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JP Morgan Chase’s Canary Wharf tower is about the long term

Banking giant’s plans for the Riverside South site build on foundations laid 17 years ago beside the Thames in east London

An artist's impression of a roof terrace at JP Morgan Chase's forthcoming Riverside South plans - image by JP Morgan Chase / Foster + Partners
An artist’s impression of a roof terrace at JP Morgan Chase’s forthcoming Riverside South plans – image by JP Morgan Chase / Foster + Partners

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The London Standard recently published a piece entitled The Remarkable Story Of Canary Wharf’s Renaissance.

Amid a series of somewhat confused bird-based metaphors, it tells a tale of a district brought to the brink of disaster by the pandemic and the home working trend that followed it.

It’s boisterous copy is full of “shaky foundations” bonds in “junk territory” and “symbolically damaging” moves.

Scary stuff, but also – like a lot of the analysis that caused some to temporarily lose confidence in the Wharf – it fails to appreciate the silliness of short-termism when considering changes in the area.

This isn’t rebirth, it’s a constant process of reinvention and growth.

It’s nothing new, either.

The site as it stands today - image by Jon Massey / Wharf Life
The site as it stands today – image by Jon Massey / Wharf Life

a big deal

It should come as absolutely no surprise whatsoever that JP Morgan Chase has decided Canary Wharf is the right place for it to build a £3billion tower, providing 3million sq ft of space for up to 12,000 employees.

In 2008, the banking giant completed the purchase of a 999-year lease on land beside the Thames for its Riverside South scheme.

The plans drawn up by architects RSHP (then Richard Rogers Partnership) were for two towers.

The size of the scheme? A little over 3million sq ft of space.

Serious work started on the site, adjacent to Westferry Circus, with foundations created and concrete poured for basement structures.

But work stopped in 2010 with JP Morgan opting instead to move into 25 Bank Street – Lehman Brothers’ former home in London.

Wharf watchers will have noted that the Riverside South site has since lain dormant, rebar carefully marked with little high-viz hats and voids protected with temporary roofing.

In 2015, having settled into its new home, JP Morgan nevertheless put plans to sell the land on hold, leaving the option open to develop it later.

A decade on and the bank’s need for space has grown beyond its current accommodation.

This has prompted it to let space at a refurbished building in nearby Cabot Square, which was vacated by Credit Suisse following its enforced takeover by UBS.

A more permanent solution was desired and options were considered.

The bank recently unveiled its new HQ in New York.

That megastructure was designed by Foster + Partners and the bank has now revealed that it has chosen the same architects to take forward plans for its new London office.

Where? On the land it’s kept on its books for the past 17 years.

The project is expected to contribute £9.9billion to the UK economy, with completion in around six years’ time.

Jamie Dimon, chairman and CEO of JP Morgan Chase, said: “London has been a trading and financial hub for more than a thousand years, and maintaining it as a vibrant place for finance and business is critical to the health of the UK economy. 

“This building will represent our lasting commitment to the city, the UK, our clients and our people. The UK government’s priority of economic growth has been a critical factor in helping us make this decision.”

Shobi Khan, CEO of Canary Wharf Group, added: “We are delighted that JP Morgan Chase has once again chosen Canary Wharf as its primary UK location. 

“The scale and ambition of this scheme – set to become the largest office building in London – demonstrates the continued momentum behind Canary Wharf’s evolution and the bank’s commitment to outstanding workplaces.

“2025 will be our best leasing year in over a decade. Five of the top global investment banks are located at Canary Wharf.”

In the context of a millennium, 17 years doesn’t really seem all that much time to wait…

An artist's impression of Richard Rogers Partnership's original scheme for the site - image by RSHP
An artist’s impression of Richard Rogers Partnership’s original scheme for the site – image by RSHP

words matter

CWG is spot-on when describing the way the Wharf has changed over the years.

The project to transform derelict docks into a hive of activity and prosperity has constantly twisted and turned. 

Wood Wharf was originally conceived as an office-led expansion of the existing scheme, only for residential towers to rise instead.

The idea that the area has been reborn fails to recognise the granular diversification of an estate that now services the needs of workers, residents and visitors passing through for a multitude of reasons. 

The financial services institutions sit alongside life sciences, government, parts of the NHS, digital banks, charities and educational organisations as well as an ever-growing retail and hospitality offering.

There’s even a whale made of ocean plastic and a theatre.

This isn’t coincidence. It’s an area unafraid to act on opportunity, to try new things but, crucially, to put in solid foundations to start with so that when the world needs it to be a different shape, it has something firm to build on.

recent successes

In some senses, Riverside South’s foundations are a decent metaphor for what’s happening to Canary Wharf right now.

Buildings have a shelf life and organisations’ needs evolve.

Challenger bank Revolut went from a handful of employees to hundreds and now thousands, recently landing on the upper floors of the YY London building, a structure extensively refurbished and renamed after the best part of three decades housing Thompson Reuters. 

This process of renewal, reinvention and so evolution is going on across the Wharf, most obviously with Citi’s decision to retool its east London home and spending billions of pounds to do so. 

There are many other projects in the pipeline, with the value evidenced by Blackstone’s decision to put its Cargo tower back on the market following a refurb and the upturn in perceived value with a slew of businesses opting to move to the Wharf. 

The recent wins for the estate are too numerous to list fully but include challenger bank Zopa at Wood Wharf, which recently moved staff in, and the announcement that Visa will relocate its European headquarters from Paddington to One Canada Square.

With 76million people expected to have visited the estate in 2025 and a backdrop of surging demand, it’s little wonder the Qatar Investment Authority, which owns the tower HSBC is set to vacate in 2027, is considering retaining a higher proportion of office space in the structure when it tackles that refurbishment. 

Having continued a relentless programme of growth and improvement across the estate, Canary Wharf is arguably better placed than ever before to welcome organisations looking for smart new homes, not least because of the Elizabeth line. 

Suddenly, a new ferry with a bigger capacity between Canary Wharf Pier – next to Riverside South – and Rotherhithe looks like a very timely introduction from Uber Boat By Thames Clippers.

Read more: Orbit Clipper begins carrying ferry passengers between Rotherhithe and Canary Wharf

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University offers practical, collaborative, career-driven care courses

How the University Of Sunderland In London’s Health And Social Care and Nursing departments offer qualifications focused on employment

Dr Banhishikha Ghosh, lecturer in health and social sciences at the University Of Sunderland In London - image by Jon Massey / Wharf Life
Dr Banhishikha Ghosh, lecturer in health and social sciences at the University Of Sunderland In London – image by Jon Massey / Wharf Life

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“We are very passionate about making sure  our students are appropriately qualified and experienced when they go out into the market,” said Dr Banhishikha Ghosh of the University Of Sunderland In London (UOSiL). 

“We have academics here who have real-world experience of the nursing and care sectors so they can equip students with both theoretical knowledge and practical know-how.”

Banhishikha has a number of roles at the university, based on the Isle Of Dogs at Harbour Exchange.

