Alex Neil

SWR Business Direct offers rapid refunds as plans change

The fee-free train ticket booking platform for firms offers maximum flexibility when plans change with 90% of requests processed in 24-hours

A mural celebrating Little Portugal in south-east London - image by Jon Massey / Wharf Life
A mural celebrating Little Portugal in south-east London – image by Jon Massey / Wharf Life

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The opportunity to be a tourist in your own city is one of the truly wonderful things about living in London or visiting the capital by train.

A melting pot, the diverse communities that make up its population have shaped the urban environment, with influences from across the world.

Take Vauxhall, for example. Located just three minutes from London Waterloo via South Western Railway services, the station stands at something of a crossroads.

To its west, a swathe of regeneration can be found in Nine Elms along the Thames connecting the area to Battersea Power Station via the US Embassy.

But head down South Lambeth Road and you’ll begin to feel the presence of the borough’s 30,000-odd Portuguese speakers. many with links to the Island of Madeira

Having relocated to the area from Notting Hill, the community has put down deep roots, reflected in the many bars, restaurants and cafés strewn in the streets around the main drag all the way down to Stockwell Tube station and beyond.


Estrela is located on South Lambeth Road - image by Jon Massey / Wharf Life
Estrela is located on South Lambeth Road – image by Jon Massey / Wharf Life

The area was recognised in 2023 with a mural outside Tate South Lambeth Library on Wilcox Close.

Painted by Eduarda Craveiro and Alex Bowie, this features the Coração De Viana, a traditional symbol of a heart decorated with silhouettes of icons from Portuguese-speaking countries around the world.

For the visitor, perhaps the best way to explore is via the food and drink, much of which is extraordinarily good value.

Our first stop is Estrela, a cafe, restaurant and bar open every day except Tuesday on the corner of Meadow Place and South Lambeth Road.

Here £25 will buy you two lightly fizzy glasses of Vinho De Pressao (a white sparkling wine served on draught), bread, sardine pate and crisp, juicy slices of chorizo “flamed on fire water”. 

It’s the kind of place locals frequent, with Portuguese TV on in a corner and a carefully constructed model galleon sitting on top of a fridge. The flavours are drop-dead delicious and the value fantastic.

Flamed chorizo at Estrela - image by Jon Massey / Wharf Life
Flamed chorizo at Estrela – image by Jon Massey / Wharf Life

Strolling further down South Lambeth Road, visitors are met with a wealth of options for sampling Portuguese cuisine.

There’s the Three Lions cafe and tapas bar, restaurant Machico and the Lisboa Patisserie, which functions more as a mini supermarket. 

Little Portugal isn’t like Soho, however. A degree of exploration and a willingness to walk around is the best way to discover its gems.

Keep going past Stockwell, for example, and you’ll come to Ilha Dourada, a bakery and deli that’s the ideal place to purchase Pastel De Nata, a custard tart that’s more like an national obsession than a mere pastry.

Expect to pay less than £2 for one of these flaky, sweet treats, which are a must-try, whether from this Stockwell Lane establishment or the likes of Madira Patisserie London, a little further down the road. 

Pastel De Nata tarts are available from Ilha Dourada - image by Jon Massey / Wharf Life
Pastel De Nata tarts are available from Ilha Dourada – image by Jon Massey / Wharf Life

There’s night life too, with many venues offering evening dining and entertainment.

Heading back towards Vauxhall Tia Maria Brazilian Bar hosts live music and serves up grilled meats, skewers and tapioca wraps behind its bright yellow walls.

Unusually, this venue features late night Sunday opening with parties running right through until 2.30am, an hour later than on Fridays and Saturdays.

Other venues to check out include Pinto’s and Lusitanos Bar And Grill on South Lambeth Road, both serving up high-quality Portuguese dishes.

Perhaps the best approach, however, is to simply visit with an open heart.

Leave the train at Vauxhall and wander south to see what takes your fancy.

There are enough venues of sufficient quality to leave things up to serendipity.

Pork and clams at O Cantinho De Portugal - image by Jon Massey / Wharf Life
Pork and clams at O Cantinho De Portugal – image by Jon Massey / Wharf Life

O Cantinho De Portugal

>> If you only visit one restaurant in Little Portugal, make it this one.

Located on Stockwell Road, this place has spent two decades serving up dishes from the old country.

O Cantinho De Portugal helpfully features a menu that shows diners exactly where the dishes they’re enjoying come from.

But go hungry. The portions here are generous and the prices low.

Porco A Alentejana is a dish of pork and clams all mixed up with fried potatoes and pungent picked veg (think cauliflower and carrots).

It’s zingy and delicious with the meat tender and well seasoned.

Bacalhau Com Natas is a creamy cod bake with potatoes and cheese and comes with a side salad. It’s rich, warming and deceptively filling.

At £18, both dishes are very well priced, served in a quirky, welcoming environment that’s filled with unhurried charm.

A glass or two of Casal Garcia Vinho Verde for £5 is ideal to set the seafood and pickles off perfectly.

O Cantinho De Portugal has been serving Londoners for more than 20 years - image by Jon Massey / Wharf Life
O Cantinho De Portugal has been serving Londoners for more than 20 years – image by Jon Massey / Wharf Life

key details: SWR Business Direct

SWR Business Direct is free to use and allows companies to book, plan and manage business travel across the whole of Britain.

There are no hidden fees or charges and no booking fees on tickets purchased via the service.

Find out more here

SWR's Joe Thurgood says SWR Business Direct offers rapid refunds for maximum flexibility - image supplied by SWR
SWR’s Joe Thurgood says SWR Business Direct offers rapid refunds for maximum flexibility – image supplied by SWR

on track with SWR’s Joe Thurgood

Q

My business is quite unpredictable and I often need to change plans for staff at the last minute as they travel across the country using the rail network. How quickly is SWR Business Direct able to process refunds for a company like mine?

A

Running a business is rarely a straight line, and, when plans shift at the last minute, you need a travel partner that moves as fast as you do. 

SWR Business Direct is designed specifically for this kind of unpredictability.

When it comes to refunds, the service is built for speed. When life throws you a curve ball and you need to change your business plans SWR Business Direct has got you covered.

All you need to do is send your refund request and we take care of the rest, with 95% of refunds processed within 24 hours.

That leaves you and your business able to get on with what you do best while we do what we do best– supporting you.

The value in aftersales support is often overlooked until it’s too late.

Having to wait for responses, constantly chasing for updates and wondering whether anyone is going to actually get back to you is not only frustrating but unproductive.

Wasted time is wasted money.

With SWR Business Direct, you are secure in the knowledge that a real person is at the other end dealing with your request and our dedicated team will save you and your business the need to navigate the arduous task of completing online forms or phone menus that seem to offer more choices than a Choose Your Own Adventure book.

Ultimately, this efficiency saves your business money by recapturing costs that might otherwise be lost to no-show tickets or rigid booking policies. 

It also frees up your staff to focus on their actual jobs.

With SWR Business Direct, your travel budget stays as fluid as your calendar, giving you the peace of mind to pivot whenever the market demands it. 

Best of all, there are no booking fees, no contracts, no sign-up fees.

You just pay the cost of the tickets.

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Shenanigans At (The) Space brings comedy back to the Island

Regular monthly comedy night at the Isle Of Dogs venue in Westferry Road has been created by promoter Scott Fitzgerald and MC Matt Price

Scott Fitzgerald, left, and Matt Price have created Shenanigans At (The) Space - image by Jon Massey / Wharf Life
Scott Fitzgerald, left, and Matt Price have created Shenanigans At (The) Space – image by Jon Massey / Wharf Life

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Friday, April 17, 2026, saw the return of regular comedy to The Space theatre in Westferry Road – the first in a new series of monthly gigs that are set to pull in a series of potent line-ups to the Isle Of Dogs venue.

