Canary Wharf Group Archives

January 23, 2025January 23, 2025

Vertus Edit aparthotel to offer flexible studios in Canary Wharf

With rooms and facilities spread across two buildings in Wood Wharf we find our that’s what with general manager Isabel Landaeter

The aparthotel offers studios for flexible stays in Canary Wharf — Aparthotel Vertus Edit offers studios for flexible stays in Canary Wharf

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Where and how we want to live and work, is a debate that will continue to play a potent part in public discourse for years to come.

But one thing is certain. It’s areas that offer the greatest flexibility – real range – that will thrive.

Smart, then that Vertus, Canary Wharf Group’s build-to-rent subsidiary, has unveiled a new product on the east London estate.

Launching in February, 2025, Vertus Edit will run as an aparthotel across two newly-finished brick-faced buildings on Wood Wharf.

Quite where hotels stop and aparthotels start is itself a matter for lengthy debate – and not one that’s necessary to explore here.

Suffice to say, Vertus Edit’s 378 studios and its extensive guest facilities offer those seeking brief or medium-term stays on the Wharf a fresh option designed to satisfy a wide range of needs.

“That’s why this isn’t just a hotel,” said Isabel Landaeta, general manager of aparthotels at Vertus.

“Guests get a bit more space and a fully functional kitchen – they can stay a couple of nights or for a longer period.

“We’ve got a co-working space, lounges, a gym, meeting rooms and outdoor roof terraces – there’s a lot of space for people to explore across the two buildings outside of their studios.

“You have all the amenities you need including a 24-hour reception service and weekly housekeeping.

“Vertus has already made a name for itself in the neighbourhood with a reputation for service, so for Vertus Edit, it was about adapting that for people with different needs – those wanting a shorter stay or more flexibility.

“For example, someone might not want to sign a lease on a rental apartment, but they might want to live here for six months.”

Vertus' Isabel Landaeter — Vertus’ Isabel Landaeter

Vertus Edit: a home-from-home

Vertus Edit offers four studio sizes for guests, the Little, Cosy, Comfy and Roomy, ranging from 200sq ft to 301sq ft in size.

All come fully furnished with an en-suite bathroom, towels, toiletries, a kitchen equipped with cookware, utensils, crockery, glassware and cutlery, a TV and super fast Wi-fi.

While no room service is available, there is a 24-hour self-service pantry for guests to access as well as Canary Wharf’s myriad hospitality and shopping options a few minutes’ walk from West Lane via Union Square.

Vertus Edit will obviously cater for people visiting the area for business, perhaps on secondment at a London office from overseas or in town to seal a deal, but it’s been structured as more than that.

“We’re aiming to appeal to people who might not have considered staying in Canary Wharf before,” said Isabel.

“Of course we’ll be accommodating corporate clients and offering discounts for longer stays, but we will also be there for people visiting for conferences at Excel, gigs at The O2, those coming to see ABBA Voyage or Mamma Mia The Party and even people running the London Marathon.

“This isn’t just about Monday-to-Friday. We think we’ll appeal to people taking a longer period of time to visit London as tourists because of our transport links.”

Vertus Edit is dog friendly with puppy packs costing £50 available to guests

flexible and local

To that end, Vertus Edit reflects the current reality of Canary Wharf – an estate that each day taps deeper into east London and the areas that surround it, increasingly blending its existing aesthetic with local flavours.

Each room features artwork from East London Printmakers – about 1,200 handmade prints in total by 10 artists. Guests can even purchase works from the collective if they wish.

Key toiletries in the studios have been sourced locally too, from Kankan, a business founded by women in Hackney that’s laser-focused on sustainability and minimising its negative impact on the environment.

“That’s something we’re really serious about,’ said Isabel. “For our towel service, we’re using Oxwash, established by Dr Kyle Grant-Talbot.

“He’s a former NASA and SpaceX engineer who has created a laundry process that saves water and carbon and prevents almost all microplastics entering the environment.”

In edition to its green credentials, Vertus Edit’s spaces are intended for broad appeal.

Much use is made of texture, colour and luxuriant wallpapers in the communal areas, with lush furnishings and vibrant art adorning the spaces.

Meeting rooms will be available for hire to both guests and other individuals and organisations, with a truly open and flexible approach to the facilities on offer.

It’s all part of creating a malleable, functional addition to the estate.

The red brick edifice of 3 West Lane, one of two Vertus Edit buildings at Wood Wharf

the next logical step

“The evolution of why people live and stay in Canary Wharf started with private residential homes and Vertus’ rental offerings,” said Isabel.

“Vertus Edit is the logical next step – if you’re looking for greater flexibility, then this would be the product for you.

“We expect there to be some overlap, naturally, as people come for a couple of months and then decide to rent an apartment.

“It works the other way too. For people living in Canary Wharf’s towers, this acts as an extension of their homes when, for example, a relative wants to stay locally for a couple of weeks or longer.

“If you’re renting a studio flat, for instance, this provides the space to accommodate them and residents know they can trust the service because it’s from Vertus.

“We also have plans to run events for guests who are staying here and we’ll be on hand to tell them all about Canary Wharf and east London.

“Those staying for a few months may well become friends with the team and other inhabitants, but we want the feel to be about the neighbourhood rather than forced community.

“Personally I’m most excited about people on the estate getting to understand what an aparthotel is and what it feels like.

“In addition to what we’re offering, we also have 12 commercial spaces on the ground floor between our two buildings and I think the businesses that take these will add so much to the neighbourhood along with what’s coming on the ground floor of 8 Harbord Square.

“Since Union Square opened, I’ve been really surprised by how many people are already walking past us.

“I’ve also been lucky enough to see some of the plans for what’s going to open here and it’s going to be really exciting.”

Vertus Edit studios feature artwork from East London Printmakers

ket details: Vertus Edit

Vertus Edit is open from February 2025 with prices starting at £117.14 per night for a Little studio accommodating up to two people.

The largest Roomy apartments start at £160.12 per night, also for up to two guests.

Find out more about the aparthotel here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

January 8, 2025January 8, 2025

Canary Wharf Winter Lights set to light up east London in January

We get tips for the festival and take a deeper look at Emergency Exit Arts’ Stitching Light installation

One of the show stoppers this year will be Error at Westferry Circus

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January 21, 2025 is set to see the Canary Wharf Winter Lights festival return for 12 days of illumination, filling the estate with installations for a ninth edition.

For 2025, there will be a total of 12 temporary artworks on show, combining with seven permanent pieces making a total of 19 for visitors to discover.

But when the electrons start flowing to create all those photons for our eager eyeballs to absorb, one work in particular will be shining for east London and beyond.

