Boisdale Of Canary Wharf

Lister Fertility Clinic expands with Canary Wharf satellite operation

HCA UK’s outpatients facility at 40 Bank Steet offers scans, tests and consultations to support patients’ treatment

HCA Healthcare UK's outpatients facility at Canary Wharf - image supplied by HCA UK
HCA Healthcare UK’s outpatients facility at Canary Wharf – image supplied by HCA UK

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“When I was studying medicine, I spent a lot of time as a student sitting around watching other people doing things,” said James Nicopoullos.

“But then I did my obstetrics and gynaecology rotation and got to deliver babies.

“That was when I began to feel like I was going to be a proper doctor.

“Up until that point, I didn’t really know what I wanted to do within medicine, so I started training in that field.

“Many of the consultants I worked for had an interest in fertility and so mine started to grow.”

Today, following extensive training and the publication of a research thesis in the field, James is the medical director at HCA UK’s Lister Fertility Clinic.

He’s also the “person responsible” for ensuring it complies with the high level of regulation in the sector as overseen by the Human Fertilisation And Embryology Authority.

Based at The Lister Hospital in Chelsea, we’re talking because HCA has recently opened a satellite fertility clinic at its 40 Bank Street Canary Wharf Outpatients facility.

Offering initial investigations, monitoring and treatment preparation, it extends the reach of the hospital’s operation, which includes procedures such as egg collection and embryo transfer.

Lister Fertility Clinic medical director, James Nicopoullos - image by Jon Massey / Wharf Life
Lister Fertility Clinic medical director, James Nicopoullos – image by Jon Massey / Wharf Life

supporting multiple visits

James said: “Fertility journeys aren’t always easy ones and there are lots of things to consider.

“However, once a decision is made to proceed with treatment, that often results in multiple visits to our clinics.

“We know that juggling life and work against the emotional and physical impact of a fertility cycle is not easy.

“That’s why we’ve created these satellite units – we know that being able to go somewhere closer to work or home can be really important to people.

“One of the things to consider is that, to get the desired outcome, people may have to go through multiple cycles of treatment, so making the process easier is really important.”

Canary Wharf joins The Shard Outpatients, The Beaconsfield Clinic and The Portland Hospital on the list of satellite locations operated by the clinic. 

In addition to providing treatment to help people conceive, the newly minted clinic also runs HCA UK’s Fit For Fertility health screening – a range of tests and a consultation designed to give them a picture of their reproductive health so they can make decisions for their future based on the best evidence available.

“This is a bit like an MOT,” said James. “In essence, it’s to look to see if there’s anything there which is prohibiting pregnancy now or that might do so in the future.

“For women, we take an ultrasound scan and a blood test to check for any physical abnormalities and to get an idea of the number of eggs she has.

“For men, we collect a sperm sample and look at the number and quality produced.

“Often fertility doctors are gynaecologists and focus on the female for obvious reasons, but it’s actually very common in the couples that come to see us that there’s a male factor when it comes to problems conceiving.

“If that might by an underlying cause we look at how we can improve the situation and what treatments are available.

“The majority of patients we see are people who have been trying for a certain period of time without success. Age is a really important factor.

“For many different reasons, people are seeking to have babies later in their lives at a point where fertility isn’t as good.

“Generally, the younger you are, the longer you can try before seeking help. 

“Fertility remains relatively consistent in women up to the age of 35, for example, and then egg quality and quantity begin to decrease.  

“From 37, that really accelerates and the chance of getting pregnant mirrors that. Also important to consider is that the same is true of IVF.

“If you’re sitting here at 30 and having a fertility assessment, and, even if you don’t get pregnant for two years, your chances of IVF working at 32 are still going to be very good.

“If you’re sitting here at 40 and everything looks OK, there will inevitably be a massive drop off in IVF success in the next two years. 

“This is why testing is important – having early conversations gives people an idea about how quickly they might need to move on to IVF if they want to have a child and aren’t able to conceive naturally.”

The satellite clinic is based at HCA's 40 Bank Street facility - image supplied by HCA UK
The satellite clinic is based at HCA’s 40 Bank Street facility – image supplied by HCA UK

making informed decisions

Age can also play a big part in IVF success rates, which drop the older the donor. 

“We are seeing more people nationwide who are thinking more about age, so are considering freezing,” said James.

“If you freeze a 30-year-old egg and then put it into a 20, 30 or 40-year-old, the outcome will be the same – the success rate is based on the age of the egg.

“There’s no guarantee IVF will work, but you are increasing your chances the earlier you freeze an egg. At age 30, it’s around 50% but it drops to 5% for women aged 45.”

For those just starting to try for a baby, James said lifestyle could be a factor in fertility, although people shouldn’t worry too much so long as they weren’t taking things to extremes.

“People shouldn’t be beating themselves up, worrying about an espresso they have in the morning or the two or three glasses of wine they have over the course of a week,” he said. 

“Moderation is key, as is eating well, looking after yourself and limiting stress. 

“I would say that smoking is definitely a negative factor – that’s also true for men when it comes to sperm production.

“Also for men, I wouldn’t want to see them spend five hours a day in a sauna, but having one once a or twice a week is not going to make a difference – it’s very unlikely that this is going to be the deal-breaker.”

Human eggs under the microscope
Human eggs under the microscope

case study: Fit For Fertility Screening

Knowledge is always power.

To that end, the Lister Fertility Clinic’s Fit For Fertility health screening service aims to provide men and women with key information about their reproductive health to help them make decisions for the future.

To find out what Wharfers can expect from the service, we sent Isaac, 44, and Fiona, 39, to try out the heterosexual couple package, which costs £690.

For both partners, the service includes a 30-minute consultation where relevant medical history, lifestyle advice and body mass index are discussed.

In addition, Fiona underwent an Anti-Mullerian Hormone blood test to assess her egg supply, an antral follicle count scan to identify the number of egg-producing follicles in her ovaries and a transvaginal ultrasound scan to check for conditions like endometriosis or fibroids that might affect her womb.

Isaac provided a sample of semen for analysis to assess sperm count, movement and shape.

A sperm sample as viewed through a microscope

>> “I’d never really given much thought to the quality and quantity of my sperm before,” said Isaac.

“So it was really interesting to receive my results and hear what our consultant, Timothy Bracewell-Milnes, had to say about them. 

“I supplied my sample at the Chelsea hospital, which was quick and efficient, although I understand soon the Canary Wharf clinic will be offering a service for patients to produce one at home, then drop it off.

“My count came back at 17million, 2million above average, although I was slightly below average on the quality.

“I had no idea only about 5% of sperm are capable of fertilising an egg.

“Timothy suggested taking a supplement to address this and was very thorough throughout the consultation.”

>> “Attending the clinic at Canary Wharf, the tests began with a series of questions about my cycle,” said Fiona. “I then had my vaginal ultrasound. 

“Every effort was made to make me feel comfortable and relaxed.

“The radiographer kept me constantly updated with what she was seeing and the progress of the scan.

“They then took blood for the hormone test to check the number of my eggs.

“I found the experience to be friendly and the everybody was professional and reassuring.

“At the consultation, Timothy explained the impact that age has on fertility.

“He said I had an above average number of follicles in my ovaries for my age and that this was good news in terms of fertility, indicating a larger pool of remaining eggs. 

“We also talked about other procedures on offer such as egg harvesting and freezing, the relative success rates and when they might be appropriate. 

“Everything was handled very sensitively and it was really convenient to be able to access these facilities so close to where I work in my office in Canary Wharf.”

key details: Lister Fertility Clinic at Canary Wharf

The Lister Fertility Clinic at Canary Wharf Outpatients is located at the HCA Healthcare UK facility at 40 Bank Street. 