She’s both academic champion for employability and enterprise and people, culture and environment lead for REF research in addition to her position as lecturer in health and social sciences. 

This trio of jobs – located at the intersection between employment, research and academic study – means she’s well placed to showcase the institution’s offerings to individuals thinking of studying in its social care and nursing departments.

As well as a two-year foundation degree in Health And Social Care, the university offers one-year BSc top-up courses in Health And Social Care and Nursing Practice as well as postgrad courses in Public Health, Nursing Practice and Adult Nursing, the latter leading to eligibility to register with the Nursing and Midwifery Council on successful completion.

a ‘fantastic employability team’

“Health And Social Care and Nursing are two departments that work together,” said Banhishikha. 

“A student, for example, might start with the former and then move on to nursing.

“Many move on from our BSc programmes to postgraduate study.

“We are a young and vibrant campus with a mix of students from all over the world and Britain.

“Many already have degrees, with some qualified as doctors, nurses and pharmacists who come to us to get a UK qualification so they can work in this country.

“One of the reasons individuals should consider studying with us is that we have a fantastic employability team, which connects students with local organisations.

“We are looking at a very dynamic employment market, now including AI, so we hold events and workshops as well as an Employability Week once a year where we bring in people working in various industries to help inform students about what skills they need.

“We also feed the students information about internships so they can go out be a part of the healthcare industry.

“Some launch careers before they finish their degrees and I see them engaged in placements and volunteering.

“That means by the time they graduate they have enough experience to apply for jobs and it feels really lovely when you see them take up their first roles.

“We rely a lot on our alumni and our network as academics to help support our students and link them up with different opportunities and organisations. 

“From the first day onwards, we let students know what they have to do to build that experience.

“We advise them to get internships before they come, so they can help us work out what would be the best direction for them.

“We have three pathways we encourage our students to follow.

“The first is the managerial pathway, which trains them to understand how leadership works.

“Then there is the mental health pathway for support workers in that sector.

“Finally, there’s the research pathway, which includes data gathering, report writing and primary and secondary analysis.”

Layla Hyda, head of innovation at Revolution AI - image by Jon Massey / Wharf Life
Layla Hyda, head of innovation at Revolution AI – image by Jon Massey / Wharf Life

working together with industry

Collaboration with outside organisations is key to the UOSiL’s offering.

The university works with many partners including near neighbour Verve Homecare and its sister company Revolution AI – both based at Harbour Exchange but primarily providing services in people’s residences.

“I’ve recently transitioned to the health tech side of the business,” said Layla Hyda, head of innovation at Revolution AI.

“My mum has been a carer for more than 25 years and refuses to retire, so I learned a lot about the sector and healthcare in general from her.

“I started off in recruitment, placing nurses in NHS hospitals, but I realised there was so much more I could give.

“I then went to work as an internal auditor, analysing care workers and their checks, working my way up to management level where I was responsible for the complex needs of children and adults and the wellbeing of the staff looking after them.

“I absolutely loved it – I learnt so much more about the sector, even though at first it felt scary being thrown in the deep end. 

“Now I have the opportunity to work in innovation and improve things for the benefit of some of the most vulnerable in our society – that’s my passion.

“Having met with the university, I found they needed placements for students and that I could facilitate that.

“I knew it would be a great opportunity for them to see what working in the sector is like.

“People forget that care is not just about hospitals and nursing homes – there’s also homecare where, in a nutshell, we provide staff to look after a person in the comfort of their home.

“There’s a lot to consider, but our number one priority is always making sure that person is safe.”

The aim of the collaboration is to offer students practical experience and valuable insights into jobs available in the sector.

Layla said: “We give those coming on placements a complete induction so they understand the ins and outs of care and our company.

“If a student has an interest in complex care, for example, we put them in training sessions at no cost to them so that they can get that exposure to it and see if they want to follow that path.

“Someone interested in mental health might get similar training.

“Then students have an opportunity to sit with the operations team, dealing with rosters and recruitment and pre-employment checks.

“Depending on the student, they can go on visits with a care team in a shadowing role. 

“Those not having that experience will be with us in the office, seeing everything that happens behind the scenes, and assist with that.

“That’s equally important because both operations work in conjunction with each other.”

Both the University Of Sunderland In London and Verve Homecare are based at Harbour Exchange on the Isle Of Dogs - image by Jon Massey / Wharf Life
Both the University Of Sunderland In London and Verve Homecare are based at Harbour Exchange on the Isle Of Dogs – image by Jon Massey / Wharf Life

the key role of research

The university is also working with Verve and Revolution AI on a research project aimed at improving training for care workers and helping providers retain staff more effectively.

In a first for the London campus, the university has been awarded £211,000 of funding from Innovate UK for a project that aims to “generate vital insight into the lived experiences of frontline care workers, to enhance quality care, support workforce wellbeing, and embed equity into social care training and delivery”.

Banhishikha said: “It’s a project that is close to our hearts.

“When I first joined the university, we had lectures and workshops, and we gave students the opportunity to talk about the placements and their experience of working in the organisation.

“In these very small but very rich focus groups, the feelings that came out were that students were not equipped enough to take care of patients and they would like it if they had better training. 

“When I met Layla, I realised she had so much experience in the industry.

“Sometimes carers come and go in the industry – there’s a revolving door – and the reason could be that they do not have enough training.

“At the moment education is for carers, but not necessarily ‘by them’ or ‘with them’.

“The idea is that, in partnership with Verve and Revolution AI, we seek to enrich the training frameworks that are already there by tapping into the experience of care workers – especially those of women from migrant populations who are the backbone of the UK care system.

“We capture data from them that can be fed into the system to create robust training, which equips them better at work. 

“We also want to work with others – we’d love to be connected with other organisations who are interested in this area and have information they want to share with us.”

Layla added: “For us, person-centred care is an essential part of what we do. It’s about the holistic way we deliver services – the people not the bed numbers.

“Training in the sector can be reading slides on powerpoint presentations and tick-box exercises. It’s very easy to pass and could be improved.

“With this project, we are really excited to set the bar high – we want to stop that revolving door.

“Our goal is to equip our care staff with the right tools they need to give them the confidence to go out into the field and deliver the holistic care people deserve.”

key details: Health And Social Care and Nursing courses

The University Of Sunderland In London offers a range of courses in Health And Social Care and Nursing in its Isle Of Dogs campus at Harbour Exchange.

Full details of these can be found on its website here.

Read more: Why a degree in hospitality and tourism can boost your career

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Orbit Clipper ferry from Rotherhithe to Canary Wharf starts running

All-electric vessel can carry up to 100 bikes and 150 passengers as Uber Boat By Thames Clippers service begins its phased introduction

Uber Boat By Thames Clippers' Orbit Clipper - image supplied by Thames Clippers
Uber Boat By Thames Clippers’ Orbit Clipper – image supplied by Thames Clippers

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The sleek, aquadynamic shapes of Uber Boat By Thames Clippers’ fleet have long lent London’s river a futuristic look.

