Alex Neil

Cleopatra: The Experience set to open at Excel’s Immerse LDN

Exhibition uses virtual reality, 360º projection, holograms, artefacts and interactive displays to bring the story of the Egyptian ruler to life


Cleopatra: The Experience features 360º projection - image supplied by MAD
Cleopatra: The Experience features 360º projection – image supplied by MAD

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Shakespeare, Chaucer, Plutarch, Hollywood, Asterix.

Stories of Cleopatra VII – the last ruler of the Ptolemaic Kingdom Of Egypt – have long echoed down the years, spun into great romances and decorated with Elizabeth Taylor’s vibrant eye shadow.

But, while Cleopatra: The Experience – an immersive exhibition that’s set for a 15-week run at Excel’s Immerse LDN in Royal Docks from March 26 – has its genesis in her enduring popularity, it’s been created with the aim of revealing the person at the heart of those tales.

“She’s a pop icon and there’s a legend behind her, but we wanted to show the real woman, drawing on what contemporary sources and classical authors said about her,” said Nacho Ares, scriptwriter and curator of the exhibition for its producer Madrid Artes Digitales (MAD). 

Nacho, a broadcaster and Egyptologist isn’t new at this.

He first worked with MAD on Tutankhamun: The Immersive Exhibition, which enjoyed a run at Excel last year and has now been seen by more than 2million people. 

In similar vein, the new show uses technology – holograms, virtual reality, 360º projection and even scents – to bring Cleopatra and her world to life for visitors.

“I’ve been interested in Egyptology since I was a young teenager,” said Nacho.

“I read a history of archaeology – Gods, Graves And Scholars – and I fell in love with the history of the tomb of Tutankhamun.

“I was interested in anything related to ancient Egypt.

“I first visited in 1991 at the age of 21 and it was incredible. I became involved with MAD in 2022 through a friend who is a member of the Spanish Egyptology Association in Madrid.

“They were looking for a writer with experience of TV and so on – back then it was a company of four people and now we have 30.

“It was a dream to bring our Tutankhamun exhibition to Britain, the home of Howard Carter, who discovered his tomb – that was a lovely moment in my life.

“I think Cleopatra will also be a great success because there are so many mysteries and she’s an amazing character.

“We still don’t know where her tomb is – many people have looked around Alexandria and they are still searching today.

“She remains very popular and we’re here to present her biography.” 

The exhibition aims to bring her story to life – image supplied by MAD
The exhibition aims to bring her story to life – image supplied by MAD

Cleopatra: The Experience – unlocking an audience

Part of the exhibition’s mission is to bring that story to a new audience.

Dr Chris Naunton, is a British Egyptologist, writer and broadcaster, acting as official ambassador for Cleopatra: The Experience.

He said: “I worked for the Egypt Exploration Society from 2001 to 2016, and was its director for the last few years of the period.

“My work nowadays is mostly writing, some of which has informed the content of this exhibition, which is a great honour for me.

“I think the technical side of it is amazing.

“It’s important for Egyptology to use whatever methods there are to reach a wider audience and Cleopatra is an obvious subject for that.

“While her story is superficially well known, that has more to do with her legend.

“There was a real woman and this exhibition grounds audiences very well in what the evidence really shows about her life.

“What people will see isn’t made up, it’s based on historical sources.

“The trouble with trying to present a story like this in a conventional way is that there are so many gaps.

“It’s difficult to tell the story of Cleopatra through objects, because we have so little – except classical sources, which were often written by her enemies, and aren’t all contemporary accounts.

“Sometimes they were written with particular intentions in mind.

“The exhibition treads the line very well.

“It’s not dry, which just presenting the evidence we have, might be.

“My sense is that the video game generation will not be engaged by a traditional exhibition.

“But what this exhibition gives us as Egyptologists, is the opportunity to reach people who would never leave their sofas to visit a museum.”

What we do know is that Cleopatra VII’s story is remarkable – one of finely balanced power and intrigue.

Audiences can expect a number of different experiences including chair-based virtual reality - image supplied by MAD
Audiences can expect a number of different experiences including chair-based virtual reality – image supplied by MAD

a skilled politician

“She ruled at the end of a period of 300 years, during which Egypt was run from Alexandria by a family of Macedonian Greek origin, descending from Ptolemy I,” said Chris.

“He was one of Alexander The Great’s generals. During this period, the kingdom was influenced to some extent by Greek culture – the Greek language and script became the administrative language, for example – but it was still very much the Egypt of its traditional gods.

“Cleopatra comes in at the end of this dynasty, ruling initially alongside her brother, at a time when Egypt was very much part of an international scene.

“By the end of the Ptolemaic period in Egypt, Rome has become the most important power.

“The versions found in the movie and Asterix tell a story of a richly drawn character, a wily, beautiful woman.

“What all the ancient sources agree on is that Rome is increasingly important, exerting more influence on Cleopatra and her family.

“In making allies of Roman leaders Julius Caesar and Mark Antony, regardless of any romance that may or may not have happened, she was undoubtedly doing the right thing for Egypt.

“I think we can certainly say she was extremely skilful politically and she was a great survivor.

“It was a time of great in-fighting in the Ptolemaic family, a time of great intrigue.

“Her relationship with her brother, Ptolemy XIII, doesn’t work out very well – there’s a war – then her relationship with Caesar is disrupted by his assassination in Rome.

“Her relationship with Antony is only brought to an end by the irresistible force of Octavian, who defeats them.