It offers services including IVF, egg freezing, fertility testing and fertility treatments.

You can find full details, including prices, on the clinic’s website.

Read more: Isso Prawn Crazy opens seafood restaurant in Canary Wharf

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Isso Prawn Crazy opens seafood restaurant in Canary Wharf

Cabot Square venue is first branch of the business outside Sri Lanka as founder and CEO Apinash Sivagumaaran targets global expansion

Isso Prawn Crazy founder and CEO, Apinash Sivagumaaran - image by Jon Massey / Wharf Life
Isso Prawn Crazy founder and CEO, Apinash Sivagumaaran – image by Jon Massey / Wharf Life

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It wasn’t really all that long ago that ships coming from and going to Sri Lanka were frequenting the docks of east London.

Typically those trade routes saw cargoes of raw materials arriving in Britain while we exported tech and empire overseas.

The arrival of Isso Prawn Crazy flips that narrative, however.

This time it’s Sri Lanka delivering a fresh business model and cutting-edge tech into the Canary Wharf hospitality market. 

Having built a brand back home, CEO and founder Apinash Sivagumaaran is now determined to make a splash in London, a city he considers the food capital of the world.

Born and raised in Sri Lanka, he studied banking and finance in Australia, working in restaurants and cafés while at college. 

“I figured out my passion was in hospitality and so I went into hotels and moved to Singapore to train at one of the best schools in the world,” he said. 

After returning to Sri Lanka he worked his way up to become a resort manager and then worked for a major operator overseeing the whole of one company’s South Asian operation by the time he was 25.

It was then that he spotted a niche.

Mutto rolls at Isso - image by Jon Massey / Wharf Life
Mutto rolls at Isso – image by Jon Massey / Wharf Life

finding a spot in the market

“Whenever I’d come back to Sri Lanka, I’d meet up with friends and go for food,” he said. 

“There were a lot of new concepts popping up, but they were focusing on crab, which is quite expensive and not accessible for everyone.

“I talked to people and realised there was a middle income audience that wasn’t being served and there was an opportunity to develop a seafood brand.

“Everyone else was doing crab and lobster, but I’ve always loved prawns.

“As a kid, if my mum cooked a prawn curry, I’d give my father one, my sister one and I’d take the rest.

“So I came up with the concept of Isso – which means prawn in Sinhala, one of the languages of Sri Lanka – Prawn Crazy. 

“We built a prototype restaurant, about 80sq m, with only 16 seats and we had lines of cars parked outside because we’d priced it correctly.

“We saw growth month on month and we even saw Ferraris and Lamborghinis pulling up to visit.

“Basically we’ve taken one of the best proteins you can find in Sri Lanka and we’re serving it to the mass market.”

from Sri Lanka to Canary Wharf

Off the back of this success, Apinash has expanded the business to five locations in Sri Lanka and has now opened in Canary Wharf.

He puts the company’s success down to a somewhat unusual business model. 

“From day one, we’ve partnered with Alpex Marine in Sri Lanka, which gives us something rare in this industry,” said Apinash.

“Through them we work directly with 150 fishers in the north and north-east of the island who use small boats to catch prawns.

“They go out to sea for four hours, chill their catch and then we quick freeze it to -36ºC as soon as they return which means the shellfish you’re eating in our restaurant are as fresh as it gets.

“I call them the wagyu of the sea and when you eat at Isso, you’re supporting a fleet of sustainable, small-scale day boats in Sri Lanka because we import all the prawns we serve in the UK from them. 

“We make sure we pay them fairly and I’d love to grow this business until we’re working with 1,000 boats.”

Visitors to Isso’s new 90-seat restaurant at 25 Cabot Square, a unit previously occupied by Vagabond, will find a menu centred around three core species – flower prawns and black tiger prawns, both caught wild at sea, and giant freshwater prawns.

The latter Apinash dubs “the lobster of the river”.

Giant freshwater prawns at Isso in Canary Wharf - image by Jon Massey / Wharf Life
Giant freshwater prawns at Isso in Canary Wharf – image by Jon Massey / Wharf Life

small boats and robots

The space features an open kitchen, complete with robotic equipment to help speed up service, varied seating intended to encourage both formal and casual dining, a private dining room and a mural by artist Geshany Balder celebrating the main ingredient.

Inspired by the original Sri Lankan venues, the Canary Wharf restaurant’s menu features a central “combo” option, where guests choose the type of prawns they’d like, the style they’d like them cooked in and a side to go with them. 

This ranges in price from £19 to £45, depending on the shellfish selected.

Diners can also choose from a series of starters such as mutton rolls featuring rich spice and slow-cooked meat, cuttlefish fritto tossed in sea salt and chilli flakes with a fruity dip and coconut prawns if you just can’t get enough. Each is priced at £12.

“Personally, my favourite dish is the great freshwater prawns cooked hot butter style with rice,” said Apinash.

“I also love the mutton rolls. My head chef, Karan Kashyap, has really elevated the whole thing.

“We use more meat in the dish and less potato and serve it with this amazing spicy sauce.

“We’re here to represent Sri Lankan food, take it to the next level and then take it across the world. London is the most exciting market on the planet.

“Most of the Sri Lankan businesses here are UK-born, but we’re offering something different. 

“We want to be what the future of restaurants looks like – the supply chain, automation in the kitchens to make them more efficient.

“We’re creating value for everyone involved, our staff, the people catching the prawns and our partners.

“Sri Lanka has gone through a lot – a two-decade civil war, back-to-back recessions and political unrest.

“Back home, there isn’t a lot of time to dream big because there are many problems to focus on.

“For me, I want Isso to be a motivation for all of our entrepreneurs on the island.

“You don’t have to be born in New York, Paris or London to dream big. 

“You can have those aspirations from Sri Lanka and take over the world.”

  • Isso Prawn Crazy will also be operating a month-long pop-up in Victoria Park at the Pavilion Cafe in east London throughout August, 2026, open from 2pm-10pm. Booking details are expected to go live in the third week of July. 
Isso Prawn Crazy is located at 25 Cabot Square on the ground floor - image by Jon Massey / Wharf Life
Isso Prawn Crazy is located at 25 Cabot Square on the ground floor – image by Jon Massey / Wharf Life

key details: Isso Prawn Crazy

Isso Prawn Crazy is located at 25 Cabot Square and is open every day for lunch and dinner.

You can find full details including menus on the restaurant’s website here.

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Discover Children’s Story Centre reopens in Stratford after refit

The £3million renovation includes new attractions, updated facilities, a colourful mural and so much more to come

The whole point is to name the monster yourself - image by MT Art
The whole point is to name the monster yourself – image by MT Art

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Even from the outside, it’s clear Discover Children’s Story Centre is full to bursting with adventure and inspiration.

There’s a colourful three-eyed monster popping out of its roof.

Located in Stratford High Street a few minutes’ walk from the station, the building recently reopened to the public following a £3million renovation featuring myriad new attractions for kids aged 0-11 and their adults.

“Discover is a hands-on centre for creative story sharing,” said Rebekah Polding, the charity’s CEO.

“When you come here, there’s nothing children can’t touch – they are completely free when they come through our doors to enjoy play, making stories, reading books and taking part in storytelling sessions in whatever way works for them.

“Children learn through play, they learn to love stories, to love reading and, as we know, loving books is the single greatest skill that any child can develop to lead a long, happy and successful life.

“It is the magic bullet, it is transformative.

“Books can help us overcome anything this world throws at us. I’m so proud that Discover delivers that for the people who come here.”