Their low-profile white livery is an aesthetic more similar to advanced aircraft and sci-fi spacecraft than lumbering tugs on the water.

They look like they’re built for speed to the point where seeing them manoeuvre gently into position at a pier is something of visual paradox.

It’s impossible to be sure, but the company’s preference for such designs might well have played a part in its success in delivering fast river bus services where others had failed before. 

Just seeing one of its vessels blast past at full speed is to want to board.

There’s a thrill there, a real excitement, as clouds of spray kick up behind.

While the latest addition to the fleet is a different animal altogether, its design is also a tantalising prospect for passengers.

Orbit Clipper, officially unveiled in December 2025, carries a cargo of innovation atop her twin hulls. 

Built to ferry passengers between Canary Wharf and Rotherhithe, she’s being phased into operation alongside outgoing vessel Twinstar, which has spent more than five decades carrying people across various bits of the Thames.


On board Orbit Clipper's first official crossing of the Thames - image by Jon Massey / Wharf Life
On board Orbit Clipper’s first official crossing of the Thames – image by Jon Massey / Wharf Life

a massive increase in capacity

While the older boat could take up to 120 people and maximum of five bikes, Orbit has space for 150 as well as up to 100 bicycles. 

Tardis-like she seems considerably bigger inside, with an intelligent roll-on, roll-off design for efficient boarding and disembarkation once safely across.

Generously glazed at the sides, passengers sit or stand beside large triangular windows that let light and views flood in.

In short, stylistically she’s a vessel well realised to serve a pier adjacent to the site that is set to be filled by the largest office tower in the UK – JP Morgan Chase’s new riverside tower. 

Orbit is well cast for the future too. She’s the UK’s first fully electric, zero-emissions ferry with aluminium used to make her lighter. 

The project has seen Thames Clippers work with Wight Shipyard Company, marine civil engineering consultant, Beckett Rankine, and electrical infrastructure specialist Aqua Superpower. 

Uber Boat By Thames Clippers' CEO and co-founder Sean Collins at the controls of Orbit Clipper - image supplied by Thames Clippers
Uber Boat By Thames Clippers’ CEO and co-founder Sean Collins at the controls of Orbit Clipper – image supplied by Thames Clippers

creating opportunity

Uber Boat By Thames Clippers CEO and co-founder, Sean Collins, said: “It’s been a remarkable journey – it hasn’t been easy – but innovation never is.

“The team has embraced this project, nobody’s given up – we always believed it would be delivered and here we are. 

“Watching Orbit crossing feels brilliant – she fits in so well with the architecture of Canary Wharf.

“We believe there’s a real opportunity here to further develop this concept and implement it at other locations along the Thames Estuary. 

“Sometimes people living by the river feel disadvantaged because they have to go back inland to make a crossing.

“The Thames can be seen as a barrier and it shouldn’t be. Instead, we should be connecting our communities across it.

“Orbit Clipper not only showcases cutting-edge innovation but also sets a new standard for eco-friendly travel on the Thames, helping to shape a cleaner,  greener future for Londoners and visitors alike “

Cyclists use the ferry on the day of launch - image by Thames Clippers
Cyclists use the ferry on the day of launch – image by Thames Clippers

an emphasis on cycle routes

At Orbit’s unveiling, attended by Mayor Of London, Sir Sadiq Khan, and representatives from Uber, Innovate UK and other stakeholders in the project, there was a clear emphasis on the new craft supporting those travelling by bike. 

A group of cyclists from British Triathlon wheeled their mounts on and off the vessel as a practical demonstration of the way it allows travel between major routes such as Cycle Superhighway 3 and Quietway 1. 

“This is a fantastic new transport option for Londoners – not only cleaner and greener than its predecessor, but providing quicker and more accessible journeys across the river for far more people,” said Sadiq. 

“Innovation and investment in travel infrastructure like this will help us navigate the challenges facing our environment and our economy as we continue building a fairer, greener, better London for everyone.”

Ruth Daniels, CEO at British Triathlon, added: “With space for up to 100 bikes, Orbit Clipper gives triathletes, commuters, tourists and anyone traveling across London a greener, a more convenient way to get around.

“The ability to integrate river bus services into their routine adds a welcome, sustainable alternative.”

Hers was a sentiment echoed by Uber UK general manager Andrew Brem. He said:

“By boat, bike or car, Londoners now have even more options to take a zero-emission journey across the capital with Uber. 

“Whether you’re commuting to work or enjoying the sights of the city, the Orbit Clipper is a brilliant addition to the Thames and is an important milestone in the electrification of London’s transport options.”


The new ferry runs between Rotherhithe and Canary Wharf - image supplied by Thames Clippers
The new ferry runs between Rotherhithe and Canary Wharf – image supplied by Thames Clippers

zero emission running

The introduction of the new vessel also marks an important step in Thames Clippers’ mission to cut its carbon emissions by 50% by 2035. 

The company is already operating three hybrid high-speed passenger vessels – Earth, Celestial and Mars.

These operate on battery power in central London to reduce emissions and biofuel elsewhere to recharge the boats’ power.

Orbit is being introduced gradually to ensure service continuity.

She is expected to be in full service by spring 2026. 

Plans to have her self-dock at either end of her journey are currently on hold due to delays in supply and installation of the necessary systems. 

The Mayor Of London, Sir Sadiq Khan attends the launch - image supplied by Thames Clippers
The Mayor Of London, Sir Sadiq Khan attends the launch – image supplied by Thames Clippers

key details: Orbit Clipper

Orbit Clipper has begun a phased introduction to Uber Boat By Thames Clippers’ RB4 ferry service between Rotherhithe and Canary Wharf.

Single journeys on Oyster or via the Uber or Thames Clippers Tickets apps cost £4.10. 

Passengers can buy a carnet of 20 tickets for £57.40 on the apps, reducing a single fare to £2.87.

The journey takes approximately three minutes.

Find out more about the service here

Read more: Why a degree in hospitality and tourism can boost your career

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Dagenham Green and North Gate Park schemes deliver parkland

Buyers looking for new-build homes in north and east London should take a look at these extensive projects from The Hill Group and Peabody

An artist's impression showing open space at North Gate Park - image supplied by The Hill Group
An artist’s impression showing open space at North Gate Park – image supplied by The Hill Group


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We’re showcasing a pair of developments that offer different things in very varied parts of London, while still delivering on outdoor space.

When complete, both will see significant public amenities created, opening up the areas they are being built in for the benefit of residents and the local communities that surround them…

An artist's impression of Dagenham Green in east London - image supplied by The Hill Group
An artist’s impression of Dagenham Green in east London – image supplied by The Hill Group

Dagenham Green

give me the info

This is a momentous time for Dagenham Green.

The 45-acre, 3,500-home joint venture between The Hill Group and Peabody is soon set to welcome its first residents. 

One, two and three-bedroom apartments are currently available for private sale at the scheme.

