national level.

“But as I moved through the various national bodies, I found I couldn’t have the impact I wanted.

“There are so many layers and I felt insulated.

“With so many different governments the chairs were always being moved around.

“What I wanted to do was use technology to help improve people’s lives.

“The bureaucracy in the NHS was enormous and so, when it came time for a career change, I wanted something small with the feel of a startup where I could be hands-on, albeit in an organisation with huge ambition.”

the Cancer Awareness Trust’s ambitions

The Cancer Awareness Trust is aiming big.

Drawing funds and support from its creative brand Evamore Music – which has released works featuring the likes of Ozzy Osborne, Cillian Murphy, Glenn Close and the late Sinéad O’Connor – the organisation is supported by Canary Wharf Group, among many others, in its efforts to deliver Cancer Platform.

“The trust’s aim is to empower people to change the course of cancer,” said Daniel, who was born in Hoxton and grew up in east London.

“Having the artists, music, events and that creative spirit involved makes us unique – it’s very different from the technology side.

“With Cancer Platform we want to hold people’s hands through their journey after a diagnosis. 

“We’re testing it this summer and we’re aiming to put it out there in 2026 and then to gradually build it up with more and more information.

“What we’re creating is a layer above the standard websites that are out there.

“Cancer Platform uses personalisation and AI to make the information highly relevant to each user.

“There is a lot of good information out there already, but it’s fragmented and often it’s left to the individual to find what’s relevant to them.

“Cancer Platform helps users to build up a scrapbook of information that helps them consolidate their knowledge and understanding from a trusted source.

“It’s about taking away the unpredictability of Dr Google.

“Cancer is complicated. Treatments may be available in certain regions but not in others. Ethnicity, background and age are also relevant.

“Our aim is to provide information and services that are relevant to each individual as well as relatable stories from people in similar situations, offering hopeful optimism where appropriate. 

“A lot of medical information can sound cold and clinical – more about the cancer than the person. 

“Our ambition is for people not to have to log-in initially.

“We want to build that trust first and some people might have a diagnosis they don’t wish to disclose – safeguarding is important to us and we won’t be selling their data.

“We also want people to be able to search for information that’s personalised to a degree, but then we’ll encourage people to sign up for an account so they can take the next steps and we can really hold their hands.

“They might come to Cancer Platform to ask about symptoms or a diagnosis and then what we’re doing in the background is pairing them up with relevant information, pulling it from trusted sources and feeding it back to them in an understandable way.

“The key thing is not just giving answers, but making sure we give them the right sources to guide people to specific charities. Then they are able to see the next steps.

“One of the things we’re trying to do is to inform people about the questions they should be asking when they next visit their oncologist such as whether they are entitled to a second opinion.

“Users will get responses, suggested prompts and stories of people like them so they can get an idea of what their own journey might be like.”

the process of assurance

Key to Cancer Platform’s aims will be ensuring the information it supplies to users is robust, accurate and clear.

This is one of the greatest challenges in its delivery and one Daniel and the team are already deeply engaged with.

“The assurance process is in development at the moment,” he said.

“It’s quite a new field. There are a number of academic papers, which are all looking at the area of trusted information.

“These include some principles and measures, which we’re then building our own assurance processes on top of as well as working with leading oncologists.

“We also have a team which is taking a granular approach in ensuring that the information we supply is accurate and comprehensive.

“For example, we have banks of questions from a wide array of sources, that say: ‘These questions are what people come to us to ask’.

“So we’ve taken those answers through our assurance process and then they’re assessed for their accuracy and fitness for purpose.

“It’s vital to get the balance right.

“We’ve got our oncology team working through that now and the results from them will show us what levers to pull next.

“Have we identified the gaps in our knowledge base?

“Do we need to tune the AI a different way to access and serve more information?”

a trusted source of information

Ultimately, the charity’s intention is for Cancer Platform to provide information on all forms of the disease, a project truly massive in its scope.

Initially, the plan is to focus on breast and prostate cancers before expanding out to other areas. 

“Admittedly, our ambition is huge so it’s about constantly focussing on the next step,” said Daniel.

“A number of specific charities already exist in these areas, so we can build out from that and make sure it’s working for those groups of patients.

“It also helps us to co-design with those communities.