Discover Children's Story Centre CEO Rebekah Polding - image by Jon Massey / Wharf Life
Discover Children’s Story Centre CEO Rebekah Polding – image by Jon Massey / Wharf Life

a haven, a cafe, a playground

Following the upgrade, the centre has been brightly decorated outside by artist Hanna Benihoud, whose colours frame large windows onto its new cafe and bookshop space. 

Part haven for refreshments, part playground, this features a reception desk complete with purple fur, plenty of plywood construction to create nooks to explore and relax in as well as a horde of books dotted around that are free to read with kids. 

This is an attraction in its own right, but pay for entry, venture into the centre and there’s so much more to discover.

Author and illustrator Rob Biddulph has been enlisted to create a graphic retelling of Discover’s origin story – billed as “totally real and intergalactic”. 

Alien visitor Hootah, following the disappearance of stories on their own planet, Squiggly Diggly, has journeyed across space to Earth in search of tales to beam back across space and help restore their homeworld. 

Consequently all visitors to Discover are not only enriching their own lives, they’re helping save another planet by creating and participating in storytelling.

Everywhere there are little and large Hootahs to spot, not to mention a space ship and plenty more steampunky installations to discover.

“We have a fairytale forest with a trip-trap bridge and plenty of areas for children to explore,” said Rebekah.

“Then on the upper floor there’s a spaceship theme that skews to slightly older kids.

“Outside, we have our beautiful story garden where we’ve increased the diversity of planting for sensory exploration and also have incredible structures to climb on.

“Everything has been designed with the help of children, taking inspiration from their imaginations. 

“Following the renovation we now also have a dedicated multi-sensory space for our smallest visitors aged 0-2, filled with interactive toys.

“Books are a great bond between carers and little ones.

“You don’t need to be a scientist to see that babies tune into the person reading to them and they understand a little bit more about focus and concentration each time it happens.

“It’s like a really wonderful hug.”

The centre's enchanted forest - image by Marc Sethi
The centre’s enchanted forest – image by Marc Sethi

a new quiet space and upgraded facilities

Also new is a quiet space that can be used for prayer, feeding or simply taking a little time out.

The centre also features a new heating and cooling system, to better cope with the extremes of weather the UK is now beset with, as well as refurbished toilet facilities that are fit for purpose.

“It feels amazing now we’re back in our space after a meanwhile pop-up in the Stratford Centre while the work was being done,” said Rebekah.

“Now we have a place where people can mingle that’s safe, a place where they can connect both for the people of Newham and London beyond.   

“That’s part of the magic – interacting away from screens.

“We enable really supportive behaviours.

“There isn’t really a typical amount of time that people spend here.

“It depends a lot on the attention spans and energies of the individuals involved. 

“But we’re designed as an enriching experience – there are lots of quiet nooks and corners where those who are here can rest and refresh themselves.

“A visit might involve free play, time in the gardens and then listening to one of our story builders’ interactive performances, which are included with entry.

“That might involve reading, creating, singing or dancing.

“We also have our early years shows which feature lots of props and action in an intimate setting.”

Discover’s outside now features art by Hanna Benihoud – image by MT Art

from film to stories

Rebekah herself is just the right mixture of silliness and passion.

She’s clearly delighted to be running an institution that carries a crucial message – the importance of reading for both personal education and enjoyment  – but carries it with lightness and fun.

We spend some time during our interview, for example, seriously discussing the merits of various jacket potato toppings in the cafe (she is, naturally, right to champion beans and then cheese).

Having worked in the cultural sector her entire career, she became CEO of Discover via a route that included Picturehouse cinemas, Film London, BAFTA and Enfield Council. 

She said: “I joined in April 2023 and am extremely grateful to my predecessor Karla Barcacle-Best who saw Discover through Covid.

“The first thing we did was to sit down with kids, local families, community groups and others and that’s enabled us to build our Stories For All strategic framework.

“One of the planks of that has been the capital renovation of the building called ‘up and out’ – words from Willy Wonka who also accepted no limits to what he could achieve. 

“That’s the work that we’re nearly at the end of now, turning this former hotel from the 1870s into a place that families will really enjoy visiting in the 21st century.”

The next milestone in the project will be the opening of new immersive exhibition Luna Loves London on July 25, 2026, in the building’s basement, created with former children’s laureate Joseph Coelho and illustrator Fiona Lumbers.

Kids aged 0-11 are encouraged to revel in stories at the Stratford centre - image by Sorcha Bridge
Kids aged 0-11 are encouraged to revel in stories at the Stratford centre – image by Sorcha Bridge

even more to come…

Rebekah said: “These installations are unique to Discover and we have a history of celebrating some of the best writers in children’s literature – Judith Kerr, Michael Rosen and Julia Donaldson.

“The exhibition opens towards the end of the month and it’s a way for children to step in to the kinds of environments they’d find in the Luna Loves series.”

Visitors will encounter a bus, a library, a street for playing sports, an art gallery, a community garden, a dance studio and a carnival with a strong emphasis on the kind of down-to-earth settings of the real city rather than a collection of landmarks.

Tickets for the experience cost £5.50.

One further, major, change is also in the pipeline at the centre.

Discover is set to drop an enormous oak tree into the building that will sit proudly in a disused atrium under a glass roof.

“This is going to be so exciting,” said Rebekah.

“With the help of Adventure Playground Engineers, based in Canning Town, we’re going to build a three-storey vertical playground in its branches with wheelchair accessible treehouses guided by children’s designs.

“The idea is that stories grow like trees and there will be a whole series of adventures for kids to discover and explore.

“Stories are important. One of my favourite books is called My Cat Likes To Hide In Boxes.

“It’s a building story and includes the line: ‘The cat from Norway got stuck in the doorway’, which has always made me laugh.

“So, in our family, whenever anybody gets stuck, we all shout: ‘The cat from Norway’.

“This is what reading is. It’s about shared experience, empathy and connections between people.

“Telling each other how we experience the world and seeing it through new lenses.

“We built Discover so children can learn there’s no right way to tell a story – that’s why the monster on our roof has no name. You have to give them one.” 

The refit includes a new space for ages 0-2 and their adults - image by Marc Sethi
The refit includes a new space for ages 0-2 and their adults – image by Marc Sethi

key details: Discover Children’s Story Centre

Discover Children’s Story Centre is located at 383-387 Stratford High Street and is open from 10am to 5pm every day.

Entry costs £11 for adults and children aged one and over.

Babies aged 0-1 are free. Discounts are available for Newham residents.

The best value option, however is £19 per person which grants a full year of unlimited access.

You can find out more about the centre here

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Poplar Picnic set to celebrate the Festival Of Britain in east London

Event at the arts and community centre and Bartlett Park takes inspiration from the history of the Lansbury Estate

Poplar Picnic - Festival Of Britain is set to take place on August 8, 2026 - image supplied by Poplar Union
Poplar Picnic – Festival Of Britain is set to take place on August 8, 2026 – image supplied by Poplar Union

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In 1951, tens of thousands of people poured into east London to visit the Lansbury Estate.

While the attractions on the South Bank and Battersea have perhaps had the most enduring impact as the government sought to generate a sense of recovery and progress in the wake of the Second World War, Poplar played a significant role as the site of the Live Architecture Exhibition.

Built on a bomb-ravaged tract of land between East India Dock Road, the Limehouse Cut canal and what’s now the DLR to the east, the estate was planned around the idea that it should contain everything people living there needed.

As a result, new churches, schools, shops, a covered market, pubs, open spaces and an old people’s home all linked by footpaths to promote walking, were created.

Three quarters of a century ago, these were new ideas and people flocked to see the likes of Chrisp Street Market, St Mary And Joseph’s Catholic Church and Trinity Independent Chapel (now the Calvary Charismatic Baptist Church).