Fast-moving buyers, who reserve by the end of December, can claim a bauble from the development’s Christmas tree, each containing a surprise gift such as luxury homeware or premium tech. 

tell me more

Incentives aside, the scheme offers a wealth of attractions in a part of London that’s set for rapid regeneration in the years to come.

Dagenham Green is located adjacent to Dagenham Dock station, offering a direct C2C rail all the way into Fenchurch Street in 21 minutes. 

what about the apartments?

Prices for homes at the scheme start at £300,000, which – as an example – would buy you a one-bed on the sixth floor of The Empire building with views over the development’s Central Park.

Extending to 552sq ft, the property includes a private balcony, a bedroom with built-in wardrobes, a kitchen with integrated Bosch appliances, underfloor heating arranged throughout and plentiful storage. 

A show home interior at Dagenham Green - image supplied by The Hill Group
A show home interior at Dagenham Green – image supplied by The Hill Group

the nuts and bolts

Apartments at The Empire are set for completion over the coming weeks and come with 999-year leases. 

On-site amenities include a residents’ car club and a concierge service.

and the green space? 

As part of the delivery of the wider Dagenham Green scheme, some 10 acres have been set aside for public open space.

Plans include gardens, a lake, a park and a boardwalk as well as shops, a school, a social hub and cafés.

There are also plans to honour the land’s history as part of Ford’s extensive manufacturing plant and the part it played in the campaign for female workers’ rights via a series of pieces by artist Ruth Ewan.

how far is it from the Wharf?

By public transport, Dagenham Dock is about 20 minutes from Canary Wharf via C2C and Jubilee line services from West Ham.

Located close to the A13, the same journey by car takes around the same amount of time with favourable traffic.

Properties come with full fitted kitchens - image supplied by The Hill Group
Properties come with full fitted kitchens – image supplied by The Hill Group

key details

One, two and three-bedroom apartments are available at Dagenham Green. Call 020 3906 1953 or email enquiries to

hello@dagenhamgreen.co.uk, to get more information or to book a viewing. 

Find out more about the development here

Townhouses at North Gate Park - image supplied by The Hill Group
Townhouses at North Gate Park – image supplied by The Hill Group

North Gate Park

give me the info

It’s all go at North Gate Park, right now with a new show apartment unveiled last week and a show house set for launch on January 17, 2026. 

Covering the best part of 18 acres, the joint venture between The Hill Group and Peabody is on course to deliver just under 1,000 homes on a site arranged around Mulberry Gardens. 

tell me more

The site was formerly part of St Ann’s Hospital and features open space designed in the early 20th century with input from horticulturists at Kew Gardens aimed at providing a calm, recuperative environment for patients. 

Today, the first phase in its regeneration is nearing completion with historic buildings retained on site alongside the green spaces and newly constructed buildings. 

Currently one and two-bedroom apartments and three and four-bedroom townhouses are available to buyers.

what about the homes?

Prices for the apartments start at £375,000, which – as an example – would buy you a ground floor home in Marram House with a private terrace extending to some 557sq ft.

Buyers can expect lots of storage, a bedroom with built-in wardrobes, a kitchen with integrated appliances and Amtico flooring in the living space.

Houses start at £965,000 and come with open-plan design and generous private gardens. 

The properties come in a variety of flexible layouts and also include underfloor heating.

A bedroom in a townhouse at North Gate Park - image supplied by The Hill Group
A bedroom in a townhouse at North Gate Park – image supplied by The Hill Group

and the green space? 

In addition to the on-site landscaping, North Gate Park is within easy striking distance of the likes of Chestnuts Park (right across the road), Finsbury Park, Woodberry Down Park and Clissold Park.

The scheme is located in a mature area of north London close to the bustling amenities of Green Lanes, the vibrancy of Seven Sisters and the attractions of the likes of Stroud Green, Crouch End and Stoke Newington, but retains a sense of calm, set just off a series of major thoroughfares.  

how far is it from the Wharf?

For Wharfers considering a move, the simplest commute is probably via Seven Sisters and the Victoria line to Green Park with an easy change to the Jubilee to access the estate in around 40 minutes.


The balcony at a show apartment at the scheme - image supplied by The Hill Group
The balcony at a show apartment at the scheme – image supplied by The Hill Group

key details

One and two-bedroom apartments and three and four-bedroom houses are available at North Gate Park. 

Call the sales team on 020 8501 8777 or email enquiries to

hello@northgatepark.co.uk, to get more information or to book a viewing. 

Find out more about the development here

Read more: Why a degree in hospitality and tourism can boost your career

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Prime Point unveils 19th-floor show homes in North Greenwich

Properties at L&Q’s development can be viewed by appointment. Prices at the scheme start at £399,950 for a studio apartment


An artist's impression of Prime Point on Greenwich Peninsula - image supplied by L&Q
An artist’s impression of Prime Point on Greenwich Peninsula – image supplied by L&Q

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A pair of show homes are set to be unveiled on Greenwich Peninsula as developer and housing association L&Q turbo-charges its marketing efforts to sell apartments at Prime Point.

Studios, one, two and three-bedroom properties are now available for private sale in the two bronze-framed towers, which rise to 29 storeys.

The new show homes, which can only be viewed by appointment, are located on the 19th floor and allow prospective buyers a glimpse into what life at Prime Point is like.

L&Q is also offering a 5% deposit contribution on selected private sale homes to boost affordability for buyers.

“Prime Point has been created with comfort, style and everyday living in mind,” said Claire Brenlund, sales and marketing director for L&Q.

“From the bespoke kitchens to private outdoor spaces and selected homes offering panoramic views, every detail has been considered to offer buyers a home they’ll love coming back to. 

“What really sets Prime Point apart is the lifestyle it unlocks – waterside walks, cultural experiences, brilliant local amenities and unbeatable transport links. 

“It’s a development that brings together design, convenience and a strong sense of place, making it an exciting choice for anyone looking to put down roots in Greenwich Peninsula.”

The show apartments are available to view by appointment – image supplied by L&Q

Prime Point connections

Located in the Brickfields area of the 150-acre Greenwich Peninsula masterplan, Prime Point is an eight-minute walk from North Greenwich station.

Connections from there put commuters in Canary Wharf in two minutes, in London Bridge in eight minutes and at Westminster in 13 minutes.

An extensive selection of bus routes also connect residents to a multitude of south-east London destinations.

Properties at Prime Point themselves include bespoke, handleless fitted kitchens with quartz worktops and integrated Siemens and Bosch appliances.

Each apartment boasts private outdoor space with many enjoying views over the surrounding skylines.

Facilities at the development include a concierge service, a residents’ lounge and landscaped communal spaces.

The area around the development continues to see significant regeneration work, building on the legacy of key attractions such as The O2, the IFS Cloud Cable Car, Design District and Ravensbourne University.

Greenwich Peninsula is becoming an increasingly desirable place to live, thanks to the arrival of a range of local amenities.

These include bars, restaurants and stores– especially the flourishing outlet shopping centre in The O2.

The Dial, a new sports bar and microbrewery, has also just opened its doors in the area, marking Meantime’s return to brewing beer in the borough.

