The Brunel Museum in Rotherhithe celebrates at milestone

It was 200 years ago that construction began on the Thames Tunnel, a pioneering engineering project that saw the first crossing dug beneath a navigable city river using patented technology

Two centuries ago, work began on the Thames Tunnel. Today, The Brunel Museum tells its story
Two centuries ago, work began on the Thames Tunnel. Today, The Brunel Museum tells its story

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There’s always been a bit of pluck about The Brunel Museum in Rotherhithe – a trait that would doubtless have won it the approval of its main subject.

It might have been his grandson, Henry Marc, who worked up the detailed designs for Tower Bridge (see our latest article), it may have been his son, Isambard Kingdom, who achieved true engineering fame for his remarkable creations.     

But it was Sir Marc Isambard Brunel – something of a gifted but fortunate chancer – who, along with Thomas Cochrane, came up with an iron tunnelling shield to protect workers from cave-ins while they hand-dug the world’s very first subterranean link beneath a navigable river.

Despite floods, delays and foul conditions, two centuries after construction began, the Thames Tunnel is still in use, carrying Windrush Line trains between Wapping and Rotherhithe.

Above it, telling its tales, lies The Brunel Museum.

Comprising the Brunel Engine House, what remains of the Thames Tunnel shaft and the garden on its roof, this self-funded institution offers visitors insights and info on the big name engineers, but increasingly goes beyond that remit to reveal the lives of the extraordinary folk whose sweat and toil actually built the link.

Museum director, Katherine McAlpine - image by Jon Massey
Museum director, Katherine McAlpine – image by Jon Massey

engineering learning at The Brunel Museum

Katherine McAlpine has been director of The Brunel Museum since 2021, having previously worked at the Natural History Museum, Royal Museums Greenwich and the Imperial War Museum.

“I really liked the idea of working somewhere I could combine my interest in the history of science with STEM learning – hosting activities with schools and families – so it was a really exciting opportunity,” she said.

“The Brunel Museum celebrates the achievements of Marc and Isambard Brunel, but I also wanted the chance to tell the broader stories of the people who actually dug the Thames Tunnel.

“The miners were working eight hours on, eight hours off.

“If they were on the bottom tier of the tunnel shield, they would be standing in water from the Thames – much more polluted than it is today, it was effectively an open sewer. 

“There was no PPE, no hard hats – just communal, over-the-knee boots, sweaty, smelly, really horrible.

“We’ve done is research into what the workers wore and we’ve created a resource called Tunnellers Tales that contrasts their equipment with the world of modern construction.”

The Tunnel Shaft at the Brunel Museum - image by The Brunel Museum
The Tunnel Shaft at the Brunel Museum – image by The Brunel Museum

recycled time and again…

With plans to refurbish the museum – aimed at boosting its accessibility – still in the pipeline, the doors will remain open this year as it continues to celebrate the two-century milestone.

Katherine said: “One of the things we’ve done is to launch our Summer Of Sustainability Trail.

“We’re looking at the Thames Tunnel as a big recycling project because it was originally conceived as a route for cargo to travel under the river.

“Trains were still in their infancy at the time it was built so they would have used horses, but there were many setbacks in the construction of the tunnel – it was supposed to take three years but ended up taking 18.

“Horses and carts would have needed big ramps but, by the time it came to build them, the money had run out and the necessary land had been sold.

“Instead the Thames Tunnel became a pedestrian route and was then reinvented as a shopping arcade under the river before it became part of the London Underground network.

“The space was constantly recycled, becoming many different things in contrast to what it was originally built for.”

The Brunel Museum is located in Rotherhithe - image by Jon Massey
The Brunel Museum is located in Rotherhithe – image by Jon Massey

a revolutionary story

In July, 2025, visitors will also be able to dig deeper into a particular aspect of Marc Brunel’s life as well as the story of his wife, Sophia Kingdom.

“One of our favourite items in the collection are his shoe buckles, something he kept long after they were fashionable, but he absolutely loved them,” said Katherine. 

“They’re going to be part of something we’re doing about the French Revolution and we’ll be looking at the factors that brought Marc to England in the first place.

“There’ll be a small display and an events season alongside that in the autumn.

“Marc was born in Rouen in northern France and, while serving in the French navy, met Sophia, a young English woman who was the governess for the children of some of his friends.

“Like all good love stories, war and revolution tore them apart. He was a royalist – hence the shoe buckles – so he fled to America after the French Revolution before coming to England.

“Meanwhile, Sophia doesn’t have such a good time of it. She’s imprisoned in a French convent as a spy but is eventually released and reunites with Marc in England.

“ The two get married, move to Portsmouth and have three children, including Isambard Kingdom Brunel.”

It’s a tale that also involves a Russian Tsar, debtors prison, a failed bootmaking business for the Napoleonic wars, a new way to make blocks to rig ships and a fair dose of self promotion – although not necessarily in that order.

What also echoes down the years is the sheer power of the Brunels’ engineering triumph.

While things have moved on a bit, modern tunnelling essentially uses the same strategy pioneered under the Thames.

“I’m constantly amazed by the number of engineers who come here, look at the models we’ve got and realise it’s the same principle that’s used today,” said Katherine.

“Now it’s one person and a huge boring machine, then it was 36 men in over-the-knee boots doing the digging, but the process is the same.

“As the shield moves forward, the tunnel is built behind it.”

key details: The Brunel Museum

The Brunel Museum is open four days a week from May 2025 and also offers monthly guided tours of the site for visitors on the second weekend of the month.

Standard entry costs £8.50 for adults while children cost £5.

Guided tours cost £12 for adults when booking online or £16.50 on the day. 

Full details of forthcoming events and activities are made available on the museum’s website on a rolling basis when available

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BBQ Boats reopen for summer bookings in Canary Wharf

Electric craft offer the chance to grill and chill on the dock, sailing from Skuna’s West India Quay base


Captain cook: Groups use an onboard grill to prepare food on West India Quay - image by Skuna
Captain cook: Groups use an onboard grill to prepare food on West India Quay – image by Skuna

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SUMMER SOCIALS

Making memories are what summer socials are all about.

As the mercury climbs, the great outdoors provides an ideal change of scene from the office or the home – a backdrop to shared experiences.

For those seeking something just that little bit different, Skuna’s BBQ Boats are all set for 2025’s summer months.

