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Ensemble Festival returns to Royal Docks with free shows for 2025

Clive Lyttle’s Certain Blacks is curating a weekend programme of acrobatics aimed at delighting, entertaining and educating visitors

Hydropunk - image by Helen Newall
Hydropunk – image by Helen Newall

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Certain Blacks’ Ensemble Festival is set to return to Royal Docks for two days of “excitement, entertainment and a bit of education” over the last weekend in July.

“Right now it’s quite hectic,” said Clive Lyttle, artistic director at Royal Docks-based Certain Blacks, which curates the event.

“We’ve got two new directors on board and we’re training staff to work on the festival. 

“We’ve got 10 young people who we recruit locally for the event – we try not to use volunteers because we know those living in the East End don’t necessarily have the ability to say they’ll do it for free and we want to give as many people as possible a bit of experience working in the arts.”

That focus on diversity is at the core of Ensemble Festival. Returning for a sixth time, the event is an outdoor celebration of circus, dance, physical theatre and street art – free at the point of delivery and as accessible possible.

Clive Lyttle, artistic director of Certain Blacks - image by Jon Massey
Clive Lyttle, artistic director of Certain Blacks – image by Jon Massey

entertainment and education

“The festival represents everything we’re about at Certain Blacks,” said Clive.

“There’s education alongside the shows and hopefully visitors will find out some new things and they’ll be mesmerised and entertained while that happens.

“Everyone needs a bit of a smile with everything that’s going on at the moment, and we hope they’ll get out and enjoy the wider area as well.

“This year, we’re working in partnership with the Royal Docks Team, which will be launching its free Summer Splash lido on the Sunday.

“The festival itself is going to have a bigger footprint too including performances outside City Hall on the greens so we’re growing it. We’ve got some really fantastic shows and I’m very excited about it.”

Certain Blacks is part of a network called Without Walls, a national consortium of more than 35 organisations presenting arts outdoors to people in towns and cities across England.

It works to commission and develop new work each year that can then tour the country and is supported by the Arts Council, where Clive worked for many years with a special focus on Newham.

He’s also a local resident, living opposite Excel in the Flying Angel, a former seaman’s hospital for more than a century before its conversion to apartments.

Holy Dirt - image by The Clay Connection
Holy Dirt – image by The Clay Connection

how Ensemble Festival draws visitors to the docks

“While we’re a festival for locals, we also attract people from across London – that’s one of our big aims,” said Clive.

“We always try to book the best, diverse artists available.

“The biggest show will be Tell Me, a whole programme from Without Walls about the experience of being diagnosed with HIV and living with that.

“It features circus artists and really large red cubes – the acrobatics are spectacular.

“It’s presented by the Sadiq Ali Company and features breathtaking Chinese pole work.

“We also have Waiting Song from Mish Weaver, where two trapeze artists perform to live music.

“The two artists ask the audience what they are waiting for in the workplace and they chat to each other.”

The latter, billed as a “lyrical exploration of how anticipation shapes our emotions and actions” as the acrobats engage mid-air in “a melodic conversation about their hopes for the future” exemplifies the physical nature of many of the shows.

Other highlights include Hug by Levantes Dance Theatre, with an artist soaring about the docks on a sway pole, Holy Dirt by Vidya Productions and David Glass, which blends live percussion and Indian performance styles with modern physical theatre and NoMo by Tiago Fonseca – a clown show about addiction to screens featuring juggling and body language.

Palais De Dance - image by Big Feast / Malcolm Hart
Palais De Dance – image by Big Feast / Malcolm Hart

a sense of fun

Ensemble Festival is often about radical movement then, but also a bit of a laugh.

“When the Mayor Of London moved in, they were a bit cautious about having shows right outside City Hall,” said Clive.

“But we’re working with the Royal Docks Team, which is based inside and this time we’ve got a great water installation that’s going to take place on the grass right next to the beach area.

“If the weather’s as hot as it has been recently, it’s going to be really amazing summer entertainment.”