Shenanigans In (The) Space is the creation of producer, writer, promoter and sometime comic, Scott Fitzgerald, (who’s booking the acts) and regular MC Matt Price.

“I first came to The Space to see As You Like It, hosted by Sir Ian Mckellen [performed by all trans and non-binary theatre group Trans What You Will],” said Scott.

“I loved the whole ethos of the venue – a small theatre that doesn’t receive any funding or regular support.

“I met Matty Jameson, the artistic director, who’s a superstar in my eyes – all drive and responsibility, but smiling all the way through it like a beautiful robot.

“Then I met the board members and explained about my background – promoting comedy and performing – and what I thought we could do here.”

Shenanigans is hosted at The Space on the Isle Of Dogs - image by Jon Massey / Wharf Life
Shenanigans is hosted at The Space on the Isle Of Dogs – image by Jon Massey / Wharf Life

hosting Shenanigans At (The) Space

The result is a series of shows hosted by Matt, each featuring three stand-ups with headline spots from the likes of Sam Nicoresti (who won Best Show at the Edinburgh Festival in 2025), Craig Campbell, Marty Gleeson, Dan Tiernan and comic rap powerhouse Doc Brown.

“We’re able to get people of this level because most comedians want to support something,” said Scott.

“I contact them, tell them the story of the venue, why the fee is what it is and appeal to their human side.

“Many acts remember why they started in comedy, that first big laugh and the place they found their voice.

“We want to build that kind of community here with established comedians and those coming through.

“It also helps that a lot of people know Matt.

“He’s one of the best compères in the country and when they know he’s the MC, they’ll come and do the gig.”

The pair first met at an open mic night in 2003.

Scott had fallen out of a career as a window cleaner and into one as a theatre technician, before taking his own steps into stand-up.

Matt had stumbled into comedy having briefly boxed and then taken up writing about the sport.

Together they ran the Yellow Kangaroo Comedy Club in Cardiff and have remained friends ever since.

Scott is promoting the night and booking the comics - image by Jon Massey / Wharf Life
Scott is promoting the night and booking the comics – image by Jon Massey / Wharf Life

forged in a friendship

“I have memories of two speakers exploding on stage and Scott coming to sort them out,” said Matt.

“We became friends and I was deluded enough to carry on as a performer.

“I’d had a few fights as an amateur boxer, but I wasn’t very good and then I spent a couple of years trying to write a book about boxing before I fell into comedy and realised it’s the same thing as being in the ring, but without the punches.

“One wonderful comedian said that stand-up comedy is the most violent, non-contact sport in the world and I know what he means.

“There’s a saying in boxing: ‘It’s not why you start, it’s why you stay’.

“I started it because I was a failed boxing writer, and I stayed because, thankfully, I don’t take myself too seriously and I just genuinely love being a comedian.”

Having performed in 30 countries including Russia, Cambodia and “even Penzance” Matt said he was relishing the prospect of performing at The Space. 

“I’ve been around a bit,” he said.

“One highlight was standing on a piece of wood on top of a former gangland criminal’s house, performing to south-east London’s criminal underworld.

“I looked at a man with a tattooed face who asked me not to talk to him.

“He’d just robbed a post office, but couldn’t stand being spoken to in public.

“Another was accidentally setting myself on fire at the Edinburgh Festival – I just walked backwards into a candle.

“People asked if I’d done it on purpose so I just said: ‘Yes’. I’ve learned to take a compliment.

“The Space already feels very special and I’m really enjoying working with Scott again.

“There’s something about supporting a local community and trying to build a night that people really like.

“There’s no pressure on acts here – we’re not going to say they’ve got to stick to every second as you do in more commercial clubs.

“It will be somewhere acts can come and experiment a bit.”

Matt has performed in more than 30 countries and is Shenanigans In (The) Space's resident MC - image by Jon Massey / Wharf Life
Matt has performed in more than 30 countries and is Shenanigans In (The) Space’s resident MC – image by Jon Massey / Wharf Life

building something on the Isle Of Dogs

Talking with the duo, there’s a sense both of them are quietly revelling in the process of putting the gigs together – a feeling that they’re at the start of something. 

Scott had stepped away from comedy for a number of years, with this bigger goal tempting him to return.

“Not much would have got me back into it – it’s hard work and you can’t please everybody,” he said.

“But this venue should have more people in it – it’s that larger idea that makes me want to put myself through it again.”

The first Shenanigans saw Shaparak Khorsandi headline with sets from Don Biswas and Ciara O’Connor.

The next date – May 22, 2026 – is set to feature ventriloquist Lachlan Werner and softly spoken Welsh comic Morgan Rees.

“The night will be headlined by prop comic Spencer Jones who performs on stage as Clunkerdunk,” said Scott.

Best known for his recurring role as Mr Winner in BBC Shakespearean sitcom Upstart Crow, audiences can expect new material amid the unpredictability of live performance.

“Anything can happen,” said Scott.

“That’s the excitement of it – it’s still thrilling to us after all these years. You just never quite know what you’ll see.

“That’s why Matt is so good – he’s skilled at making almost anything funny and connecting with the audience.

Matt added: “There was one time I was being heckled by a drunk woman in the front row, who just wouldn’t give up, so I walked to the back of the room and got everyone to turn their chairs round, putting her at the back.

“She was very angry, stormed out and slammed the door.

“Some of the audience barricaded the door behind her – you learn how to play a room.

“In between jokes, you could hear her complaining to the manager.”

key details: Shenanigans In (The) Space

Shenanigans In (The) Space is set for a run of monthly performances at the Isle Of Dogs venue.

The next date is May 22, 2026, and doors open at 7.30pm. Tickets cost £20. 

Comedy nights will be listed regularly on The Space’s website here

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Harvest London delivers urban farming at heart of Corner Corner

Canada Water facility in Broadwick’s live music, food and drink venue, aims to reconnect people to where ingredients come from via tours

Adam Abadi, right, and Hari Sasidharan of Harvest London at Corner Corner - image by Jon Massey / Wharf Life
Adam Abadi, right, and Hari Sasidharan of Harvest London at Corner Corner – image by Jon Massey / Wharf Life

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“For me, food is tradition, community, family – something that brings people together,” said Adam Abadi, operations manager at Harvest London.

“It can be something that’s lost nowadays where everyone’s at desks on their phones or screens, not looking at or engaging with others. 

“We can lose that connection with our food and each other.

“What we’re doing here in Canada Water is an opportunity to change that.”

Stood in the company’s facility at Corner Corner at Surrey Quays Shopping Centre, the very placement of the farm is part of that mission.

The south-east London venue recently celebrated its first birthday and every single visitor to the venue over the past 12 months will have seen its plants basking under their LEDs through the facility’s glass walls. 

But the tightly sealed space is much more than a brightly-lit backdrop to Kerb’s street food, drinks at the bar, beats from the DJ booth and free live music from the stage. 

Broadwick’s emerald green refurb of a retail space that once housed The Range includes this fully functional agricultural operation where a staff of five tend to a wide variety of crops.

Better still, the produce can be sampled on-site via cocktails and dishes on sale from Corner Corner’s vendors – food metres rather than food miles.

“I’ve been working in vertical farming for the past six years across London, having got into agriculture in Australia where I was looking at how plants actually grow and the different ways of doing that closer to the consumer,” said Adam.

“I was born and raised in London and the way we use water, pesticides, herbicides, shoot animals and erect fences on farms was a bit of a shock to me. 

“We’re so used to going down to Tesco or the local corner shop and buying sandwiches wrapped in plastic, we don’t tend to think about how those ingredients are grown or where they come from.

“We don’t consider the processes, people, businesses and logistics involved in growing them and getting them to our plates.

“As an urban farmer, that’s why I want to engage with people to help them understand why we do what we do and what it means for urban populations.”