Commissioned by Canary Wharf Group for the festival, Stitching Light is the result of collaboration between Emergency Exit Arts (EEA), artist Ruhul Abdin in Bangladesh and Oitiji-jo.

The piece draws on the stories and experiences of British Bangladeshi women who migrated to the UK early in their adult lives.

The resulting installation will be placed at Wren Landing during Winter Lights.

the genesis of Stitching Light

“We work with hundreds of different arts practitioners and what we’ve noticed with lights festivals is that the pieces featured are often very beautiful but there may not have been participation or much of a story behind them,” said Daniel Bernstein, CEO of EEA.

“Often the artists involved in light pieces are white men, so we’re always interested in bringing in different stories and greater depth to the work.”

With Ruhul in place as creative director, work on the project began with workshops run by freelance artist Shama Kun via the Oitiji-jo Collective at Republic in Blackwall.

running the workshops

“I run a lot of sessions with the Bangladeshi community, dealing with crafts, so I’d bonded with the women locally,” said Shama.

“With this project, I realised that we had never looked into the stories of the mums and aunties.

“So we provided a safe space and invited them to contribute.

“We tried to be relaxed about it, having tea, a conversation, so the process started with that.

“We asked them to bring memorable objects, so the stories could start from there, then we drew maps, starting with their childhoods and what the transition to Britain was like.

“One thing that came out was they described their lifestyles as a rainbow.

“They said that their lives started as colourful, really amazing, and then their transition to here was a rollercoaster, not knowing people – it was a struggle.

“In the community we’ve relied on these women but haven’t looked in depth into their stories.

“They opened up for this project because they felt safe.

“They came here very vulnerable, without any support and talked about many things including being the victims of racism – that trauma is still there.

“After the workshops I realised I am here today because of their sacrifices, that we are resilient because of their resilience.

“This was a platform for them to tell their stories and I hope there will be more spaces like this for them to do that in future.

“We recorded the conversations – lots of discussions about their favourite foods, colours, smells and more – before turning over the material to Ruhul.”

An artist's impression of how Stitching Light will look at Canary Wharf Winter Lights — An artist’s impression of how Stitching Light will look at Canary Wharf Winter Lights

a piece for Canary Wharf Winter Lights

That work formed the basis of the finished piece – a series of three metre-high fabric panels with illuminated thread stitched into the design which will be displayed in a 3D structure allowing visitors to walk through and around the work.

“What you see are very beautiful, soft, subtle layers of the stories we were told,” said Ruhul.

“The panels are stitched and painted with a sound piece to accompany them reflecting some of the women’s thoughts and stories, the songs they sang and the songs they like.

“We worked with a folk artist to translate some of these ideas into Bangla-inspired paintings which would then be taken back to London – it was back-and-forth between Bangladesh and the UK.

“For me it’s important to have this piece on display in Canary Wharf because Tower Hamlets has hosted so many generations of Bangladeshis now – there is a need to be visible beyond the brown person walking our streets.

“There is also the multicultural aspect of London and this is a nice way to celebrate something without it being a research project or an academic exercise.

“We’re creating art together and it’s a beautiful way of highlighting who the women were and are, and the potential of art to begin to make some of these nuanced changes as Canary Wharf itself continues to evolve.”

representation at Canary Wharf Winter Lights

Daniel added: “Being part of Winter Lights its really important for the participants in the workshops and for the people making the work.

“From an audience perspective, there are going to be layers.

“Perhaps half of the visitors will walk through the piece and be impressed by the lights and the images – but they may not understand the Bangla script on the panels, although there will be a panel explaining the work.

“Hopefully, anyone from a Bangladeshi background will come to the piece and see themselves represented. It’s quite subtle.”

Shama said one of the most important parts of the project was to celebrate the local community.

“There is so much out there for us to learn from our past generations,” she said.

“These women might not boast that they have done this or that, but they have silently achieved things and we need to carry their flag.”

Ruhul added: “One of the biggest takeaways is the potential to hope that this work will continue.

“I have spoken to a colleague who is a Bangladeshi migrant elsewhere and they said how crucial it was to understand things from the elders.

“It is important to see that Stitching Light is inspiring, so the next generation want to understand more about who they are, where their families have come from – especially those of us who are not white British, but it’s vital for everyone.”

Emergency Exit Arts was founded in 1980 as an artists’ collective aspiring to make a positive difference to people’s lives – especially those who have suffered discrimination or economic exclusion.

It has been based in Greenwich for more than 35 years.

Wave by Squidsoup will be in place at Columbus Courtyard

top tips for the festival

Canary Wharf Winter Lights is set for a blockbuster turn, drawing hundreds of thousands of people to the estate over its 12-day run.

We sat down with Canary Wharf Group’s associate curator of Arts And Events, Lowri Harries, and Arts And Events manager, Camilla McGregor, to get a few tips on what to look out for…

LH: Vendel And De Wolf are back in Westferry Circus with Error – an upside down pylon with a tornado of lights around it, 13 metres in the air.

Last year they created a piece called Sign, which looked like a huge fire.

They specialise in taking mass produced materials and using them to depict natural phenomena.

For Error, they’ve used technology to give the piece a random element, reflecting the idea that both nature and machines can go wrong.

Don’t Miss Out: Make sure your table is booked for the festival

CM:I’m looking forward to seeing Portal in the flesh. It will be a 13 metre-high mirrored doorway in Union Square that visitors can walk through.

I think the scale and magnitude of it will make people feel quite small in comparison and also acts as a piece to frame the Wharf with great sight lines though it to other parts of the estate.

It’s one of the largest pieces we’ve ever hosted and it’s definitely something new.

LH: I’m also especially looking forward to seeing Aj Vana Be by Benedikt Tola – it’s essentially a stack of 32 reclaimed bathtubs that have been taken from socialist-era residential buildings by the Czech artist.

It draws attention to the scarcity of water.

Even though washing is an an everyday act, it draws attention to that privilege.

CM: Putting Winter Lights on is essentially a year-long process.

A month after it’s finished, we begin work on the next edition, sending out an open call for artists and organisations to contribute.

Then we start looking for work to feature.

LH: It feels really lovely when we see people enjoying the installations.

I think visitors really treasure a free event in January with people coming from the local community and from further afield.

As with Stitching Light, we’re looking to work with and take inspiration from the local community more and more – we want everyone to feel comfortable coming here.

This is a place for everyone.

Canary Wharf Winter Lights will feature seven permanent installations including The Clew alongside the 12 temporary works

key details: Canary Wharf Winter Lights

Canary Wharf Winter Lights is set to run daily from January 21-February 1, 2025, 5pm-10pm, with 19 installations to discover across the estate.

