Music Lessons

Lina Stores review: Canary Wharf branch impresses with simplicity

Recently opened at Crossrail Place, the restaurant draws on more than 80 years of history to deliver a high quality Italian dining experience

Grilled prawns with tomatoes and garlic at Lina Stores - image by Jon Massey
Grilled prawns with tomatoes and garlic at Lina Stores – image by Jon Massey

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There’s a danger with growth, especially when it comes to hospitality brands.

A business founded and nurtured with passion by its creators can lose its appeal as economies of scale dislocate a sprawl of branches from the things that made the place good to start with. 

It’s understandable. Those seeking a profit margin will always be tempted to trim an ingredient here or there.

It’s an equation where small differences can translate into big savings.

The risk is how close to tipping the scales does an operation dare go? Will the punters really notice a sauce made with two cloves of garlic instead of three? How about one?

Fortunately, Lina Stores – recently opened in Canary Wharf’s Crossrail Place in the unit formerly occupied by The Breakfast Club, is more concerned with value and quality for its customers than making a quick buck.

At least, that’s the message it’s sending out on its pale green plates.

There could be a few reasons for this.

Firstly, the brand’s lineage is an 80-year-old deli in Soho rather than a beloved restaurant.

That brings with it a certain dedication to quality born of a family-run institution that was conceived primarily to supply Londoners with the kind of Italian treats which were a rarity at the time it opened.

The restaurants, which can now be found in 11 locations in London and Manchester, plus three in Japan, aren’t tasked with replicating an existing establishment, but instead aim to showcase produce.

The original shop is a jumping off point for this, rather than something to be photocopied.

Secondly, the team at White Rabbit Projects, which has worked with Lina to expand the brand, have clearly shed sweat to tread lightly.

Clean and green: The first floor dining room at Lina Stores in Crossrail Place - image by Jon Massey
Clean and green: The first floor dining room at Lina Stores in Crossrail Place – image by Jon Massey

an Italian ethos

Italian cooking at its best lives or dies on the quality of its ingredients often in spare, unfussy combinations.

There’s nowhere to hide and Lina isn’t afraid to be the neutral backdrop to the stars topping its green and white-striped serving paper.

The aesthetic of the Canary Wharf restaurant follows this pattern.

Head upstairs from the ground floor deli and you’ll find a bright, airy space with a barrel-vaulted ceiling.

Everything is in shades of pale green save the floor – marble the shade of emeralds at night.

There’s an open kitchen  too, with stools for diners who want to watch the magic happen.

It’s a minimal scheme akin to the slender black picture frames used to contain the delicate art on its walls.

This is because Lina saves nearly everything for the eyes and mouth.

30-yolk tagliolini pasta with truffle, a fabulous over load - image by Jon Massey
30-yolk tagliolini pasta with truffle, a fabulous over load – image by Jon Massey

sampling the food at Lina Stores

To start, we crunch the flesh of fresh green Bella Di Cerignola olives (£4) while making up our minds.

Burrata (£10) comes bathed in a little pool of extra virgin olive oil and dusted with black pepper – a simple, creamy delight on the tongue with a pleasant tang. 

Next comes the grilled prawns (£13) – three chunky specimens that arrive with a wedge of lemon and dressed with fresh tomatoes and garlic.

Expertly singed, these give up their meat without effort in sweet little chunks – an excellent way to whet the appetite for what we’re really here to try.

Lina in Soho is known for its fresh pasta, trays of which in its windows have been tempting passers-by through the doors for decades.

So what of the restaurant offering?

We order three due to greed and the desire to be comprehensive – the Jerusalem artichoke and ricotta ravioli (£10.50), the lamb sausage ragu pappardelle (£14.50) and the 30-egg yolk tagliolini with black truffle (at £17.50, the most expensive option on the menu).

The portions are sensible, the kind you might actually get as a first plate in a restaurant in Italy.

But the flavours are outsize.

The ravioli is earthy and vegetal, the tagliolini a fabulous overload of truffle, but the star of the show is the deep, rich pappardelle shot through with seasonal greens and chilli.

Great value, high quality. 

When the staff have relaxed into things – clearing away the plate for discarded olive pits without asking while I was still chewing, was a minor misstep – Lina is shaping up to be very good indeed. 

**** (4/5)

Jerusalem artichoke and ricotta ravioli at Lina Stores - image by Jon Massey
Jerusalem artichoke and ricotta ravioli at Lina Stores – image by Jon Massey

key details: Lina Stores

Lina Stores is located at street level in Crossrail Place. The restaurant is open daily from 11.30am-11.30pm.

The deli is open from 8am-5pm on weekdays and from 9am-5pm at weekends.

Bar Lina is open from 5pm to midnight, Tuesday-Thursday and from 5pm-1am, Friday-Saturday.

Find our more about the restaurant here

Read more: Sons, Daughters wins EBRD Literature Prize 2025 in Canary Wharf

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Neptune Wharf offers discounts to tempt buyers to Deptford

Galliard Homes development offers homes for private sale or rental in south-east London as regeneration of wider area continues

A show home at Neptune Wharf in Deptford - image by Galliard Homes
A show home at Neptune Wharf in Deptford – image by Galliard Homes

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“We are delighted to have completed Neptune Wharf and to be able to deliver highly specified new apartments in Deptford,” said Eli Dias, executive chairman and CEO of Galliard Homes.

“We are thrilled to be launching this exceptional collection of homes for private sale in such a dynamic area.”

Located on Grinstead Road, with Deptford Park to the north and Folkestone Gardens to the south, the scheme connects the two open spaces via a newly constructed public square, while providing more than 170 apartments spread over six buildings.

Currently on the market are 37 apartments for private sale, with Galliard recently unveiling a host of incentives for prospective buyers.

Four properties have been significantly discounted with price reductions of up to £135,000. 

First-time buyers can look forward to having their Stamp Duty bills covered, while contributions to legal costs are also available for those using solicitors from a preferred panel to handle conveyancing.

There are also 100% mortgage deals available for those who meet the criteria, meaning even those who haven’t saved up a deposit could potentially purchase a home.

As for the apartments available for sale themselves, one and two-bedroom properties are available with some of the larger units laid out as duplexes. 