The vertical farm is located at the heart of the venue behind glass walls - image by Jon Massey / Wharf Life
The vertical farm is located at the heart of the venue behind glass walls – image by Jon Massey / Wharf Life

expanding Harvest London

Harvest London was founded by Chris Davies and Matt Chlebek in 2017 and launched its Corner Corner facility in 2025.

But what does it actually produce?

“The farm operates all year round, 24-hours a day,” said Adam.

“We’re about 190sq m of space and within that we’re able to make use of about 400sq m of growing space because of our vertical design.

“One of the key questions is how much you can grow in the smallest space possible. One name for what we’re doing is ‘environment controlled agriculture’. 

“It means we work with technology to grow our crops.

“The plants need a perfect environment to grow efficiently and effectively.

“There’s a lot of precision involved, a lot of accuracy.

“The farm is around 22ºC and about 60% humidity – it’s like a really perfect day in Tuscany. 

“With traditional farming, a lot of the time you’re guessing – pouring water and fertiliser here or there. 

“With the kind of vertical farming we’re doing, you can see the exact amount of water we need to use.

“As a result we can use fewer resources – typically about 90% less water and 75% less fertiliser as well as considerably less land.

“Our irrigation system sends water full of nutrients right to the plants’ roots and then it comes back into the tanks so it can be re-dosed and recirculated.

“We save as much as possible.”

Controlled environment agriculture can be used to grow a wide variety of produce - image by Jon Massey / Wharf Life
Controlled environment agriculture can be used to grow a wide variety of produce – image by Jon Massey / Wharf Life

growing food for the capital

Harvest London is also able to grow its plants without pesticides or herbicides.

Ahead of our tour, we don hair nets and shoe coverings before entering the space. 

Tightly controlling the farm helps protect the plants from unwanted contaminants and pests, meaning chemical intervention isn’t needed.   

The business has grown more than 100 species of plants in its facilities since launch with popular products including basil, mustard greens, kale, parsley, coriander and Peruvian black mint.

Its clients include the likes of Pizza Pilgrims and Ole And Steen as well as local businesses such as The Pear Tree and Pizza 1889, also based at Surrey Quays Shopping Centre.

“The process differs slightly depending on what we’re growing,” said Hari Sasidharan, farm manager at the Canada Water facility. 

“We plant our seeds on jute – there’s no soil used at any point during the process. Sometimes we use a machine to help distribute them.

“Then we wrap the trays and keep them in darkness until they have germinated.

“Then we place them under the lights. Sometimes we manually re-plant the seedlings.

“Some plants need more space to grow – we leave gaps in the trays of basil, for example, so they have plenty of room.

“Usually the plants develop more or less at the same speed as they all get the same treatment.”

At every level, the farm is verdant with life, making it simple to see why chefs and brands view the produce as an attractive option.

We taste a few leaves and are rewarded with the rich pungency of basil, the spice of its Thai cousin, the zing of mustard and the unexpected delicacy of baby kale.

Plants can be grown two or three times faster using Harvest London's approach - image by Jon Massey / Wharf Life
Plants can be grown two or three times faster using Harvest London’s approach – image by Jon Massey / Wharf Life

rapid quality

“All the plants we grow are premium quality,” said Adam.

“Generally we’re able to produce them two or three times faster than traditional outdoor environments.

“The lighting they are under is a combination of daylight and red light to encourage growth – each species has its own recipe.

“The fact we can turn them over more quickly means they spend less time in our system and so we use less power and fewer resources to nurture them.

“It’s very exciting to be part of the vertical farming industry, especially over the last five to 10 years.

“A lot of investment is going into the sector and it’s entering its next phase.

“Everyone is coming into it with really good intentions – growing crops closer to consumers.

“Companies like ourselves, having been in business for nearly a decade are still going and we’re still expanding.

“We’re seeing more farms pop up.

“It’s not a silver bullet for every problem in the food industry, but my opinion is having more farms like this, bringing people back to more sustainable food and showing them where those ingredients come from is an important thing.

“A lot of the time agriculture is hidden out of sight, which is a shame.

“I think that having this kind of farming into public spaces is special, especially in urban environments like Corner Corner.”

Basil at Harvest London destined for Pizza Pilgrims - image by Jon Massey / Wharf Life
Basil at Harvest London destined for Pizza Pilgrims – image by Jon Massey / Wharf Life

key details: Harvest London

Harvest London is located at Corner Corner in Canada Water in Surrey Quays Shopping Centre.

Tours of the facility can be booked  through the venue’s website.

You can find out more about Harvest London here.

tried + tested: Chick’n’Sours

Corner Corner is many things.

The Canada Water venue, a short walk over Asif Khan’s sweeping red bridge from the station, boasts deep green walls and a chunky event space, formerly home to the underwhelming “immersive” take on Minecraft.

In addition to Harvest London, it’s also a live music venue, home to a regular series of DJ performances and a drinking spot with food from two vendors operated in partnership with Kerb.

There are comfy sofas, creamy plywood and plenty of chairs and tables.

The vibe is of a market hall, even if there are only a duo of traders on offer.

That’s not to say, of course, that the food’s not worth a visit.

While Sireli serves up Armenian dishes alongside a decent Cheeseburger (£14  including fries), it’s Chick’n’Sours that catches my eye.

Its Thai Chicken Salad with herbs, I believe, from the vertical farm, is a steal  for £10. Generous, juicy tenders sit atop a crunchy bowl of shredded carrot, mooli, beansprouts and spring onion.

While initially it looks a little stingy in size, the sheer density of this nutrient-rich offering turns out to be the ideal portion, generously doused in Nahm Jim Dressing, Sriracha Sour Cream and crispy shallots.

On our visit, the events space was hosting a market by Playing Outside, a welcome, vibrant collection of makers and traders selling art, clothing, scents and jewellery. Alongside the free live music, this is a place worth visiting.

****

4/5

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V&A East Museum aims to inspire young visitors with its galleries

Opening of major cultural venue at East Bank in Stratford is another key piece in the 2012 Games’ legacy at the Queen Elizabeth Olympic Park

V&A East Museum is located at one end of East Bank - image by Jon Massey / Wharf Life
V&A East Museum is located at one end of East Bank – image by Jon Massey / Wharf Life

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“This is a place of dreams and possibilities,” said Gus Casely-Hayford, director of V&A East.

“What it needs now is people to come in and make them real.” 

Speaking at the launch of V&A East Museum, the more prominently located second half of the west London institution’s new empire in this part of the capital, there’s a thrill in his voice.

Storehouse, located at Here East, has been a resounding success, welcoming 600,000 visitors through its doors since it opened last year, despite being somewhat tucked away amid the fabulous sprawl of the Queen Elizabeth Olympic Park. 

The new museum sits on one end of East Bank beside the London College Of Fashion, the new BBC Music Studios and Sadler’s Wells East.

Its opening is a key part of the 2012 Games’ cultural legacy.

Just like the South Bank, these buildings are statements of intent, powerhouses for the arts rising proudly above Waterworks River with the V&A’s golden geometric concrete arguably the most visually striking.

But for Gus, it’s the flow of young minds in and out of its doors that he and the team care most about, the museum’s connection to the community.

Gus Casely-Hayford, director of V&A East – image by Jon Massey / Wharf Life
Gus Casely-Hayford, director of V&A East – image by Jon Massey / Wharf Life

becoming the ladder

“East London is the place that gives us Alexander McQueen, David Bailey and so many other creators who had to struggle and fight in their fledgling careers to get their feet on the first rung of the ladder,” he said.

“For all those future makers and artists, we want to be there as that ladder.

“It shouldn’t just be middle class kids who have an uncle who works in film or an aunt who runs a gallery that succeed. 

“It’s wonderful they have those opportunities, of course, but how do we ensure that those without those advantages in east London can get purchase on careers in the creative industries?

“I’m proud of the sense of possibility we’ve created here.”