The festival is free to visit.

Find full details of Winter Lights here and plan your visit with the official event map here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

July 29, 2024July 29, 2024

Canary Wharf welcomes artwork by Henry Gibbs celebrating Pride

The artist has used reflective aluminium paint and black dots to create intimate scenes of himself and his friends on walls at Wren Landing

Artist Henry Gibbs stands in front of his mural Get Real in Canary Wharf, a young man in a black top and denim shorts — Artist Henry Gibbs with detail from Get Real in Canary Wharf

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Canary Wharf’s Pride month celebrations generally feature vibrant colours.

From the rainbow pedestrian crossings to the multicolour triangles of Lothar Götz, subtly recalling the abuse of LGBTQIA+ people at the hands of the Nazis.

But Henry Gibbs Get Real, painted on three walls at Wren Landing overlooking West India North Dock, presents a different take on queer relationships and intimacy.

Pass by close up and his monochrome dots may well be incomprehensible – a random pattern in black and white.

But move further away and things start to come into focus.

Two women look at Henry's artwork at Canary Wharf's Wren Landing — Passers-by take in Get Real at Wren Landing

discovery in abstraction

“While I was painting it, I hadn’t really comprehended the image because I was very close to it all the time,” said Henry, who spent three weeks creating the work.

“When I felt something from it was when I went over to the other side of the dock.

“That action of taking a step back is when the emotion comes, not necessarily one particular feeling, but really trying to understand something and getting to know it.

“The act of abstraction and including hidden references is a very queer thing. I could say that the dots are a queer abstraction, which is a theory in itself.

“Then there’s the use of colour in the work – I wanted to create something more understated for this commission.

“With the black dots I was thinking about light, so I used aluminium reflective paint as the base, which literally takes light and colour from the sources around it.

“That’s a queer thing in itself, because of the constant change that is being influenced by the painting’s environment.

“The black dots are also like a newspaper-style print and the mural as a whole has this aspect of absorption, which is a reflection of queer identity.

“The aluminium paint will pick up some colour in different lights – at sunset it can have an orange glow and there will be a similar effect at five in the morning as well as the glow of artificial lights at night.”

Henry is the second artist to create work on the estate through Canary Wharf Group’s partnership with Pictorum Gallery, following the unveiling of Lydia Hamblet’s Together, Basking On The South Quay in 2023.

A recent graduate of Central Saint Martins, he said he’d developed an increasingly mechanical way of painting, having become interested in technology as a medium.

joining the dots

“I developed this dot technique, using found imagery and photography I do myself,” he said.

“I half-tone and then project them onto a canvas to create a distorted, abstract look up close.

“Then at a distance – or if you view it online – you get a sense of the image that’s there. That’s also the technique I used for the mural.

“The title comes from the film Get Real, which is about coming out in school – it’s quite a raw 1990s movie that was cheaply made but has a real impact and a strong message about growing up gay.

“The painting’s title is also about Jacques Lacan’s psychoanalytic theory of The Real – that your self comes from within and is not influenced by anything else.

“I don’t really believe in coming out, but my real self is found in the images in the work. It features my friends Ed and Tommy as well as me on the thinner wall.

“It references my own queer friendships and intimacies, which have only developed quite recently, so there’s discovery too, which I wanted to celebrate.

“It’s a strange feeling to have this mural in Canary Wharf. It’s my thing, but it’s also such a public display of the work.

“I would have to go and see people looking at it to understand how that feels – I can’t really imagine it.

“I found the process of doing it very exposing, because there were people watching me doing it. It did feel good to complete it.

“My friends and family all came to the launch and I felt pleased with what I’ve done.

“I’d never been to Canary Wharf before this project, I didn’t know who I’d be working with or where.

“There were a lot of late nights, a lot of work, but we got it done and I feel very accomplished.

Image shows Get Real from further away with images of men visible in the dots — Viewers can make out images as they move further away from the work

key details: Get Real in Canary Wharf

Get Real can be seen at Wren Landing (between Cabot Square and West India North Dock.

It is a permanent part of Canary Wharf’s public art collection and will be on display for the foreseeable future.

Find out more about the mural here

Read Wharf Life’s e-edition here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

June 18, 2024June 18, 2024

The Upper Lofts are unveiled at Canary Wharf’s 8 Harbord Square

Open-plan, top-floor apartments go on sale at New York-inspired Wood Wharf residential building

Image shows the view from a terrace at 8 Harbord Square, overlooking The O2 and Greenwich Peninsula — The Upper Lofts sit on the top floor of 8 Harbord Square

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The residential properties contained on the lower levels of 8 Harbord Square are a brave, bold statement.

Presented almost completely open-plan (you do get walled off bathrooms), they recall Docklands’ warehouses with more than a nod, stylistically, to the red-brick structures of New York’s Meatpacking District.

But while the flavour is of industrial buildings cleverly converted for residential use, the 11-storey tower is newly built, meaning it comes with none of the hassle or dodgy bodges that can plague refurbishment projects.

Instead, the exposed concrete ceilings, black metal framed windows and cast iron radiators are all carefully thought-through design statements contained within a thoroughly modern structure.

Image shows a space dressed with a green sofa, marble table and various green and blue soft furnishings — The apartments offer a completely open-plan design with industrial details

Capping the whole thing off, developer Canary Wharf Group has now launched a pair of apartments on the building’s top floor.

The Upper Lofts, both priced at £1,950,000, feature internal living space of 1,400sq ft and feature wrap-around terraces of more than 1,000 sq ft.

Properties feature fully-fitted kitchens with stainless steel units and counter tops as well as Siemens appliances.

Bathrooms come with free standing baths, double basins and black-framed, walk-in showers.

Image shows a stainless steel kitchen in one of The Upper Lofts at 8 Harbord Sqaure with a marble table and breakfast bar in the foreground — The 8 Harbord Square homes come with fully fitted stainless steel kitchens

a singular offering at 8 Harbord Square

Canary Wharf Group director of residential sales, Melanie Conway, said: “The expression ‘one-of-a-kind’ is sometimes overused, but in this instance, The Upper Lofts represent ‘two-of-a-kind’ apartments not seen before in London.

“Their positioning within 8 Harbord Square and the wider Canary Wharf estate gives them views of iconic surrounding landmarks, which previously you would only have seen from some of our tallest residential buildings.

“With vast wrap-around terraces and totally open plan living spaces, they have been designed to take advantage of these views and the natural light that floods the spaces, giving residents the most incredible sunrises and sunsets.

“8 Harbord Square marks the final building in our residential portfolio on the estate, meaning it’s the last opportunity to own a piece of the Wharf’s rich history and to be a part of the incredible transformation that has taken place here.”

