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The Music Is Black Festival brings East Bank partners together

Four free live weekends at the Queen Elizabeth Olympic Park, plus talks and film screenings have all been inspired by V&A East Museum exhibition

The Music Is Black Festival features four weekends of live performance including The Music Is Ours - image by Hangula Lucas
The Music Is Black Festival features four weekends of live performance including The Music Is Ours – image by Hangula Lucas

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The collaborative promise of East Bank has been long in the making.

But now the wait is over.

V&A East, Sadler’s Wells East, UCL East, BBC Music Studios and the London College Of Fashion have all come together for the first time publicly to play their parts in The Music Is Black Festival in east London.

Essentially a creative response to V&A East Museum’s first exhibitionThe Music Is Black: A British Storythe programme includes four weekends of live gigs and performances as well as film screenings, talks, digital elements and exhibitions.

The aim is to reflect the breadth and depth of the impact made by black music in the UK.

East Bank director Tamsin Ace - image by Christian Cassiel
East Bank director Tamsin Ace – image by Christian Cassiel

collaborating on The Music Is Black Festival

“Each of these five institutions have pivoted to respond to this theme and, layered on top of that, we have our programme of four live weekends – one each month,” said Tamsin Ace, director at East Bank.

“For example, the BBC has created The Music Is Black digital hub across TV, radio, iPlayer, Sounds and online to celebrate some of the key genres, personalities, scenes and compositions that define the last 125 years of black music in the UK.

“They’ve also created amazing educational resources through BBC Bitesize for secondary schools to use.

“It’s all been developed in collaboration with V&A East Museum.

“UCL East have organised a series of talks looking at black British visual culture, fashion – all kinds of different things – throughout the season.

“The London College Of Fashion is also hosting an amazing exhibition looking at sound system culture and designer identity.

“Then the four live weekends will bring people down to East Bank to celebrate the artists and musicians through free public performances.

“For these we’ve worked with an amazing curator, Gillian Jackson, and for each event we’ll have three stages – two right on the East Bank waterfront, with the Sadler’s Wells East public dance floor making up the third.

“The idea is we’ve got intergenerational dances, workshops and specially commissioned choreographed pieces, with live music, DJs and MCs.

“That’s the format we’ll follow for each of the weekends.”

The festival is inspired by the V&A East Museum's The Music Is Black: A British Story exhibition - image by Jon Massey / Wharf Life
The festival is inspired by the V&A East Museum’s The Music Is Black: A British Story exhibition – image by Jon Massey / Wharf Life

The Music Is Ours

The live programme kicks off on June 13 and 14 with The Music Is Ours, featuring acts curated by Footsie, of grime collective the Newham Generals, on the Saturday and saxophonist and Soul Mama restaurant owner, YolanDa Brown, the day after.

Performers will include the likes of King Original, Tailor Jae, Nicole Blakk, My Runway Group, Acantha Lang and Melodees From Heaven.

Tamsin said: “We’re kicking off with a real block party, a celebration of east London’s huge contribution to black music.”

Sadler’s Wells East will feature Garage X Grime Reload curated by Kloe Dean on the first day with Breakin’ Convention taking over the dance floor on the Sunday for exhibition battles.

Power And Respect - image by Flashpop
Power And Respect – image by Flashpop

Power And Respect

Black women and non-binary people take centre stage on July 11 and 12 with Jamz Supernova on curatorial duties for the first day with Yaazmin Lacey and Tyson handling the second.

At Sadler’s Wells East, Jade Hackett’s Let Love Be Your Rock will showcase original group work set to lovers rock and reggae on the Saturday, followed by DJs L’attise Rhoden and Glade Marie the day after.

“This will have a different flavour and feel to it,” said Tamsin. “We hope people will come to all four of the weekends, but others may just pick one to attend.

“One of the things we’re really excited about is building that kind of recognition, that people will start getting to know that the Queen Elizabeth Olympic Park is a place where you can just turn up and bump into culture and creativity. We’re building that into a regular rhythm of free programming.

“We also know that people are hungry for moments of congregation and celebration and being in a joyful environment, and that’s what these free weekends will create.

Queer Frequencies - image by Leo Patriz
Queer Frequencies – image by Leo Patriz

Queer Frequencies

Bringing together the queer collectives and communities that shape the rich tapestry of London’s queer scene, August 22 and 23 will be curated by Shy One, Donnie Sunshine, Mark-Ashley Dupé, Joel Mignott and Zinzi Minott.