“One of the biggest challenges – because there are so many good ideas – is to make sure we’re hyper-focussed. That’s my job.

“Building a platform like this is hard but we’re at a crossroads moment.

“Until recently, much of the information we needed just wasn’t there but it is now.

“We want to make it available to people and to do that without selling their data. We’re a charity so there’s no profit motive.”

key details: Cancer Awareness Trust

You can find out more about the Cancer Awareness Trust, Cancer Platform and Evermore via the charity’s website.

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Southmere regeneration’s latest phase set for launch in June

Joint venture by Peabody New Homes and Lovell will see nearly 200 homes released to the market

An artist's impression of the latest phase at Southmere - image by Peabody New Homes / Lovell
An artist’s impression of the latest phase at Southmere – image by Peabody New Homes / Lovell

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Nearly 200 new homes are set to be released for sale in south-east London next month.

The one, two and three-bedroom apartments – plus duplexes – are scheduled to hit the market in June as Peabody New Homes and Lovell unveil the second phase of their joint venture to regenerate Thamesmead – Southmere.

Spread over two red brick-clad buildings, Lakeshore and Skyline, the properties are set alongside £2.5million regeneration of Southmere Lake.

The blocks boast direct views over the water with apartments that feature large windows, and private outdoor space for all residents. 

Interior design firm Suna has created schemes for both buildings with distinct colour palettes for bathrooms and kitchens in green and blue to differentiate the properties on offer.

Properties have been designed with distinct colour schemes - image by Peabody New Homes / Lovell
Properties have been designed with distinct colour schemes – image by Peabody New Homes / Lovell

lakeside living

 “Providing lakeside living with Zone 2 convenience, we are excited to soon be launching our next phase of highly anticipated homes at Southmere,” said  Raquel Soares, assistant director of sales strategy, intelligence and compliance at Peabody New Homes.

 “Located at the heart of Thamesmead’s vibrant regeneration, Lakeshore and Skyline are set to the backdrop of gorgeous green and blue spaces, exciting new amenities and exceptional transport links. 

“With properties in regeneration areas typically seeing an additional annual sale price performance of 4.3%, Southmere is inviting buyers to invest in a growing community. 

“Launching shortly, those hoping to find their place in this up-and-coming destination can register their interest now.”

Apartments come with private outdoor space - image by Peabody New Homes / Lovell
Apartments come with private outdoor space – image by Peabody New Homes / Lovell

amenities at Southmere

Residents at Southmere get access to a 16-hour concierge service, a residents’ lounge, co-working spaces and a cinema room.

Those moving into Skyline will also benefit from an entertainment room.

Those living locally will also be able to take advantage of paddleboarding, kayaking and sailing facilities at a new boat club, which is set to be unveiled on Southmere Lake.

Simon Ginsburg, head of sales at Lovell said: “We’re really excited for Southmere phase two on the beautiful lakefront in Thamesmead.   

“Our vision is to create amazing places where people want to live and a lakeside view in London on the balcony is truly a rare find.”

Southmere is located a 10-minute walk from Abbey Wood station, which offers connections to the likes of Canary Wharf, Farringdon and Paddington in 11, 20 and 28 minutes, respectively.

The hub also offers rail services to a range of destinations and there are plans to extend the DLR to Thamesmead too.

Local amenities include the likes of The Nest Library And Community Space, a Co-Op, an Anytime Fitness gym, a health centre and a dentist as well as the open public space of Cygnet Square.

The project to regenerate Thamesmead aims to preserve as much open space in the area as possible while providing new homes for Londoners.

Residents at Southmere will be within easy reach of nature reserve Tump 53 and the ancient woodlands of Lesnes Abbey Woods.

Southmere Park boasts South London’s first ever Tiny Forest, made up of 600 trees, while walking and cycling routes offer connections to the area’s five lakes, 18 kilometres of riverside walks and 7 kilometres of canals.

Homes in the latest phase of the Southmere scheme are set to go on sale from June 21 - image by Peabody New Homes / Lovell
Homes in the latest phase of the Southmere scheme are set to go on sale from June 21 – image by Peabody New Homes / Lovell

key details: Southmere

Prices for private sale homes in the second phase of Southmere start at £350,000. The apartments will be available from June 21, 2025.

Shared ownership properties at the development are scheduled to launch in 2026.

Find out more about the development here

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