Image shows chairs and coffee tables in The Upper Lofts show apartment — Residents are free to configure and dress their apartment however they like

an emerging neighbourhood

Part of Canary Wharf’s Wood Wharf development, 8 Harbord Square is the final building in Canary Wharf Group’s scheme to feature homes for private sale.

Further residential projects will fall under its wholly-owned subsidiary Vertus, which boasts an extensive portfolio of homes to live in via all-inclusive rental deals.

Wood Wharf itself is rapidly becoming established as an area to visit with restaurants such as Dishoom, Hawksmoor, MMy Wood Wharf, Emilia’s Crafted Pasta and Roe attracting a steady stream of visitors.

Third Space recently opened a new site locally, adding Hot Yoga, Reformer Pilates and a new 20m swimming pool to its Canary Wharf offering, while creative companies such as Qube, Vow Studio and Broadwick also now call the neighbourhood home.

The Cube, a competitive socialising experience is set to open nearby, while Harbord Square itself now boasts a vet, GP surgery, convenience store and a sports hall and gym complex for residents to investigate.

Image shows a terrace at 8 Harbord Square with views of the Canary Wharf skyline in the background — The Upper Lofts feature wrap-around terraces with views over London

key details – 8 Harbord Square

The Upper Lofts at 8 Harbord Square are both priced at £1,950,000.

Other properties in the 82-apartment building start at £770,000 for an 801sq ft home or £990,000 for 1,037sq ft.

Find out more about The Upper Lofts here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

April 3, 2024April 3, 2024

Canary Wharf: How Paws On The Wharf highlights and celebrates Guide Dogs’ work

Charity teams up with Citi, Canary Wharf Group, Wild In Art and the Canal And River Trust to create trail

Guide Dogs has placed a trail of 25 sculptures across the Canary Wharf area

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Kudos to Guide Dogs, Wild In Art, Citi, Canary Wharf Group and the Canal And River Trust.

The organisations have come together to create a pop-up trail of 25 sculptures, celebrating and raising awareness of the charity’s work.

Inspired by a London-based guide dog called Theia, each of the canine statues has been decorated by a different artist, forming a route that takes visitors across Canary Wharf as well as to West India Quay and Canary Garden.

“The Paws On The Wharf trail features sculptures scattered all over this area with a total distance of about 5km,” said Guide Dogs CEO, Andrew Lennox, at the launch event.

“We’ve only just launched and we’re already seeing such great engagement and involvement with the public.

“People who see these sculptures are appreciating the art, but also learning more about the impact Guide Dogs has on people’s lives every single day and the artists behind the creations.

The sculptures can be found at West India Quay as well as in Canary Wharf and Canary Garden on South Quay

“We had Theia at the launch, who is a dog sponsored by one of our amazing partners Citi, which is also supporting the trail.”

Jackson Mendosa, chief of staff to Citi’s UK CEO, added: “Two things that make this trail stand out are accessibility and inclusivity, which are also concepts we believe we embrace as a firm through our staff and our business.

“Guide Dogs was our charity partner between 2020 and 2022, with Theia the result of that relationship – but it was also the start of this initiative.

“Paws On The Wharf’s first sculpture is just outside Citi’s offices and I’d like to thank everyone involved in the trail – it’s really something phenomenal.”

Key among those involved are, of course, the artists.

Sian Healey created Guide Dog Adventures for the trail, which can be found near the eastern exit from Canary Wharf’s Crossrail Station.

She said: “I’m from Cardiff and I’ve been visually impaired since I was a child, due to a form of albinism that affects my eyes, hair and skin.

“I lose melanin slowly over time.

“I’ve always needed extra support and help throughout my life, whether that was with education or mobility and, eventually I applied for a guide dog, which now gives me independence.

“I had my first guide dog 15 years ago when my children were young and that opened up my world considerably.

“I had been pretty independent before when I was on my own – using my cane and hiding my disability as much as possible.

“But with young children you can no longer do that because you could be putting them in danger.

“Once I had children, I had to accept how poor my vision was – how potentially dangerous simple tasks like walking across a road could be – and I had to reach out and accept help, because it was affecting my mental health too.”

Having donated artwork to Guide Dogs as a way of giving something back to the charity, Sian was invited to contribute a piece to the trail.

She said: “I submitted a few ideas which were developed and eventually accepted.

“Then, one day, Wild In Art delivered a big statue of a guide dog to my home and I was left with the paints.

“Uri – my current guide dog – didn’t like him at all.

“We had to cover the sculpture with a duvet most of the time. Uri wouldn’t go near him, even while I was working.

“I wanted my piece to be about being a guide dog owner and, of the 25, mine is probably the most realistic-looking.

“He’s in a traditional harness and has a nose that’s the same colour as Uri’s.

“Then I thought about what these dogs do for us and how I could depict that.

“The main thing is to do with travel – getting out and about and doing things.

“So I thought of postcards of different places people had been with their guide dogs.

“The organisers wanted it to reflect all parts of the UK, so I have views from Scotland, England, Ireland and Wales.

“I also wanted it to reflect the diversity of what the charity offers, so there are different dogs on there – labradors, retrievers and a shepherd – with a variety of owners.

“I’ve always painted and drawn, although I did stop for a while.

“It started picking up again when I had my first guide dog, who helped me to get to art classes and build my confidence up.

“It’s something I’ve always loved doing, and my artwork is different from other people’s because of the way I see – it’s very blurry and abstract at times, because that’s the way my world is.

“I have no depth vision, so that’s why my paintings are a bit flat but very bright.

“I have to wear dark glasses and hats all the time because the light burns my eyes and I have no colouring in the back of them.

“In certain lights I can’t see anything at all, but in other lights I can see quite well up to my nose.

“My sight is constantly changing and it’s not something I can depend on.

“It’s quite a buzz to have a piece included in the trail.

“I hope Paws On The Wharf helps people understand that visual impairment is a spectrum, not just one thing and that this trail helps raise awareness.”

Following the trail, the sculptures are set to be auctioned off to raise money for Guide Dogs.

This will take place at the Saatchi Gallery on June 5, 2024, with a limited number of tickets, costing £20, available on an application basis.

Prices will start at £2,000. Those interested in attending should in the first instance email pawsonthewharf@guidedogs.org.uk for more information.

Guide Dog Adventures by Sian Healey can be found outside the east exit of the Elizabeth Line station at Canary Wharf

key details

The Paws On The Wharf trail starts in Jubilee Park and is available to follow from now until May 17, 2024.

Visitors can tour the sculptures at their leisure using either a digital or printed map.

A limited number of free, bookable, 90-minute multi-sensory tours – with priority spaces for people with sight loss and the option to request a sighted guide – will also be held on various dates during the trail’s run.