Based at West India Quay, these self-drive electric craft come with built-in BBQs offering Wharfers “an unforgettable way to eat, drink and spend time with others”.

BBQ Boats hold up to 10 people, with cruises lasting 100 minutes
BBQ Boats hold up to 10 people, with cruises lasting 100 minutes

BBQ Boats offer 100-minute cruises

The experience begins with a quick briefing before guests take the helm for 100 minutes of cooking and relaxing on the tranquil waters of North Dock. 

Each boat holds up to 10 people,  who can either bring their own food to grill or pre-order from Skuna’s freshly prepared food packages.

Drinks can be purchased from the on-site bar, which also sells captains hats for those who want to take a turn at the tiller.

“Our BBQ Boats offer the perfect dining on the water experience for summer,” said Stuart  ‘Tommo’ Thomson, founder of Skuna

“They are great for team bonding experience as you cook and sail yourself around the beautiful docks of Canary Wharf.

“This is a world away from the ordinary BBQ in the park or back garden – it’s summer dining, but not as you know it – and a bucket list activity to enjoy with friends and colleagues alike.” 


The craft are a popular option for summer parties in Canary Wharf
The craft are a popular option for summer parties in Canary Wharf

key details: Skuna BBQ Boats

Skuna’s BBQ Boats are available during the summer months from their home on West India Quay.

Prices and details of the various food packages available can all be found on Skuna’s website, as well as booking links for its Sauna Boat and Hot Tub Boat experiences – also based in Canary Wharf.

Find out more about cooking on the water here

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Hawksmoor Wood Wharf is all set for summer socials in 2025

The Canary Wharf floating restaurant offers terrace spaces at both its bar and restaurant with multiple options for event organisers

One of Hawksmoor Wood Wharf's terraces
One of Hawksmoor Wood Wharf’s terraces

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SUMMER SOCIALS

The early season sunshine has already started making an appearance across Canary Wharf, with pleasant evenings tempting workers, residents and visitors to the area outside.

The time of summer socials is almost upon us, with the smart and the organised already beginning to consult diaries, form plans and make bookings.

With whole businesses, teams and small groups of colleagues all looking to capitalise on the clement weather ahead, it’s best to secure key dates early, especially at the estate’s top spots.

Having arrived in the vanguard of the area’s regeneration Hawksmoor Wood Wharf quickly established itself in the upper echelons of the estate’s hospitality scene.

The venue boasts an extensive restaurant on the top deck of its floating pavilion and a spacious 120-seat bar on its lower level.

Both have terraces for guests to enjoy dining or refreshment in the open air.

Wood Wharf is the brand’s largest venue and, moored at the head of Water Street, acts as a gateway to a part of the estate that’s become well known for drinking and dining in recent years.

Oysters at Hawksmoor
Oysters with bone marrow at Hawksmoor

just ‘a little unexpected’

Hawksmoor says: “Our Wood Wharf venue isn’t about reinventing the wheel.

“It’s about doing things properly: sustainable food, an award-winning cocktail menu and genuine service – all delivered in a space that feels considered, open, and just a little unexpected.”

Those planning seasonal events can look forward to a solid offering menu-wise.

Hawksmoor has long specialised in “dictionary-thick steaks”, chicken dishes and seafood such as lobster, monkfish, hake and Dover sole.

The cooking is big, bold and honed by the team over many years to reflect the quality of the sustainably sourced ingredients.

Crowd-pleasing sides such as Tunworth mash, macaroni cheese and beef dripping fries sit happily on a menu next to starters such as potted beef and bacon, smoked salmon with Guinness bread, roasted scallops and oysters.

>> Hawksmoor Wood Wharf boasts a 20-seat dining room for guests or businesses hosting private gatherings.

Named for Isle Of Dogs publican, singer and actress, Queenie Watts, the space features a large gold and wood table that can easily be filled with the restaurant’s classic dishes, sharing-style.

Hawksmoor offers plenty of options for groups to share, especially in its private dining room
Hawksmoor offers plenty of options for groups to share, especially in its private dining room

the bar at Hawksmoor Wood Wharf

The bar lends itself especially well to events, with a capacity of 250 indoors or 330 when combined with its terrace.

It’s fully equipped for presentations and groups of 34+ can take a semi-private space with a dedicated waiting team and sommelier to ensure guests are effectively refreshed.

To make planning easy, Hawksmoor offers both a canapé menu, with bites inspired by the flavours on its main menu as well as bowl food options for those seeking something more substantial.

Bite-size desserts can also be arranged to send guests away with a sweet taste in their mouths.

The Queenie Watts private dining room at Hawksmoor Wood Wharf
The Queenie Watts private dining room at Hawksmoor Wood Wharf

key details: Hawksmoor Wood Wharf

Hawksmoor Wood Wharf is located on a floating pontoon beside Water Street and is open from 11.45am-11pm, Monday-Thursday, 11.45am-11.30pm Friday and Saturday and 11.30am-8.30pm on Sundays.

At weekends, the venue offers extensive traditional roast options.

Event enquiries can be made online for all of the venue’s spaces or via email to woodwharf@thehawksmoor.com.

Find out more about the venue here

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Tower Bridge highlights one pound tickets for local residents to visit

Attraction is encouraging people living in Tower Hamlets, Southwark and the City Of London to explore its history and stories at a discounted rate

Local residents can visit the displays and walkways at the crossing for £1
Local residents can visit the displays and walkways at the crossing for £1 – image by Tower Bridge

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In a vaulted brick chamber on the banks of the Thames, the lime green wheel of a massive steam engine is gently, powerfully revolving.

Picked out in vibrant red, yellow and black stripes, this stately machine is no longer powered by boiling water, but a marvellous industrial relic, animated for the benefit of visitors to Tower Bridge.

Originally there would have been eight such engines – four on each side of the river – used to pump water into massive hydraulic accumulators that were used to store energy to raise the crossing’s two huge bascules. 

These would swing up and down, on average, 60 times a day to allow tall ships to sail up and down the river unimpeded.

The Victorian technology is, however, just one of myriad surprises awaiting those on a trip into this major landmark

Perhaps one of the most startling is its age.

At 131 it’s considerably older than many of the buildings that surround it, but less than a seventh of the age of the neighbouring Tower Of London, which celebrates its 950th birthday this year and inspired the aesthetic design of the crossing.