Over simplifying, if Storehouse is a place to hold, look after and offer access to the 280,000 objects in the V&A family, chronicling some 5,000 years of human creativity, V&A East Museum is a place to show them off in tightly curated, thought-provoking ways.

To that end, it features two permanent Why We Make galleries, packed with treasures that are free to view. 

There’s also an exhibition space, currently occupied by The Music Is Black: A British Story, which aims to illuminate 125 years of black British music via exhibits, stories and sound.

On its fifth floor there’s a terrace and another free exhibition, Dispersal, which captures the businesses that called this part of London home before the Olympics.

Then, on its lowest level, there’s Café Jikoni, a partnership with a restaurant group known for “cooking across borders”. 

Even on press day it’s easy to see how these spaces will quickly fill with visitors, thanks in part to a programme of free live events, including a takeover by DJ Nia Archives, workshops and talks.

Molly Goddard’s Daria dress, once worn by Beyoncé, features 61 metres of tulle and takes pride of place in the Why We Make galleries - image by V&A East Museum
Molly Goddard’s Daria dress, once worn by Beyoncé, features 61 metres of tulle and takes pride of place in the Why We Make galleries – image by V&A East Museum

V&A East Museum – built for the community

“When I came into my role, it was at the time of the pandemic and we built a team and an idea through remote working,” said Gus.

“Part of that was informed by that period, but we wanted to create connectivity – an institution able to connect with the community.

“As soon as we were able, we got out there to see those communities, to talk to them and ask them what they wanted at the V&A East museum.

“They were really keen to tell us.

“I loved it because I got to visit more than 100 schools within a bus ride, speaking in assemblies and asking them what we should offer.

“Listening to them, many of those young people were frustrated.

“They aspired to work in the creative industries but had little or no understanding of how they might do it.

“We saw that there was a desperate need for institutions like V&A East and for young people to get engaged with them.

“So we worked with them – more than 30,000 people consulted on every area of operational and curatorial delivery.

“I hope this is an institution that reflects their aspirations, hopes and dreams and that visitors will see that as they walk through these spaces.

“Our permanent galleries are called Why We Make because we thought making was a theme that would really speak to young people.”

Robes worn by a Daoist priest - image by V&A East Museum
Robes worn by a Daoist priest – image by V&A East Museum

respecting the residents

“Everything here has been part of us demonstrating our respect for this place and its populations,” added Gus.

“I can’t wait to see people come streaming through these doors and absolutely fall in love with this space.

“It’s a different kind of museum, which I hope will appeal to a different kind of audience.

“The building is extraordinary. Architects O’Donnell + Tuomey have created a kind of multi-faceted jewel with gold-faced concrete and it’s absolutely exquisite.

“Inside, it has these astonishing geometric windows, which mean that almost anywhere you are, you can see out across the Olympic Park that surrounds us.

“You get a real sense of where you are when you’re inside.

“They also created circulation spaces where you can come in the entrance on the lower ground floor and walk all the way up the five floors above without encountering a door.

“We are living in societies which can feel very fractured.

“We’re located next to one of the biggest shopping centres in Europe and I hope we’ll become a place of gathering.

“Shops are wonderful, but they aren’t places of civic convening.

“We want this to be a place where particularly young people can come, hang out, learn things, but they can also be inspired.

“It’s a wonderful privilege to be the inaugural director of V&A East – it’s probably the best job in the cultural sector.

“My hope is that, as time goes on, it will also be a place where they don’t just find opportunities to remake themselves, but also to remake V&A East.”

This Paimio armchair by Alvar Aalto was designed for a tuberculosis sanatorium in Finland - image by V&A East Museum
This Paimio armchair by Alvar Aalto was designed for a tuberculosis sanatorium in Finland – image by V&A East Museum

key details: V&A East Museum

V&A East Museum is located at East Bank on the edge of the Queen Elizabeth Olympic Park. 

You can find out more about the institution here.

Entry to the building is free, although tickets to see The Music Is Black: A British Story start at £22.50.

Concessions for students and those under 26 are available.

Skin of Skunk Anansie performs at Glastonbury. Her Clit Rock suit can be seen at V&A East Museum - image by Daniel Newman
Skin of Skunk Anansie performs at Glastonbury. Her Clit Rock suit can be seen at V&A East Museum – image by Daniel Newman

tried + tested: V&A East Museum

Any way you cut the complex geometry of V&A East Museum, it’s a fantastic addition both to the Stratford skyline and Newham’s cultural heft.

What Gus says about the relentless focus on connecting its spaces to the local community finds its proof in the new institution’s galleries.

The Why We Make spaces are refreshing. Superficially incongruous treasures – everything from glacial stupas to healing chairs and Daoist robes – are sewn together with a golden thread of locality.

Walk into the lower of the two galleries and you’ll immediately be confronted by Molly Goddard’s hot fuscia Daria dress, an east London creation that features 61 metres of tulle and was once worn by Beyoncé.

I’m left with no choice but to knock off a star because (teething troubles) my radar-linked Sennheiser headphones provided for a stroll round The Music Is Black: A British Story, failed to function properly.

This left me with a loop of the intro melody, rather than the 120 tracks promised. 

My guess is that given this exhibition is about music, it’s probably better when you get to hear it.

However, even without the gospel, soul, rap, r’n’b, blues, rock, folk and grime, it’s a collection worth viewing thanks to the variety and vibrancy of the exhibits.

Here too, thanks to kids from the Lansbury Estate, Dizzee Rascal, Billy Ocean and countless performers still gigging at the likes of Boisdale Of Canary Wharf, the east is ever present.

Deep cuts.

****

4/5

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The Monocle is set to bring queer Paris to Wilton’s Music Hall

Rendez-Vous Dance’s show is an homage to a sanctuary for the lesbian community that existed in the French capital open between the wars

The Monocle is set for three performances at Wilton's Music Hall - image by Cave And Sky
The Monocle is set for three performances at Wilton’s Music Hall – image by Cave And Sky

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The glorious, crumbling walls of Wilton’s Music Hall are set to reverberate with the buzz and verve of Rendez-Vous Dance’s latest show.   

The Monocle is a cabaret, dance homage to nightclub Le Monocle, a sanctuary for the lesbian community in Paris opened in the 1920s by Lulu De Montparnasse on the Boulevard Edgar-Quinet. 

It’s set for three performances at the east London venue in May, 2026.

Billed as a “sizzling dance and music production”, the show has been created by the Rendez-Vous founder and artistic director, choreographer Mathieu Geffré.

Celebrating the history of the club – named for the optical affectations some lesbians used as a symbol of recognition in their community – The Monocle aims to transport audiences to an era of glamour, jazz, dressing up, dressing down, secret passions, sex and cocktails.

The company’s seven-strong cast tell stories of the venue’s clientele and their time spent in a place where they could dine, dance, sing and socialise without fear of persecution.

Rendez-Vous Dance founder and artistic director, Mathieu Geffré - image supplied by Rendez-Vous Dance
Rendez-Vous Dance founder and artistic director, Mathieu Geffré – image supplied by Rendez-Vous Dance

relevant and meaningful

“Over the years, Wilton’s Music Hall has built a reputation for celebrating diverse, boundary-pushing, excellent art,” said Mathieu. 

“Bringing the final performances of The Monocle to Wilton’s Music Hall after a successful night at the same venue in 2024, feels deeply relevant and meaningful. 

“There’s something about the venue’s layered, rich and slightly subversive history that resonates with the queerness of our production. 

“After three tours and such a generous response from audiences across the country, it feels like the right place to bring this journey to a close – intimate, relevant, charged and full of memory.”

Lasting 90 minutes, including an interval, the show features a mix of sensual choreography, passionate drama and live song from early-jazz performer, Imogen Banks.

“The beauty of The Monocle is how effortlessly it has welcomed a broad and diverse audience,” said Mathieu, who graduated from the Paris Conservatoire in 2006 before embarking on a career as a dancer across Europe.