It’s the 75th anniversary of this influx that provides the theme for this year’s Poplar Picnic – Festival Of Britain, set to take place on August 8, 2026, in Bartlett Park and at Poplar Union.

The event, presented in partnership with Poplar HARCA, will be the culmination of a summer of activities at the arts and community centre, celebrating the history of the festival and its impact on the area. 

“Poplar Picnic really serves as an open day for us – we want to make everything as approachable as possible and free wherever we can,” said Paolo Florentini, director of programming at Poplar Union, who has been working with the organisation for a decade.

“It’s showcasing what we do and it’s an opportunity for us to expand out of our venue onto the streets, the park and the canal. 

“It’s bringing people here, making sure they know that they have access to this space and the opportunities it provides. 

“Each year it’s a big deal for us – we’re a small team, but we are able to manage this because we’re really passionate about what we’re doing.”

Kaltrina Pashtriku, communications and engagement manager, and  Paolo Florentini, director of programming, at Poplar Union - image by Jon Massey / Wharf Life
Kaltrina Pashtriku, communications and engagement manager, and Paolo Florentini, director of programming, at Poplar Union – image by Jon Massey / Wharf Life

a flavour of 1951 at Poplar Picnic

This year’s event is set to feature street food, a craft market, children’s fairground rides, a games corner for kids, arts and crafts activities, face painting, paddleboarding, bubbles, candy floss and clowns on stilts.

Placing a flavour of 1951 at the very heart of the event, there will also be a recreation of the Rosie Lee Tea Tent and the Lansbury Estate’s show home.

“The refreshment space will be run by a local artist, featuring tea and cakes,” said Paolo.

“There will also be poets, recordings and a display of local history including stories for local groups about the Festival Of Britain. 

“We’ll also have an artist who will be inviting people to get involved in making a structure based on the installations on the South Bank in the early 1950s. 

“The idea is to remind people what the festival was about – creativity, rebuilding after the war and a positive attitude about the future.

“From August 8 people will also be able to visit the show home – a recreation of a 1951 living room, which will be in place at Poplar Union until late September. 

“The Lansbury Estate has endured long after the festival ended – the clocktower and some of the local churches were a part of it.

“People don’t always realise they’re living in the middle of history, an exhibit that 86,000 people came to see. 

“We’ll have four actors in the show home space and visitors will be able to watch them going about their lives in the living room.

“We’ve been buying lots of small things from eBay, like 50s chairs, toys, books and magazines, textiles, just to recreate the space.

“It will be completely transformed with period wallpaper and flooring.

“The question for us is how you respond positively to something that’s so far in the past? For me it’s about displaying spaces and welcoming communities.

“Then we can approach the past in a way that’s playful and becomes part of the story around Poplar.

“It has a wonderful history to maintain and to share with the diverse groups that live in this area today.”

Poplar Union is a base for many community activities - image supplied by Poplar Union
Poplar Union is a base for many community activities – image supplied by Poplar Union

bringing the community together

Kaltrina Pashtriku, communications and engagement manager at Poplar Union added: “This picnic brings everyone together.

“Sometimes people might not speak to their neighbours because they come from different backgrounds or feel unsafe to do so. 

“But, at the picnic, everyone attending can feel free to enjoy themselves, have fun and maybe talk to somebody they don’t usually speak to.

“We are all humans, we can integrate and there is so much in Poplar that we want people to be proud of.

“With Poplar Picnic, we are celebrating the past, but also the future. I want the community to come out and really enjoy this area.”

Poplar Picnic offers a range of family-friendly attractions - image supplied by Poplar Union
Poplar Picnic offers a range of family-friendly attractions – image supplied by Poplar Union

young voices supported

Another facet to the picnic will be a space organised and curated by a group of young producers, engaged to help shape the festival and the events leading up to it.

“Inside we will be hosting an event involving 10 young adults who will run a series of different activities around the space,” said Paolo.

“They’re aged between 15 and 17 and the idea of the project is to give them an understanding of the complexity of delivering an event.

“They’re learning about things like working with artists, finances and health and safety assessments.

“It’s a complex project, because we generally don’t work with teenagers, but it is important for them to be involved in such an environment.

“Our hope is that we can collaborate with them again in the future.

“As part of this, they’re being mentored by singer songwriter Greentea Peng who has been working with Poplar Union for some time now.

“Her contribution is mostly around teaching them to create a space and what’s involved with that.

“She’s been very supportive in  making sure that they understand timing, ensuring the stage is full and the need to plan for what happens if an artist doesn’t turn up or something else unexpected happens – all the minor details you need to consider to make an event successful.”

St Mary And Joseph’s Catholic Church - image by Jon Massey / Wharf Life
St Mary And Joseph’s Catholic Church – image by Jon Massey / Wharf Life

key details: Poplar Picnic – Festival Of Britain

Poplar Picnic – Festival Of Britain is set to take place on August 8, 2026, at Poplar Union and in Bartlett Park from 11am-5pm.

The event is free to visit and suitable for the whole family. There’s no need to book

You can find full details of the event and other happenings at Poplar Union via this link

Trinity Independent Chapel (now the Calvary Charismatic Baptist Church) - image by Jon Massey / Wharf Life
Trinity Independent Chapel (now the Calvary Charismatic Baptist Church) – image by Jon Massey / Wharf Life

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Honi Poke arrives at Crossrail Place as it expands to Canary Wharf

Company opens rebranded store following acquisition of Island Poke as it grows to 35 serving a range of dishes including sushi and rice bowls

Richard De La Cruz, head of food at Honi Poke Group - image by Jon Massey / Wharf Life
Richard De La Cruz, head of food at Honi Poke Group – image by Jon Massey / Wharf Life

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“My go-to is always poke – the Honi Salmon with chilli garlic sauce, mango, edamame beans, pickled cucumber, spring onions, sesame seeds and smashed avocado,” said Richard De La Cruz, head of food at Honi Poke Group. 

“I probably eat poke four times a week and that dish at least twice – it’s my favourite. We go through 150 tonnes of mangoes a year and there’s a reason for that.”

Richard’s advice isn’t to be taken lightly.

Born in Ecuador, he discovered a passion for cooking at a young age, training and working in his home country before travelling to Mallorca to study at the Ma Escola D’Hoteleria De Les Illes Balears.

A head chef by aged 19, he said: “I was well known for my bad temper back then”.

A career in Spain followed, cooking in a succession of Michelin-starred restaurants including with three-star Quinque Dacosta.

Moving to London in 2014 to follow through on his ambition to learn English, he worked at Coya for three years before his career took him to France and the Caribbean as an executive chef.

Somehow, in 2017, he found time between private gigs to sit down with Honi Poke founders Volodymyr Martynov and Kosta Varesko to develop and then refine the startup’s menu.

Poke, a Hawaiian dish roughly akin to deconstructed sushi, features diced, marinated raw fish served over rice or salad with a variety of toppings.

It became popular in London in the mid 2010s with the arrival of Island Poke, which opened its Canary Wharf restaurant in 2017.

Following the brand’s acquisition by Honi Poke, that site at Crossrail Place has now been relaunched with a new look and a fresh offering for Wharfers.

In addition to standardised poke bowls and the popular build-your-own option, the business serves up ramen, poke burritos, grab-and-go sushi and warm rice bowls with toppings of Miso Salmon, Gochujang Chicken and Chicken Katsu Curry. 

“While we are in the process of converting our Island Poke shops, we will be preserving the brand within the organisation by keeping the Bow Lane branch,” said Richard.

“We don’t think of this change as replacing Island – it’s always been a great brand and we have a project to incorporate it into our stores more widely.

“Honi Poke has 35 shops now and we’re looking to grow a bit more as we rebrand the former Island stores.”