One of the preserved steam engines at Tower Bridge
One of the preserved steam engines at Tower Bridge – image by Tower Bridge

visit for £1

“Tower Bridge is London’s defining landmark, welcoming visitors from all over the world,” said Amy O’Rourke, marketing manager for Tower Bridge at City Bridge Foundation. 

“We want to make it accessible to everyone, but particularly to people living locally so that they can feel it’s their local landmark.”

Amy, who joined the team at the attraction five-and-a-half years ago – after travelling down the Thames from Royal Museums Greenwich – is leading the charge to encourage more of its neighbours to visit.  

To that end, Tower Bridge is seeking to highlight the fact that residents of the boroughs of Tower Hamlets and Southwark – or those living in the City Of London – can get tickets to explore Tower Bridge for £1 per person.

Amy O’Rourke, marketing manager at Tower Bridge – image by Jon Massey

“We want everyone to feel welcome at the bridge,” said Amy.

“The story that we tell about its history is focused on the people – those who built it and those who have worked here.

“We have these lovely connections to the local community, the docks and the work that went on  in this part of London, so we want people who are here now to know about them.”

Visitors with pre-booked tickets queue to gain access to the experience on the bridge itself then, following a quick security check, climb 200 steps or take the lift in the north tower to the crossing’s twin elevated walkways some 42 metres above the Thames.

There’s even a glass floor so people can look down on the bridge below.

The walkways were originally intended to allow pedestrians to traverse the river unimpeded given the bridge’s frequent openings, although in practice its operation was so slick most Londoners simply waited at ground level.

The crossing opened 131 years ago
The crossing opened 131 years ago – image by Jon Massey

discovering Tower Bridge

“On the way up and in the walkways, you’ll learn about the history, why it was built – because of the need for a river crossing with the increase in traffic,” said Amy.

“You’ll also find out about the alternative designs for the crossing that were put forward, and how we got to the final design of the lovely bascule bridge we have today.

“At the time it was finished, in 1894, it was a marvel of engineering. Visitors finish the tour by descending in the south tower and making their way to the engine rooms, which are really the beating heart of the bridge.

“It’s my favourite place because you can really feel the hard work that would have been done there – blood, sweat and tears. It’s very special. 

“When it was running on steam, about 80 people were needed to manage and maintain the crossing in working order. 

“Throughout the visit we talk about their stories, including the likes of cook Hannah Griggs, who was born in Bermondsey and helped keep staff fed from 1911-1915. These are the people we want local residents to know about.”

There’s another aspect to Tower Bridge.

While the capital’s most easterly physical river crossing is rich in heritage, it plays many other roles too.


Hydraulic accumulators at Tower Bridge - image by Jon Massey
Hydraulic accumulators at Tower Bridge – image by Jon Massey

events at Tower Bridge

“Once the doors close at 6pm, things start to happen behind the scenes,” said Amy.

“We work with a partner called Social Pantry and have a number of spaces available for events of all kinds.

“For example, there’s a room in the north tower that can hold about 60 people for a wedding or small dinners. 

“The walkways can also be used for photography, drinks receptions and dining.

“We are quite flexible on what we can accommodate – recently we’ve had jazz bands playing, gymnasts performing and acrobats showing off their moves.

“We can also offer dinner and drinks in the engine rooms, which are a more intimate space and great for engineering enthusiasts. 

“We can change the lighting to match corporate branding, or events can be timed to coincide with sunset. 

“It’s really special to be over the Thames, especially at night with the whole city lit up.

“We can also arrange special tours for guests so they get an enhanced experience.”

While Tower Bridge can be visited daily with slots from 9.30am-4.30pm, it’s worth trying to catch a bridge opening just for the sheer spectacle.

“When it happens London just stops for a while,” said Amy.

“It feels really special, standing there and witnessing it.

“Everyone’s normally rushing everywhere and I thought it must also be good for people’s wellbeing to just take a moment.”

Forthcoming openings are listed on Tower Bridge’s website and will take place most days in May.

The walkways include glass floors so visitors to the bridge – which is dog-friendly throughout – can look down to the Thames below - image by Tower B
The walkways include glass floors so visitors to the bridge – which is dog-friendly throughout – can look down to the Thames below – image by Tower Bridge

key details: Tower Bridge

Those living in Tower Hamlets, Southwark or the City Of London can get tickets to visit Tower Bridge for £1 per person. 

These should be booked in advance and visitors will need to bring proof of address with them on the day.

Standard tickets to Tower Bridge cost £16 for adults and £8 for children. Family ticket options are also available.

Find out more via the attraction’s website here

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Secrets Of The Thames exhibition showcases mudlarking treasures

London Museum Docklands’ latest major exhibitions recreates Thames foreshore and tells the stories of those who scour its beaches


A 16th century dagger goes on display at London Museum Docklands’ exhibition - image by London Museum
A 16th century dagger goes on display at London Museum Docklands’ exhibition – image by London Museum

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The tide has washed over the space set aside for major exhibitions at London Museum Docklands and left behind it a rich haul of finds, information and art.

Unveiled this month, Secrets Of The Thames is a hymn to the capital’s longest archaeological site – the river’s foreshore – and those who prowl the edges of the water in search of its treasures.

The exhibition, which runs until March next year, is a celebration and revelation of the long-observed practice of mudlarking – raking through stretches of land that are exposed as the tides reveal London’s beaches and mudflats twice a day. 

To that end, curators have combined a vast array of finds with a recreation of the exposed riverbed, artworks and a technical window into how the museum works with the beachcombers to catalogue and preserve historic pieces rescued from the depths.

Today mudlarking is popular – it’s regulated by the Port Of London Authority, which issues 4,000 permits for enthusiasts each year.

It has suspended new applications at present due to a waiting list now exceeding 10,000. 

But while 21st century archaeologists, artists and social media producers are driven to dig in the soggy stuff for a variety of lofty motivations, those who went before were often simply scratching a living. 

The exhibition includes a recreation of the Thames foreshore for visitors to explore - image by London Museum
The exhibition includes a recreation of the Thames foreshore for visitors to explore – image by London Museum

the story in the mud

“We tell the whole story from the earliest mudlarks who were first recorded in the 18th century” said Thomas Ardill, curator of paintings, prints and drawings at London Museum.