He founded Rendez-Vous in 2021 with the aim of engaging with LGBTQIA+ themes.

He said: “While the show offers a strong sense of entertainment, it also carries an educational and quietly political weight, particularly in drawing attention to the disappearance of safe spaces within our community.  

“One of the most moving parts of the tour has been meeting members of the lesbian community who shared how deeply the work resonated with them. 

“Ultimately, this is a show for everyone. It’s entertaining, informative, political and a joyful celebration of identity.”

For Mathieu, it’s also a work that resonates with his interest in LGBTQIA+ history, especially in France.

The show is an homage to lesbian nightclub Le Monocle in Paris - image by Cave And Sky
The show is an homage to lesbian nightclub Le Monocle in Paris – image by Cave And Sky

the roots of The Monocle

“One of my ongoing curiosities in life is understanding my roots as a member of the queer community,” he said.

“In 2021, while reading A History of Homosexuality by Florence Tamagne, I first discovered Le Monocle. 

“I wanted to challenge the conventional perceptions of contemporary dance and explore the intersection of cabaret and movement as a way to reach new audiences. 

“The Brassaï photographs of Le Monocle became a way in for me, showing that a man could indeed capture the essence of this extraordinary space for the lesbian community in Paris. 

“When developing a work, I also consider its universal and contemporary resonance and, in this case, it felt essential to acknowledge the disappearance of lesbian safe spaces in public life.

“As a gay boy growing up in the French countryside, coming of age was a vulnerable path.

“But that began to shift when I started my dance studies at the Conservatoire National Supérieur De Musique Et De Danse De Paris in 2001. 

“The capital was a territory of fear, extravagance, and adventures. 

“I emancipated myself in Le Marais, where I witnessed love lived unapologetically, drag artists fabulously striding through the streets and communities welcoming me into a freedom I hadn’t thought possible.

“I’m passionate about LGBTQIA+ history and my French heritage.

“When I learned about Le Monocle, a lesbian bar that mysteriously closed in June 1941 during the Nazi occupation, I couldn’t separate it from more recent tragedies. 

“The story felt urgent, a necessary testimony about safe spaces  and the risks we still face.

“I’ve never cared so deeply about getting something right. The Monocle was a unique opportunity to foster an environment where love transcends differences, creating a space where everyone feels seen, valued and embraced.

“When it was open, Le Monocle celebrated refinement, taste, and understated glamour. 

“The costumes and set together capture that spirit, while subtle, playful details, like the iconic monocle itself, anchor the work in its historical and cultural context. 

“The overall effect is immersive – audiences step into a space where elegance, celebration and queer history coexist, fully alive for the contemporary moment.”

he Monocle promises plenty of sizzle and thrill - image by Rhiannon Banks
The Monocle promises plenty of sizzle and thrill – image by Rhiannon Banks

key details: The Monocle

The Monocle is set to be performed at Wilton’s Music Hall in Wapping on May 15 at 7.30pm and on May 16 at 2.30pm and 7.30pm.

Tickets range from £12.50 to £25.

You can find out more about the show or book tickets here

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Cerulean Quarter set to welcome the community for Art In The Park

ECF development in Canning Town is set to hold an event showcasing its apartments and celebrating creativity with activities and refreshments

ECF's Cerulean Quarter development is located in Canning Town - image supplied by ECF
ECF’s Cerulean Quarter development is located in Canning Town – image supplied by ECF

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ECF – a partnership between Homes England, Legal And General and Muse – is set to host a community event to showcase its Cerulean Quarter development alongside the work of local businesses and creatives.

Art In The Park will take place in Linear Park from noon-5pm on April 25 and will see the local skate park transformed by street artists.

The event will feature food and refreshments from Zzetta Soul Fired Pizza and Yapix Coffee And Wine House – the development’s Canning Town neighbours – and entertainment will be provided by a local DJ.

There will also be an art station for youngsters to get involved with. The event is free to attend.

Tours of the development’s show homes, so visitors can find out more about the apartments, will also be on offer at noon, 2pm and 4pm.  

Apartments in the first phase are now complete and ready to move into - image supplied by ECF
Apartments in the first phase are now complete and ready to move into – image supplied by ECF

welcoming the community to Cerulean Quarter

Stephanie Smith, head of residential at Muse, said: “We are really looking forward to welcoming the community to our Art In The Park event at Cerulean Quarter. 

“It’s a chance to come together and celebrate all the things that make Canning Town such a special place to live. 

“At Cerulean Quarter, and across all our projects, we strive to create homes and shared spaces that feel welcoming and genuinely support the local community. 

“This event is a lovely opportunity to bring neighbours together, and we hope to see many local residents there, along with anyone who would like to experience the sense of community and everyday life at Cerulean Quarter.”


The homes in the 32-storey tower feature views of the surrounding area - image supplied by ECF
The homes in the 32-storey tower feature views of the surrounding area – image supplied by ECF

available to move into now

The development’s first phase, the 178-home Dockmaster House, has been completed with its properties ready to move into. 

Prices start at £379,000 and one, two and three-bedroom apartments are available as well as four penthouses at the top of the 32-storey building.

Homes feature open-plan design, kitchens with integrated appliances and floor-to-ceiling windows. 

The development is located close to Canning Town station offering rapid connections to Canary Wharf and Stratford via the Jubilee line and the DLR.

Cerulean Quarter has been designed as an 804-home neighbourhood delivered across three phases, the latter two of which are subject to commercial viability. 

Phase 2 has planning permission for 290 homes and Phase 3 has outline consent for 159 homes.

The final phase is currently going though the planning process. 

The project is being delivered by ECF, which brings together Homes England, the Government’s national housing agency, investment manager Legal And General and regeneration specialist Muse.

The group aims to work in long-term partnership with local authorities to “unlock and sustain regeneration, enabling delivery at pace while creating places that continue to grow, evolve and deliver lasting value over time”.

Show apartments are available to view now - image supplied by ECF
Show apartments are available to view now – image supplied by ECF

key details: Cerulean Quarter

Art In The Park is set to take place on April 25 from noon-5pm at Linear Park next to Cerulean Quarter.

To confirm attendance or book a tour of the show homes, email sales@cerulean-quarter.com or call 020 3929 0303.

If you can’t make it on the day, tours of the show apartments are available by arrangement with prices starting at £379,000.

Find out more about the development here

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Barge East expands fleet as Kayla Dimmick takes over kitchen

Floating restaurant and canalside hospitality venue brings Milk Float into its orbit as spring menu, kayak hire and more arrives beside Hackney Wick

Barge East executive chef Kayla Dimmick and her team, hard at work in the floating venue's kitchen - image by Jon Massey / Wharf Life
Barge East executive chef Kayla Dimmick and her team, hard at work in the floating venue’s kitchen – image by Jon Massey / Wharf Life

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Spring is a season of renewal and the team at Barge East are looking forward to the warmer months.

With Easter out of the way, the floating restaurant and canalside destination has a lot lined up over the coming weeks, with a new menu and a fresh offering on land and water.

Kayla Dimmick has officially taken the tiller in the kitchen as Barge East’s newly appointed executive chef, setting the course of all food on board and by the towpath.

Originally from California, she trained at Le Cordon Bleu and cut her teeth at the Water Grill in Los Angeles before embarking on a career in high-end catering, cooking for the likes of Jennifer Lopez, Pharrell, Maroon Five and Reese Witherspoon.

She said: “I think my grandma has a huge impact on me because we were always in the kitchen.

“I’m half Japanese and she taught me how to bake dishes from Japan. The other influence was watching the food networks.

“Going to do my diploma at 19 was great because it gave me a really good grounding in the science of cooking.

“When you’re baking, for example, you need that knowledge, because everything has to be so precise and there are so many variables. 