These will include both items to smell and touch.

Find our more about Paws On The Wharf here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

January 25, 2024January 25, 2024

Canary Wharf: Why Canary Wharf Group is launching Wharf Connect

Network is aimed at bringing young professionals together for a vibrant programme of events

Wharf Connect is aimed at professionals in the first 10 years of their careers

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“The role of the landlord is evolving all the time – is it enough to simply let a building? Probably not,” said Jane Hollinshead, chief people officer at Canary Wharf Group.

Things have changed in the world of work in the wake of the pandemic and the company that runs the estate is firmly in listening mode – especially when it comes to young people.

That’s the thinking behind the creation of Wharf Connect – a free membership community aimed at professionals in the first stages of their careers with a packed programmed of events and opportunities planned.

“We’re hearing a lot more from companies about what their employees want,” said Jane.

“Our customers are saying: ‘Bring people back to the office, listen to what the next generation want, which is something more experiential’.

“It’s made us think about what we’ve got at Canary Wharf and how, as a landlord, we’re in a position to curate experiences because we’ve got so many different amenities.

“We also picked up another dynamic through running our own intern programme last year.

“Often, when you’ve got new employees coming in from outside London, moving to a huge metropolis can be quite overwhelming.

“For them, it’s about how quickly they can immerse themselves in a business and the geography around them, as well as feeling like they’ve got a network of friends and colleagues.

“So Wharf Connect is about how we work with our customers.

“The genesis of it is in the idea that people are the greatest asset companies have.

“They are the fundamental part of what makes a business succeed, so what would something look like that was created to bring young professionals together?”

Wharf Connect’s stated aim is to convene a network in a way that enhances people’s engagement with the office environment, fosters employee retention and plugs workers into the wider world of Canary Wharf.

“What’s interesting from a post-pandemic perspective is that, 10 years ago – if we were talking to different tenants about their graduates or apprentices – firms probably weren’t so open to their people mixing with peers at other organisations,” said Jane.

“It was very much about investment in their own people.

“But now, a lot of big corporates are thinking about how to listen to what the next generation wants – whether that’s learning, wellbeing sessions or networking and bringing people together.

“Either organised internally or with other bodies, the idea is that those participating in these networks really benefit.

“The social aspect of this is also very big.

“We feel, at Canary Wharf Group, that we have a responsibility to do this and it’s very much a reflection of what we’re trying to do in creating a customer-centric approach to how we interact with everyone around the estate.

“We’re in this incredibly privileged position to be able to do that because of the amenities we have and the scale of this place.”

Wharf Connect’s programme is aimed at bringing people together on the estate

Wharf Connect is open to anyone working on the Canary Wharf estate who has spent 10 years or less in their current sector.

Members will have access to talks from leading experts, networking events and workshops on leadership.

There will also be events held in partnership with local retailers and hospitality businesses, as well as health and wellbeing organisations.

Members of the community will be made aware of local volunteering opportunities, as well as exclusive offers via the Canary Wharf App.

“One of the big events we’re going to have is with entrepreneur Steven Bartlett on February 8, 2024, following on from his appearance in our Wharf Talks series last year.

“Broadly, Wharf Connect’s events, initiatives and offers will focus on personal development. Some people will be wondering where their career will take them.

“Many events will be held in collaboration with businesses on the Wharf – events at Dishoom or Electric Shuffle, for example.

“We think exploring what’s on offer on the estate is better in a group.

“As a member, you’ll be getting carefully thought through, curated experiences – we’ll be bringing people into new spaces so they can experience them and benefit from that.”

Wharf Connect is free to join, with workers on the estate able to apply for membership via the Canary Wharf App.

At sign-up, users must select “I work here” and fill out their details, including selecting the company they are employed by from the list, or choosing “Company Not Listed” for organisations not mentioned.

Prospective members should sign up using their work email address so Canary Wharf Group can verify they are based on the estate.

“The relationship between landlords and tenants is becoming a partnership,” said Jane.

“Not only do you have to create a sustainable collaboration space, you need to be curating an experience.

“It will be really interesting to see how Wharf Connect develops – how many people get involved.

“Personally, I like the idea that there’s give and take in it – what are people offering to this community?

“If it results in more people volunteering who wouldn’t otherwise do so, then that’s great.

“Members may also spread the word of what Canary Wharf really is and that’s positive too.

“A lot of the benefits are nuanced and intangible – they exist above the hard line data – and you’ll see those trickling through.

“Wharf Connect will create allies and advocates for the Wharf and I think that will become exponential in terms of its effects.

“The question for us is always: ‘What we can do to make our customers’ experience more immersive and accessible?’.”

Wharf Connect is accepting applications for membership now via the Canary Wharf App, which can be downloaded for both Android and iOS devices.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 23, 2023August 25, 2023

Canary Wharf: How The Felix Project’s Santa Stair Climb will help feed Londoners

Challenge will see participants scale 48 floors of One Canada Square to raise cash for the charity

The Felix Project’s first Santa Stair Climb will take place in November 2023

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What links green Father Christmas hats, One Canada Square and the distribution of unwanted food to people in need?

The answer is the Santa Stair Climb in Canary Wharf on Sunday, November 19, 2023, and anyone can take part.

As part of its ongoing partnership with Canary Wharf Group, food rescue charity The Felix Project is challenging people to a sponsored walk up a total of 1,031 steps at One Canada Square to reach the tower’s 48th floor.

With early-bird registration just launched, there are 1,000 places up for grabs at £25 per person, with each individual given a fundraising target of £300.

Participants receive a personalised green shirt and Santa’s hat to wear during the challenge, with ascents expected to take just over half an hour on average.

“I’ve been training for it, but I’m not sure I’ll be doing it that fast,” said Tanya Mitchell, director of income generation and marketing at The Felix Project.

“But I will complete it, even if it takes me an hour.

“We’ll have staggered start times between 10am and 2.30pm with 100 people in each wave so the stairwell doesn’t get too busy.

“Participants are asked to arrive an hour beforehand and we’ll be running activities in the lobby with a warm-up and an MC overseeing things.

“We’ve also been gifted the use of the 48th floor for the day, which has the most outstanding views over the London skyline from near the top of the third tallest building in the UK.

“They really are exceptional and this is a rare chance to see them.

“We’re hoping to raise as much money as possible, but we’ve set ourselves a target of £300,000 for this first event.

“That would equate to us being able to make and distribute 870,000 meals to Londoners.”

Participants will take on 48 floors of stairs at One Canada Square

For those who don’t know, The Felix Project is the largest charity of its kind in the capital, collecting food that would otherwise be wasted and redistributing it via a network of organisations to those in need.