“It was probably going on long before that too.

“These people were just searching for useful things to sell – bits of coal and steel, for example.

“They were scavengers, sometimes children, sometimes women – but as they were finding useful objects, they were also digging up historical pieces.

“This was in a period when antiquarians were starting to get interested in London’s history and mudlarks found they could sell artefacts. 

“In the exhibition we’re showcasing not just what objects were found, but also the people who found them.

“The earliest mudlarks were entrepreneurs, and they were creative and inspired by what they found.

“Some were conning the art world by creating fakes, but that also showed their creativity and ingenuity.

Thomas Ardill, curator of paintings, prints and drawings at London Museum - image by Jon Massey
Thomas Ardill, curator of paintings, prints and drawings at London Museum – image by Jon Massey

“A lot of the mudlarks today are fantastic artists and it’s an exhibition that you see through their eyes.

“It’s about the joy of  discovery as much as it is about the objects.

“About five years ago, we touched on mudlarking a bit and realised it had potential – Secrets Of The Thames has been a long time in the making.

“We’ve been working closely with Stuart Wyatt, London Museum’s finds liaison officer, whose job it is to record the finds made by mudlarks with permits.

“One of the things I really like in the exhibition is the finds desk. It reveals how we record objects and will feature rotating exhibits.

“At the moment, there’s an Italian ceramic water vessel, which is one of four or five discovered in a particular spot on the Thames over the years.

“There’s definitely something interesting going on in that location.

“Stuart thinks what might have happened is a box containing a shipment may have been broken and been dumped over the side of the ship that was carrying it.”


London Museum curator Kate Summnall - image by London Museum
London Museum curator Kate Sumnall – image by London Museum

connecting to London’s history through Secrets Of The Thames

With brightly-lit cabinets full of deeply personal items – false teeth, rings, bones and even phallic fertility symbols – it’s also a chance for Londoners to get a sense of the city’s former inhabitants.

“We are lucky in London to have this amazing tidal river environment that has preserved so much of our past,” said London Museum curator Kate Sumnall.

“It is the longest archaeological site in the capital and here we find an unbelievably rich selection of finds, from beautifully worked prehistoric arrowheads to a small, ivory sundial used to tell the time.

“Thanks to the dedication and expertise of today’s mudlarks, we are constantly uncovering new objects that inform our understanding of history. 

“Above all this exhibition is an exploration of love and desire, faith and loss, migration, community and culture – the stories of generations of people who have visited the city or called it home.”

With many mudlarks using their finds to create art, the museum has chosen to embrace their creativity and showcase their talents as part of the exhibition.

Printmaker, sculptor and artist Amy-Leigh Bird - image by Jon Massey
Printmaker, sculptor and artist Amy-Leigh Bird – image by Jon Massey

a mudlark’s tale

Amy-Leigh Bird is a printmaker, sculptor and artist who regularly scours the foreshore in search of inspiration and materials.

One of her pieces is included in Secrets Of The Thames.

She said: “I started mudlarking as a kid, inspired by going to see an exhibition by artist Richard Long at Tate Britain.

“There was a beautiful piece he’d made out of red bricks and so I went down onto the foreshore with my dad and made my own little piece there – that was my first work.

“Then I went to university and started collecting in the rivers in Glasgow, collecting ceramic and glass objects. I also found a gun.

“When I came to London, it just seemed instinctive to go mudlarking.

“At first I was just aimlessly collecting – stuff I was interested in, but that did include bones and teeth, and this grew more into my practice.

“Other mudlarks were looking for coins, pins, garnets and cameos – which are all beautiful and exciting – but I like objects that are uglier.

“We’re all made of bones and teeth come from the mouths of living, sentient beings.

“Animal bones and teeth in the river might have come from meat markets that would feed the people of that time.

“They link back to us, which is really beautiful.

“Coming from a small town, I find that London can be an assault on the senses – it’s relentless.

“When you go mudlarking, there is this wonderful moment, highlighted in the exhibition, when you leave the chaos and noise behind.

“Once you’re on the foreshore, the sounds are different.

“It’s the the waves lapping, the gravel beneath your feet. I end up being there for hours and the time just flies.

Amy-Leigh Bird's Ancient Ruins 2020 - image by Jon Massey
Amy-Leigh Bird’s Ancient Ruins 2020 – image by Jon Massey

“Finding something feels euphoric. It’s personal, it’s mine. I lost a lot of my childhood toys in a house move, which was sad.

“So when I find something mudlarking it’s a sign to me that the object has in some way chosen me, which is a beautiful experience.

“My favourite object in the exhibition is a neolithic bone.

“It’s such a simple object but it’s made me wonder how many of the bones I’ve picked up for my collection are neolithic.

“I originally started making work by finding things and making prints out of them.

“I’d put bones, clay pipes and things together, photograph them and then translate that image into a photo-polymer etching.

“In lockdown, when I couldn’t go out or mudlark, I was stuck at home with a big box of bones and started to think of how I could create work differently.

“That was a shift in my work as an artist, to go from 2D work to sculpture.”

Amy-Leigh’s piece, Ancient Ruins, 2020, is included in Secrets Of The Thames.

Mudlark Alessio Checconi explores the Thames foreshore at low tide in search of treasures washed up by the ever-churning waters - image by John Chase / London Museum
Mudlark Alessio Checconi explores the Thames foreshore at low tide in search of treasures washed up by the ever-churning waters – image by John Chase / London Museum

key details: Secrets Of The Thames

Secrets Of The Thames will be at London Museum Docklands until March 1, 2026 and is accessible during normal opening hours.

Tickets are cheaper if booked online in advance and start at £16 for adults.

Find out more about the exhibition here

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Whale On The Wharf bursts out of dock on Water Street corner

StudioKCA installation made from ocean plastic waste carries an environmental message as it captures the attention of Canary Wharf visitors

Whale On The Wharf by StudioKCA is located on Water Street in Wood Wharf, next to Dishoom and Marceline - image by Jon Massey
Whale On The Wharf by StudioKCA is located on Water Street in Wood Wharf, next to Dishoom and Marceline – image by Jon Massey

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Just ask Jonah, whales are messengers.

The largest creatures on Earth have inspired countless works of art and fiction, often used to draw attention to matters of importance.

In the Hebrew scriptures, Jonah finds redemption in the belly of a great sea creature, having turned back to a righteous path.