“The threat of Rome taking over the whole of the Mediterranean had been coming for decades, something that could be seen as having been held back by her for quite a long time.

“There is a fascinating story to tease out, which I think is historically valid and goes beyond the Hollywood version.

“My take is she was a very successful politician.”

The story even includes the death of Caesar in Rome - image supplied by MAD
The story even includes the death of Caesar in Rome – image supplied by MAD

key details: Cleopatra: The Experience

Cleopatra: The Experience is set to run at Immerse LDN on the southern edge of Excel from March 26 for 15 weeks.

Tickets are on sale now, from £29 for adults and from £24 for children aged 4-15. Group packages and school bookings are available.

The experience lasts around 90 minutes and is open every day from 10am. 

Find out more here

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Tutankhamun: The Immersive Exhibition review – a sight to see

It might be more Hollywood than British Museum, but this ancient Egyptian showcase delivers on spectacle, scarabs and VR baubles

This isn't Indiana Jones, it's King Tut, but not as you know him - image by Jon Massey
This isn’t Indiana Jones, it’s King Tut, but not as you know him – image by Jon Massey

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First off, the important thing to know about Tutankhamun: The Immersive Exhibition is what it is and what it isn’t.

Madrid Artes Digitales’ extensive installation at Excel’s Immerse LDN isn’t a serious showcase of archaeological artefacts.

If you want to see the genuine stuff, pop over to the British Museum where they have a vast array of real things dating back 3,000 years.

The Russell Square institution has more than 100 mummies alone and they’ll let you look at them for free.

Tutankhamun: The Immersive Exhibition has perhaps a dozen, somewhat sorry-looking historic objects, plus a bunch of replicas in varying degrees of quality.

Somebody didn’t want to pay the extra cash for the King Tut mask with the inlays, so the colours are just painted on.

But this is because Tutankhamun: The Immersive Exhibition is really all about spectacle.

The visuals are stunning, even if the narrative arc is far from clear - image by Jon Massey
The visuals are stunning, even if the narrative arc is far from clear – image by Jon Massey

a flurry of facts

Visitors are initially introduced to a series of museum-like displays offering info on the Boy King and the discovery of his barely-touched tomb in the 1920s. 

These are pretty informative, presenting a drip-feed of knowledge.

There are teasing mysteries too such as the questions over Tutankhamum’s parentage – was his mum actually the famous Nefertiti, for example?

There’s quite a bit on archaeologist Howard Carter, his partnership with Lord Carnarvon and how their blockbuster discovery took the world by storm. 

There’s some depth – just enough to get the neurons firing as we wander into a space grandly titled “The Treasure Room”.

But this is not a touring museum, it’s an entertainment.

The replicas that lie within – including a full-size mummy, the ersatz death mask plus the odds-and-ends collection of bits from ancient Egypt – are only an aperitif. 

What this “exhibition’s” creators are really all about is digital.

Replicas in the exhibitions' 'Treasure Room' - image by Jon Massey
Replicas in the exhibitions’ ‘Treasure Room’ – image by Jon Massey

Tutankhamun: The Immersive Exhibition, a digital spectacle

First we enter a room with projections on all four walls and the floor. Here, a 30-minute looped video presents a visually arresting vision of – what exactly? 

Golden geckos run around the floor, sandstorms act as screen wipes, followed by infestations of scarabs, scorpions and, at one point, an unstoppable cascade of golden jewellery. 

Lightning flashes, deep voiceovers intone important-sounding words. If there is a narrative at all, presumably it’s the life of King Tut, but to be honest, that’s not the point.

It’s a surprisingly fun and engaging watch. 

Imaginative in the extreme (Gods come to life, temple pillars telescopically retract for unclear reasons), it’s like an ancient Egyptian acid trip made flesh for our amusement. 

This is equally true of the not one, but two VR experiences that follow.

The first takes place in a swivel chair and starts off as a tour of the tomb.

Reality is quickly left behind, however as we ascend to the afterlife, complete with lava, giant God statues and a heart weighing ceremony with Anubis.

The graphics aren’t amazing and the content is balderdash – Nefertiti is now definitely Tut’s mum, for example – but it’s diverting for seven minutes or so. 

In the second one, we don headsets and wander around a room.

One minute we’re in the tomb, the next we’re on the dig site.

Then we’re half trapped under some poorly rendered sand.

Other guests are represented as the top third of a greyscale Howard Carter, which adds an extra level of silliness to proceedings.

Maybe there’s a plot but who knows? And frankly, who cares? 

At about £25 a go the ride is amusing.

There’s a light shower of facts, followed by at least 90 minutes of solid nonsense that’s worth a watch purely because nobody seems at any point to have queried whether it’s a good idea to flood the screen with golden rings, just because you can.

Even what purports to be a serious holographic presentation of the mummification process features sky water, or something.

You have to see it to believe it.  

4/5 ****

Columns are brightly coloured and sometimes bounce up and down like telescopes - image by Jon Massey
Columns are brightly coloured and sometimes bounce up and down like telescopes – image by Jon Massey

key details: Tutankhamun: The Immersive Exhibition

Tutankhamun: The Immersive Exhibition is booking until June 29, 2025, at Excel London’s Immerse LDN in Royal Victoria Dock. 

Tickets start at £22 plus booking fees and can be purchased via Eventim or Fever.

The exhibition is located about five minutes from Custom House station offering DLR and Elizabeth Line services.

Find out more about the experience here

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