Sadler’s Wells East will be blending dance with poetry and sound art alongside a pre-carnival party from Faggamuffin Bloc Party.

“This weekend is all about focussing on the huge contribution that queer creators have made to the scene, delivering a different vibe and energy,” said Tamsin. 

Black To The Future - image by Atlantide Phototravel
Black To The Future – image by Atlantide Phototravel

Black To The Future

“This is all about showcasing people who are really pushing the dial, bringing together different ideas and genres to mix things up,” said Tamsin. 

“We don’t know what the music of the future is, but these are some of the people who are imagining what it might be.

“What’s exciting about it is that there are people right now, in their studios and bedrooms, in their youth centres and their schools, creating sounds we have not even heard yet.

“That’s what east London has done so brilliantly over so many decades.”

Taking place on September 12 and 13, the final live weekend features curation from Flohio, The Blues Project and Dannielle ‘Rhimes’ Lecointe.

It’s hoped that the festival will form something of a blueprint for future years with East Bank’s members continuing to collaborate.

“It feels like a significant moment for the project,” said Tamsin.

“It’s amazing to see the momentum and we’re supporting 20 jobs for east Londoners to help deliver the festival programme.

“The ambition is to build a corps of freelancers that East Bank can tap into and invest in – a pipeline of local creative talent and that’s so important.”  

key details: The Music Is Black Festival

The Music Is Black Festival runs from June 13 until Sept 13, 2026, and includes four free weekends of music.

Full listings and booking details for events (where appropriate) can be found here

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Glenn Tilbrook on why it’s vital to support grassroots music venues

Squeeze co-founder is set to play Theatreship on the Isle Of Dogs for Music Venue Trust’s Everywhere At Once festival, plus donate tour cash

Glenn Tilbrook is participating in the Music Venue Trust's Everywhere At Once festival - image supplied by MVT
Glenn Tilbrook is participating in the Music Venue Trust’s Everywhere At Once festival – image supplied by MVT

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“Back in the day, access to venues and pubs was key for me in learning how to do what I do,” said Glenn Tilbrook, co-founder of Squeeze, who is set to play a gig in support of Theatreship on the Isle Of Dogs later this month.

“I wasn’t taught by anybody. I started out playing with Jools Holland in pubs in east and south-east London as well.

“We did that for a couple of years and it taught us a lot about communicating with people – there’s no real substitute for that experience.

“That’s where we got our training – how we got ourselves together to move on and climb the ladder.

“It’s why you need these spaces to do that work in – they’re so important, not just for musicians, but for people to come and access performances – for it not to be all about money.”

Glenn is set to perform on board Theatreship - image by Theatreship
Glenn is set to perform on board Theatreship – image by Theatreship

playing the festival

Glenn is set to perform alongside his son Leon at the venue as part of the Music Venue Trust’s Everywhere At Once festival, which will see more than 1,200 gigs take place from June 26-28, 2026, nationwide.

Thousands of artists are set to participate with the likes of Fatboy Slim, Becky Hill, Tinie Tempah, The Divine Comedy, Rizzle Kicks and many more all performing. 

Glenn, who has fond memories of performing early in his career at The Waterman’s Arms – just down the Isle Of Dogs from Theatreship – is scheduled to perform on the Sunday evening.

“I’ll be playing with Leon, who has joined Squeeze,” said Glenn.

“He’s 23 now and a great musician.

“We’ll be playing a selection of his songs and mine – we’ve just finished a short tour, so we’re well-versed in performing together and we’re sounding great.

“I first went to Theatreship about two months ago and I was so impressed by what they’ve done with the space – the atmosphere is great and it has a lovely bar at the back.

“I think it’s important for people to recognise what venues like this bring to an area.

“They’re quirky, but they work so well. 

“Theatreship is clearly a place people will come and be surprised by what you can do on a ship.

“Squeeze have played on boats – we did a cruise gig last year, which was interesting. 

“We were only on board for one day between Florida and The Bahamas, where we got off.

“It was a small stage, but it seemed like there were thousands of people in the audience.”