There’s Moby Dick and Thomas Hobbes’ Leviathan too, but we needn’t get bogged down with revenge, obsession and highfalutin social philosophy.

More recently, Star Trek IV: The Voyage Home saw Captain Kirk and crew forced to time travel back to 1986 on the silver screen to pick up a pair of humpback whales, thereby averting ecological disaster after an alien probe comes seeking the ocean giants, only to find them extinct in 2286. 

That’s almost as far-fetched as everyone running around with hand-held communication devices and tablet computers… 

Recently unveiled on Water Street, Whale On The Wharf, then, belongs to that proud tradition of leveraging the largest animal on the planet as a lodestone for attention and it’s exactly what StudioKCA’s intallation does

Leaping from the waters of the dock close to Marceline and Dishoom, the 12-metre high sculpture successfully breaches the consciousness of passers-by.

StudioKCA have also created similar pieces in Kaohsiung, Taiwan, and in Bruges, Belgium.

The whale's skin is made from plastic waste reclaimed from the ocean - image by Jon Massey
The whale’s skin is made from plastic waste reclaimed from the ocean – image by Jon Massey

the story Whale On The Wharf tells

“We’re telling the story of how we live, what we use, where it ends up and what we should do about it,” said Jason Klimoski, who along with his wife Lesley Chang run the Brooklyn-based art and design studio that created the piece.

“It’s about the 150million tonnes of plastic in the ocean and the 8million we add to that each year.

“A lot of that is hidden, so bringing some of it here hopefully helps people visualise it.

“The plastic used in Whale On The Wharf comes from the Pacific and the Atlantic. We worked with the Hawaii Wildlife Fund to collect about five tonnes of plastic. 

“We cleaned it, organised it by how long it had been in the water, sorted it by colour and cleaned it piece by piece.

“We chose to make a whale because, pound-for-pound, the plastic in the ocean weighs more than the total of all the whales on the planet. 

“We thought it would be the perfect metaphor to help people understand the scale of the problem.”

The sculpture is supported on a recylced steel frame and concrete foundations made with biochar from spent coffee grounds collected from Canary Wharf - image by Jon Massey
The sculpture is supported on a recylced steel frame and concrete foundations made with biochar from spent coffee grounds collected from Canary Wharf – image by Jon Massey

a sustainable foundation for Whale On The Wharf

While the leaping creature is the public-facing portion of the work, Whale On The Wharf is also a creation of significant depth.

Canary Wharf Group’s commission is about a lot more than adding to its extensive public art collection.

Wharfers sipping coffee on the estate and then discarding their cups in its waste bins have contributed to its construction.

The sculpture sits on a foundation of concrete made with  biochar, a material that replaces sand in the mix and is made from those discarded grounds.

This also prevents CO2 being released when the coffee breaks down and reduces demand for the extraction of traditional raw resources from the Earth.

“We understand the power that art holds,” said Sophie Goddard, director of environment, social and governance at Canary Wharf Group.

“It can provoke emotion and it can create change.

“With this project we’ve really pushed the boundaries of what can be achieved.

“We thought about how we can take the principles of the circular economy and push those forward.

“We’ve locked up spent coffee in the foundation and we’ve been able to do that through the efforts of our in-house waste management team. 

“They hand-sort the rubbish that goes into our bins and their work means we’ve sent no waste to landfill since 2009.”

Whale On The Wharf is free to visit and stands 12 metres tall - image by Jon Massey
Whale On The Wharf is free to visit and stands 12 metres tall – image by Jon Massey

a strong steel core

On top of the concrete, Whale On The Wharf is supported by a braced steel structure made from recovered and reused steel to further reduce its environmental impact.

Jason said: “Inside the sculpture there’s a steel spine that supports the structure and aluminium armature to make the shape of the whale.

“Onto that we attached each of the pieces of plastic using steel ties and screws.

“We really want people to see the things they use every day, to recognise them and then wonder what happens to them. How did the things that make up this sculpture get here? What was their journey?

“There’s a car bumper, a kid’s toilet. It’s really the items that relate to children I find both funny and sad.

“Hopefully there’ll be a conversation at home after, especially with the kids, about how we use plastic and what we do with it afterwards.

“When we were building it, we were focussed on the scale of the issue, not necessarily on the thing itself.

“We have a son and so we have to think about the stuff we buy him and what will happen to it.”

Now Canary Wharf has both a head-turning artwork and also a constant reminder of the consequences of unbridled consumption on our planet.

As well as its role in drawing attention to environmental issues, the installation is a significant addition to the estate’s sculpture collection – the largest publicly accessible collection of outdoor works in the UK.

“The whales is a landmark, it’s visually stunning and it really stops people in their tracks,” said Lowri Harries, associate curator of public art at Canary Wharf Group.

“That’s exactly what we want. Since our initial call with Jason, the installation has involved pretty much every part of our business.

“Construction, development, sustainability, marketing and communications as well as all the external contractors that have worked on the project. 

“It’s taken a village to make this happen and we’re really thankful to everyone involved.”

An Ode To Never Fitting In, 2024, by Ashley Cluer is seen at Refuse in Broadwick Studio - image by Jon Massey
An Ode To Never Fitting In, 2024, by Ashley Cluer is seen at Refuse in Broadwick Studio – image by Jon Massey

opening up Refuse

Coinciding with the launch of Whale On The Wharf, Canary Wharf Group is also hosting Refuse, an exhibition of works by artists Poojan Gupta and Ashley Cluer who both work with reclaimed materials. 

Visitors can expect to see a selection of sculptures including a vast chain made from medicine blister packs and vibrant lime green shapes made from cement, newspaper and recycled wood.

Free to access, the exhibition is on display at Broadwick Studio.

Perhaps when prompted by all these signs, we might take more notice of the way we’re living as a species and even avoid alien annihilation in the future. 

PS, at Wharf Life we’re calling the Whale Bruce. You didn’t hear it from us…

key details: Whale On The Wharf

Whale On The Wharf is located on the corner of Water Street and Park Drive in Canary Wharf’s Wood Wharf. The installation is free to visit.

Refuse is in place until April 26, 2025, and is open from 10am-6pm on Thursdays, Fridays and Saturdays at Broadwick Studio on the corner of Water Street and Charter Street in Wood Wharf.