Properties feature private outdoor space including some with views over the Thames - image supplied by L&Q
Properties feature private outdoor space including some with views over the Thames – image supplied by L&Q

key details: Prime Point

Prices for a studio apartment at Prime Point start at £399,950. Deposits start at £19,998.

Shared ownership properties can also be reserved at the scheme and London Living Rent homes will be launching in due course.

Tours of the new show homes can be arranged online by registering your details.

Read more: Why a degree in hospitality and tourism can boost your career

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NHG Homes shared ownership deals come with a winter incentive

Offer includes up to £6,688 cashback on apartments at Kidbrooke Square and The View At Aspect in Croydon as well as other developments in London

NHG Homes is offering buyers a winter incentive to purchase a shared ownership property - image by NHG Homes
NHG Homes is offering buyers a winter incentive to purchase a shared ownership property – image by NHG Homes

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Housing association NHG Homes has unveiled a winter incentive with buyers able to claim up to £6,688 cashback on selected one and two-beds when purchasing a new apartment from the organisation.

Launched in the run-up to Christmas, the offer applies to shared ownership properties at a number of developments across London.

The money can be added to a buyer’s deposit, used to purchase a larger share of the property or go towards covering legal costs for the transaction.

Alternatively, buyers can choose to keep the cash on completion of the deal and use it in whatever way they wish including buying furniture or covering moving costs.

Naturally, terms and conditions apply and buyers must complete within timescales set by NHG Homes.

Any cashback is payable up to 28 days after completion.

To give readers an idea of the kind of home they might expect to buy with the incentive here are two of the housing association’s developments where the offer is available.

The View At Aspect - image by NHG Homes
The View At Aspect – image by NHG Homes

The View At Aspect

Located in Croydon and benefiting from the area’s extensive amenities, prices for a 25% share in a one-bed here start at £83,125.

NHG Homes says monthly costs for rent, mortgage and service charge start at £994 per month – around £400 less than renting a comparable property in the area – with buyers able to secure a home with a deposit of £4,157.

Prospective purchasers can expect properties featuring open-plan design, full height windows and bi-fold doors protecting private winter gardens that can be used all year round.

The scheme is located near East Croydon station which offers connections to Canary Wharf in about 20 minutes via national rail and the Jubilee line.

Those traveling further afield can get to Gatwick Airport in about 15 minutes. Wellesley Road tram stop is also nearby.

Locally, there are a wealth of restaurants, bars and attractions to explore including Boxpark, Wandle Park and concert venue Fairfield Halls. 

Kidbrooke Square - image by NHG Homes
Kidbrooke Square – image by NHG Homes

Kidbrooke Square

This development in the Royal Borough Of Greenwich practically enjoys its own station, with platforms adjacent to its footprint.

The scheme offers a selection of residents’ facilities including a concierge service and a gym as well as landscaped communal gardens and on-site shops.

Offering one and two-bedroom pet friendly apartments, which all come with private balconies, prospective buyers can expect to pay from £1,028 per month to cover rent, mortgage and service charges.

NHG Homes says that equates to annual savings of about £6,864 compared with renting a similar property nearby.

Prices at the development start at £90,000 for a 25% share of a one-bed at the scheme, with buyers also enjoying access to the wider regeneration of the area just across the railway line.

This includes the wider open spaces of Cator Park, a pub and a collection of shops and amenities. 

key details: shared ownership apartments from NHG Homes

Prices at The View At Aspect in Croydon start at £83,125 for a 25% share of a one-bedroom apartment based on a full market value of £332,500.

Prices at Kidbrooke Square in Greenwich start at £90,000 for a 25% share of a one-bedroom apartment based on a full market value of £360,000.

Find out more about the incentives here

Read more: Why a degree in hospitality and tourism can boost your career

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The Wharf Pole presents five festive destinations and events galore

Seasonal promotion spotlights venues and offers workshops, pop-ups and more in the run-up to Christmas with plenty of sparkle and glitz

GoBoat is among the businesses embracing the festive season in Canary Wharf - image by GoBoat
GoBoat is among the businesses embracing the festive season in Canary Wharf – image by GoBoat

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ADVERTISING FEATURE

This festive season, The Wharf Pole has transformed Canary Wharf into a celebration of holiday magic, bringing together seasonal pop-ups, in-store events, shopping evenings, winter dining experiences and festive fun for all ages

From indulgent treats and unique gifts to unforgettable experiences, there’s something to make every moment merry, bright and full of festive cheer.

As the weeks unfold, you can find more details of the campaign online here.

In the meantime we’ve put together a gift guide in Wharf Life’s print issue as well as some top festive spots and diary dates to check out below:

Ice Rink Canary Wharf is located in Canada Square - image by Ice Rink Canary Wharf
Ice Rink Canary Wharf is located in Canada Square – image by Ice Rink Canary Wharf

festive destinations

Ice Rink Canary Wharf

Canada Square

The much-loved skating facility is back on the Wharf, with sessions available right through until February 22.

This year there’s a new refreshment area, more ice to skate on, upgraded lighting and even churros for those in need of a sugar boost before or after they hit the rink.

Afterwards, the Oasis Bar stands ready to serve refreshments.

Tickets start at £13.95 or £49.95 for a family pass for four people.

GoBoat has an all weather solution for its hire vessels - image by GoBoat
GoBoat has an all weather solution for its hire vessels – image by GoBoat

GoBoat – The Winter Pod

Churchill Place

With temperatures plummeting, GoBoat has solved inclement weather over the winter with The Winter Pod.

Fully enclosing the craft, these transparent domes allow for epic views and simultaneous shelter.

Cruises include complimentary mulled wine, blankets, throws and festive decor plus a Bluetooth speaker.

Prices for two hours start at £179 depending on the slot booked.

Boats take up to eight people.

The Winter Club is now open in Union Square - image by The Winter Club
The Winter Club is now open in Union Square – image by The Winter Club

The Winter Club

Union Square

This new venue includes an Ice Bar (from £24.95), a German Bierhaus with live entertainment and a lodge-style Chalet.

Created by Urban Playground – the team behind The Cube – the three venues offer a fresh, festive option for Wharfers looking to socialise or celebrate right through until February.

There’s even a stall selling saucy hot dogs.

The Bierhaus and Chalet will both take walk-ins, while booking is advised for the Ice Bar. Guests for the latter are advised to dress warmly as it’s kept at -10ºC.

Join the Rat Pack at Boisdale - image by Boisdale
Join the Rat Pack at Boisdale Of Canary Wharf – image by Boisdale

Boisdale Of Canary Wharf

Cabot Place

This venue has a truly packed festive programme over Christmas and New Year.

Having just launched its Highland Lodge terrace which offers heated tables and generous servings of fondue, there are also seasonal menus for lunch and dinner to explore.

Visitors can expect the sounds of the Rat Pack and plenty of festive cheer throughout December as well as a blockbuster New Year’s Eve celebration that’s certain to run on into the small hours.