Richard's favourite Honi Salmon bowl - image by Jon Massey / Wharf Life
Richard’s favourite Honi Salmon bowl – image by Jon Massey / Wharf Life

always fresh, no compromise

Richard himself rejoined the business after spending time back in Spain with Quique Dacosta and then in London for the celebrated Spanish cook as group executive chef of Arros QD off Oxford Street.

“Although I’d created the original menus, joining in 2023 is when I first felt I was really working for Honi Poke – before I’d always been more in a consultative role,” he said. 

“One of the things that still amazes me about the business is that the recipes have not been changed. 

“We’ve added new things, but there’s been no compromise on the quality – that’s why it’s a great brand.

“Over the years I’ve been approached by suppliers saying things like: ‘You must taste this frozen salmon..’ but that sort of thing is not negotiable.

“It has to be fresh or we’re just not doing it.

“I always remember my father telling me that you have to learn from the lessons of others. We’ve seen other companies who have taken shortcuts crash out of business.

“That’s a mirror and one we always have to be looking in.

“Fortunately, now we’ve grown and so, because we are bigger, we can negotiate better prices – you can’t always charge people more when costs rise.

“There are lots of competitors in Canary Wharf, but we see that as something very healthy. This is a place people come for good food now.

“Hopefully they decide to try us – I think there are enough customers for everyone.

“While the build-your-own-bowl option is the most popular, we also make it easy with a range of signature bowls.

“We’ve tried to create something to suit every customer who walks through the door, so if they want poke, they can have it or grab some sushi if that’s how they’re feeling.”

Honi Poke in Canary Wharf's Crossrail Place - image by Jon Massey / Wharf Life
Honi Poke in Canary Wharf’s Crossrail Place – image by Jon Massey / Wharf Life

a specific, Pacific partnership

Becoming a bigger brand also means more opportunities and Honi Poke is now partnering with the likes of Disney.

To mark the release of the entertainment giant’s live action version of Moana, limited edition Find Your Wave poke bowls will be available until July 31, 2026.

“It took us six months to make sure this collaboration was right and we’re very pleased to be representing this launch,” said Richard.

“We’ve tapped into Polynesian flavours to create the bowl to match the story of the movie.”

Priced at £12.95, those ordering will get fresh tuna, a green coconut curry sauce, mango, edamame beans and smashed avocado on a base of coconut rice all topped off with coriander, coconut flakes and lime.

Visitors to Honi Poke stores during the promotion will also have the chance to win up to £1,000 in credit with the brand.

While 2026 has largely been a time of consolidation for the brand, following its acquisition of Island Poke, Wharfers can expect to see more branches in future.

“This year we went easy on expansion, although on Monday I was asked by my founder to take a look a some new sites,” said Richard.

“Of course our goal is to grow a bit more. Island Poke has nine shops in France, which are now part of our group and so we’re looking into conversion here.

“We’ve also always had a lot of requests for franchises.

“At the moment, all of our shops are run by us directly, but there could be potential in the future for us to listen to that market too.

“It was not the original purpose of the business – that was to grow the core company – but the franchise model is now something we’re looking into.” 

key details: Honi Poke in Canary Wharf

Honi Poke’s Canary Wharf branch is located at Crossrail Place.

The restaurant is open from 11am-9.30pm, Monday to Thursday, from 11am-9pm on Fridays, from noon-6.30pm on Saturdays and from noon-4pm on Sundays.

You can find out more about the brand here

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Parkview Outdoor Play launches Canary Wharf pick-up service

Isle Of Dogs based childcare offers minibus connection to the estate for summer holiday club that prioritises open air activities and adventures

This image has an empty alt attribute; its file name is DSC_0993WEB.png
CEO at The Dockland Settlements, Lorraine Cavanagh and centre coordinator at Calder’s Wharf, Tommy Tracey – both part of the Parkview Outdoor Play team - image by Jon Massey / Wharf Life
CEO at The Dockland Settlements, Lorraine Cavanagh and centre coordinator at Calder’s Wharf, Tommy Tracey – both part of the Parkview Outdoor Play team – image by Jon Massey / Wharf Life

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Parkview Outdoor Play has a long history of supporting parents through childcare on the Isle Of Dogs.

Running after-school clubs for pupils at local primaries and holiday play schemes, the organisation is well known for looking after kids aged 4-11 from its base at The Dockland Settlements at Calder’s Wharf.  

Now it’s trying something new, extending its outdoor sessions to parents working in Canary Wharf to lend a hand over the summer holidays.

“One of our parents said how nice it would be if they could bring their children into work with them – where we would be waiting to pick them up, take them out for the day and then drop them off back in Canary Wharf,” said Lorraine Cavanagh, CEO at The Dockland Settlements, a charity that’s been supporting communities in Tower Hamlets, Newham and Southwark for more than 130 years.

“We thought that sounded like a great idea – something that would stop parents at work worrying if they were stuck on trains, anxious about being there to collect their children on time.

“We’ve got a fleet of five minibuses, so we’ve decided to offer a morning pick-up and evening drop-off service.

“What we say about Parkview is that it’s where memories are made.

“Our focus is always on playing outdoors – we aim to take the children out every single day for experiences they wouldn’t normally have.

“Our programme allows them to test themselves within a safe, supervised environment so they can understand what it’s like to take risks and develop resilience.”

The scheme offers trips to a wide range of locations with a focus on adventure - image supplied by Parkview Outdoor Play
The scheme offers trips to a wide range of locations with a focus on adventure – image supplied by Parkview Outdoor Play

a day spent at Parkview Outdoor Play

Days begin with breakfast and free play with a range of activities on offer at the Calder’s Wharf centre.

Then, around 10.30am the kids are placed in groups and board minibuses with parent-provided packed lunches and head off on that day’s adventure, returning at 4.30pm – some for parents to pick up and others to stay at the centre for an evening meal and then pick-up or drop-off at 6pm.

“We have two age groups – four-sevens and eight-11s,” said Tommy Tracey, centre coordinator at Calder’s Wharf, who’s worked at The Dockland Settlements with Parkview since he was 17.

“It’s all about understanding what the individual child is capable of and finding what will be challenging for them, without pushing them too far.

“A lot of the time for the younger ones that’s simply letting them run around in a supervised environment so they can burn off their energy and just have fun.

“For the older children we’ll organise activities with a bit more structure so they’re learning skills to take away and use again while also enjoying themselves.”

Youngsters on a trip to the beach with Parkview - image supplied by Parkview Outdoor Play
Youngsters on a trip to the beach with Parkview – image supplied by Parkview Outdoor Play

making memories on trips

The day rate for Parkview Outdoor Play for supervision is £35 for a 4.30pm finish and £40 for up until 6pm.

The daily trips mostly cost extra and vary in price depending on the destination, although some excursions are provided at no extra fee.

Parkview is also able to negotiate reduced rates at many attractions, as it’s a frequent customer and a group client.

“We don’t allow mobile phones, tablets or other similar devices,” said Lorraine.

“It’s all about them making relationships.

“Those are things that can last a lifetime.

“For example, we take them to the Forest School at Mudchute Park And Farm where they learn to make their own fires and to toast marshmallows. 

“When I’m talking to adults about what we do, those are the experiences they remember from their own childhoods – those smells and tastes.”

An outing to play Laser Tag - image supplied by Parkview Outdoor Play
An outing to play Laser Tag – image supplied by Parkview Outdoor Play

a focus on fun and adventure

Parkview prides itself on putting on a wide range of activities with a strong focus on exercise and adventure in a variety of locations.

“One of our most popular locations is Nuclear Races in Brentwood,” said Tommy.

“It’s like an assault course, not too physical, but there’s plenty of mud and you know everyone will be going home tired and chilled out.