“Right now it’s estimated that there are 1.2million people in London living with food insecurity or in food poverty – about 20%,” said Tanya.

“Through our own research with YouGov, we looked at people on low incomes earning an average salary of £20,000 and it’s shocking that one in 10 of them has only £2.95 a day to spend on food.

“We work with more than 500 food suppliers, rescuing produce from farm gates, grocers and the hospitality industry to supply really good, nutritious, fresh meals.

“We operate through four depots in London, taking that food in hour-by-hour, day-by-day, six days a week, 12 hours a day to help serve the needs of more than 1,000 charities and organisations in the capital.

“What that £300,000 would mean is that we’ll be able to pick up thousands of tons of food, take it into a depot, sort it and then immediately get it out to hundreds of organisations where it will be given to people in need of a good meal.

“Here in Tower Hamlets – one of the most deprived boroughs in the country – we work with 90 organisations through out Poplar depot.”

The Santa Stair Climb is the flagship event in The Felix Project’s long-term partnership with Canary Wharf Group, which was announced earlier this year.

There are up to 1,000 place up for grabs with successful climbers rewarded with views across London from Canary Wharf’s tallest tower

“We started off by launching The Green Scheme, which means we’ve been able to go out to the retailers and hospitality businesses on the estate to collect food that would otherwise be wasted, from them,” said Tanya.

“An army of volunteers takes it from those businesses to community organisations to distribute five days a week.

“It’s a pivotal relationship for us because while we want to fight hunger in London, we also want to fight food waste and there is complete sympatico between us and Canary Wharf in its commitment to sustainability and its aim to reach net zero by 2030. We’re part of that solution.

“The Santa Stair Climb is a first for Felix and CWG – it’s exciting and exhilarating to be planning an event for 1,000 people and we want it to be a hero event for London.

“Originally, in the 1800s, Santa’s costume was green so we’re re-appropriating that for the event.

“I can’t wait to see 1,000 people all in green climbing those stairs and we really want to thank CWG and everyone involved for giving us this exclusive opportunity.

“The 48th floor isn’t normally open to the public, so this is a very special event.

“The 1,000 slots will be allocated on a first-come, first-served basis and I’d also like to say a big thank you to everyone who is considering entering – it’s going to be a fabulous event, a really magical day.”

Those keen to take part can go to santastairclimb.com for more information or scan the QR code at the bottom of this page.

The Felix Project’s director of income generation and marketing, Tanya Mitchell

For those unable to participate, there are many other ways to get involved with The Felix Project, which last year delivered some 29million meals to those in need and is expecting to distribute 30million this year.

People working in Canary Wharf or those living locally can still volunteer for the Green Scheme.

Roles include drivers, co-drivers and walkers to collect food from businesses on the estate and deliver them to community organisations.

Volunteers are also needed at The Felix Project’s Poplar kitchen and warehouse to prepare ingredients, portion and package meals for onward delivery.

Tanya said: “Last year we had 8,500 people step up to the plate to help us in our efforts to defeat food waste and hunger in London.

“We are an organisation that’s powered by volunteers and we are so grateful to them because demand for our services is rising.

“We anticipate that we will rescue 13,000 tonnes of food this year, but the UK wastes 3million tonnes – only 7%-8% is currently rescued, so we can always do more.

“Just before the pandemic, The Felix Project was distributing around six million meals a year. Now it’s five times as many.

“The other change is that now key workers are accessing the community organisations we supply like food banks and community pantries. It’s a big problem.

“Ultimately it is our mission not to exist and we are part of conversations with organisations that are working with the government to address the issues of food insecurity and poverty.”

Find out more about the Santa Stair Climb or sign up here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 23, 2023August 23, 2023

Canary Wharf: How Wharf Wellness will showcase offerings across the estate

Four-day wellbeing festival will feature taster sessions, offers and discounts in September 2023

Third Space will be hosting Yoga at Crossrail Place Roof Garden for Wharf Wellness

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We’ve had the blockbuster nights of Festival14 with the likes of Craig Charles and Soul II Soul rocking Canada Square Park.

There have been the tense dramatic screenings of the Lionesses’ triumphs and noble defeat in the World Cup Final.

There’s about to be the spectacle of Dancing City.

But just when you thought things might be settling down, another festival packed with activities arrives on the horizon.

There’s an air of serene calm about this one, however – an antidote, perhaps, to some of the summer’s frenetic buzz.

Wharf Wellness is set to take over the Canary Wharf estate from September 27-30, 2023, with a four-day programme of taster sessions and experiences as well as discounts and offers.

While the full roster of events is still being finalised, Canary Wharf Group has shared some early details so everyone can begin to get organised.

Broadly speaking, Wharf Wellness can be divided relatively neatly in two.

The first is a programme of experiences run by local firms and organisations based on the estate, designed to showcase what they offer with taster workouts and workshops.

The second is a series of discounts and offers from lifestyle and hospitality businesses on the Wharf that will run throughout the festival’s four-day duration.

Canary Wharf Group retail marketing manager, Claire Slater, said: “It’s a celebration of health and wellbeing across the estate.

“Wharf Wellness brings together the best in fitness, healthy eating and healthcare to reflect the diversity of what’s on offer in Canary Wharf, giving workers, visitors and local residents the opportunity to experience it.

“We decided to create it because of the breadth of what’s here, which we really want to shout about.

Canary Wharf Group retail marketing manager Claire Slater

“Ultimately, we want to give people a bit of ‘me time’ while they’re on the Wharf and also to promote our green spaces and waterways – to let people know how much there is here to get involved with and how they can do that.”

The full programme of events is still being finalised with more announcements expected in the coming weeks, but some of the estate’s biggest names are already involved including Third Space, Barry’s and Sweat By BXR.

“We hope there will be an element of surprise for some people participating,” said Claire.

“For example, Third Space will be hosting a Yoga session at Crossrail Place Roof Garden with a mocktail afterwards at Pergola On The Wharf.

“Some people have yet to discover that space, so having the classes up there will really add to the delight we hope people taking part will feel.

“Personally, I think it’s just a really lovely place to be.”

The majority of activities on offer will be free to attend with bookings set to open mid September.

Access to all classes will be via the Canary Wharf app, which can be downloaded via this link for Android or Apple devices.

A series of discounts, offers and events will also be available exclusively via the app featuring the likes of Randox Health, Space NK, Farmer J, Atis, Pure, Le Chalet Cryo, Aesop and BlooBloom, details of which will be announced in due course.

Love Open Water will host a session suitable for beginners in Middle Dock

“With most sessions free, Wharf Wellness means you don’t need to have a gym membership to experience an amazing class from the brands taking part,” said Claire.