The Galliard Homes development is located in Deptford - image by Galliard Homes
The Galliard Homes development is located in Deptford – image by Galliard Homes

going inside: Neptune Wharf

Buyers can expect full height glazing with homes on upper levels offering direct views of Canary Wharf, the City and the surrounding open spaces.

Inside oak-style flooring, light grey walls and steel hardware present a neutral base with open-plan living areas and private balconies for all apartments.

Kitchens feature integrated Smeg appliances, navy base units and oak-style wall cupboards over stone worktops.

The homes come with a wealth of tech including LED lighting, in-built radio, TV and Sky-Q ports and kitchen taps that deliver hot, cold or boiling water on demand.

Main bedrooms boast built-in wardrobes, while bathrooms are tiled in porcelain and come with white sanitaryware, thermostatic showers and heated towel rails.

A total of 37 apartments are available for private sale at the scheme - image by Galliard Homes
A total of 37 apartments are available for private sale at the scheme – image by Galliard Homes

The homes all achieve an Energy Performance Certificate rating of B and include central heating systems based on flat-panel white radiators.

Some apartments are available fully furnished.

Neptune Wharf is located around a 16-minute brisk stroll from three stations – Deptford, South Bermondsey and Surrey Quays – offering rail and Overground connections into central and east London.

It’s located about 15 minutes from Canary Wharf via bus and Tube.

The development is in an area that is set to see major regeneration over the coming years as schemes at nearby Canada Water and New Bermondsey, both bringing thousands of incoming residents, businesses and new infrastructure to this part of south-east London.

As an increasingly attractive part of the city, it’s therefore likely to bode well for those seeking capital appreciation as well as an interesting place to live. 

Properties come with integrated Smeg appliances - image by Galliard Homes
Properties come with integrated Smeg appliances – image by Galliard Homes

key details: Neptune Wharf

A total of 37 private sale apartments are on offer at Neptune Wharf through Galliard Homes.

Prices start at £375,000 for a one-bedroom apartment. Two-beds, including duplexes, are also available. Viewings are by appointment.

Find out more about homes for sale here

  • Apartments are also available for private rental at Neptune Wharf, with one, two and three-beds on offer.

Prices start at £1,900 per month, including 1GB Wi-Fi.

Find out more about homes to rent here

Galliard Homes is offering discounts on selected apartments at Neptune Wharf - image by Galliard Homes
Galliard Homes is offering discounts on selected apartments at Neptune Wharf – image by Galliard Homes

Read more: Sons, Daughters wins EBRD Literature Prize 2025 in Canary Wharf

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Peninsula Summer arrives in Greenwich with a packed programme

Attractions include Wild Swing Golf, Charity Super.Mkt, Rhythm And Taste Festival, GDIF, Firepit Gallery and The Chromatic River Walk

Steam Down will be performing at Rhythm + Taste as part of Peninsula Summer - image by Greenwich Peninsula
Steam Down will be performing at Rhythm + Taste as part of Peninsula Summer – image by Greenwich Peninsula

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“Greenwich Peninsula buzzes with life in the Summer, from leisurely weekend brunches by the river, to vibrant foodie experiences and unmissable performances from some of the UK’s hottest talents at our iconic jazz and food festival, Rhythm And Taste,” said Laura Flanagan, director of Greenwich Peninsula, as the area looks forward to a season of entertainment and events. 

“Our 5,000-strong residential community benefits from free art, music and culture right on their doorstep and, each year, we curate a varied programme of diverse cultural experiences for everyone to enjoy and get involved with. 

Peninsula Summer is a celebration of the very best of the Peninsula, against a backdrop of – hopefully – a Great British summer.”

Running from July 10 to August 31, 2025, the south-east London neighbourhood is set to welcome a host of attractions, celebrations and entertainments.

Here are the highlights for your diaries.

Old looks for new: Check out Charity Super.Mkt, in place until the end of August - image by Greenwich Peninsula
Old looks for new: Check out Charity Super.Mkt, in place until the end of August – image by Greenwich Peninsula

what’s on at Peninsula Summer

Charity Super.Mkt

Now GalleryJul 10-Aug 31- free

The brainchild of fashion designer Wayne Hemingway and Traid CEO Maria Chenoweth, this seven-week pop-up shop will sell pre-loved fashion with all proceeds going to charitable causes.

Purposeful retail that aims to do good things for people and the planet.

Wild Swing Mini Golf

Canteen Courtyard, Design DistrictJul 10-Aug 31- £4

The art duo Graphic Rewilding are dedicated to bringing outsize flora and fauna into urban spaces and here present a floral mini golf course for visitors to enjoy with friends.

Pay and play…

Summer Street Eats

Peninsula SquareJul 10-Aug 31- free

Complementing the offering at Canteen Food Hall And Bar in Design District, visitors are invited to discover the flavours available at a pop-up fleet of street food trucks during Peninsula Summer.

Doughnuts, ice cream, pizzas, pick’n’mix, crepes, waffles and churros will all be available for hungry punters.

Visitors can enjoy The Chromatic River Walk as part of Peninsula Summer - image by Greenwich Peninsula
Visitors can enjoy The Chromatic River Walk as part of Peninsula Summer – image by Greenwich Peninsula

The Chromatic River Walk 

Thames PathJul 10-Aug 31- free

Inspired by neon lights reflecting on the Thames at sunset, designer and artist Kitty Joseph presents a multicoloured art installation.

Revel in this soul-booster.

Firepit Gallery

Firepit GalleryJul 10-Aug 31- free

Open Tuesday-Saturday, this artist collective and gallery will be hosting workshops, events, exhibitions, performances and community projects throughout the summer.

Rhythm And Taste

Design DistrictJul 26, noon-9pm – free

The jazz and food festival promises a whole nine hours of music, roaming performers, street food, markets and meet-ups. 

The programme includes shows from jazz collective Steam Down, Shunaji And Knats, Design District’s radio community Loose.fm, DJs Tim Garcia And Tina Edwards and many more.

Also on offer will be wine tasting, workshops and a pan-Asian street food and craft market. 

GDIF

Peninsula Square + Design DistrictAug 30-31 – free

Rounding out Peninsula Summer will be the return of the Greenwich + Docklands International Festival, this year celebrating its 30th edition.