“The kids especially love it when the staff get involved – you see them egging us on and it’s lots of fun for everyone.

“One of the best things for me is when I see a child hesitate and then go on to try something that they discover  they love. It’s amazing.”

Other activities include watching films at the cinema, exploring Diggerland, bowling, roller skating and even crabbing and the beach at Canvey Island. 

“There are summer clubs that take the children out once a week, but with us they’re out every day doing things like canoeing, laser tag and visiting parks,” said Lorraine.

“One of our favourites for the younger ones is a trip to Monkey Bizness, which is a soft play centre, but it’s really high and they love that extra adventure.

“They’re usually all asleep on the bus on the way back.”   

The activities are intended to help youngsters build relationships and get away from screens - image supplied by Parkview Outdoor Play
The activities are intended to help youngsters build relationships and get away from screens – image supplied by Parkview Outdoor Play

key details: Parkview Outdoor Play

Parkview Outdoor Play is based out of The Dockland Settlements at Calder’s Wharf on the Isle Of Dogs right next to Island Gardens.

The new service will pick children up from Bank Street in Canary Wharf and drop them off again at the end of the day.

For full details or to request a brochure, email Tommy via tommy.tracey@docklandsettlements.org.uk

Find out more at The Dockland Settlements here

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Heron Wharf unveils The Riverside Club residents’ facilities

Berkeley Capital has completed the full suite of amenities at its Poplar development including pools, a screening room and a gym

The main pool at The Riverside Club, now open at Heron Wharf - image supplied by Berkeley Capital
The main pool at The Riverside Club, now open at Heron Wharf – image supplied by Berkeley Capital

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Seeing is believing. But so is touching and feeling.

This is why the completion of on-site amenities at developments can be such a key asset when appealing to buyers.

Rather than relying on computer generated promises, the ability to actually walk into and experience the facilities you’re investing in is an attractive prospect in a competitive market.  

With that in mind, Berkeley Group’s Heron Wharf scheme on the River Lea is now at an advantage.

The development has just unveiled The Riverside Club – an extensive suite of residents’ amenities extending to some 16,000sq ft.

Spread over two levels, these include a 20m swimming pool, a separate vitality pool, a sauna, a steam room and a chamber lined with Himalayan pink salt.

There’s also an extensive gym, a screening room, a games room and a residents’ lounge.

The finish is akin to a high-end spa, a five-star hotel and a luxury cinema.

The development now has a fully equipped games room - image supplied by Berkeley Capital
The development now has a fully equipped games room – image supplied by Berkeley Capital

an extensive suite of amenities at Heron Wharf

“It’s quite a collection,” said Luke Treadwell, sales and marketing director for Berkeley Capital.

“Heron Wharf is a development where we’re selling a lifestyle.

“With Berkeley as a brand, you’re very much buying into what you can do on-site – rather than having to leave the area to go to the gym or swim, we have the facilities here for people to do that, but also to congregate and to work.”

The company is currently marketing one, two and three-bedroom apartments at the scheme in newly completed buildings The Millhouse and The Heron Collection.

These feature open-plan living areas, fully fitted kitchens with Bosch appliances and private balconies. 

The blocks are located in a richly landscaped site on the edge of the River Lea with a concierge service to look after residents’ needs.

However, it’s the newly opened communal facilities that add a carousel of further selling points.

The salt room offer a space to relax - image supplied by Berkeley Capital
The salt room offer a space to relax – image supplied by Berkeley Capital

proudly front and centre

“We specialise in large regeneration schemes, but what we’ve done with The Riverside Club is a step up on anything else we’re offering across the group at the moment,” said Lyndon Nunn, divisional sales and marketing director at Berkeley Capital. 

“The facilities aren’t in a basement – we’ve put the pools on the first floor so they get lots of natural light and the benefit of the views over the park and the river.

“The residents who are now using the club have been absolutely blown away by it and that demonstrates why it’s so important for us to put in these staple offerings this early in a scheme.

“The people who are already living here bought into Berkeley’s vision for the site early on, when all they could see were computer generated images of what it would be like. 

“We think it looks even better now it’s finished.

“They can now come into the spaces, touch them and feel the quality of the finishes. 

“These are absolutely world class facilities and we know that word-of mouth from those who experience them will amplify that message.

“As a brand, it’s vital for us that people see not only the fact that we deliver what we say we will, but that we exceed those expectations.

“We’ve put these facilities in, despite only having a comparatively small number of homes on site right now, but we think that’s an important part of establishing this development for the months and years to come.

“That way residents get the benefit quicker.”

The complex features a comfy screening room - image supplied by Berkeley Capital
The complex features a comfy screening room – image supplied by Berkeley Capital

depth beyond the pools at The Riverside Club

While the showstopper attraction at The Riverside Club is clearly its pools and poolside area, which come complete with plenty of relaxing loungers, there’s depth to the offering too.

The fitness facilities are decked out with TechnoGym equipment found in luxury health clubs and the screening room and games room are both slickly appointed.

“We’re always thinking about how people will come together and actually use these spaces,” said Luke.

“A big part of what Berkeley does is place making to help foster that sense of community we know our residents want. 

“At Heron Wharf we wanted to ensure we weren’t just offering something buyers could find elsewhere and I think we’ve achieved that.”

The group’s next focus is on the commercial offering at Heron Wharf with the business hoping to attract core amenities to operate alongside the on-site Sainsbury’s Local. 

Heron Wharf is located on the River Lea to the north-east of Aberfeldy Village in Poplar.

The scheme is about 13 minutes’ walk to East India DLR station and roughly 20 minutes from Canning Town station.

It is also linked to Canary Wharf via the D8 bus. Alternatively, it takes about 15 minutes to cycle to the estate or nine minutes to drive. 

Plans have now been submitted to build a bridge over the Lea as part of the development, which should further improve connectivity in the coming years.

Residents can work from The Riverside Club's lounge - image supplied by Berkeley Capital
Residents can work from The Riverside Club’s lounge – image supplied by Berkeley Capital

key details: Heron Wharf

Apartments at Heron Wharf start at £455,000 with one, two and three-bedroom properties available.

You can find out more about the development here

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Ensemble Festival set to surround Royal Victoria Dock with shows

Certain Blacks’ free programme of performances is set to return on July 25 and 26, 2026, to the quayside at east London’s Royal Docks

Balance by Brainfools explores attitudes to alcohol via acrobatics and will be appearing at Ensemble Festival - image by Pablo Herrera
Balance by Brainfools explores attitudes to alcohol via acrobatics and will be appearing at Ensemble Festival – image by Pablo Herrera

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Get Clive Lyttle talking about Ensemble Festival and, before long, he’ll be overtaken by a surge of enthusiasm and anticipation.

As artistic director of Certain Blacks, the company behind the free summer event, there’s a sense he almost can’t believe the variety, quality and mischief he’s about to unleash.

Gearing up for its seventh edition, the programme is once again a celebration of circus, dance, comedy and theatre that promises to be “bold, joyful and thought-provoking” while remaining suitable for all ages.

“This one is going to be a bit of a treat,” said Clive.

“It’s bigger this year and we’re lucky to be stretching out our footprint with performances outside City Hall and all the way round the docks to include Cris Clown’s Unidentified Flying Object (In Female) who’ll be suspended in the middle of a public space, interrupting the everyday with absurdity and surprise.

“What we want to do is to reach out to everybody to come along. In troubled and worrying times, come down and have some really good fun over the weekend.

“We’re working in partnership with the Royal Docks Team and the festival coincides with the launch of the Royal Docks Summer Splash free lido and the T100 Triathlon at Excel.