Glenn and squeeze will also be performing at The O2 Arena later this year - image supplied by MVT
Glenn and squeeze will also be performing at The O2 Arena later this year – image supplied by MVT

how Glenn Tilbrook co-founded Squeeze

Born in Woolwich, Glenn grew up in Docklands, forming Squeeze after meeting Chris Difford via an advert posted in a shop window. Jools Holland also joined.  

The band first found fame in the 1970s with albums such as Cool For Cats and Argybargy, with Glenn and Chris continuing their partnership to this day.

“Squeeze is having a bit of a moment in the sunshine and we’re relishing that,” said Glenn. 

“We’ve got an album called Trixies out at the moment, which is a set of songs that Chris and I wrote when I was 16 and he was 19 in 1974. 

“At the same time we did an album of new songs that will be coming out next year. I’m keen to prove that our chops are still intact and we’re still growing.

“The old songs really sound like they were written in 1974, and the influences in the songs were in the three years leading up to 1974.

“When you’re 16, you don’t have a lot of history, so we were listening to contemporary music at the time and that’s what we were absorbing.

“Now I’ve had a lifetime of going to see lots of different acts and I’m thrilled by it even now.

“I love the journey – it’s never-ending, it’s fantastic.

“This year we’re on tour in America and we have a lot of huge shows including one at The O2 Arena in Greenwich.

“Who would have thought that at this stage in our career more people would be coming to see us than ever?

“It feels really great and we’re a really tight, professional band – we sound fantastic.

“The reaction we get from audiences now is unlike anything we ever had, even from the beginning of our career.

“We were really exciting when we started out and we’re really exciting now, at the other end of my life.

“It’s wonderful to play locally. I have my studio just yards from the Thames in Charlton.

“I’ve always been around Greenwich, it’s where I grew up and I love it.

“I remember that there was a tradition among the people who worked in the dock and on the ships to sound the ship’s horn at midnight on New Year’s Eve, and it was a really thrilling noise.

“I also love what’s happened to Canary Wharf, which I can remember before anything was built, and I’m amazed at it – it’s a brilliant place.

“It was a big vision to develop that, and it’s ongoing – a really exciting place to be.

“What’s important is that it isn’t just on a monetary level.

“What places like Theatreship do is so good for people’s souls. I don’t think it’s too much to say that. 

“It’s a place that brings people together, it’s so enriching.”

Inigo Lapwood, project director of Theatreship and Artship – image Matt Grayson
Inigo Lapwood, project director of Theatreship and Artship – image Matt Grayson

how Glenn Tilbrook is supporting Theatreship

Inigo Lapwood, Theatreship director said: “We’re so thrilled to be working with MVT for their Everywhere At Once festival. 

“At the moment we’re sadly all too accustomed to hearing about grassroots music venues when they’re under threat of closing.

“We’ve lost almost a third of them nationwide over the last three years alone.

“The trust has worked tirelessly to try to stem that tide. 

“At Theatreship we’ve been hugely grateful for that work – they’ve been instrumental in our own ongoing battles to stay afloat. 

Everywhere At Once is a great counterpoint to this narrative of loss – a nationwide celebration of the spaces that remain. 

“We really appreciate this timely reminder that we’re not alone, that the UK is filled with passionate grassroots music venues showcasing incredible work, and that brilliant, inventive artists like Glenn can be found in them.

“Since opening Theatreship, we’ve been consistently amazed by the sheer depth of musical talent in London.

“From the upper decks of the ship you can see The O2 where Glenn will be playing later this year, but we’re absolutely certain that he won’t be the only artist currently performing on the grassroots music circuit who’ll be headlining stadium gigs in short order.”

key details: Glenn Tilbrook and Squeeze

Glenn And Leon Tilbrook are set to play Theatreship on June 28 at 7pm. Tickets cost £33, although the gig has now sold out.

Find out more about the venue here

The Everywhere At Once festival runs from June 26-28 with more than 1,200 gigs at 500-plus venues.

Find out more here

Squeeze (with support from Billy Bragg) are set to play The O2 Arena on November 26 at 6.30pm.

Tickets start at £47. Squeeze is donating £1 to support the trust from every ticket sold. 

Find out more here

Read more: Whole Foods Market opens its doors in Canary Wharf

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Whole Foods Market opens its doors in Canary Wharf’s Water Street

Wood Wharf branch aspires to nourish the community with nearly 3,000 different products, grab-and-go lunches and fridges at the till

Whole Foods Market is now open at Wood Wharf - image by Jon Massey / Wharf Life
Whole Foods Market is now open at Wood Wharf – image by Jon Massey / Wharf Life

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Whole Foods Market may be owned by Amazon and have opened its doors in the Wood Wharf unit formerly known as Amazon Fresh, but it’s a very different kind of offering.