This year, Greenwich Peninsula will host a series of performances over two days including Turning Worlds, Ripple, Walking On The Wall, The Scale and Robopole

Audiences can expect acrobatic feats, circus skills and weightless movement on a rooftop basketball court.

getting to Peninsula Summer

Greenwich Peninsula is easily accessed by Jubilee line to North Greenwich, cable car from Royal Victoria Dock, numerous bus services across south-east London and Uber Boat By Thames Clippers along the river to Greenwich Pier.


Take a putt: Wild Swing Golf - image by Greenwich Peninsula
Take a putt: Wild Swing Golf – image by Greenwich Peninsula

key details: Peninsula Summer

Peninsula Summer is set to run from July 10 to August 31, 2025, at various locations on Greenwich Peninsula.

Full listings for all festivals and events featured are available online here

Read more: Sons, Daughters wins EBRD Literature Prize 2025 in Canary Wharf

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EBRD Literature Prize won by Sons, Daughters in Canary Wharf

The European Bank For Reconstruction and development has recognised author Ivana Bodrožić and translator Ellen Elias-Bursać with 2025 award

Author Ivana Bodrožić, left, and translator Ellen Elias-Bursać celebrate their win - image by Ale Di Padova / EBRD
Author Ivana Bodrožić, left, and translator Ellen Elias-Bursać celebrate their win – image by Ale Di Padova / EBRD

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Canary Wharf, known in the public psyche for its tall towers housing companies delivering financial services, has long been much more than that.

Its true essence is defined by the people inside those buildings – their interests, passions and diversity.

The European Bank For Reconstruction And Development (EBRD) Literature Prize – recently awarded at the organisation’s Bank Street offices – is an excellent example.

Born of a desire from staff to share in and engage with cultures in the territories where the bank operates, the contest is now in its eighth year and recognises works of fiction translated into English.

Both author and translator are equally celebrated for their efforts, reflecting the prize’s aim – to spread notable writing to as wide an audience as possible.

For 2025, an independent panel of judges led by critic and cultural journalist Maya Jaggi chose Sons, Daughters by Ivana Bodrožić, translated from the Croatian by Ellen Elias-Bursać as the winning work.

Ivana says she wanted to tell a story about how we're all locked in ourselves- image by Ale Di Padova / EBRD
Ivana says she wanted to tell a story about how we’re all locked in ourselves – image by Ale Di Padova / EBRD

a feeling of being locked in

“It’s a novel I published in Croatia five years ago, so I was writing it maybe seven or eight years ago,” said Ivana.

“It started from me and my own feelings of being locked in and is written from three different perspectives.

“The first is a woman who has locked-in syndrome.

“She’s paralysed but she has a really strong inner life.

“The second voice is that of a young man.

“He is transgender and he doesn’t feel like he belongs to his body when he looks in the mirror.

“The third is the perspective of the mother of the first character.

“She is a woman in her 60s. She was born and raised in the patriarchy and she is deformed by that system, although she doesn’t even realise it.

“I wanted to tell a story about how we are all locked in ourselves – that we can live and move, but  sometimes be paralysed.

“At the time I was writing it was difficult to be part of the LGBT minority in Croatia.

“It was when the Istanbul Convention was being ratified and there were some really loud parts of society – the right wing and the Catholic church.

“They wanted to point a finger at transgender people, saying that they were the biggest problem in Croatia and there were only one or two people who spoke out about their experience of living in that situation.

“In this radical metaphor through literature I was hoping that I could connect all those painful stories and make a novel that readers who wanted to be open could understand.”

EBRD Literatur Prize winners, Ivana and Ellen - image by Ale Di Padova / EBRD
EBRD Literatur Prize winners, Ivana and Ellen – image by Ale Di Padova / EBRD

winning the EBRD Literature Prize as an author

Ivana first found a love of reading as a child.

Growing up she spent five years in a refugee camp where “books were the only thing that told us there were other worlds, which was crucial for me”.

She said: “Books and stories became an essential part of my identity from an early age. Writing is connected with my life, not just talent but something I earned.

“I believe we can write about almost everything.

“What is important is our intention – what we want to do with our stories. 

“Do we want to harm or humiliate someone, or do we want to make a larger space for understanding and freedom for human dignity?

Sons, Daughters is not an easy book to read.

“All the stories are painful.

“My intention, when the reader closes the book, is to make them think that they have time to change something in their life, to open up a bit and see where their blind spots are.

“In that way, perhaps this novel is optimistic. 

“It shows you that you don’t need to be so closed, so locked in your own world.

“Winning this prize gives you the feeling that you’re a real writer and you know what you’re doing.

“It’s wonderful to know there’s a community of readers and what you’re doing means something.

“Writing can be a lonely job and being translated is very rewarding. Croatia is a very tiny community.

“It means a lot to know that sometimes I may be able to cross language borders.”

Ellen says she began working as a translator while living in Croatia - image by Ale Di Padova / EBRD
Ellen says she began working as a translator while living in Croatia – image by Ale Di Padova / EBRD

translating the work

In this instance, the person tasked with shepherding Ivana’s words over the hurdles of understanding was translator  Ellen Elias-Bursać – joint winner of the prize.

Born in the USA, it was studying Russian that sparked her professional journey.

“Our anti-Soviet professors wouldn’t send us to the USSR, but we were allowed to go to a Slavic country,” said Ellen.

“They found a programme in what was then  Yugoslavia, and I went for a year.

“I met a guy, finished school, went back and got married in 1974 and lived there until 1990.

“I had my kids there and became a community translator for many years, getting involved in translating literature towards the end of my stay. 

“I met Ivana through the publisher of her first novel, which was about the war in Croatia.”

The winners with the judges and fellow finalists at the presentation - images by Ale Di Padova / EBRD
The winners with the judges and fellow finalists at the presentation – image by Ale Di Padova / EBRD

winning the EBRD Literature Prize as a translator

Ellen said her process for translating a work began slowly before the pace picked up and she’d reach the end of a text.

Then a painstaking period of editing kicked in to ensure everything fitted together. 

She said: “Different novels require different contextual explanations depending on how much reference there is to local culture.

“It’s about the sound of the language and the humour too.