“I live locally in Royal Docks and we’re all mates – we all talk to each other and it’s in everybody’s interests to make the area a really happening place.”

Certain Blacks artistic director Clive Lyttle - image by Jon Massey / Wharf Life
Certain Blacks artistic director Clive Lyttle – image by Jon Massey / Wharf Life

new commissions through Without Walls

Originally a jazz guitarist, Clive founded Certain Blacks after 17 years working for Arts Council England with the aim of supporting a wide range of diverse artists.

This year’s Ensemble Festival is no exception with a free weekend programme that features five new commissions through partner Without Walls which specialises in helping artists to make new work and then perform it in collaboration with 35 festival producers including Certain Blacks and the Greenwich And Docklands International Festival.

Clive said: “I was recently asked by a group of young black men where I was from – ‘Are you from Somalia? No. Are you from Jamaica? No. So you think you are British? Why? You aren’t from here?’.  

“I was born in Lewisham Hospital, the same place my mum worked all her life and where she died, so this is where I’m from. 

“The work in the festival touches on this conversation of identity and what it is to be diverse, or different or care about the world.

“There are so many highlights, but I’m really looking forward to a collaboration between Talwa Theatre, Fubunation and Sonia Hughes called Fragments Of Us.

“It’s a piece that asks questions about how you react when you see a group of black boys, black men – about people’s inner fears.

“But it’s fun too, it’s not just heavy – it puts these topics into a contemporary outdoor theatre context.

“Then we have a show called Garbh, which means womb.

“It’s by Shyam Dattani and Mirat Salat and mixes contemporary and Gujarati folk dancing to give voice to an under represented ancestral form using sound and movement.

“Something I’m very pleased with is our joint commission from Daughters Of The Wire.

“It’s called ElevateHer and features female artists on tightropes.

“It asks lots of questions about women’s roles in society and there aren’t many female high wire artists so it’s wonderful to host a group like this.”

Garbh by Shyam Dattani and Mirat Salat - image by Anne Tetzlaff
Garbh by Shyam Dattani and Mirat Salat – image by Anne Tetzlaff

building artists up at Ensemble Festival

The commission is also evidence of Ensemble Festival helping artists flourish.

One of the co-founders of the collective, Poppy Plowman performed a smaller solo work at last year’s event and appeared as part of Gorilla Circus in 2023.

While she’s not appearing in this show, Clive said he was delighted the company had gone on to win a larger commission.

“Out final show in partnership with Without Walls is The Torch by Nigel ‘Kobby’ Taylor, which is all about whether he’s going to follow in the footsteps of his grandfather or be a bit more realistic about life in Hull,” said Clive.

“It uses afrobeat, hip hop and storytelling to explore heartbreak and displacement and it’s got a really fantastic female bass player.”

But the festival doesn’t stop at these commissions, offering a wide selection of attractions to see over the two days.

Other highlights include Stick And Stone by Ferdinando + Bernstein, which uses physical comedy and imagery to “confront the loss of all wild things” and Balance by Brainfools, where performers use beer kegs, bottles and planks to create a playground and explore attitudes to drinking.

“This year we’re also bringing over three shows from Catalonia, which includes Cris The Clown,” said Clive. 

“Each year, I visit Catalonia for a showcase of performances from all around the world as well as work by local artists and we’ve selected these to be a part of Ensemble Festival.

“One of the shows is called Domte, by Nacho Flores, which is performed by a street circus duo and features live music as well as playing with mythology. 

“It has real echoes of Don Quixote and is about tilting at the modern world, the slowing down of stuff and the delicate balance of the ecosystem. 

“The other piece we’re bringing over is called Water Silhouettes, by Teatro En Movimiento Callejerx.

“It’s about water waste and we’ll be finding a few thousand plastic bottles to use as part of the show.

“It brings together Spanish contemporary theatre with ideas of conservation and I’m really looking forward to it.”

Also performing at the festival will be Cormac Mohally, whose Captain C-Man show promises audiences the chance to help him achieve “the greatest and most dangerous juggling trick in the universe”. 

Famous as one half of Britain’s Got Talent contenders Lords Of Strut, Cormac is all set for a performance that comes out of a suitcase and aims to act as a showcase of skills as its eponymous hero spreads the appeal of circus far and wide. 

Fragments Of Us has been commissioned for the festival through Without Walls - image by Ciara Hillyer
Fragments Of Us has been commissioned for the festival through Without Walls – image by Ciara Hillyer

key details: Ensemble Festival

Ensemble Festival runs from noon-8pm on both July 25 and 26, 2026, at various locations around Royal Victoria Dock.

Visit Certain Blacks’ website here for full listings across the weekend.  

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Tom’s Guitar Shop offers everything from starter kits to rarities

Greenwich Market store selling Fenders, Gibsons and more, opened by Leogun singer songwriter Tom Smith is turning two


Tom's Guitar Shop is a treasure trove of instruments for all levels of player - image by Jon Massey / Wharf Life
Tom’s Guitar Shop is a treasure trove of instruments for all levels of player – image by Jon Massey / Wharf Life

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“My parents weren’t musical, but they were both very passionate about music – they’d cry over tracks that would move them – and that emotional connection was normal from a very young age for me,” said Tom Smith, founder of Tom’s Guitar Shop in Greenwich Market.

“One day, my mum was playing some Led Zeppelin at home and I told her I wanted to be in the band – I was about seven, so I didn’t really understand that wasn’t a thing you could do.

“But she listened and said she’d better get me a guitar. 

“For three years I had classical lessons, but it wasn’t what I’d signed up for. I wanted to be in Led Zeppelin – to plug in, play loud and to have long hair.

“Sitting and playing  Spanish Lullaby was not what I’d had in mind, although a part of me knew it was a necessary step.”

Having got into grammar school, Tom decided to put music aside and knuckle down to his studies.

This lasted two terms before he picked up the guitar again. Then the internet arrived and with it videos of Jimmy Page and Robert Plant doing their thing.

“I bought a book of their music and set to work,” said Tom.

“By the time I was 12 or 13 I was in bands and playing live shows.

“Mum would drop us off, we’d play a show to a bunch of older men who were smoking and drinking and then she’d pick us up.”

Having gigged extensively in south-east London at the likes of the Amersham Arms, The Birds Nest and the Montague Arms to build a local following, Tom went networking on behalf of his band Leogun.

Blagging his way backstage at gigs, he managed to secure a meeting with Rocket Music – Elton John’s management company.

Tom Smith, founder of Tom's Guitar Shop - image by Jon Massey / Wharf Life
Tom Smith, founder of Tom’s Guitar Shop – image by Jon Massey / Wharf Life

musical networking success

“He came to one of our gigs and then introduced us to the Yamaha Entertainment Group label and they invited us to Nashville to record an album,” said Tom.

“People say we just exploded out of nowhere, but then I tell them about the 200-odd gigs a year for half a decade and that tells a different story.

“We were a cut above most garage, college, school bands at that time but then we landed in Nashville and realised we needed to sharpen everything up really quickly.

“It was amazing to be around some of those incredible players and to see them through 22 and 23-year-old eyes.

“We only released music in the States, but we did well, going on three US tours with the likes of Kiss and Lynyrd Skynyrd, so I got to share the stage with some of my heroes. 

“We played in 35 states overall and drove to most of the rest, so we really did America.

“I was expected to be the lead singer, songwriter, performer and representative of the band.

“I wasn’t very adept at social media, however – never have been – and a big part of being an artist these days is also being an influencer.

“I didn’t mind documenting what Leogun were doing musically, but I didn’t enjoy the influencing.

“One of the great things about Led Zeppelin, was their mystique, the lack of interviews. 

“I found myself relating to my life less and less – so I decided to return to the UK to do some recordings. 