“There will also be open water swimming in Middle Dock with Love Open Water – a really inclusive session designed for beginners to explore in a safe space.

“We’re also very excited about Padium, the new padel tennis club, which is opening its doors at Bank Street at the end of the month.

“They will be offering a session to introduce people to the sport and the facility, which comes with a salad from Urban Greens too.”

Other attractions include plant-based summer roll making in a lunchtime session with a chef at recent Wood Wharf arrival Mallow and a makeup masterclass from Bobbi Brown.

“That’s part of our focus on self-care,” said Claire.

“It’s on the Friday evening, which is perfect for anyone who is set to go out afterwards.

“Then, alongside sessions from Barry’s and Union Square installation Mandala Lab on Saturday, we’re also working to provide something for families with a company called Wee Movers.

“They will be putting on a session of Yoga for kids and their parents at Crossrail Place Roof Garden.”

With more still in the pipeline, Wharf Life will continue to update readers as new announcements are made, including the date when bookings will go live.

Until then, stay tuned to Canary Wharf’s website and app for updates.

Barry’s at Crossrail Place will be offering sessions in its Red Room studio

CHOOSE YOUR PATH – Wharf Wellness 2023

While the final programme is set to be released in September, we can reveal some dates and times to whet the wellness appetite and get pencils scribbling in diaries…

>> WEDNESDAY, SEPTEMBER 27

Yoga + Mocktails

5.45pm, Crossrail Roof Garden

Europe’s largest luxury health club, Third Space, will host a Yoga session amid the lush vegetation of the roof garden followed by a refreshing mocktail at nearby Pergola On The Wharf.

Sound Journey

6pm, Mandala Lab, Union Square

Head over to Wood Wharf and discover the Rubin Museum’s interactive installation for a sonic adventure inspired by the principles of Buddhism. Mandala Lab will also be hosting sessions on Sept 29 and 30, both at 6pm.

>> THURSDAY, SEPTEMBER 28

Dip + Sip

7.45am, Love Open Water, Middle Dock

Beginners are welcome at this morning open water swimming session at the heart of Canary Wharf. Afterwards, participants are invited for a smoothie or juice at Caravan.

The Red Room

Time TBC, Barry’s, Crossrail Place

Try out a class in Barry’s iconic red room fitness studio, mixing cardio with resistance training to torch calories fast. Barry’s will also be hosting a session on Sept 30, time TBC.

Summer Roll Making

12.30pm, Mallow, Wood Wharf

Visit the plant-based restaurant for a 50-minute session with participants learning to make summer rolls for their lunch. A great way to discover what Mallow has to offer.

>> FRIDAY, SEPTEMBER 29

Boxing Class

8am, Sweat By BXR, Crossrail Place Roof Garden

Start the day with a serious, boxing-inspired workout amongst the greenery from this bespoke studio, then refuel with breakfast from Fresh Fitness Food.

Intro To Padel

2pm, Padium, Bank Street

Learn to play padel tennis at newly opened club Padium with this hour and a half-long session covering rules, scoring, techniques and strategies. Participants will also get a salad from nearby Urban Greens.

Makeup Masterclass

5.30pm, Bobbi Brown, Location TBC

Zeroing in on self care, this session is aimed at those looking for tips and techniques to perfect their look.

>> SATURDAY, SEPTEMBER 30

Kids + Parents Yoga

2.30pm, Wee Movers, Crossrail Place Roof Garden

This hour-long session is aimed at family wellness, with kids and their parents invited for a child-friendly exploration of movement and wellbeing.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

July 13, 2023July 13, 2023

Canary Wharf: How Festival14 will take over the whole estate with five days of events

Theatre, comedy, dance, wellness and live music make up a packed programme over six venues

Festival14 is set to return to Canary Wharf from July 26-30,2023

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Where to even start with Festival14?

Having taken the decision to focus much of its summer arts and events programme into four days last year, Canary Wharf Group (CWG) has extended the 2023 iteration by a day, packing the calendar for July 26-30.

“We’ve really built on our programme from 2022,” said Camilla McGregor of CWG’s arts and events team.

“In addition to Winter Lights in January, Festival14 is an anchor event in our season.

“It’s trying to combine all the things that we do, like outdoor theatre, classical music concerts and dance so that people can come down and experience them on a single visit or over a few days.

“The amazing thing about the format is that everything is happening on the Canary Wharf estate within walking distance.

“Someone coming down might see some Shakespeare, take part in a workshop at the Fandangoe Discoteca then see a performance in Canada Square Park.

“Most of the festival is free because it’s important to make it accessible to the local community and as wide and audience as possible.

“We are charging for some events where there is limited space but the tickets are very reasonably priced.

“In planning the programme it’s also been important for us to create an inclusive festival with artists and acts from a diverse cross section of society in London.

“Whichever genre – theatre, comedy or music, for example – everyone should be represented.”

Buskers will be performing in Jubilee Park throughout the festival

With events and performances taking place from 11am or noon each day, there will be big name acts alongside less well-known attractions spread across six main venues.

“We’re incredibly excited to have Soul II Soul to headline Friday night in Canada Square Park because they are world famous and we’ve wanted to host them for a long time,” said Camilla.

“On the comedy side we have performers like Mark Watson, Lou Sanders and Shaparak Khorsandi at The Monty Tent in Montgomery Square.

“The Comedy Club will run in it for four nights with comedy for kids on the Sunday.

“Personally I’m looking forward to Big Fish, Little Fish Family Rave – a two-hour party designed for parents and kids to celebrate life with bubbles and balloons.

“Then on the main stage there are sets from Craig Charles and Norman Jay who are both household names and have been on the London circuit for years – they’re both amazing.

“Over the years our summer concerts have appealed to the community and we have a strong returning audience so for Festival14 we wanted to create a line-up suitable for our loyal fans and new audiences alike.

Westferry Circus will host a number of plays

“That’s why we have chosen jazz, soul and r’n’b.

“For example, we will have Ronnie Scott’s Jazz Orchestra who are very well established and more contemporary sounds from Laura Misch, both on the Sunday.

“Canary Wharf has a long tradition of engaging with the local community too so we will have theatre programmed by The Space on the Isle Of Dogs and a performance from the Docklands Sinfonia in the mix too as well as artists who grew up in east London.

“There will be loads for kids and families to do too with the Crossrail Place Roof Garden the venue for many of these kinds of events.”

So, diaries out – the festival is only two weeks away but there’s still plenty of time to plan those must-sees.

Don’t forget the street food from Karnival in Montgomery Square, daily from noon, either.