Find out more about the sculpture here

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University Of Sunderland In London opens £10million campus

Institution launches Isle Of Dogs facility, building on 13 years of success in the Canary Wharf area

University Of Sunderland in London pro vice-chancellor for international office and branch campuses, Alan Hardie - image by Jon Massey
University Of Sunderland in London pro vice-chancellor for international office and branch campuses, Alan Hardie – image by Jon Massey

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Alan Hardie is, at least in part, powered by Irn-Bru.

The Glaswegian beverage famously “made in Scotland from girders” is an on-brand drink of choice for the man in charge of the University Of Sunderland In London for two reasons.  

Firstly, the orange liquid fits neatly with the institution’s colour scheme.

Secondly, the ammonium ferric citrate that gives it its bright and fizzy hue recalls the steel necessary to make a success of launching a London campus – steel is an alloy rich in strength and flexibility.

And what a triumph the University Of Sunderland’s campus in the capital has been.

Since its launch in 2012 at a building on Marsh Wall on the Isle Of Dogs, the campus has seen more than 28,000 students pass through its doors.

The University Of Sunderland In London started off with four programmes, expanding over the years to 31.

It currently has around 6,000 students with an expectation to “grow significantly”.

That forecast has led to an expansion, with a £10million investment in new space at Harbour Exchange – a facility that was officially opened on March 27.

The new campus is located at Harbour Exchange – image by Jon Massey

a new campus

“We needed to move because our existing building was tired and it was time for a change,” said Alan, who is the university’s pro vice-chancellor for international office and branch campuses.

“The other thing was there just wasn’t the space for some courses and there was nothing else we could do to improve it.

“Those were the things driving us to do something better.

“We chose this location because it’s a great part of London with fantastic transport links and we already had thousands of students coming here – we didn’t want to say to them that we were making life more awkward by relocating somewhere else.

“I’m amazed at the facilities we’re now able to offer.

“I was able to take one of my deputy directors – Lynsey Bendon – away from her student role temporarily and the job she and the team have done on the new campus is outstanding.

“When I first saw it finished, I was genuinely blown away – we couldn’t be happier. It’s light, it’s funky and everything’s been done to a high standard.

“There are lots of areas for students to work together and on their own and a great staff area too.

“Hopefully it projects confidence, that we’re serious about what we’re doing.

“We’ve got the space to be even more successful – to prove ourselves – and I think we can.”

Based on the last 13 years, that’s an aim that seems eminently achievable, given the progress already made.

For Alan, the London campus’ growth has been a story of adaptability – being able to rapidly change course.

There are dedicated facilities for specific courses - image by University Of Sunderland In London
There are dedicated facilities for specific courses – image by University Of Sunderland In London

adaptability at the University Of Sunderland In London

”Here we always want the student to be at the heart of any decisions we make,” said Alan, who is originally from Newcastle and has a private sector background working in human resources. 

“If that means paying for extra staff to make things more efficient, then that’s what has to happen. 

“As we’re a smaller part of the overall organisation, we’ve managed to speed things up that would otherwise have to go through a committee for approval.

“What we’ve been fairly good at is taking time to understand our student demographic, which is different from some other universities.

“If people come through the door we should treat them really well and, in general, I think we do that.

“If you go into a supermarket, for example, they say they’re doing things for the customer, but the way the store is laid out is really in the company’s interests.

“We choose to operate the campus in a way that works for our students, many of whom are older and may be fitting their education round jobs and childcare.

“It’s important they don’t feel bounced around and that we run as a one-stop-shop.

“Over the 13 years, it’s been key that we’ve learned how to do things ourselves and change where necessary.

“We have a variable intake model, meaning we welcome new groups of students three times a year.

“We have people coming into the campus and leaving all the time with students at all stages of our courses.

“What that allows is for us to identify what is and isn’t working within a 12-week window three times a year, rather than waiting to assess things at the end of a full 12 months.

There are dedicated facilities for specific courses - image by University Of Sunderland In London
There are dedicated facilities for specific courses – image by University Of Sunderland In London

“It means we can quickly adapt and iron out any problems if necessary ready for the next intake. 

“That’s been incredibly rewarding as a process and it’s relied on having a team of like-minded people.

“We’re 252 miles from the mothership and while the original idea was that the campus would run with a small group of staff with services provided remotely from afar, it became clear after a few weeks that wasn’t going to work.

“So we learned how to be more self sufficient and that’s been a theme during our time in the capital.

“We want to celebrate our students.

“We switched to using Southwark Cathedral for our graduation ceremonies, which is an iconic venue.

“Previously we used local hotels, but moving things takes us to another level, which is what we’re always trying to do.

“The question for us is always: ‘Why should students come here?’. It’s up to us to create the answers.

“We’re not for everybody. Some institutions have better programmes or a greater legacy – it’s our choice whether we want to challenge that by doing things differently.

“Initially when we opened with just 199 students there was a kind of modesty – a lack of confidence – for the first couple of years.

“But with support from our base up in Sunderland we’ve continued to grow and expand.”

With such stellar facilities now on tap, the university is clearly on a sure foundation to build on that even further.


Secretary of state for education, Bridget Philipson MP, opens the new campus in the presence of University Of Sunderland chancellor Leanne Cahill, vice-chancellor Sir David Bell, Alan, deputy directors of the University Of Sunderland In London, Lynsey Bendon and Geoff Paul and head of marketing, recruitment and admissions, Jelena Miljanic - image by University Of Sunderland In London
Secretary of state for education, Bridget Philipson MP, opens the new campus in the presence of University Of Sunderland chancellor Leanne Cahill, vice-chancellor Sir David Bell, Alan, deputy directors of the University Of Sunderland In London, Lynsey Bendon and Geoff Paul and head of marketing, recruitment and admissions, Jelena Miljanic – image by University Of Sunderland In London

opening the university’s new campus

>> The University Of Sunderland In London’s new campus was officially opened on March 27, 2025, by secretary of state for education, Bridget Philipson MP.

She said: “As a Sunderland MP, it does give me such pride to see the university going from strength to strength.

“The investment here is the stepping stone to even more  growth, excellence and opportunities for people to study. 

“I know the impact the university has for local economies, for driving growth both in the north of England and in London.

“It’s more important than ever that our universities are financially sustainable and that means stepping up, as Sunderland has, to drive forward growth, opportunities and productivity – that dynamism that the sector can bring.