Artizani and Tenderfoot Theatre’s Hydropunk promises a chance for the public to get up close to the wet stuff as a “chaotic, yet playful water machine cranks into motion”. 

The show is intended as a metaphor where everyone participating must work together to recycle the liquid and keep the fun flowing.

“We’ve also got quirkier acts, such as Palais De Dance,” said Clive.

“This show looks back to the Festival Of Britain, the 1950s and the whole dancehall culture, which we hope will speak to more of our older audiences.”

Presented by Olivier Award-winning live artist Miss High Leg Kick, aka Francesca Baglione, the spectacle promises a multi-sensory flashback with a twist to an era of celebrity appeal and the excitement of teenage nights out both then and now.

Other shows presented include The Hide, by Tilly Ingram, an installation and audio experience led by the artist that takes inspiration from birdwatching and reflects on hidden disabilities and Roots To Rise, a combination of poetry, movement and music that represents a call to ecological action from Nandita Shankardass.

Then, rounding things off, there’s Truth from Ramshacklicious and Hijinx, which will only be performed on the Sunday.

This “joyful street revolution” features a mixed cast of disabled and non-disabled performers and promises a riotous show that combines clowning with physical theatre and original music in an interactive, partly improvised happening with a message of hope.

Tell Me - image by Primo Video Productions
Tell Me – image by Primo Video Productions

key details: Ensemble Festival 2025

Ensemble Festival is set to take place from noon-8pm on July 26 and 27, 2025 at Royal Victoria Dock.

All performances and activities are free to attend and no booking is required. 

Precise times and locations will be available online prior to the festival and event stewards will be on site to guide visitors.

Find out more about the festival here

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Royal Docks: How Certain Blacks’ Ensemble Festival is packed with free entertainment

Artistic director Clive Lyttle on how acts have been commissioned to get audience’s hearts’ beating

Certain Blacks artistic director Clive Lyttle

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Clive Lyttle is smiling and there’s a glint in his eye.

The artistic director of Certain Blacks is relishing the prospect of putting on four days of completely free entertainment in Royal Docks when the organisation’s Ensemble Festival returns. 

Six whistle-whetting performances are set to take place on July 19 and 20, 2023, followed by a further 10 on July 22 and 23, 2023 – all adding up to a brightly coloured spectacle of newly commissioned circus, dance, art and voguing.

The festival’s 2023 programme is its most extensive to date in Certain Blacks’ ongoing mission to bring live performance from the margins to the mainstream.

“I’d spent 17 years working for Arts Council England and I developed Certain Blacks because of the need to support a wide range of diverse artists,” said Clive.

“Our first indoor festival took place in 2015 at Stratford Circus and we continue to showcase work as an arts development organisation.

“At the Arts Council, I was responsible for Newham, so I have deep contacts in the borough – my first job was as a multi-cultural arts officer for the council.”

Having worked extensively in the area, Clive made the move to Royal Docks six years ago and now lives overlooking Excel from the Flying Angel – a former seaman’s hospital for more than a century, converted into residential homes.

Between there and Certain Blacks’ base at The Factory Project in Silvertown, he oversees two annual festivals – Ensemble in E16  and Heroes, last held at Shoreditch’s Rich Mix in February.

While the latter is a platform for artists to explore performances strictly for an adult audience indoors, the former is strictly family friendly and very much out in the open air.

 “Certain Blacks is part of a network called Without Walls,” said Clive, who originally wanted to be a rock star before going on to study jazz guitar in Northumbria and embarking on a career in the arts. 

Out Of The Deep Blue’s puppet performance will be part of the festival

“It’s a national consortium of 36 festivals that work together to commission and develop innovative new work each year that can then tour the country.

“We’ve got seven new commissions including Gorilla Circus – a large scale show with high wire, trapeze and hair hanging that will be the finale of this year’s Ensemble Festival

“We’re lucky to have Arts Council funding, which gives us a little bit of money to get these shows made and then a bit of time to put a programme together.