Book early to avoid disappointment.

Marceline is hosting The Curling Club on its terraces - image by The Curling Club
Marceline is hosting The Curling Club on its terraces – image by The Curling Club

The Curling Club

Marceline

The floating restaurant at Wood Wharf has teamed up with The Curling Club to offer Wharfers something a bit different over the cooler months.

In place until February 28, 2026 – anticipating the Winter Olympics, the venue will have five lanes for guests to use with a range of options for larger groups and office parties.

Pay and play sessions start at £15, while standard package offers include an hour of curling with a meal and a drink for £45.

The club already runs successful sites in Chelsea and Vinegar Yard.

Jo Malone's special event is set to take place from December 4-6 - image by Jo Malone
Jo Malone’s special event is set to take place from December 4-6 – image by Jo Malone

diary dates for December 2025

Jo Malone

Cabot Place

Join Jo Malone for its Festive Neighbourhood event from December 4-6.

Expect fizz, mince pies and browse the brand’s luxurious Christmas collection

Discover Diptyque’s fragrances in Cabot Place – image by Diptyque

Diptyque

Cabot Place

Visit on December 11 and clients can enjoy a complimentary personalised bookmark (hand written in gold) with any purchases over £120

John Lewis will be welcoming Santa – image by John Lewis

John Lewis

Canada Square

Take the kids to Santa’s Tea Party, complete with Lego gifts for the little ones.

Times vary over December 15-16, £20 for children and £7 for adults

Find out more about The Wharf Pole here

Read more: Why a degree in hospitality and tourism can boost your career

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Piano Piano Studio gears up for festive concert on the Isle Of Dogs

East London music school headed by Andra Kruka offers instrumental and singing lessons as well as opportunities to gain performances experience

The music school hosts special themed concerts with the next one set for December 14, 2025 - image supplied by Piano Piano Studio
The music school hosts special themed concerts with the next one set for December 14, 2025 – image supplied by Piano Piano Studio

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Piano Piano translates from the Italian as “softly, softly” and pretty much sums up Andra Kruka’s approach to teaching children to make music.

As headteacher and founder of Piano Piano Studio, she’s spent nearly a decade in east London helping children develop their playing and singing skills as well as the joy of performing in public.

“I’m Latvian, from Riga, and I’m a classically trained pianist and harpist,” she said.

“My musical education was pretty strict and, when I came to the UK, I saw a huge difference in the mentality of the approach taken here – I really liked that it’s a lot more focused on the personal interests of the children.

“Nobody is trying to turn them into professional musicians on the spot.

“By the time I had finished studying piano and harp, I felt burnt out, which is the downside of the East European method of teaching music.

“There’s a lot of pressure.”

After coming to the UK, Andra initially took a different path, studying business and management from 2013 and then working in marketing.

Piano Piano Studio headteacher and founder, Andra Kruka - image supplied by Piano Piano Studio
Piano Piano Studio headteacher and founder, Andra Kruka – image supplied by Piano Piano Studio

creating Piano Piano Studio

“But I realised that I really missed music, so I started researching the structure of education here,” she said.

“Then I took my first steps into teaching and it’s grown from there.”

Today, Piano Piano Studio offers tuition in piano, guitar, violin, drums, singing, music theory and music production with lessons available in students’ homes or online.

“I always tried to find a balance between making sure the kids are engaged and delivering good results and that’s how I’ve developed the method we now use across all of our lessons,” said Andra.

“We give a questionnaire to the families as a basis for our journey with them – this is to identify the child’s interests, likes and dislikes, favourite movies,things like that, so we can tailor the lessons to each child individually.

“Unlike some music schools where each teacher has their own approach, we ensure all our tutors are consistent in the line they are taking and adapting to each child’s needs.

“That’s important because the kids are all different. Some are more visual, while others might learn by ear.

“Whether it’s by using different materials, exploring improvisation or using other techniques we can make sure every child is able to succeed.

“We might start the younger ones on the Associated Board Of The Royal Schools Of Music (ABRSM) or Trinity College exams, but think again when they get older.

“Instrumental practice might not be a priority later on, so we offer different options such as Rock School, where you can do keyboard certification with fun pieces and backing tracks.

“There’s always flexibility to find a personalised solution – parents might want their child to do the more traditional exams and we can find a compromise that keeps the pupil interested.

“I’m a teacher myself, but I’m also a methodologist, constantly researching different approaches and trialling new techniques to make sure we’re offering the best education possible.

“Having a shared approach like this with all the teachers also creates a community feel, even though the lessons themselves are one-to-one.”

The music school uses a wide range of techniques to help children learn - image supplied by Piano Piano Studio
The music school uses a wide range of techniques to help children learn – image supplied by Piano Piano Studio

showcase concerts

Bringing people together is important to Andra for a number of reasons.

Piano Piano Studio currently teaches just under 60 children and regularly puts on concerts aimed at both entertaining the youngsters and giving them a platform to get used to performing themselves.

Andra said: “We had our first concert in 2018 – it was just my students at that time and it was Disney-themed. I wanted to make sure it was relevant to the children so that they could have fun and dress up as their favourite characters

“It was a great experience, everyone enjoyed it, and since then we’ve organised several more including events at The Space on the Isle Of Dogs and through them at Crossrail Place Roof Garden in collaboration with Canary Wharf Group.

“Then we came up with a new concept when I saw a huge demand and interest from families.

“We now open up slots from external players as well alongside offering fun activities.

“Our next concert will be The Polar Express at The Space on December 14, 2025.

“There will be student and guest performances, face painting, balloon modelling, a magic show, games with the audience and a special guest.

“It’s a fun environment and it’s a chance for the children to get on stage in an easygoing environment.

“I feel that the earlier musicians do this and have a positive experience, the easier they will find performing.

“Learning an instrument can be a lonely activity, because you have to practise by yourself.

“Having these group gatherings where they can be with other children in the same boat and can see different levels as well is so important.

“We go from Twinkle Twinkle Little Star up to pieces for grades seven and eight.

“At the end we intend to have a performance by a professional pianist so that children can see what the instrument can do.

“These things can be inspirational. The children who perform get a certificate and receive applause. 

“In some cases they might only have had a few lessons but they don’t have to wait years to touch a grand piano on stage.

“The concerts are big family events, and anyone can come, so, afterwards, we get loads of requests from the parents of new students.

“I believe we are all born to be musical and everyone can find their own way to express themselves through music.”

Students of all levels get a chance to perform at the concerts - image supplied by Piano Piano Studio
Students of all levels get a chance to perform at the concerts – image supplied by Piano Piano Studio

key details: Piano Piano Studio

Piano Piano Studio’s next concert – The Polar Express – is set to take place at The Space on the Isle Of dogs on December 14, 2025, from 11am. 

Tickets cost £10 for adults and £8 for children.

These can be booked via email to admin@pianopiano.uk.

In-home lessons cost £52 per hour with a visiting teacher or £42 for online sessions.

However, Andra and the team work out an appropriate lesson length with parents which is often less that 60 minutes, especially for younger kids and beginners.