“Officially I moved back in 2023 – the goalposts felt like they were getting closer and closer together – I just wanted to regain some autonomy, but I didn’t want to turn my back on music.”

A selection of electrics on sale at Tom's Guitar Shop - image by Jon Massey / Wharf Life
A selection of electrics on sale at Tom’s Guitar Shop – image by Jon Massey / Wharf Life

founding Tom’s Guitar Shop

Initially Tom considered opening a rock’n’roll bar, but followed sage advice from his mum that it might “truncate” his life, instead opting for a different path.

“I did the next best thing,” he said. “I opened a guitar shop right next to a pub and it’s been wonderful.

“I love guitars and I love playing them.

“I’m not a guitar snob in any way or a guitar nerd.

“A nerd knows all about them and a snob thinks some are better than others, but I’m neither.

“I know something about them but at heart I’m intrigued by them all.

“I like vintage stuff, I’m very analogue and that’s reflected to some extent in our range of guitars, basses and amps.”

Having opened nearly two years ago, Tom’s Guitar Shop offers a wide range of instruments from starter acoustics and electrics through mid-priced workhorses to vintage rarities and curiosities. 

A 1920s parlour guitar made by Stella, on sale at Tom's Guitar Shop - image by Jon Massey / Wharf Life
A 1920s parlour guitar made by Stella, on sale at Tom’s Guitar Shop – image by Jon Massey / Wharf Life

trading instruments of all levels

“To start the shop I sold everything I owned except one guitar and then went shopping for stock,” said Tom.

“Rotosound is a wonderful company that really helped me out – they said they believed in what I was doing and they gave me some stock to help get me started. 

“It’s been an amazingly positive experience.

“We’ve become a hub not just for musicians but for locals popping in to say hello.

“People are welcome to come here and to try any of the instruments.

“We also have a fully functioning workshop so everything we sell comes fully set up and ready to play.

“We’ll always have entry level guitars – which is really important because one of the things that stops beginners playing is a sub-standard instrument – but we’re constantly evolving.

“I thought I’d be buying and selling middle-of-the-road guitars, but all of sudden we’ve got 1950s Fenders and Gibsons, vintage Gretschs and guitars from the 1930s on the wall. 

“That’s the shop having its own charisma.

“When I started I really wanted to create a place where people would come in, sit down and take their time.

“I have lots of favourites – there’s the 1958 Stratocaster and a 1956 Precision Bass that’s 100% original and museum quality.

“People come in for the curiosities and I absolutely love this little 1920s parlour guitar I found in a shop in Chicago that’s made by Stella.

“I also offer guitar lessons for beginners and players at all levels before the shop opens. I adore teaching.

“Getting people off the ground is great, showing them the fundamentals, a few chords, especially those who’ve said they couldn’t learn to play. 

“When youngsters show enthusiasm, and you teach them something, you see their eyes sparkle – that’s amazing.”

key details: Tom’s Guitar Shop

Tom’s Guitar Shop is located in Greenwich Market and is open from 11am-7pm, Tuesday to Sunday and from noon -7pm on Mondays. 

Find out more about the store here

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Argenta show apartments unveiled by Guinness Homes in E16

Inspired by place: We take a look inside the thoughtfully designed homes at this Royal Docks scheme

One-bedroom homes start at £97,500 for a 25% share of an apartment – image supplied by Guinness Homes
One-bedroom homes start at £97,500 for a 25% share of an apartment – image supplied by Guinness Homes

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ADVERTISEMENT FEATURE

Set within the heart of east London’s ambitious regeneration at the Royal Docks, Argenta is offering buyers the opportunity to step onto the property ladder in one of the capital’s most exciting emerging neighbourhoods

To help prospective purchasers envision life at the development, Guinness Homes has unveiled two show homes, each inspired by Silvertown’s rich heritage and evolving identity.

Created by interior design studio Dapa Atelier, the one and two-bedroom show homes have been thoughtfully styled to demonstrate how buyers can make the most of the contemporary apartments available through Shared Ownership at Argenta. 

While each show home has its own distinct personality, both draw inspiration from the local area, celebrating Silvertown’s industrial past, waterside setting and bright future.

The one-bedroom show home has been designed with a first-time buyer in mind. 

Imagined for a single purchaser or couple embarking on their homeownership journey, the space embraces warmth, texture and natural materials to create an inviting and practical environment. 

Drawing on the area’s industrial heritage, the design incorporates cork wall coverings, raffia and cane detailing, woven fabrics and carefully selected accessories that add depth and character.

Bespoke touches throughout the space reinforce a sense of connection to the local area. 

Artwork created from burlap and cushions crafted from repurposed grain sacks offer subtle references to Silvertown’s history, creating a scheme that feels contemporary while acknowledging the neighbourhood’s past.

In contrast, the two-bedroom show home presents a bolder and more refined aesthetic, designed to appeal to buyers seeking their next step on the property ladder.

Inspired by Silvertown’s waterside location and industrial legacy, the interiors feature rich copper tones, deep blues and art deco influences that bring a sense of sophistication and individuality to the space.

Throughout the home, bespoke artwork and carefully curated finishes reference the energy and transformation of the Royal Docks, reflecting the area’s evolution into one of London’s most exciting new residential destinations.

For Dapa Atelier, the aim was to create interiors that feel both aspirational and achievable, offering practical ideas that buyers can adapt to suit their own lifestyles.

The design of the show homes is intended to inspire buyers with what's possible – image supplied by Guinness Homes
The design of the show homes is intended to inspire buyers with what’s possible – image supplied by Guinness Homes

achievable aspiration

Rob Burton, co-founder at Dapa Atelier, said: “Our brief for Argenta was to create homes that feel aspirational but still genuinely achievable for buyers. 

“We wanted each space to feel considered and design-led, without tipping into something that feels over-styled or unrealistic.

“For the one-bedroom home, we focused on texture and natural materials to create a calm, tactile environment that still makes a statement.

“It’s about showing how even a smaller space can feel elevated, while remaining practical for everyday living.

“The two-bedroom home takes a slightly bolder approach, drawing on Silvertown’s industrial heritage and waterside setting.

“Copper, rich tones and art deco influences all come through, creating a space that feels more refined and design-conscious, suited to buyers who are ready for their next step.”

One and two-bedroom apartments are available at Argenta - image supplied by Guinness Homes
One and two-bedroom apartments are available at Argenta – image supplied by Guinness Homes

practicality and style

Across both show homes, practicality sits alongside aesthetics. Integrated storage solutions, multi-functional furniture and carefully considered layouts demonstrate how the apartments can support modern lifestyles. 

Flexible spaces can accommodate home working, entertaining and overnight guests, while generous living and dining areas maximise usability.

Hellyn Fairbrother, London and South East sales manager at Guinness Homes, said: “Working with Dapa Atelier, we wanted to create show homes that not only look beautiful, but help buyers imagine how they could make a home at Argenta their own. 

“The schemes demonstrate how thoughtful design choices can transform a space while remaining practical for everyday living.”

Part of the wider Silvertown regeneration, Argenta benefits from a prime location, moments from West Silvertown DLR and just one stop from Canning Town, placing Canary Wharf, the City and beyond within easy reach. 

Residents can also enjoy growing local amenities, waterside walks and access to open green spaces, all within a neighbourhood undergoing significant investment and transformation.

The development offers a collection of one and two-bedroom shared ownership apartments, each featuring contemporary interiors, private outdoor space and access to landscaped communal areas.

Prices start at £97,500 for a 25% share of a one-bedroom apartment (full market value £390,000), while two-bedroom apartments start at £136,25 for a 25% share (full market value £545,000).

Find out more about the development here

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