Gone are the smart price labels and the till-free shopping experiment, replaced by nearly 3,000 carefully selected product lines with an emphasis on natural and organic groceries.

The store also boasts the Wharf’s first at-checkout fridges, tempting shoppers to cold beverages at the point of payment.

Perhaps the biggest contrast here, though, is in the people.

Even amid the chaos of opening, there’s good humour and positivity – a feeling that everyone present is genuinely happy to be there.

It’s an ethos embodied by Jade Hoai, the brand’s executive leader of purchasing for its UK stores.

Beyond the job title, she might just as well be known as chief enthusiast as she guides me around the new store, pointing out her many favourites on the shelves. 

Jade Hoai, Whole Foods Market's executive leader of purchasing for its UK stores - image by Jon Massey / Wharf Life
Jade Hoai, Whole Foods Market’s executive leader of purchasing for its UK stores – image by Jon Massey / Wharf Life

growth and heading overseas

“For me, it started 25 years ago,” she said.

“I was working for the US Government’s Department Of Justice in Washington DC – a great job – and I had my afternoons, evenings and weekends free.

“I was already a regular Whole Foods customer and so I decided to take a part-time job as a cashier for the staff discount. 

“I just loved the product, the ethos of the company and the people I met here so much.

“Having a job where I get to help nourish the people on our planet is fulfilling – it’s been a joy to see it grow. 

“When I started, we had 180 stores.

“Now we have 500 in the US – it’s been quite an expansion and I was very lucky to have great mentors and leaders who believed in me.

“When we had the chance to open a branch in the UK, I had the opportunity to come over for a couple of years.

“Then I got an extension and, 19 years later, I’m here talking about the opening of our Wood Wharf store.”


The store is located on Water Street - image by Jon Massey / Wharf Life
The store is located on Water Street – image by Jon Massey / Wharf Life

expanding in London

Now trading on Water Street, the Canary Wharf branch is one of a clutch of six launched by the brand in May and June across London.

“Here, we have a 9,000sq ft store that is going to be a centre for the community,” said Jade.

“People can pop in, get a snack, a salad or do their full shop.

“We have an amazing choice of products, but we also stock the essentials such as pet food and loo roll.

“At its heart, the store is like a foodie playground for adults where people can come in and discover something they didn’t know about or had never tried before. 

“Our aim, ultimately, is to bring joy – that a visit isn’t a grocery shop or a chore, but something that our customers look forward to, whether that’s browsing our selection or talking to our team members.

“We’ve always wanted to be in Canary Wharf, so when this opportunity presented itself, we jumped at it. 

“We think it’s a great community and it’s our customer – the people here are really conscious about what they’re eating and spending their money on and that’s their health and wellbeing. 

“I think it’s an understatement to say we’re absolutely delighted to be here.”

Whole Foods Market in Canary Wharf carries nearly 3,000 different product lines including essential ingredients - image by Jon Massey / Wharf Life
Whole Foods Market in Canary Wharf carries nearly 3,000 different product lines including essential ingredients – image by Jon Massey / Wharf Life

finding products for Whole Foods Market

Jade’s role in the business is a crucial one in Whole Foods Market’s operation.

She oversees merchandising, marketing and supply chains for the business – in essence holding responsibility for what’s going on the shelves, ensuring it gets there and then telling people why it matters.

“My teams have a lot of impact – working with new brands, finding new products, working with existing lines and growing their sales,” she said.

“The marketing team does a great job of telling our stories – talking about who we are and what we’re trying to do.

“With the supply chain, we oversee the journey from the farmer who grows the food to the person who puts it in the packaging, then how it arrives at our distribution centres and our stores.

“There are so many people connected to that process and what we try to do is to make sure that they are respected and celebrated. 

“We recognise how amazing it is that we can grow food that nourishes ourselves and is also good for our planet.

“One of my favourite products, for example, is our 365 Whole Foods Market Hot Smoked Salmon, which we’re producing.

“The fish is farmed, but I believe the quality is the best because we’re very strict and conscientious about the welfare of the animals and what goes into the feed they eat.