“There’s always loss and always gain with translation, you just hope there’s more of the latter.

“It’s tremendously gratifying to win this prize.

“Our role is to support authors and we end up doing much more than translating.

“We work with publishers, attend book launches, find people to review and promote things.

“I’m really happy that Ivana’s novel, which deserves attention, is thankfully getting it.

“I’m also very pleased the EBRD continues to support voices from many parts of the world by promoting books and bringing them to people’s attention – that’s a really valuable gift for everyone.”

key details: EBRD Literature Prize

The EBRD Literature Prize is awarded annually, recognising both the author and translator of a work of fiction. 

It celebrates creativity in the regions where the bank operates and aims to bring writing from a wide range of countries to a wider, global audience.

The other finalists recognised in 2025 were Ukraine’s Tanja Maljartschuk and translator Zenia Tompkins for Forgottenness, alongside Poland’s Olga Tokarczuk and translator Antonia Lloyd-Jones for The Empusium.

You can find our more about the prize here

  • Sons, Daughters by Ivana Bodrožić, translated from the Croatian by Ellen Elias- Bursać, is published by Seven Stories Press UK and is available through Waterstones in Cabot Place, priced £17.99.

Read more: Boisdale Of Canary Wharf launches Tropical Garden Terrace as the venue celebrates 15 years serving east London

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Win a family ticket on Horrible Histories: Terrible Thames’ river tour

Celebrating its fifth anniversary in London the floating show will be hosting a special day of sailings on July 19, 2025, including an appearance by Horrible Histories author Terry Deary

Audiences are treated to a tour by an enthusiastic student and a history teacher - image by Terrible Thames
Audiences are treated to a tour by an enthusiastic student and a history teacher – image by Terrible Thames

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London’s historical river tours with Horrible Histories: Terrible Thames are set to return from July 12, 2025.

The floating show, which takes in the capital’s riverside sights while showering audiences in horrifying, funny and shocking tales of days gone by is also celebrating its fifth year on the waterway. 

To mark that anniversary, passengers are being invited to book sailings on a special day of celebration on July 19, 2025, where they will meet royals and reprobates.

The likes of Queen Boudica, King Henry VIII, Queen Anne Boleyn, Guy Fawkes, Captain Kidd, Olaf The Viking and Julius Caesar are expected to be lurking near the tour’s point of embarkation – Tower Bridge Quay – during the event.

Also visiting on the day to meet fans will be Terry Deary, author of Horrible Histories, the series of gore-soaked books that not only sparked a passion for the past in the minds of countless youngsters, but also inspired the Terrible Thames theatrical tour.

The show itself is performed on the top deck of Silver Sockeye, a ship in Woods Silver Fleet, which takes a 45-minute route right through central London beginning and ending just east of Tower Bridge.

Audiences can expect to see Cleopatra’s Needle, Shakespeare’s Globe, the Houses Of Parliament, the London Eye and dive into the stories of Execution Dock, Jack The Ripper and the bloody goings on at the Tower Of London amid a multitude of harrowing tales.

Passengers are guided in their journey by a teacher and pupil on a trip to the capital awarded as a prize for excellence in history – but quite who is schooling who becomes a matter for debate.

Unique on the Thames, the show changes with the tide, which alters the time taken to sail up and down the river for each performance, meaning the actors have to constantly adapt the tour to suit the progress made.

It is performed by members of the Birmingham Stage Company, known for its adaptations of Deary’s works including The Best Of Barmy Britain, returning to the Apollo theatre this summer. 


The show takes place aboard Silver Sockeye, part of Woods Silver Fleet - image by Terrible Thames
The show takes place aboard Silver Sockeye, part of Woods Silver Fleet – image by Terrible Thames

your chance to win

>> For a chance to win a family ticket (one adult and three children or two adults and two children) to see the show this summer simply answer this question: Who wrote Horrible Histories?

To enter email your answer to info@wharf-life.com with the subject line Terrible Thames Competition.

>> Prize is tickets only, subject to availability. Transport to Tower Bridge Quay is at the prize winner’s expense.

There is no cash alternative. Entrants agree to have their data shared with Terrible Thames.

The closing date is July 30, 2025 and the editor’s decision is final.

The tour lasts 45 minutes and takes in the major London sights along the river - image by Terrible Thames
The tour lasts 45 minutes and takes in the major London sights along the river – image by Terrible Thames

key details: Horrible Histories: Terrible Thames

Horrible Histories: Terrible Thames is taking bookings from July 12 for daily sailings until September 3.

Adult tickets cost £25 while children aged 3-15 cost £15 each. Family tickets cost £70 with two adults and two children or £60 for one adult and three children.

Those aged 65 or over can sail for £20.

Find out more about the tours here

Read more: Boisdale Of Canary Wharf launches Tropical Garden Terrace as the venue celebrates 15 years serving east London

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Canary Wharf and Tower Hamlets Council deliver affordable homes

Canary Wharf Group CEO, Shobi Khan, and Mayor Of Tower Hamlets, Lutfur Rahman tour new social housing, built as part of the Wood Wharf project

The tour reaches the upper floor of 70 Charter Street - image by Jon Massey
The tour reaches the upper floor of 70 Charter Street – image by Jon Massey

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By the end of 2026, almost 300 affordable homes at Wood Wharf are expected to be occupied by tenants.

The properties – around 50% of which are family-sized apartments – are currently under construction in Charter Street beside the entrance to West India Docks and at Brannan Street overlooking Blackwall Basin.

When the new residents move in, they will join a growing community of more than 3,500 people already living on the estate, including tenants of 300 affordable properties arranged over three blocks arranged around Harbord Square.

For Mayor Of Tower Hamlets, Lutfur Rahman, their arrival is all about equality.

He recently toured the construction site with Canary Wharf Group’s CEO Shobi Khan and chief development officer Tom Venner, alongside members of their teams and council officers to see progress on the new properties.

Canary Wharf Group CEO, Shobi Khan, left, and Mayor Of Tower Hamlets Lutfur Rahman - image by Jon Massey
Canary Wharf Group CEO, Shobi Khan, left, and Mayor Of Tower Hamlets Lutfur Rahman – image by Jon Massey

for the whole borough

“When Canary Wharf was first built, the locals didn’t think it was for them,” said Lutfur.