Find out more about lessons here

Piano Piano Studio takes over Crossrail Place Roof Garden for a concert - image supplied by Piano Piano Studio
Piano Piano Studio takes over Crossrail Place Roof Garden for a concert – image supplied by Piano Piano Studio

Read more: Why a degree in hospitality and tourism can boost your career

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Peter Pan flies into Greenwich Theatre as panto season returns

Anthony Spargo takes on writing and villainous duties once again as the venue’s storied team take on Captain Hook vs the boy who never grew up

Veteran villain Anthony Spargo returns as Captain Hook, having penned his version of Peter Pan - image by Jon Massey / Wharf Life
Veteran villain Anthony Spargo returns as Captain Hook, having penned his version of Peter Pan – image by Jon Massey / Wharf Life

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Anthony Spargo is relishing a weekend off.

The veteran villain, panto writer and performer is enjoying a 48-hour period of calm before the onslaught of final tech run-throughs and then opening night for the latest festive show to flow from his pen at Greenwich Theatre.

This year’s show – which kicks off on November 28, 2025, with two performances most days until January 11, 2026 – is in some senses all about the passage of time and how we adapt as we age.

Peter Pan: A New Pantomime Adventure is again written by Anthony and sees him take the venue’s stage for a 12th season as the main antagonist.

“Captain Hook and King Rat are the two best villains in panto,” he said.

“I’ll be using the same hook I wore at Greenwich when we did Peter Pan about a decade ago to play the former.

“I’ve kept it safe all these years just in case the Captain was ever set to appear again and – lo and behold – he has.

“It’s a really good one, made of metal with a leather surround, and it’s brilliant to point with and threaten people.

“It makes you feel a little bit evil, which is delicious and the fact I get to wear a really enormous hat helps too. 

“The show contains the juxtaposition of the boy who never grows up and Captain Hook who’s afraid of growing old and the passing of time.

“Without getting too dark, it’s about the inevitability of death.

“Writing the show is about balancing those two things out – it’s a really interesting subject and a theme to play around with in panto.

“The story follows the search for the secret of Peter’s eternal youth.

“Hook is hell bent on finding it out.

“He and henchman Smee discover a map to a location that may well be the source of Peter’s power – so of course he’s obsessed with finding the X that marks the spot. 

“Naturally, Peter, Tinker Bell, Wendy and all the rest of the Lost Boys are there to try to stop him – but will they be successful?

“Then as a writer it’s about getting the mix right.

“Hopefully it’s a really fun show and anyone who’s familiar with our pantos won’t be disappointed. 

“Things, as always, get slightly bizarre in act two – we always try and take the audience somewhere completely unexpected. 

“The first half is always about setting up and introducing the characters.

“When that process is complete, you can start to really have fun.”


The panto features a Jolly Roger set - image by Greenwich Theatre
The panto features a Jolly Roger set – image by Greenwich Theatre

heroes and villains

The main character energy is duly divided up with Samuel Bailey returning to Greenwich as Peter Pan after a successful stint as the titular Dick Whittington last year. 

As usual, the creative team of James Haddrell as director and “Uncle” Steve Markwick as musical director will be working tirelessly to ensure the theatrics and songs land with audiences. 

“We’re thrilled to have Sam back because he’s just such a natural panto performer,” said Anthony.

“It’s in him – he knows how to deliver the material and just how to pitch it for all the family.

  “He’s got a great voice and he can dance too – he’s a fantastic all-rounder – and he’s playing youth, imagination and adventure.

“In contrast, I’m getting on in years now and I’m starting to feel that on stage, which is a good fit for Captain Hook – although like a fine wine I’m just getting better with age.”

The hero and villain both have their team of backers with Olivia Williamson taking on the role of Tinker Bell.

Anthony said: “Tink is there for the kids. Her lines are full of Gen-Z slang, which has been great fun. I didn’t understand half of it, but 

“My brother’s eldest daughter has just turned 14, so she’s just the right age to help me out. It’s all gobbledegook to me, but she’s been translating when we Google the slang and I think younger kids will really get it.

“As Peter mirrors Hook, Tinker Bell mirrors a character called Starkey, who’s played by Paul Critoph who was last in Greenwich panto nearly 10 years ago in Cinderella.

“He’s a salty old sea dog who’s wise but perhaps one step behind everybody else.

“There’s great fun to be had by bringing a full spectrum of ages on stage and having a laugh with that.”

Also on Hook’s piratical crew, Louise Cielecki returns to the Greenwich stage as Anthony’s hapless sidekick. 

“She’s playing Smee – there was no other role for her,” he said. “We get on so well and we enjoy performing together. 

“We tune into each other quite quickly and can half-guess what each other will be doing on stage. 

“It’s great fun to be mucking about and improvising with her again.

“When I was writing it, I had her in mind and she’s brilliant at it, playing the bumbling buffoon albeit with an amazing singing voice. She’s a great all-rounder too.

“At Greenwich the panto just gets bigger and bigger every year.

“For me, when I’m writing it, it’s always about entertaining the audience – I always have one eye on what I think they’ll enjoy.

“That’s true for Uncle Steve and James too.

“We really want to give people a good time over Christmas. People can forget their worries for a couple of hours and escape to the magical realm of the panto, which this year happens to be Neverland.

 “We have some fantastic sets including an amazing pirate ship.

“The Jolly Roger is there in full splendour – it’s one of the largest sets we’ve ever had.

“As an actor, it’s the kind of set you can’t wait to get on board and be a bit silly on.

“We’ve been in tech rehearsals for the show with full lighting, pyrotechnics, puppetry and sound – the whole works.

“Even when we have a bit of time off, the stage crew don’t rest.

“They are still there, tinkering, fixing, mending, building and tweaking things.

“We have an incredible team and it’s great to hear Uncle Steve alongside guitarist Gordon Parrish and Chris Wyles on drums back together again – they’re sounding great.”

the message in Peter Pan

While the show promises a whole imaginary world of fun, flight and nonsense, there’s also a message in all the madness.

“Not all pantos have morals we should take to heart,” said Anthony.

“Take Dick Whittington, for example. That’s a story that’s all about solving your problems by becoming rich and famous.

“I didn’t think that was a very good thing to be teaching kids, so we changed it.

“Our hero was there to save the day by defeating King Rat who had a plan to take over the world.

“In contrast, Peter Pan is about growing older, the passage of time, age and how we deal with all of that. The messages are really strong.

“Pantos do allow me to release my inner child.

“You’re writing this zany, mad stuff and you have to resort to childhood and imagination to do that well.

“They’re for all ages – from two to 102 – and it’s family entertainment, but I don’t tend to write stuff that patronises the kids who come.

“You don’t need to talk down to them.

“There will be references the young people don’t get and probably some the older members of the audience can’t understand too – especially Tinker Bell’s slang.

“But in the end, I hope everyone leaves feeling thoroughly entertained.”

the ghost of panto yet to come…

Anthony has already begun work on next year’s show, but Wharf Life has been sworn to secrecy on the title, which won’t be revealed until December 5.