“It’s not just following the recipes, it’s about knowing how to adjust them to the humidity of the kitchen, for example.

“I really wanted to work in London – a move to a different country was getting me out of my comfort zone – and I was sponsored to do that by Barge East’s former executive chef, Stefano Camplone.

“I started off as sous-chef three years ago and I really liked the ethos of the restaurant – the food has always been very seasonal and sustainable.”

Stracciatella (the creamy bit in a burrata) served with a lush garnish of peas, broad beans, cucumber, thai basil and broccoli flowers (£11.50) - image by Jon Massey / Wharf Life
Stracciatella (the creamy bit in a burrata) served with a lush garnish of peas, broad beans, cucumber, thai basil and broccoli flowers (£11.50) – image by Jon Massey / Wharf Life

a taste of spring

Promoted to head chef and now executive chef, Kayla recently unveiled her first menu in her new role, ably assisted by fellow cook Solomon Aveyard.

“Our dishes always start with the ingredients – that’s where the inspiration comes from,” said Kayla.

“We bring in our suppliers, look at their sample boxes, taste them and then base our plans on what we will be growing in our waterside garden.

“It’s amazing to have that just next to the boat and it means we have fresh ingredients we can use every day.”

Kayla’s spring menu features snacks, small plates, large plates and sides as well as a choice of three desserts.

Highlights include Wildfarmed Foccacia with foraged wild garlic butter that boasts a substantial, meaty texture (£2.50), Lamb Belly Skewers with gooseberries from the garden (£9.90) and Stracciatella (the creamy bit in a burrata) served with a lush garnish of peas, broad beans, cucumber, thai basil and broccoli flowers (£11.50). 

A top large plate choice is Beef Rump, rich red and juicy with a turnip cake, a chunky halved courgette and a bordelaise sauce (£32).

There’s a relentless focus on quality, spare, elegant presentation and freshness.

Kayla started at Barge East as sous chef and is now in charge of all of the venue's food - image by Jon Massey / Wharf Life
Kayla started at Barge East as sous chef and is now in charge of all of the venue’s food – image by Jon Massey / Wharf Life

sweet flavours at Barge East

“My favourite dish is actually one of the desserts,” said Kayla.

“When I was training, people used to call me Betty Crocker because of how well my baking turned out.

“I like measuring everything, there’s an exactness about it.

“Instead of a traditional rum baba, we’re serving a version with fermented Japanese plum wine – it’s potent, very citrussy and flavourful, which fits perfectly with forced rhubarb and a diplomat – a combination of crème anglaise and whipped cream.

“It’s rich and then you have that sharpness – it’s delicious.”

Barge East has been awarded two AA rosettes for the past three years running and will continue its fine dining offering aboard the Dutch vessel.

However, its presence on land is growing and changing.

Barge East will continue to serve up fine dining on board with an expanded canalside offering this summer - image by Jon Massey / Wharf Life
Barge East will continue to serve up fine dining on board with an expanded canalside offering this summer – image by Jon Massey / Wharf Life

expanding Barge East outside

“Outside we have huge plans for the spring and summer,” said Kayla.

“We’ll soon be launching an area called The Terrace, which ties in with the food on the boat but in a bistro style.

“It will be outdoor table service with a Parisian vibe, serving snacks, steak frites and a plat du jour.

“Then we’ll be moving our street food offering to the garden.”

That shift comes as Barge East has added to its fleet, taking over neighbouring vessel the Milk Float, which will serve a selection of drinks as well as chilled treats from east London’s La Gelatiera.

This will also provide a base for canoe, kayak and paddleboard hire on the canal.

It’s a significant expansion for a business that started with three friends – Ryan, Blandy and Tommo – sailing Dutch Barge De Hoop over from Holland with the aim of turning it into a restaurant.

Beef Rump, rich red and juicy with a turnip cake, a chunky halved courgette and a bordelaise sauce (£32) - image by Jon Massey / Wharf Life
Beef Rump, rich red and juicy with a turnip cake, a chunky halved courgette and a bordelaise sauce (£32) – image by Jon Massey / Wharf Life

on the water for the summer

“We’re planning to open the Milk Float from April 30, 2026, with the aim of turning it into more of a cafe, floating bar and an events space,” said Stuart ‘Tommo’ Thomson, who also runs Skuna Boats in Canary Wharf.

“It’s going to have the best gelato I’ve ever tasted – selecting them from a choice of 60 was one of the best things I’ve done since we started the restaurant.

“We’re really excited about the summer – Hackney Wick always feels like a festival when the weather is warmer because there’s so much going on.

“We’re also looking at the mooring on the other side of us to see what we might be able to do on the water with that – we’re always looking to make things more vibrant on the water.”

In the more immediate future, Barge East also has plans in the works for a brunch offering, aimed at attracting weekend diners earlier in the day.

“I’m really excited about this,” said Kayla.

“I want to create a menu of really good brunch staples so we can add that to the offering. 

“Everything is still to be confirmed, but I’d love to do a take on a salt beef bagel with hot mustard.

“Sometimes the meat can be quite dry, but I want to make one that’s really juicy on a really good quality bagel that we can source locally.”

Baba with Japanese plum wine and forced rhubarb at Barge East - image by Jon Massey / Wharf Life
Baba with Japanese plum wine and forced rhubarb at Barge East – image by Jon Massey / Wharf Life

key details: Barge East

Barge East is located in the Queen Elizabeth Olympic Park opposite Hackney Wick at Sweetwater Mooring.

The venue is set to be open seven days a week from April 30, 2026.

You can find out more here

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University Of Sunderland In London delivers on facilities for nursing

Programme manager Madhini Sivasubramanian explains why she loves sharing the knowledge and experience she’s built up over many years

The University Of Sunderland In London's Harbour Exchange campus includes a suite of technologically advanced facilities for use by its nursing students - image by UOSiL
The University Of Sunderland In London’s Harbour Exchange campus includes a suite of technologically advanced facilities for use by its nursing students – image by UOSiL

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Madhini Sivasubramanian has spent her whole career immersed in healthcare and education.

As a young woman in India, she decided to become a nurse and worked in theatre with heart surgeons, before making the move to intensive care because “after the few hours of surgery are done, the biggest challenge is getting patients well enough to go home”.

Having moved into paediatrics and getting married, she seized on the opportunity to come to the UK and spent seven years at Great Ormond Street Hospital before going on to work for other NHS trusts in London. 

But what really stands out over the course of her career is a simultaneous commitment to education – juggling nursing, study and raising a family – and balancing that with a desire to pass on her knowledge to others.

She qualified as a teacher officially in 2015, having worked as a guest lecturer and began her academic career at the University Of West London before going on to help set up the nursing department at the University Of East London between 2017 and 2020.

Today she’s a senior lecturer at the University Of Sunderland In London on the Isle Of Dogs and programme manager for its MSc Nursing Practice and MSc Public Health courses.

“I still consider myself a student – I’m still learning every single day,” said Madhini.

“I’m incredibly proud when I’m able to pass on the knowledge I have to others.

“What’s the use if only I know about something? It’s about being able to share it with the students.

“The staff we have here on our courses are absolutely top class.

“This is a beautiful set of people and the courses we offer are fantastic.

“These new facilities allow students to reach their full potential.

“I’ve always believed that a department shows the personality of the person leading it and it’s been my job to convince a board of non-clinical, non-medical, non-nursing staff to invest in these courses.

“That’s why we have the facilities that we do.”

Senior lecturer and programme manager at the University Of Sunderland In London, Madhini Sivasubramanian - image by Jon Massey / Wharf Life
Senior lecturer and programme manager at the University Of Sunderland In London, Madhini Sivasubramanian – image by Jon Massey / Wharf Life

courses at the University Of Sunderland In London

The university offers both undergraduate and postgraduate public health and nursing courses, the majority of the latter aimed at qualified nurses already working within the profession who want to reach the next level in their careers.