“Now, to have affordable homes – social housing – in the middle of the estate shows that we are one integrated community.

“We’re standing in a three-bedroom property right now in Canary Wharf.

“Families can live here in properties like this, overlooking the open water of Blackwall Basin.

“Kids can grow up with aspiration and hope for the future.

“I delivered the school here at Wood Wharf as part of earlier negotiations on the project – we insisted on that.

“We have an emerging community locally with youngsters growing up in Canary Wharf and on the Island, so we knew we’d need state-of-the-art educational facilities. 

The Mayor surveys the view of Blackwall Basin from a property in Brannan Street - image by Jon Massey
The Mayor surveys the view of Blackwall Basin from a property in Brannan Street – image by Jon Massey

“The private homes here and the social housing are integrated – it’s one community and to be told and given the assurance that the quality of the homes is the same across both tenures is important.

“People who have and those who have not, must have the same aspirations, the same life chances – we are one humanity.”

“Building more social housing is about partnerships.

“This is a good example where a private developer – Canary Wharf Group – has worked with the council to deliver a high proportion of social homes.

“We have a number of schemes in the pipeline ourselves in the borough, which will be 100% social homes, and we’re also working with registered social landlords on others.

“It’s a continuous endeavour.”

The latest tranche of affordable housing in Canary Wharf will be completed next year - image by Jon Massey
The latest tranche of affordable housing in Canary Wharf will be completed next year – image by Jon Massey

part of Canary Wharf’s wider offering

The affordable rental homes currently under construction at Wood Wharf have been sold to CBRE UK Affordable Housing Fund and will be managed by Pinnacle Group, which already looks after the 300 affordable properties on the estate. 

Shobi said: “This affordable housing project will be the best in the UK when it’s ready to welcome residents next year. 

“Providing these homes in Canary Wharf is all part of what we’re creating here – a thriving, diverse, welcoming neighbourhood. 

“It’s a place for all that includes a mix of accommodation set alongside public spaces with art for everyone to enjoy, an NHS surgery, schools and a nursery, a theatre and even open-water swimming.”

CWG has also worked with the council on a scheme to offer commercial space at Wood Wharf to local businesses to help boost east London’s economy.

A florist, hairdresser, nail salon, fitness studio and cafe have already launched, with all 10 units expected to open by the end of the summer.

Businesses were selected by a joint panel from CWG and the council with the aim of creating local social benefit.

Find out more about the latest affordable housing in Canary Wharf here

The tour party looks out over the Thames and The O2 from 70 Charter Street's upper reaches - image by Jon Massey
The tour party looks out over the Thames and The O2 from 70 Charter Street’s upper reaches – image by Jon Massey

Read more: Boisdale Of Canary Wharf launches Tropical Garden Terrace as the venue celebrates 15 years serving east London

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Pittagoras brings gyros and tradition to Canary Wharf

Ilias Georgatos’ Greek restaurant at Wharf Kitchen builds on the talents and recipes from generations of his family in Kephalonia

Pittagoras is located on the lower level of Jubilee Place in Canary Wharf - image by Jon Massey
Pittagoras is located on the lower level of Jubilee Place in Canary Wharf – image by Jon Massey

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Pittagoras’ name is a fantastically neat way of summing up the Greek restaurant and takeaway, which recently opened up amid the street food businesses at Wharf Kitchen in Jubilee Place. 

Co-founder Ilias Georgatos smiles gently as I explain that I’ve worked out the clever pun on Pythagoras (he of the theorem, the hypotenuse and all that half-remembered learning in dreary classrooms).

But, as with everything at Pittagoras, there’s an extra level – a deeper layer that comes together from multiple ingredients. 

“There is the wordplay with Pythagoras,” said Ilias.

“But the name also showcases what we are doing. Our first location was in Tooting in a market and we serve our gyros on bread.

“Pitta is bread and, in Greek, the word for market is ‘agora’ – literally selling bread in the market.”

Pittagoras co-founder Ilias Georgatos - image by Jon Massey
Pittagoras co-founder Ilias Georgatos – image by Jon Massey

the origins of Pittagoras

In similar fashion, the ingredients list for its signature pork gyros – meat in pitta with garlicky tzatziki, tomatoes, red onions, parsley, oregano and fries – only tells a fraction of the story and, for Ilias, it’s a tale that goes back to his roots.

“I’m originally from Kephalonia in Greece and I’m the third generation of my family to be doing the exact same job,” he said. 

“My grandfather brought souvlaki to the island in 1956 and by the age of 10 I was helping my dad in the kitchen. 

“After I finished school I didn’t study, I stayed next to my father, but at some point I realised I was sick of the job. That’s one of the main reasons I decided to come to London seven years ago. 

“But then I was working in kitchens over here and managing restaurants and I realised the thing I’d decided I hated the most was actually the thing I loved the most.

“It was at that time I found my business partner – Gianni Perillo – who had a pizzeria in Tooting Broadway and he wanted to invest in my experience and my family’s heritage. 

“That’s how we started out with Pittagoras, about three and half years ago.

“Now we have four locations in Hackney Wick, London Fields, Tooting and at Canary Wharf.

“This latest opening is the next step for us, the biggest operation and we’ve been doing great here – it’s been very busy right from the beginning.

“The beauty is that it works at all times of the day – we know how much customers love our food.

“Most British people have been in Greece at least once in their life so they are familiar with our food.

“It’s also a healthy option – you get a complete meal with the salad and the meat.”

Pittagoras operates at Wharf Kitchen in Canary Wharf - image by Jon Massey
Pittagoras operates at Wharf Kitchen in Canary Wharf – image by Jon Massey

detail in dining

You don’t have to spend long with Ilias to realise Pittagoras is all about detail.

The meat for its chicken and pork gyros is expertly grilled on large vertical skewers and only shaved with a miniature circular saw when the Maillard reaction has transformed the flesh closest to the heat into crisp, unctuous morsels.

Then it’s all about combining the harvest with the right balance of accompaniments in the soft, welcoming embrace of the pitta.

“The first thing to get right is the meat, the bread and the yoghurt, so we bring them all from Greece, although we do use a butcher here in London too,” said Ilias.