“I like to enjoy it with a little salad with capers, tomatoes and lemon juice – it’s delicious.”

The Canary Wharf store is also targeting workers on the estate looking for grab-and-go options and hot food at lunchtimes.


The store offers a wide range of produce including wines, pasta cheese - image by Jon Massey / Wharf Life
The store offers a wide range of produce including wines, pasta cheese – image by Jon Massey / Wharf Life

something for lunch

“Something that’s new for this branch is our Pinsa Romana concept. These are Roman pizza-style slices that are customisable and made to order.

“Customers will chose their base, toppings and then we’ll cook it and they can enjoy it hot on our terrace. People can also take them away to cook at home.”

The idea that Wharfers living locally will interact with the store is also key to its operation.

“This is really vital for us,” said Jade. “We want people to come in to talk to us.

“Our staff are there and will happily sit with customers and discuss the relative merits of pearl barley and wholegrain rice.

“We really believe in what we’re doing.

“I’m definitely a culture warrior within the company.

“As soon as people start with us they can take a course to understand the history of the brand and its values.

“It’s also really important to reflect the community in what we stock. We’ve tested and tried every single thing on our shelves.

“We’re very lucky, because brands find us. Also, every quarter, we have a pitch day that’s open to anyone.

“People apply, come along and tell us why they think we should stock their products.

“Some come with a concept, or a package design, others with finished products.

“In the end, nothing makes it to our customers unless we’ve tried it and we can say that it’s really good.”

key details: Whole Foods Market

Whole Foods Market is located on Water Street in Canary Wharf’s Wood Wharf.

The store is open from 7am-10pm on weekdays, from 8am to 10pm on Saturdays and from 11am-5pm on Sundays.

You can find out more here

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Dr Pippa Wood on exercise and enjoyment at Wharf Wellness

The Third Space personal trainer and practising psychologist is set to take part in a panel discussion as part of the Canary Wharf wellbeing festival

Dr Pippa Wood of Third Space - image by Jon Massey / Wharf Life
Dr Pippa Wood of Third Space – image by Jon Massey / Wharf Life

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One of the key elements of Wharf Wellness is bringing people together to share experiences, knowledge and skills.

Dr Pippa Wood is a Canary Wharf-based personal trainer at Third Space and a practising psychologist – one of a number of experts set to take part in a panel discussion as part of the festival at 6pm on June 23, 2026 at Sea Lanes Canary Wharf.

Entitled Wellness Or Performance? Are We Driving Ourselves Into Exhaustion? the public event will consider changing attitudes to exercise and activity.

The other panellists will be Poppy Delbridge, founder of Rapid Tapping, Ross Gilbert, managing director of Sea Lanes, Zanna Van Dijk a content creator and author of Strong and host Adrienne Adhami of the Power Hour Podcast.

“Earlier on in my career, people would come to me with more aesthetic-focused goals – they wanted to get leaner and build more muscle,” said Pippa.

“Now, what I’m seeing with the majority of my PT clients is that they want to train for longevity, general health and wellbeing.

“They might be looking to address lower back pain, knee pain or low energy levels.

“They’re mindful of what may occur in the future, so they’re looking at exercise from a preventative standpoint – it’s a welcome change.”

Pippa grew up in Leeds and dabbled in dancing but “wasn’t very sporty”.

She started going to the gym as a teenager and found she really enjoyed it, experimenting with different classes and feeling good.

She’d also train with her rugby-playing dad every Saturday.

Third Space's two clubs in Canary Wharf offer a wide range of facilities and classes at all levels of intensity - image by Third Space
Third Space’s two clubs in Canary Wharf offer a wide range of facilities and classes at all levels of intensity – image by Third Space

discovering the gym

She said: “He was born in Australia and has always been active, so I followed that model and eventually got there.

“Exercise became a really big part of my life – it was energising and left me feeling ready to study.”

After qualifying as a trainer, studying psychology in London and completing her PhD in resilience and mental wellbeing in Leeds, she relocated to Australia.

Taking in Sydney and the Gold Coast “over five or six years” she engaged in further clinical training as a psychologist and worked in private practice before moving back to the UK.

In London she’s reinvigorated her role as a trainer alongside her work in mental health, separately but with each discipline informing the other.

“As a psychologist, I often see people in a clinical setting for treatment of anxiety and depression,” she said.