“I think we all know we have to do more to narrow those gaps where it comes to inequality and educational opportunity.

“The University Of Sunderland has always been at the forefront of driving that forward and I’ve seen that impact, not just for young people, but for all the adults who have had the chance to go back into education and get on and everything that means for them and their families as well.

“That’s what the university is doing with this new building and I’m so excited to see it put to such good use.

“We can all feel what that means in terms of possibilities for those who come to study here from overseas and also from local communities.” 

The new campus boasts a multitude of breakout areas - image by University Of Sunderland In London
The new campus boasts a multitude of breakout areas – image by University Of Sunderland In London

key details: University Of Sunderland In London

The University Of Sunderland In London is based at Harbour Exchange on the Isle Of Dogs and offers courses in business, finance, management, tourism, hospitality, events, engineering, project management, nursing and health as well as postgraduate research.

Find out more about what the institution offers here

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London Craft Beer Festival returns at Magazine in Greenwich

Event set to feature 800+ creations from more than 100 breweries with all beer and cider included in the ticket price

The London Craft Beer Festival is set to return in July - image by London Craft Beer Festival
The London Craft Beer Festival is set to return in July – image by London Craft Beer Festival

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what’s all this? 

It’s only the return of the London Craft Beer Festival, back in the capital, but this year in a completely new location

where’s that then? 

For 2025, the event has moved to Magazine on Greenwich Peninsula, just across the Thames from Canary Wharf.

when’s it taking place? 

Visitors to the festival are invited to survey and sample its delights from July 18-19, 2025, with afternoon and evening sessions on both days. 

These last for five hours from 11.30am-4.30pm and 6pm-11pm on both the Friday and Saturday.

so what’s on offer?

Tickets of all types include all beer (and the occasional craft cider), with more than 800 different brews on offer presented by over 100 breweries. 

whet my whistle…

The list is extensive, but the festival will include a strong showing from some of London’s celebrated brewers including DEYA (voted top at last year’s inaugural Top 50 UK Beers awards), Verdant and Tiny Rebel.

There will be international visitors too with beers from the USA, Europe and Australasia including New Zealand’s Garage Project new for this year.

what if I don’t like beer? 

Fear not, cider, sake, spirits and more will also be available for those who prefer alternative refreshments.

There will be lots of food traders at the event alongside breweries - image by London Craft Beer Festival
There will be lots of food traders at the event alongside breweries – image by London Craft Beer Festival

dine at the London Craft Beer Festival

will we starve?

Certainly not.

To help soak up the beer, the festival will be serving up ramen from Bone Daddies, chicken from Chick N’ Sours, BBQ courtesy of From The Ashes, burgers by Meltdown Cheeseburgers and seasonal dishes from 10 Greek Street.

 More food traders will be announced in due course.

and the dancing?

Promising to keep the party pumping, a programme of DJs, live music and other entertainments is planned.

how best to attend? 

There are a number of ticket options for visitors to choose from.

Standard tickets cost £64.50 per person (did we mention every ticket type includes all beer and cider?).

Group tickets for four people cost £59.50 per person.

There are also options for fast-track entry and hospitality packages for larger groups. 

how do I get there? 

Magazine London isn’t a publication, but a purpose-built event venue, clad in black, right beside the river. 

It’s located on Greenwich Peninsula, a short walk from North Greenwich Tube station, which is served by the Jubilee line and numerous bus routes. 

Visitors can also travel to North Greenwich Pier on the Uber Boat By Thames Clippers River Bus service or from Royal Docks to the Peninsula via the Thames Cable Car. 

The event is perfect for summer parties with larger groups - image by London Craft Beer Festival
The event is perfect for summer parties with larger groups – image by London Craft Beer Festival

summer special

>> For groups of eight or more, the festival offers Group Hospitality Tickets

Alongside all beer and cider, these also include fast track entry, a main dish and side per person from the food traders, two vouchers for non-beer drinks (think cocktails and spirits), a guided festival tour with a beer sommelier on arrival and a dedicated meeting point and host for your group.

Tickets cost £105 per person including VAT. Ideal for a summer celebration.

Find out more about group hospitality packages here

Visitors can choose to taste beverages from a selection of more than 800 beers - image by London Craft Beer Festival
Visitors can choose to taste beverages from a selection of more than 800 beers – image by London Craft Beer Festival

key details London Craft Beer Festival

The London Craft Beer Festival runs at Magazine London from July 18-19, 2025.

Individual tickets cost £64.50 per person with other options available for a five-hour session.

Find out more about the festival here

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East River Wharf offers buyers £5,000 incentive on apartments

Legal And General Affordable Homes prepares for open-day to showcase shared ownership properties

East River Wharf is part of the Riverscape development at Royal Docks - image by Legal And General Affordable Homes
East River Wharf is part of the Riverscape development at Royal Docks – image by Legal And General Affordable Homes

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what’s the news?

Legal And General Affordable Homes is set to host an open day for its shared ownership properties at East River Wharf.

when’s it happening?

The housing provider has scheduled the event for May 10, 2025, in the Sky Lounge at the development, which is part of Riverscape, a scheme on the banks of the Thames in Royal Docks.

what’s new? 

Legal And General is currently offering a £5,000 contribution towards buyers’ costs when purchasing a new home.

The idea is to lessen the burden of purchasing a property, be that stamp duty, moving costs or legal fees.

how does it work? 

The £5,000 is deducted from the overall cost of the property on completion with the purchaser responsible for assigning the cash appropriately.

To be eligible, buyers must reserve their shared ownership home before midnight on June 30 this year.

East River Wharf homes all feature private balconies - image by Legal And General Affordable Homes
East River Wharf homes all feature private balconies – image by Legal And General Affordable Homes

more about East River Wharf

tell me about East River Wharf

Located close to Lyle Park, the scheme offers one, two and three-bedroom apartments within easy walking distance of Silvertown and Pontoon Dock DLR stations.

They also benefit from Royal Wharf Pier, which is served by the Uber Boat By Thames Clippers river bus service.

what are the properties like?

The shared ownership apartments feature open-plan living spaces, fully fitted kitchens with integrated Siemens appliances, private balconies and an NHBC 10-year build warranty.

and the residents’ facilities?