“We also make sure we buy the best vegetables we can for maximum taste.

“It can be hard to find the right quality of tomato in the capital, but we have a trick – we buy them on the vine and then leave them out of the fridge to ripen and get a little sweeter.

“For me, the most important thing is what I learned from my father.

“It’s the secret of what he does – he thinks that if he doesn’t like what he’s cooking then he can’t sell it.

“When I’m cooking, the question is: ‘Would I eat it?’. The answer must always be yes.

“To make good food, you need good quality meat, and a simple seasoning – salt, pepper – and for it to be cooked properly.

“In gyros, nothing can hide, there’s no filler, no restaurant sauces to mask tastes. 

“My father is very proud of what we’ve achieved here, especially when I appeared on national TV in Greece.

“One Sunday, for a TikTok video, I made a giant gyros  and it went viral and I was invited to appear. For a month, I went on every channel and it was madness.

“For someone to appear on TV from the island of Kephalonia, it’s a big thing – a great celebration.  

“Growing up with my father, we had our ups and downs but we both love what we do and he still has a restaurant on the island. 

“He took a little place from his dad and grew the business to 10 locations before the crisis in Greece. 

“Now he has one location but makes about the same revenue as four shops because it’s very popular and people queue.

“He only does a few things – specialising in pork souvlaki – but people really like it, they wait 30 minutes.

“When I take my family over there in August, the restaurant is so busy we don’t get to spend much time with him so I was actually there last week to catch up.

“I ended up working next to him and that’s the way to spend time with my dad. 

“It’s very interesting because, after seven years in London, sometimes you forget where you started and you need to get back to those traditional recipes.”

Freshly made pork gyros at Pittagoras - image by Jon Massey
Freshly made pork gyros at Pittagoras – image by Jon Massey

open daily

Open every day, Pittagoras serves up its flavours in boxes for a little over £15 and in wraps for around £11. It also offers loaded fries for about £12.50 and salad boxes for around £10 or £14 with meat.

The restaurant doesn’t serve pork souvlaki as the charcoal necessary to cook it properly (in Ilias’ view) is a complex ask for a unit in the depths of a shopping centre. However, chicken souvlaki is available. 

With Ilias’ partner looking after the business side of things, he’s free to focus on his passion – the cooking and the people.

“My top concern is the food, but also our staff,” said Ilias. “I spend much of my time in our branches and I love talking to our staff and customers. We need to see the impact of what we’re selling.

“It’s a passion. We work seven days a week and I take advice from my father who says that if you do everything the right way, then the money will come.

“I think that’s where many people go wrong and fail – as soon as the numbers become more important it’s a problem.

“The day we employ someone who thinks that way is the day I return to Greece.

“That’s my retirement plan, actually.

“I would open a little restaurant in Kephalonia and do the exact same thing.

“My wife thinks I’m crazy, but in some ways this is a hobby for me. I still feel like I’m not really working.

“Pittagoras’ growth has been organic so far – we don’t have investors or loans, just the money we put in.

“We would like to find another location this year to open, which seems about the right pace.”

Chicken gyros salad at Pittagoras - image by Jon Massey
Chicken gyros salad at Pittagoras – image by Jon Massey

key details: Pittagoras

Pittagoras is located at Wharf Kitchen on the lowest level of Jubilee Place.

The business is open daily from 11am-10pm, with delivery available on the usual platforms.

Find out more about the restaurant here

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Ensemble Festival returns to Royal Docks with free shows for 2025

Clive Lyttle’s Certain Blacks is curating a weekend programme of acrobatics aimed at delighting, entertaining and educating visitors

Hydropunk - image by Helen Newall
Hydropunk – image by Helen Newall

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Certain Blacks’ Ensemble Festival is set to return to Royal Docks for two days of “excitement, entertainment and a bit of education” over the last weekend in July.

“Right now it’s quite hectic,” said Clive Lyttle, artistic director at Royal Docks-based Certain Blacks, which curates the event.

“We’ve got two new directors on board and we’re training staff to work on the festival. 

“We’ve got 10 young people who we recruit locally for the event – we try not to use volunteers because we know those living in the East End don’t necessarily have the ability to say they’ll do it for free and we want to give as many people as possible a bit of experience working in the arts.”

That focus on diversity is at the core of Ensemble Festival. Returning for a sixth time, the event is an outdoor celebration of circus, dance, physical theatre and street art – free at the point of delivery and as accessible possible.

Clive Lyttle, artistic director of Certain Blacks - image by Jon Massey
Clive Lyttle, artistic director of Certain Blacks – image by Jon Massey

entertainment and education

“The festival represents everything we’re about at Certain Blacks,” said Clive.

“There’s education alongside the shows and hopefully visitors will find out some new things and they’ll be mesmerised and entertained while that happens.

“Everyone needs a bit of a smile with everything that’s going on at the moment, and we hope they’ll get out and enjoy the wider area as well.

“This year, we’re working in partnership with the Royal Docks Team, which will be launching its free Summer Splash lido on the Sunday.

“The festival itself is going to have a bigger footprint too including performances outside City Hall on the greens so we’re growing it. We’ve got some really fantastic shows and I’m very excited about it.”

Certain Blacks is part of a network called Without Walls, a national consortium of more than 35 organisations presenting arts outdoors to people in towns and cities across England.

It works to commission and develop new work each year that can then tour the country and is supported by the Arts Council, where Clive worked for many years with a special focus on Newham.

He’s also a local resident, living opposite Excel in the Flying Angel, a former seaman’s hospital for more than a century before its conversion to apartments.

Holy Dirt - image by The Clay Connection
Holy Dirt – image by The Clay Connection

how Ensemble Festival draws visitors to the docks

“While we’re a festival for locals, we also attract people from across London – that’s one of our big aims,” said Clive.

“We always try to book the best, diverse artists available.

“The biggest show will be Tell Me, a whole programme from Without Walls about the experience of being diagnosed with HIV and living with that.

“It features circus artists and really large red cubes – the acrobatics are spectacular.

“It’s presented by the Sadiq Ali Company and features breathtaking Chinese pole work.

“We also have Waiting Song from Mish Weaver, where two trapeze artists perform to live music.