“When people incorporate more movement in their lives, the therapeutic benefits are very evident, especially when they set themselves relevant and achievable goals.

“From a physiological perspective, even 15 minutes of activity can do so much for the brain.

“It pumps more oxygenated blood, delivering dopamine, serotonin and endorphins to make us feel great.

“My background in psychology and my PhD have been super helpful in my career, whether it’s treating clients or on the gym floor.

“What I found in the research is that training harder isn’t always better, from a mental health perspective.

“Training smarter and being in tune with your body is key.

“We found more significant improvements in mental health with low to moderate exercise.

“Setting yourself goals and running a marathon and achieving that can be beneficial too, but a hard regime and a structured approach isn’t always beneficial for the way you feel.”

For Wharf Wellness, Third Space is teaming up with Friday Night Lates to offer special evening classes on June 24 - image supplied by Canary Wharf Group
For Wharf Wellness, Third Space is teaming up with Friday Night Lates to offer special evening classes on June 24 – image supplied by Canary Wharf Group

pursuing fitness through enjoyment

“The whole ethos of Third Space is it’s about training for life,” added Pippa.

“That includes the social aspect as well as enjoying the exercise.

“It’s good to do things because we want to, not because we feel we have to.

“That really is super important.

“That’s one of the reasons I wanted to work at Third Space.

“My partner had brought me over to Canary Wharf and I just fell in love with the place.

“At the two clubs, people will experience very warm and welcoming spaces that offer a wide variety of classes to meet an incredible range of needs. 

“The advice I give people is to keep an open mind and try different things to see what you like.

“Enjoying yourself is vital and it will help give you the confidence to navigate the equipment on gym floor. 

“The feel is supportive – we’re all part of the same community working towards the same goal.”

key details: Wharf Wellness

Wellness Or Performance? Are We Driving Ourselves Into Exhaustion? is set to take place on June 23, 2026, at 6pm at Sea Lanes Canary Wharf.

Tickets cost £10.

Full details of Wharf Wellness are available here

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Adult Literacy Trust invites volunteers to apply as reading coaches

Charity works across eight London boroughs including Tower Hamlets and Newham as it helps learners improve their skills

Adult Literacy Trust volunteer Declan Cashin - image by Jon Massey / Wharf Life
Adult Literacy Trust volunteer Declan Cashin – image by Jon Massey / Wharf Life

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Literacy is – if you’re reading this – probably something you take for granted.

The ability to understand, evaluate and engage with written texts is typically one that’s acquired young, a process difficult to recall.

While we all develop and hone these skills individually, the majority of adults in the UK are able to read to at a least a basic level. 

But that’s not everyone. The Adult Literacy Trust – a charity working across eight London boroughs including Tower Hamlets – puts the proportion of the population struggling with basic reading skills at 15% of adults in England.

Being unable to decode complicated written texts can affect all areas of a person’s life.

The charity says people with poor literacy are twice as likely to be unemployed and, for those in work, earn 60% less on average than those able to read well.

Then there are many wider social impacts – the challenges faced by children when their parents struggle with literacy, the shame and stigma the adults feel when masking a lack of ability and the extreme social exclusion of simply not having access to the same information as everybody else.

Worse still, marginalised communities are among the worst affected including ethnic minorities, ex-offenders and those living in poverty.  

To help break those cycles, the trust recruits volunteers to act as reading coaches for adults.

Working with learning providers, they take part in free one-to-one sessions for people on courses to help them improve their skills, gain confidence and boost their employability and general wellbeing. 

Being able to decode the written word is an essential life skill - image by Megan Lee / Pexels
Being able to decode the written word is an essential life skill – image by Megan Lee / Pexels

giving something back

“My father left school at 13, so his education was interrupted,” said Declan Cashin, who volunteers as a reading coach through the Adult Literacy Trust at New City College’s Poplar campus.

“He could read, but it probably held him back. 

“I’ve made a career out of reading and writing, I know the joy they can bring and how important these skills are, but I also understand how vulnerable someone can feel if they’re having trouble with them.

“I’ve been involved in voluntary work before, but that was usually over the phone or through text messaging.

“I missed interacting with people and being a reading coach is something you have to do in person, so it seemed the perfect thing to try.”

Born in Ireland, Declan knew he wanted to become a journalist at a young age but initially studied English at university after a teacher talked him out of it.