“What I can say is that I’m already noting down ideas for the scenes in it,” said Anthony.

“What I really enjoy about the writing process is taking those 100 things and then seeing how 20 of them fit together like a puzzle to make up the story.”

Until then we’ll just have to settle for his ridiculous headgear.

key details: Peter Pan

Peter Pan: A New Pantomime Adventure is set to run at Greenwich Theatre from November 28, 2025, all the way through until January 11, 2026.

Performance times vary but there are frequently two shows a day.

Tickets cost £43.50 for adults and £22.50 for children under 16.

Find out more about the show here

Read more: Why a degree in hospitality and tourism can boost your career

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Jump taxi app allows users to hail black cabs direct from their phone

Taxiworld’s tech solution is designed to make it easier for people across London to access rides without fees that penalise passengers and drivers


Jump offers users a simple way to hail a black cab digitally from their phone - image by 
 Gabriel Bush / gabrielbushphotography
Jump offers users a simple way to hail a black cab digitally from their phone – image by
 Gabriel Bush / gabrielbushphotography

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Remember when the main driver for those developing apps was function?

Uber currently offers 11 different options for travelling between one location and another.

For a sample journey of 16 minutes across east London, these range between £7.42 and £22.38, depending on what class of vehicle I wish to take, how long I’m prepared to wait and whether I’d like a “newer car with extra legroom”.

If I wish to travel with a pet, it’s £12.95. In 2025, choice is in fashion.

At launch, the app only offered one option – a luxury vehicle, introducing the cheaper UberX later on to appeal to a bigger market. 

It’s impossible to know how many options users might be expected to wade through by 2030.

Any additions to the 11 already in place may offer services of benefit to niche groups.

But will it be the passengers and drivers who ultimately pay an ever greater slice of the deal to swell the company’s revenue?

Against this backdrop, Jump offers Londoners a proposition that’s almost breathtaking in its simplicity. 

Launched softly in January, the app has been growing its user base and allows anyone with a phone to tap into the existing infrastructure of 7,000 black cabs by digitally hailing them. That’s it. 

There’s no surge pricing, no in-app payments, no multitude of options at various tariffs.

You enter your destination, name, phone number and email address (for a receipt) and the job is then offered to the nearest registered driver who’s available. 

When they accept the job, you can watch them on their way to pick you up.

Then, when they arrive, it’s just as if you’d hailed a cab with an orange light on the street.

You hop in, pay the meter fare in the cab and get out at your destination.

Jump's Lorenzo Bugliari, who's keen to spread the word in Canary Wharf and beyond - image by Jon Massey / Wharf Life
Jump’s Lorenzo Bugliari, who’s keen to spread the word in Canary Wharf and beyond – image by Jon Massey / Wharf Life

quick pick-ups

“It varies depending on time and location, but drivers typically accept a job within eight seconds and arrive between a minute or 90 seconds later,” said Lorenzo Bugliari.

“It’s a quick, reliable service because the cab the job is offered to is usually just round the corner.

“It’s popular with drivers because we don’t charge them a fee – they get the same as if they’d picked up a passenger who’d hailed them on the street.” 

Lorenzo, it’s fair to say, knows taxis.

Having spent more than 18 years selling black cabs to drivers for manufacturer LEVC, he left to join Taxiworld as director of its Jump app earlier this year.

“There are about 14,500 black cabs in London and more than 7,000 of those have our technology in them,” he said.

“Taxiworld is a family-owned business that makes and sells systems for black cabs that allow them to take card and contactless payments using a terminal and an iPad. 

“We’re known for reliability and customer service – we also offer drivers who use our system things like free front and rear cameras to help bring down their insurance premiums.

“Our aim is simple, to get more people into the back of black cabs using their services.”

Users hail cabs from their phone and can then watch their ride arrive in real time - image by 
 Gabriel Bush / gabrielbushphotography
Users hail cabs from their phone and can then watch their ride arrive in real time – image by
 Gabriel Bush / gabrielbushphotography

Jump – a taxi app with no fees

While the majority of taxi apps on the market make their money by taking a cut of the fare paid to a driver, Jump is different. 

By law, black cabs must be capable of taking card and contactless payments and Taxiworld, as an approved supplier by TfL, provides the necessary tech for free to drivers.

In return it charges a percentage of the transaction fee, capped on larger fares.

In essence, the app is just a tool designed to help more customers get into black cabs and make those transactions. 

“The drivers love it,” said Lorenzo.

“Other platforms are charging them huge amounts – between 15% and 20% – on the jobs they are supplying. 

“When you factor in things like surge charging when apps are busy, passengers are sometimes being charged more than you’d pay on the meter in a black cab.

“We feel that’s unfair to passengers.

“IWe don’t charge surge fees, booking fees, admin fees or green ride fees. If it’s raining or the trains are down, you won’t pay any extra.

“IWe also don’t charge cancellation fees for either the user or the driver.

“It’s about fairness to passengers and drivers and keeping black cabs on the road.

“If you’re a regular user, we believe you’re going to save money – you’re also getting the safety and reliability of a black cab, which are all wheelchair accessible. 

“All new cabs since 2018 have been zero-emission capable.

“IThe drivers will have The Knowledge and they’ll always get around quicker than anyone else. 

“Black cabs can also use bus lanes, which enables them to reach their destination significantly faster than other vehicles.” 

There are around 6,000 black cabs in London capable of accepting fares through Jump - image by 
 Gabriel Bush / gabrielbushphotography
There are around 6,000 black cabs in London capable of accepting fares through Jump – image by
 Gabriel Bush / gabrielbushphotography

bespoke business services

Jump also offers services to businesses and is targeting restaurants, hotels and bars with a range of bespoke options to fit customers’ needs.

“We believe we can save organisations up to 40% and we’ll only ever charge for a service if there’s an operational cost,” said Lorenzo. 

“We like to offer bespoke solutions because we don’t feel there’s a product that fits every company’s needs. 

“Some want a card on file and others prefer a monthly account. We’re open to all of it.”

Jump is working to increase its passenger base across London with a particular emphasis on Canary Wharf.

Since the pandemic footfall in the area has recovered to eclipse figures seen in 2019 with more than 70million people visiting each year and that trend is set to continue.

“My aim is to spread the word here,” said Lorenzo.

“With more people using the app in Canary Wharf, word will spread among drivers that there’s more work coming out of that area and you’ll see an increase in the number of cabs ranking up.

“I want to see as many black cab drivers in the area as possible and people using the service.

“That can be through the app or just hailing the taxi on the street.”

Passengers simply pay the fare on the meter in the cab when their journey is complete - image by 
 Gabriel Bush / gabrielbushphotography
Passengers simply pay the fare on the meter in the cab when their journey is complete – image by
 Gabriel Bush / gabrielbushphotography

key details: Jump

Jump is free to download and is available on both iOS and Android phones.

The app itself is free to use with no payment information taken. 

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