“The two artists ask the audience what they are waiting for in the workplace and they chat to each other.”

The latter, billed as a “lyrical exploration of how anticipation shapes our emotions and actions” as the acrobats engage mid-air in “a melodic conversation about their hopes for the future” exemplifies the physical nature of many of the shows.

Other highlights include Hug by Levantes Dance Theatre, with an artist soaring about the docks on a sway pole, Holy Dirt by Vidya Productions and David Glass, which blends live percussion and Indian performance styles with modern physical theatre and NoMo by Tiago Fonseca – a clown show about addiction to screens featuring juggling and body language.

Palais De Dance - image by Big Feast / Malcolm Hart
Palais De Dance – image by Big Feast / Malcolm Hart

a sense of fun

Ensemble Festival is often about radical movement then, but also a bit of a laugh.

“When the Mayor Of London moved in, they were a bit cautious about having shows right outside City Hall,” said Clive.

“But we’re working with the Royal Docks Team, which is based inside and this time we’ve got a great water installation that’s going to take place on the grass right next to the beach area.

“If the weather’s as hot as it has been recently, it’s going to be really amazing summer entertainment.”

Artizani and Tenderfoot Theatre’s Hydropunk promises a chance for the public to get up close to the wet stuff as a “chaotic, yet playful water machine cranks into motion”. 

The show is intended as a metaphor where everyone participating must work together to recycle the liquid and keep the fun flowing.

“We’ve also got quirkier acts, such as Palais De Dance,” said Clive.

“This show looks back to the Festival Of Britain, the 1950s and the whole dancehall culture, which we hope will speak to more of our older audiences.”

Presented by Olivier Award-winning live artist Miss High Leg Kick, aka Francesca Baglione, the spectacle promises a multi-sensory flashback with a twist to an era of celebrity appeal and the excitement of teenage nights out both then and now.

Other shows presented include The Hide, by Tilly Ingram, an installation and audio experience led by the artist that takes inspiration from birdwatching and reflects on hidden disabilities and Roots To Rise, a combination of poetry, movement and music that represents a call to ecological action from Nandita Shankardass.

Then, rounding things off, there’s Truth from Ramshacklicious and Hijinx, which will only be performed on the Sunday.

This “joyful street revolution” features a mixed cast of disabled and non-disabled performers and promises a riotous show that combines clowning with physical theatre and original music in an interactive, partly improvised happening with a message of hope.

Tell Me - image by Primo Video Productions
Tell Me – image by Primo Video Productions

key details: Ensemble Festival 2025

Ensemble Festival is set to take place from noon-8pm on July 26 and 27, 2025 at Royal Victoria Dock.

All performances and activities are free to attend and no booking is required. 

Precise times and locations will be available online prior to the festival and event stewards will be on site to guide visitors.

Find out more about the festival here

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Modulus Quartet prepare to bring light and sound to Theatreship

Forthcoming Modulation #1 concert will feature moving images alongside contemporary compositions on board Isle Of Dogs floating venue

Modulus Quartet will perform a selection of works – Modulation #1 – in east London - image by Diego Barraza
Modulus Quartet will perform a selection of works – Modulation #1 – in east London – image by
Diego Barraza

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The work of the Modulus Quartet comes with significant, literal depth.

They’ve performed down mines and in natural caves as well as down Sir Marc Brunel’s Thames Tunnel shaft at the Brunel Museum in Rotherhithe and on floating nightclub Thekla in Bristol – taking newly wrought music out of concert halls and into unusual spaces around the UK. 

In July, the ensemble are set to play their first concert at Theatreship on the Isle Of Dogs with the depths of West India South Dock below.

“Our whole project is to champion composers who are writing for string quartet and want to get their music heard – that’s our core ethos,” said Craig Stratton who plays second violin in Modulus. 

“We like to perform in unusual venues to keep that contemporary feel.

“We also feature film in our concerts, which accompanies much of the music and is specific to the pieces we’re playing.

“Rather than having programme notes in the audience’s hands, we also like to showcase the composers themselves on video describing their pieces.

“It gives people a personal connection with the composer – we like our concerts to really be a team event featuring the composers, the filmmakers and us. 

“We rehearse the pieces with the composers before we play them and develop these collaborations and connections.”

Modulus Quartet are set to performa at Theatreship on the Isle Of Dogs - image by Theatreship
Modulus Quartet are set to performa at Theatreship on the Isle Of Dogs – image by Theatreship

Modulus Quartet: a platform for new music

Modulus comprises Craig, Jonathan Truscott on violin, James Hogg on viola and nick Allen on cello, with the ensemble releasing its first album – 12 Seconds Of Light in 2017.

“The four of us have known each other for a few decades, having graduated from music colleges around the world.

“I was in Prague, John was in Romania, Nick was in London and I met James on a course in Vienna in the mid 1990s,” said Craig.

“We’ve all known each other in past endeavours and concerts, but I guess we formed Modulus because we all have a similar outlook.

“We thought: ‘There are plenty of quartets out there playing Beethoven and Mozart, why don’t we play music people haven’t heard?’.

“That way we’ve been able to showcase the work of budding composers and established writers who don’t get enough performance time on stage.”

more than a concert

Modulus are currently working on a second album, Evolutional, set to be released later this year, which includes pieces by Eliot Lloyd Short and Veera Lummi – composers whose work will also be played by the quartet during their first performance at Theatreship – Modulation #1 – on July 18, 2025.

This will also feature music by Nicholas De Carlo, Malcolm Lindsay and Siobhan Connellan. 

“I’ve actually just interviewed Siobhan for the video that will be used as part of the performance and in promotional material in the run-up to the concert,” said Craig.

“We’ll be playing her piece August on the night.

“Another highlight will be a work by South African composer Eliot Lloyd Short – it’s in three movements and is really great, slightly minimalist but music that goes down well.

“Audiences can expect not just to sit down and listen, but to have an experience in an unusual venue with film and composer interaction.

“All your senses will be stimulated in what is an intimate venue – we like to talk to our audiences too.

“We want to build a community of composers and listeners that we hope will turn into something really interesting. 

“We felt Theatreship itself would be a great venue for that and we’ll be doing at least two concerts there, this one in July and another in October. 