Facilities at its Isle Of Dogs campus include a simulation ward, specialist technology and an immersive suite, all intended to give students as realistic an experience as possible.

“We have this smart offering so we can film what people are doing when given a task and use the recording to debrief them on their actions and identify any learning points,” said Madhini.

“The vital thing is that we can have a conversation about something if it went wrong and the student will learn not to make the same mistake. 

“These simulations are so important because they enable people to experience things with no risk to a patient.

“Our one-year MSc course is designed to prepare students who might want to go into research, teaching or leadership in the future.”

The university campus is located on the Isle Of Dogs close to Canary Wharf - image by Jon Massey / Wharf Life
The university campus is located on the Isle Of Dogs close to Canary Wharf – image by Jon Massey / Wharf Life

a passion for her subject

While talking about her extensive career and her approach to education, Madhini fizzes with energy – an attitude that has both got her to where she is today and also infuses the courses she oversees.

“Nursing can be a job where you work very long hours for comparatively little money,” she said.

“But you don’t care because you’re so passionate. 

“I remember being in the operating theatre for the first time and it was amazing.

“You’re scrubbed up and it’s very tough.

“You’re working with people’s hearts and there’s no concept of working hours. But we made history and that’s why I’m here.

“In India, through a conference I was able to mingle with some of the best heart surgeons in the world from the UK.

“I was mesmerised and that was the first time I thought that I should go out into the world. 

“Fortunately, my husband is a bit mad like me and encouraged me to make the move.

“At the time I was the only Indian nurse at Great Ormond Street.

“Originally I was due to return to India but instead I stayed.

“I see it in my children – I’m very proud of both of them.

“My daughter is in general surgery and has lots of plans – she’s very much like me in this. My son is a computer scientist.

“Balancing the demands of family life and nursing can be a challenge, especially if you want to do postgraduate study as well.

“But that can also be a motivation. 

“My daughter has grown up always seeing me working and studying and now she’s flying around running conferences.

“It’s so important that people are able to access opportunities.

“One of the things the university does is offer a BSc course because there is a cohort of nurses in the NHS who were recruited at a time when you didn’t need a degree.

“These are often wonderful people with so many skills but, because they don’t have that qualification, it’s preventing them from getting promotion and that’s so unfair.

“The course is designed as a year-long top-up for those who don’t have a degree and would like to move up.

“Nursing is a very demanding career and it’s important to make space for people to progress.

“One of the other groups of students we have are those from overseas.

“People often want to come to the UK to study because of the culture we have here.

“While some are coming here with the intention of working, lots are not necessarily settling here. People want to say they studied in Britain. 

“They come here, gain confidence and experience London before returning home.”

key details: nursing at the University Of Sunderland In London

You can find out more about nursing and public health courses available at the University Of Sunderland In London including entry criteria via UOSiL’s website.

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Yummzy champions detail, safety and flavour in Canary Wharf

How Jolie Gindi and Adrian Pascu serve up gluten-free, ketogenic, vegan, sugar-free food that’s high in protein and fibre at their east London eatery

Yummzy is located in Canary Wharf's Cabot Square - image by Yummzy
Yummzy is located in Canary Wharf’s Cabot Square – image by Yummzy

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As I sit down to interview Yummzy founders – wife and husband team, Jolie Gindi and Adrian Pascu – I’m presented with something extraordinary.

As a journalist, I drink a lot of tea – the universal brown lubricant of an in-depth chat.

But Yummzy, which opened its doors in Canary Wharf just over a year ago, delivered arguably the most thoughtful cup I’ve ever been presented with. 

The Drury bag was left to infuse in an elegant glass supplied with a refined tea-timer to avoid over-brewing.

There were tongs for efficient removal and a little bowl for the spent bag, as well as a tiny glass jug of oat milk (I prefer my tea to taste faintly of porridge, what of it?).

I mention this because the level of care taken in the serving of a simple cuppa illuminates the venue’s whole approach.

At its heart, Yummzy is about three things – detail, safety and flavour.


Yummzy co-founder, Jolie Gindi - image by Jon Massey / Wharf Life
Yummzy co-founder, Jolie Gindi – image by Jon Massey / Wharf Life

pay close attention

“So many times you read the word ‘healthy’ but the regulation around it is non-existent,” said Jolie.

While that might be of comparatively little consequence to some, for her it’s a matter of life and death.

As a Type 1 diabetic, Jolie must carefully balance what she eats.

“When we decided to start Yummzy, the idea had been brewing for quite a while,” she said.

“I was 33 before I had a proper slice of cake and didn’t feel unwell for days.

“The final straw was when a well-known brand released a sugar-free cupcake.

“I calculated the carbs, injected the right amount of insulin and then ate one.

“I was so excited, but within five minutes I could barely breathe.

“My feet felt like they were cemented to the floor. My whole body was shutting down.

“I hadn’t accounted for any sugar because the product was branded sugar-free.

“But we went back and found out they’d used coconut sugar instead of refined sugar.

“That’s like claiming organic peanuts are better for someone who has a peanut allergy.”  


Thoughtful cuppa: Tea service at Yummzy - image by Jon Massey / Wharf Life
Thoughtful cuppa: Tea service at Yummzy – image by Jon Massey / Wharf Life

creating Yummzy

Tired of such episodes, together Jolie and Adrian decided to do something, to create a brand based on scrupulous attention to production to give those avoiding certain ingredients confidence in what they were buying.

Opened before the pandemic in Greenwich, Yummzy went online over Covid and returned to bricks and mortar in Canary Wharf in 2025.

“In the UK, I think we’re about five to 10 years behind countries like the US and Canada, where the kind of thing we’re offering is everywhere,” said Jolie, who previously ran a travel business and continues to work in consulting in the field of analytics and innovation. 

“We’re an eatery – open for coffee in the morning, food throughout the day and also in the evening.

The eatery serves a wide range of sweet and savoury food, all of it gluten-free, ketogenic, vegan, sugar-free - image by Yummzy
The eatery serves a wide range of sweet and savoury food, all of it gluten-free, ketogenic, vegan, sugar-free – image by Yummzy

“Our menu is totally gluten-free, ketogenic, vegan, sugar-free and is high in protein and fibre.

“Our food is gourmet – usually when people think of healthy food, they think they’re going to taste like cardboard or something.

“For us the flavour is so important – we have something for everyone with different levels of sweetness and savoury options too.

“To be honest I prefer the latter – there’s our award-winning vegan sausage roll, our focannini, a cross between foccacia and panini which come with different fillings and our burger, which has 28g of pea protein to keep you full.”

Yummzy co-founder Adrian Pascu - image by Jon Massey / Wharf Life
Yummzy co-founder Adrian Pascu – image by Jon Massey / Wharf Life

keeping things light

Having won much recognition for their products, there’s a playfulness about Yummzy with both Adrian and Jolie keen to keep things light. 

“My favourite thing on the menu is our Not Dubai Chocolate,” said Adrian, who works both in teaching and as a photographer and videographer as well as helping to run Yummzy. 

“It’s not super sweet, but it’s crunchy inside, thanks to the pistachio butter and covered in chocolate.”

Jolie added: “It’s hard for me to pick one thing, but it’s either our focannini or our avocado on toast, which we call Av A Good Day. 

“But I also love our Yummzy Rocher which are made with our Yummtella spread.

“It contains chocolate and hazelnuts but is free from gluten, dairy, palm oil and added sugar.”

The couple, who first met at a tango class and live within walking distance of their eatery, hope to grow the business on a franchise model, providing products to other branches in the future.

The Canary Wharf branch is both production kitchen and hospitality venue, with appropriately health-focused alcoholic options for those keen to indulge in wines, low-carb beer or tipples such as Mayan hot chocolate with rum (laced with cinnamon and chilli).

Drinks in general are taken as seriously as the food, with Yummzy working with Drury Tea And Coffee in Woolwich as a key supplier.