Click here for the full Festival14 programme

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

June 14, 2023June 14, 2023

Canary Wharf: How volunteering for the Green Scheme can help fight food poverty

Canary Wharf Group and The Felix Project launch long-term partnership to get food to those in need

Canary Wharf Group and The Felix Project have teamed up to battle food waste and feed those in need

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Volunteers needed…

That’s the simple message from Canary Wharf Group (CWG) as it officially launches a long-term partnership with The Felix Project – a charity that rescues surplus food and distributes it to vulnerable people through front line organisations, schools and community initiatives.

Together they have unveiled the Green Scheme – an ambitious project to provide more than 1,000 meals a week through around 10 local organisations, saving some 500kg of food that would otherwise have gone to waste.

To achieve that, they are looking to recruit as many as 1,500 people to ensure food is collected from retailers, restaurants and office kitchens on the Canary Wharf estate before transporting it to where it needs to go.

“What CWG is looking to achieve is really more than just having a positive impact in the buildings on the estate,” said Jane Hollinshead, managing director of people, culture and customer service at Canary Wharf Group.

“It’s about how we fit into the wider ecosystem in terms of being a responsible business.

“We’d had some conversations with The Felix Project about just doing some simple volunteering – that was really a corporate social responsibility thing.

“But this was at the time when the cost of living was really beginning to spiral out of control and there were huge issues around food waste, so I went over to see their warehouse in Poplar and it struck me what a natural partner Felix would be for all of the things that we. as an organisation. value.

Flash Back: How The Felix Project arrived in Poplar

“I thought that if we were to create something more strategic with them, then the reach we would get through their operations would be exponentially greater than if we were doing things on our own.

“From their side, our position as a landlord opens up opportunities for Felix because they are able to meet our customers, many of whom have surplus food at the end of the day – whether they are retailers or restaurants in offices.

“It’s a really symbiotic partnership – we both bring things to further each other’s purposes.”

While CWG and Felix are still exploring the full extent of what may be possible through their collaboration, the Green Scheme is the immediate priority.

Retailers including M&S, Joe Blake’s and Waitrose have already signed up, with support also coming from the likes of Morgan Stanley and Barclays.

From left, Canary Wharf Group CEO Shobi Khan, The Felix Project CEO Charlotte Hill and CWG managing director of people, culture and customer service

>> “Our purpose is to bring people together to enhance lives now and in the future,” said Canary Wharf Group CEO, Shobi Khan. “Through partnerships like this, we aim to ensure Canary Wharf is more than just a place to live or work, but a place where you can be connected to the local community and can have a positive social impact.


“The business community at Canary Wharf has a big part to play in making The Felix Project a success and indeed some of our local companies are already on board, including Morgan Stanley and Barclays. 

“With such a concentration of retail and office businesses on the estate, a key part of our role as partner will be to introduce the charity to our wider community and bring the scale that’s needed to have a real, lasting effect on local people’s lives. 

“We have so many people who can play their part, whether they work, live or regularly visit here – I urge anyone willing to spare a couple of hours to sign up to volunteer and help us get surplus food to those who need it most.”

The partners are now keen to attract more businesses and, crucially, volunteers to drive the project forward.

“For the Green Scheme, we will act as the hub,” said Jane.

“That makes sense because we can keep the food fresh on the estate and then get it out faster than if it were sent to a warehouse first.

“It’s also about bringing the individual volunteers out to the organisations that we and Felix are supporting.

“What happens is that the food is collected from the retailer or office restaurant by the volunteer who then delivers it.

“We wanted that to be done in a sustainable way so it will be either on foot, by bike or via a dedicated electric van that we’ll charge up in our car parks.

“We are looking for anyone at all to volunteer for the Green Scheme – you might work or live in or near the Canary Wharf estate, or be a visitor.

“There are no boundaries when it comes to this kind of activity and we see it as a really good way to build relationships with the local community.

“We want as many people to help as possible – all volunteers have to do is to pass a health and safety induction and be able to carry a takeaway delivery service-style rucksack.”

CWG is clear. This latest initiative is very much looking beyond the borders of the estate in a bid to get as much of the community involved as possible.

Charlotte and Shobi load the dedicated electric van with surplus food

>> “In the UK, 4.7million people are struggling with the cost of food,” said Charlotte Hill, CEO of The Felix Project. “This is an issue we cannot afford to ignore and the situation is critical as the cost-of-living crisis intensifies. Many Londoners are trying to feed themselves on less than £3 a day.



“We’re thrilled to partner with Canary Wharf Group as they’re in the unique position to be able to convene the hundreds of businesses, retailers, employees and residents on the Estate to tackle this issue together, meaning we’ll have a much greater social impact than we would otherwise. 

“They have the access and logistics that we need to make the scheme a success at a time when the need is so high, and are committed to the same long-lasting, sustainable and meaningful change that we built our charity for.”

“I think the benefit from the volunteers’ perspective is that they will be achieving something that’s meaningful,” said Jane.

“That comes back to what I increasingly see from our own employees and customers.

“When people come to their workplace, they want to feel they are doing something that really has value.

“When you have this huge cost of living crisis and you have in-work poverty – people who are relying on food banks even though they have jobs – then a partnership like this fulfils a purpose that is twofold.

“Firstly, it’s reducing food waste, because there is so much that would otherwise be thrown away.

“Secondly, because of the significant challenges the UK has faced over the last few years, food poverty is also coming through as an immediate crisis.

“The next generation particularly want to feel that they work for organisations that share their values. Part of that is having an impact in the community and a strategy for that.

“Here we are delivering something that works for our people and has benefits for CWG and our customers but also for the Felix Project and all the people and organisations it helps.”

While the Green Scheme itself is an ambitious project, Jane said it only represented the start of the collaboration between Felix and CWG – something that would grow in the months and years to come.

Volunteers will deliver food direct from Canary Wharf to the organisations supported by the Green Scheme

“We want to see how we can use the assets that we have as an organisation and explore how else we can help the charity,” she said.

“We’re looking at working with our office clients to see whether we can help them create a more diverse group of volunteers down at the Poplar depot.

“We’re talking to Morgan Stanley – which has a very effective volunteering strategy – about how that best practice can be shared.

“We’re also investigating how we can encourage people who are experts in their particular sector such as sustainability or professional services to volunteer their time to help the organisation.

“There’s a contribution of expertise, so it’s not just about the Green Scheme. It’s really about sharing knowledge and asking how we can involve our supply chain.

“Can we make use of small businesses locally to help them deliver what they are doing, for example?

“The partnership is very much about setting out our stall to the outside world as an organisation – what our values are and what we stand for.”

Those interested in volunteering with the Green Scheme should sign up online to find out full details of the project.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com