“We have plenty of music to show the world and then we’d love to have an ongoing residence at the venue in the future.”

key details: Modulus Quartet at Theatreship

The Modulation #1 programme is set to be performed at Theatreship on the Isle Of Dogs by Modulus Quartet on July 18, 2025, from 8pm-9.30pm.

Tickets cost £23.66 and are on sale now. The second concert, Modulation #2, will take place on October 17, 2025. 

Find out more about the first concert here

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London Craft Beer Festival gears up for Greenwich dates

Lucky for some: Event hits its 13th edition with a move to Magazine London and a selection of 800 brews to sample

The London Craft Beer Festival 2025 is set to take place in July - image by We Are Beer
The London Craft Beer Festival 2025 is set to take place in July – image by We Are Beer

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“Good beer,” are the words on the lips of Greg Wells as we talk about the 13th edition of the event he co-founded in celebration of the beverage.

It’s a category that’s grown and keeps growing, meaning the organisers of the London Craft Beer Festival had to look for a larger venue.

“When we started, we attracted 2,000 people, now it’s 20,000 and there are still new people coming into the industry and doing amazing things – it’s brilliant,” said Greg, managing director of We Are Beer, which runs events in Manchester and Bristol as well as the capital.

“The decision to move to Magazine London on Greenwich Peninsula gives us a lot more outside space and that’s what our partners want so they can do bigger and better things.

“We’ve moved on from Tobacco Dock slightly south of the river, although with the way the Thames wiggles we’re actually a little further north than we used to be.

“We’ve worked with Broadwick, which owns the venue, for a long time and this is a purpose-built event space with a showground.

“You have the A2 right there and the transport links via the Jubilee line are brilliant – Canary Wharf is one stop across the water for the DLR and the Liz Line and we’re directly connected to Stratford and London Bridge.

“Our audience comes from London and the commuter belt around the city so it’s a good spot and it made sense to make the move.”

Greg Wells, managing director of We Are Beer - image by Wharf Life
Greg Wells, managing director of We Are Beer – image by Wharf Life

celebrating a growing category at the London Craft Beer Festival

So what’s in store for the festival as it expands further east on the banks of the Thames?

“It’s grown,” said Greg. “There will be more than 200 traders there including 150 drinks brands.

“Craft beer remains the core of what we do.

“When we started there were about 20 breweries in London and there are something like seven times that number now.

“As a category it started as 0% of the market and now it’s 10% nationwide.

“It’s still the second fastest growing category, but it has inevitably slowed, with post-pandemic and the cost of living.

“There is some consolidation happening – some of the smaller operations are joining together – but the main thing is that it’s now 50% of the beer market in London.

“When you go to a restaurant or a pub in the capital, the selection is often brilliant.

“It used to be hard-to-find – something hidden – but now it’s in every supermarket.

“We’re about celebrating good beer and that’s why we have some of the more traditional brands like Timothy Taylor and exciting brewers from Europe.”

The event will feature a wide range of beers to try and plenty of entertainment - image by We Are Beer
The event will feature a wide range of beers to try and plenty of entertainment – image by We Are Beer

a rundown of the event

On the face of it, the London Craft Beer Festival is a relatively simple proposition.

The ticket price covers entry and all beer with the chance to try more than 800 creations from scores of breweries. 

The list is extensive, but the festival will include a strong showing from some of London’s celebrated brewers including DEYA (voted top at last year’s inaugural Top 50 UK Beers awards), Verdant and Tiny Rebel.

There will be international visitors too with beers from the USA, Europe and Australasia including New Zealand’s Garage Project new for this year.

Beyond the beer, there will also be plenty of spirits brands represented as well as wine and even sake and alcoholic tea.

In addition to the drinks, the festival offers a wealth of street food options and plenty of entertainment for those who like to dance off their drinks or even play crazy golf with Ballers. 

There are four festival sessions to choose from, each lasting five hours on the afternoons and evenings of the two days.

These start at 11am or 6pm. Groups of four can also buy entry together for a discount.

For parties of eight or more, the festival offers Group Hospitality Tickets.

Alongside all beer and cider, these also include fast track entry, a main dish and side per person from the food traders, two vouchers for non-beer drinks (think cocktails and spirits), a guided festival tour with a beer sommelier on arrival and a dedicated meeting point and host for your group.

Ticket prices include all beer consumed during each five-hour session - image by We Are Beer
Ticket prices include all beer consumed during each five-hour session – image by We Are Beer

primed for growth

“We’re going to be a Magazine for the foreseeable future as we continue to grow the event,” said Greg.

“We want to become a part of the Greenwich community and for as many people in Canary Wharf and the surrounding areas to join us as possible.

“We’re very much an event that’s hitting the mainstream – at 13 we’re through the toddler years and into the angry teens.

“Thinking back, craft beer used to be about being dragged along by your aficionado friends to specific establishments.

“Now, from Bermondsey to Walthamstow there are whole clusters and neighbourhoods where it runs deep – beer, brewing and the whole culture around it is integrated into the city. 

“People continue to change ,as well attitudes to drinking, where consuming beer may not be the centre of the experience when visiting a venue.

“But there are many other angles and that’s going to be a big part of the next decade – those who get their taprooms rights will be the ones that flourish.

“Consumer discernment remains really high – people want quality.

“If you look at areas like casual dining or fast food, the options available now are way more nutritious and flavourful than they were 20 years ago.

“I don’t think that’s going to go away, although people will always be looking for value too. Craft beer has always been welcoming – it’s never been about being super specialist and that’s the same as our event.

“It’s going to be a whirlwind, a kaleidoscope of flavour with beer, food, music and more.

“Come and join us, it will be brilliant.” 

The London Craft Beer Festival is set to take place at Magazine London - image by We Are Beer
The London Craft Beer Festival is set to take place at Magazine London – image by We Are Beer

key details: London Craft Beer Festival

The London Craft Beer Festival runs at Magazine London from July 18-19, 2025.

Individual tickets cost £64.50 per person with other options available for a five-hour session.

Group tickets for four people cost £59.50 per person.

There are also options for fast-track entry and hospitality packages for larger groups including drinks and food.

Tickets cost £105 per person.

Find out more about the event here

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