Those moving into East River Wharf will get access to a residents’ gym, pool and spa as well as Riverscape’s Sky Lounge.

There’s also a 24-hour concierge service and estate security. 

what’s the area like?

East River Wharf’s blocks are located close to Lyle Park on the western edge of the Royal Wharf area.

Locally, many businesses are now established including a riverside pub, cafés, restaurants, a convenience store and a nail salon.

The scheme is also close to publicly accessible tennis courts and Thames Barrier Park, which boasts extensive landscaping and open space along the river.

Apartments come with integrated appliances - image by Legal And General Affordable Homes
Apartments come with integrated appliances – image by Legal And General Affordable Homes

a regenerated areas

and the location?

Royal Wharf is undergoing vast swathes of regeneration and boasts strong transport links to other areas of London.

Canary Wharf is around 15 minutes away, with direct links to the likes of London City Airport, Woolwich and Bank also available.

why shared ownership?

The scheme allows buyers to access housing with a much lower deposit than when purchasing a home on the open market.

This typically results in monthly outgoings that are cheaper than renting a home in the same area.

Housing providers sell a share of a home – often 25% – with buyers taking out a mortgage on just that portion of the property.

That means they may pay as little as 5% of that value as a deposit.

They then pay a capped below-market rent on the rest plus the full service charge and can live in the property essentially as though they own it.

getting more

Owners can choose to increase their share in a property via a process called staircasing right up to 100%. As their level of ownership rises, the rent they pay falls.

how much is East River Wharf?

Prices at the development start at £96,875 for a 25% share of a one-bed based on a full market value of £387,500.

Two-beds and Three-beds are also available.

The view from the Sky Lounge - image by Legal And General Affordable Homes
The view from the Sky Lounge – image by Legal And General Affordable Homes

key details: East River Wharf

Legal And General Affordable Homes Open Day at East River Wharf is set to take place on May 10, 2025, from 10am-4pm in the Sky Lounge, offering tours of available apartments.

Those wishing to attend should register via the company’s website.

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Minecraft Experience: Villager Rescue review – why it’s for the kids

Recently opened gig venue, bar and restaurant Corner Corner hosts the immersive pop-up at Surrey Quays Shopping Centre in Canada Water

The immersive pop-up can be found at Corner Corner - image by Minecraft Experience
The immersive pop-up can be found at Corner Corner – image by Minecraft Experience

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Is it really any wonder that a movie tied to the best-selling video game of all time has already more than doubled its $150million budget, even though many critics have branded it cash-in dross?

That A Minecraft Movie appears to be a creative mess is largely irrelevant given the passions its source material stirs in its youthful fan base and their eager-to-please parents. Commercially it’s as close to a sure bet as you can make in the arts.     

How hard would it be to take a kid-friendly brand, established on a foundation of more than 300million games sold – plus all its associated merch and tie-ins (Lego, I’m looking at you) – pump it full of film stars and still come out with a proposition that wasn’t at least mildly appealing to guardians’ wallets?

It doesn’t have to be particularly good for companies to collect that sweet, easy cash.

The same logic applies to Minecraft Experience: Villager Rescue, recently installed at Corner Corner in Surrey Quays Shopping Centre.

Here, in a space once occupied by The Range homeware store, we walk down a dimly lit corridor to a desk where bright smiling folk supply us with glowing cubes – securely fastened to our wrists, presumably to prevent them flying off and hitting a llama in its digital eye.

Visitors get glowing cubes  - image by Minecraft Experience
Visitors get glowing cubes – image by Minecraft Experience

stepping into the space

Initially it feels pretty cool.

The game’s pixelated aesthetic is well reproduced as we’re introduced to two avatars on a big screen who, it’s explained, will lead us on some sort of quest, or something.

If you find vagueness of plot troublesome, this isn’t the experience for you. Initially we’re corralled in a sort of holding room.

It’s not immediately clear what we’re supposed to be doing other than taking selfies with a couple of giant game characters.

The lit cubes allow us to interact a bit with a Minecraft forest which coats one wall but it’s a clunky experience and there doesn’t seem to be an obvious pay-off for chopping down the trees.

No matter though. The kids in our group are already fully immersed.

For them it’s a first taste of climbing inside the game and it keeps them occupied for a spell.

Eventually our cubes go green and the steward indicates it’s time to move to the next room. Here things are better.

It's not always clear what we're doing or why - image by Minecraft Experience
It’s not always clear what we’re doing or why – image by Minecraft Experience

making stuff at Minecraft Experience

We use our orbs to transport materials to make things to crafting recipe specifications.

There’s probably some kind of story we’re following, but it gets lost to the background noise and instead another steward jollies us into picking up sticks, wood and stone.

Pleasingly the cube changes colour once loaded with items and there are rewarding chimes when we get the mix right. 

But overall, as we move through further rooms, it’s patchy.

There’s no obvious tally of what we’re collecting and making (let alone, why we’re bothering).

It feels very much as though we’re mindlessly completing a series of scheduled operations to little clear benefit. 

We wave our orbs about to defeat an unnecessarily relentless stream of enemies, we combine water and lava to make a portal (albeit one with disappointingly low production values). 

But, unlike the actual game, there’s no jeopardy, no suspense and – worst of all – no building.

At least 60% of Minecraft is about creative construction. It’s like digital Lego, a tool for minds to make whatever a person can imagination. 

At one point the floor is digital lava and we’re encouraged to hop from safe block to safe block as they appear. Or not.

Walking across the room works just as well.

No materials must be harvested and no bridge built to cross successfully.

What a wasted opportunity. 

That said, for younger kids this is a delight.

It looks like their favourite game and delivers just enough to make it seem as though they’ve stepped into the screen.

Its creators though, could have dug more deeply and made a better world.

*** (3/5)

Kids will love it so - image by Minecraft Experience
Kids will love it so – image by Minecraft Experience

key details: Minecraft Experience: Villager Rescue

Minecraft Experience: Villager Rescue is located at Corner Corner in Surrey Quays Shopping Centre, a short walk from Canada Water station until June 25, 2025.  

The experience is suitable for all ages. Under 2s go free and there are discounts for kids aged 3-15.

Tickets start at £27 for adults and £22 for children including booking fees. Family tickets for four people (max two adults) start at £92.

The per person price on group tickets for 7-14 people drop as low as £21.50 per head. 

Find out more and book tickets here

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