The venue also sells ceremonial grade matcha and will even whip up a concoction made with baobab juice, ideal as a hangover cure.

While there’s an obvious focus on creativity and delivery, perhaps the most satisfying thing for the couple is when their business has a genuine impact on a customer.

Yummzy's desserts often feature its award-winning Yummtella spread - image by Yummzy
Yummzy’s desserts often feature its award-winning Yummtella spread – image by Yummzy

the reward in Yummzy’s impact

“Our hearts melt every time someone tells us what we’re doing  has changed their lives,” said Jolie. 

“One day a mother hugged me and started crying.

“At first I was worried we’d done something wrong.

“But then she told me that her daughter had never been able to enjoy a hot chocolate and a cake with her friend without having to inject insulin. 

“Here she was able to have a normal time with her friend and not have to worry about that.

“Being able to say to the parents of a child who’s coeliac, for example, that everything is gluten-free and then see the kids’ faces when they know they have that choice is special.

“Sometimes the parents have to say the children are only allowed to eat one thing here and the rest has to go home. 

“Running a business has its hardships, but that positive impact is what keeps us going.

“Right now, we just want more locals to know about us and what we’re doing so we’d ask anyone who has tried our products to spread the word and others to come and visit us.”


Savoury options: The eatery has multiple options for those without a sweet tooth - image by Yummzy
Savoury options: The eatery has multiple options for those without a sweet tooth – image by Yummzy

key details: Yummzy

Yummzy is located on the southern edge of Cabot Square and is open daily.

It sells a wide range of hot drinks, sweet treats and savoury food. 

You can find out more about the brand and its range of products on its website here. 

The brand opened in Canary Wharf just over a year ago - image by Yummzy
The brand opened in Canary Wharf just over a year ago – image by Yummzy

Read more: Discover Cody Dock’s restoration of the Frederick Kitchen lifeboat

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Final building, Seven, unveiled at Southbank Place near Waterloo

Apartments at the last tower in Braeburn Estates’ riverside scheme hit the market at Qatari Diar and Canary Wharf Group joint development


Seven is the final building at Southbank Place in Waterloo - image by Braeburn Estates
Seven is the final building at Southbank Place in Waterloo – image by Braeburn Estates

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Apartments in the final building at Braeburn Estates’ Southbank Place scheme have gone on sale.

Seven, designed by Stanton Williams Architects, sits overlooking Jubilee Gardens, the London Eye and the Thames at the Waterloo development.

Representing the last opportunity to buy a home at the scheme, the 13-storey block comprises 92 apartments and penthouses.

Around 30% of the former have already been sold while the four top floor properties are due to launch later this year. 

Prices for the apartments at the joint venture, a partnership between Canary Wharf Group and Qatari Diar, range from £1.9million for a one-bed to £6.2million for a three-bed.

The properties feature open-plan interiors, high-end tech and dual aspect design (for the majority) as well as reflective glazing to help maintain privacy. 

The building's lobby features high ceilings - image by Braeburn Estates
The building’s lobby features high ceilings – image by Braeburn Estates

responding to the civic buildings

“We conceived Seven as a block of stone, which we then carved into,” said Paul Williams, principal director of Stanton Williams Architects, which employed a similar approach for 8 Water Street and 10 Park Drive in Wood Wharf.

“Winning this commission meant a huge amount to Alan Stanton and me because, going back to the 1980s we were designing exhibitions at the Hayward Gallery.

“Our roots are very much in the buildings here.

“Seven faces west. It’s on a bend in the river and is adjacent to the beautiful limestone of the Royal Festival Hall, with Hungerford Bridge running in between.

“What we wanted to do was to draw the energy of the arts centre and that more civic side across into this composition that links through to the Shell Tower. Seven engages with both buildings, it’s really mediating between the two.

“Because it’s west-facing, it catches the sun as it moves round and animates the building throughout the day.

“The articulation of light and shade across the face of the building was something we felt would be a beautiful backdrop to Jubilee Gardens.

“The other key feature is the five metre-high lobby with glass on either side.

“The idea is the eye will be drawn through and you’ll understand your location within Southbank Place as you look through to the river.”

A show apartment at Seven - image by Braeburn Estates
A show apartment at Seven – image by Braeburn Estates

facilities on a festive site

The development boasts its own Tube station entrance for nearby Waterloo and a host of hospitality brands that will be familiar to Wharfers such as Atis and Paris Baguette.

Residents get access to a 17,000sq ft private health club underneath the development with facilities including a 25m swimming pool, a gym, relaxation pods and treatment rooms.

Located on the site of the 1951 Festival Of Britain, the development is within easy walking distance of the Royal Festival Hall, the National Theatre and the Southbank Centre.

In celebration of the launch of Seven, Braeburn Estates have commissioned artist and illustrator Paul Catherall to create a pair of prints placing the new building in the context of its more famous neighbours.

Artist and illustrator Paul Catherall has created prints of Seven and its place on the South Bank - image by Braeburn Estates
Artist and illustrator Paul Catherall has created prints of Seven and its place on the South Bank – image by Braeburn Estates

cutting prints of Southbank Place

He said: “I graduated from Leicester polytechnic in 1989. At the time, the South Bank was quite a different place. It was still lovely to me but I felt it was quite desolate.

“It wasn’t the hive of activity it is now. In many ways it made me appreciate it even more and it reminded me of Coventry, which is where I was brought up. 

“But it and other places like the Barbican and the old Elephant And Castle shopping centre resonated with me because they were created at a similar time to the buildings I grew up with.

“For printmaking, the buildings on the South Bank were perfect – in lino cut, you want clear shapes, light and shade. You want to be able to define the edges.

“Over the years, the area got busier. The buildings here are both loved and hated. They’ve become more appreciated.

“The main thing is that it’s now used and lively. It’s become what it should have been. 

“My job is to pick out all those elements and make them shine.

“I always try and select some colours that deliver that optimistic feel. It was a challenge to create these works. 

“My process mirrors the approach taken by the architects because we’re both carving away the parts we didn’t want. 

“I usually look for buildings that offer an unusual silhouette.

“With Seven, you’re dealing with shapes in a block. 

“But producing this work teaches you to look more closely. With this building, I observed all the shadows and shapes within that structure to get the design.

“On the landscape print, it was a case of capturing the relationship between Seven and the Royal Festival Hall.

“Halfway over the bridge, I realised its structures were dividing the shapes perfectly.”

Apartment prices at Southbank Place start at £1.9million - image by Braeburn Estates
Apartment prices at Southbank Place start at £1.9million – image by Braeburn Estates

the completion of Southbank Place

Seven features interiors by Albion Nord, with many of the apartments boasting views over the London Eye, the Houses Of Parliament and the Thames.

Miles Wood, sales director at Qatari Diar, said: “Seven is the final building to complete Southbank Place, which has been a decade long regeneration of one of London’s most exclusive riverside destinations. 

“It was essential that the design and composition of the building complemented both the old and new of London’s iconic South Bank and Stanton Williams’ designs have perfectly met the brief.”

Melanie Conway, director of residential sales at CWG, added: “The completion of seven is a major moment in the story of Southbank Place, a development that has transformed and redefined this stretch of the River Thames. 

“We are thrilled to welcome potential purchasers into the building and showcase the unmatched living experience available here.”

Residents get access to extensive on-site facilities at Southbank Place - image by Braeburn Estates
Residents get access to extensive on-site facilities at Southbank Place – image by Braeburn Estates

key details: Seven at Southbank Place

Homes at Southbank Place’s Seven building are on sale now with one, two and three-beds available. Prices starting at £1.9million.

Apartments are available through JLL and Savills.

Call 020 7001 3600 for details or to arrange a viewing.

Find out more about the scheme here

Read more: Discover Cody Dock’s restoration of the Frederick Kitchen lifeboat

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

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