“I travel to various festivals in the UK and Europe where we meet people – we’re always on the look out for artists.

“The festival is also funded by the Royal Docks Team for some smaller commissions that range from a local music collective to a Chinese dance group, an African psychedelic performance and something we’re putting together called Give And Take, which is about the politics and rights and wrongs of giving.”

These performances will mostly take place in front of Good Hotel off Western Gateway, a few minutes’ walk from Royal Victoria Dock DLR station.

The finale, however, is set to take place beside Building 1000 near Royal Albert Dock DLR on the Saturday and Sunday.

“It’s a spectacular show,” said Clive. “I saw it at the Norfolk And Norwich Festival – one of the partners in Without Walls – in May and it was fantastic.

“Of the consortium, we’re one of the few partners putting that show on.

“It gets your heart really beating – the hair hanging may make a few people wince and the high wire act is one of the best in Europe.

“He doesn’t wear a harness and left me with my heart in my mouth when I saw the show last month.

“As for the rest of the performances, a lot of the programme is an open call to artists – anyone who wants to do outdoor work can apply and that can lead to performances at, say, seven or eight festivals nationwide.

“With Certain Blacks, a lot of it is putting on work and supporting artists that I’d love to see – but also pieces that are unexpected and diverse.

Mughal Miniatures is based on tiny pictures seen in Indian temples

“It has to be fun too. We do a lot of live art, a lot of work which might challenge the audience – but Ensemble is very much PG-rated, even if the shows might make people think.

“We have the Sonia Sabri Company presenting Mughal Miniatures – The Awakening, a piece based on tiny pictures you can see in Indian temples brought to life.

“Then there’s Fussy Foodies: Battle Of The Pans where people can learn a few tricks about being a celebrity chef, play a few games and have a good singalong. 

“Some of the themes we’ll be addressing through the Royal Docks Team commissions are ecology, being eco-friendly and how we live.

“We’ve got an event anyone can take part in called the Bench Invasion.

“People from Belgium are coming over with 10 benches and we’ll have local volunteers helping to put the benches down, and people can sit and talk to them – then at the end there’s a little party and an exchange of stories.

“It’s about slowing life down and listening.

“We’ve also got a big eco-show with the Austin Dance Theatre called Out Of The Deep Blue – it’s a giant puppet that goes around telling stories about conservation.”

One of the few pieces to take place elsewhere will be dotComedy’s News Desk – a live rolling broadcast about events happening on the streets of Royal Docks presented in front of City Hall, delivered by comedian Richard Sharp.

There isn’t even space here to properly mention the interactive pub serving sounds or the rebellious hip hop dance of S.C.R.U.M.

All in all, it adds up to an extensive, diverse and surprising range of work as Royal Docks beds in as a serious cultural destination in London.

Clive said: “The area is getting to be very much part of the wider events ecology of London and we want to take artists from here out into the wider world.

“One of the points about our small commissions is to start artists on that journey, so they could be commissioned by people like Without Walls.”

Find full listings for Ensemble Festival here

THREE HIGHLIGHTS AT ENSEMBLE FESTIVAL

Gorilla Circus is set will be performed over two nights in Royal Docks

GORILLA CIRCUS

July 22-23, 8,30pm

The absolutely unmissable finale to Ensemble Festival – expect hair hanging, high wire and much more from this aerial spectacle outside Building 1000 at Royal Albert Dock.

Catch Ghetto Fabulous at Western Gateway as part of the festival

GHETTO FABULOUS

July 22-23, noon-7pm

Four LGBTQIA+ dancers from Manchester and Liverpool strut their stuff in this family catwalk extravaganza. Audience decides the winner. Find this show at Western Gateway.

Expect foodie facts and storytelling from Fussy Foodies

FUSSY FOODIES

July 22-23, noon-7pm

Just More Productions presents the Battle Of The Pans – a game show themed around Caribbean cooking.

Expect foodie facts, spices and storytelling.  Find this show at Western Gateway.

Read more: How artist Mark Taylor is capturing Canary Wharf and Docklands

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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