Nevertheless, after graduating he trained to be a reporter and spent years working in the media, moving to London more than a decade and a half ago.

Today he lives in Hackney and works in communications in Stratford having succumbed to the lure of a “steady desk job”.

Having discovered the Adult Literacy Trust online, he applied to become a volunteer, enrolled on its training programme and began one-to-one sessions earlier this year. 

from interview to training

“The trust had an initial chat with me and then invited me for an interview to get a sense of my style and temperament – to ensure I had the right approach and level of empathy for the role,” said Declan. 

“Part of that process was about remembering what it was like to learn a skill, recalling being bad at something and then learning to keep that in your head because it’s probably how the person you’re matched with will be feeling about reading.”

Volunteers, who must be 18 or older, complete training sessions across four modules that include topics such as the purpose of the coaching role, who the learners are, the skills and knowledge needed and safeguarding.

They are then matched with a reader and meet with them weekly during term time, typically for an hour. 

“During training we were taken into classes at New City College to meet people who were using the trust’s service and to see how they were responding to it,” said Declan. 

“One of the things I noticed was how much more seriously everyone seemed to be taking their education in comparison to a school classroom.

“These people are really dedicated. 

“Older students often have many responsibilities – multiple jobs, kids and studying – and on top of that they’re taking time to improve their literacy.

“It’s incredible to see people making that effort to succeed. 

“I learnt that people often come to the Adult Literacy Trust when they are aiming to get a particular job or responsibility within their career and that further education is a route to that.”

Declan said that, while those using the trust’s services were struggling with literacy, that didn’t mean they couldn’t read at all.

meeting for the first time

“I was matched with a learner from the charity’s waiting list and we met for our first session just to get to know one another,” said Declan.

“He was born overseas and came to the UK as a teenager, so his schooling was interrupted. 

“His reading was actually already very good, but he wanted to gain confidence. He was also very clear that he wanted to maximise what he was getting from his course at the college.

“We sit in the library and read.

“At first we used the Metro newspaper because there are passages of different lengths and lots of different levels of complexity – everything from features to advertorials and sports stories.

“It was a good way to get a sense of his ability and what he was interested in, and then I could start to tailor the material.

“A couple of weeks later he brought his own book from home, and we’ve been reading some of that for the last few weeks.

“He knows what his issues are and what he needs to work on.

“He’ll run into certain words he needs to spend longer on.

“He can read very well, but it’s making sure the comprehension is there too.

“One of the things I’ve learnt from volunteers and the trust is that it’s crucial to make sure the learners are understanding what they are reading.

“It’s something that’s easy to take for granted if you don’t have that issue yourself.

“People want to improve their skills for many different reasons. 

“It might be to read for themselves for pleasure, reading to their kids, understanding official documents or reading material related to their studies. 

“We’re not there as teachers – we always refer learners back to their course leader to answer any questions on their studies – we’re there to help them develop the tools to engage with text, to break it down and to understand it.

“You certainly don’t have to be an expert on what they are studying.

“In the end, all you need to be is patient and constructive with your feedback to encourage them. 

“English is a strange, irregular language – it’s not always easy to understand. With my guy, we go at his pace.

“We’ve been reading his book for the last few weeks. 

“There might be certain words we need to spend longer on but that’s absolutely fine.

“Sometimes it’s about helping him understand that something isn’t actually very well written in the first place and why that might be.

“Getting through a few paragraphs is better than none. 

“His book is quite academic and complicated, but seeing him dive into it and his confidence growing has been really wonderful.”

getting something back

Declan said volunteering with the charity had been a pleasant surprise since he began as a coach.

“It’s very rewarding,” he said.

“I get to come to New City College, which is so buzzy – filled with people who are getting on with things.

“It’s allowed me to meet people I perhaps wouldn’t have otherwise encountered and taking an hour out of my day to help someone is a real privilege. 

“You also learn about yourself – how good you are at giving feedback and putting people at ease.

“It’s also about getting involved with something local that connects you to the people in the area you live and work in. 

“I’ve got so much out of it, I come out of our weekly session feeling really pumped up.

“Everyone – the learners and the volunteers – are in this for the right reasons and it’s really inspiring.”   

they say

The Adult Literacy Trust gathers regular feedback from service users. Here are some of their comments on the sessions it provides:

“It helps me to catch more, you know, so, with my teacher, I can ask him more questions. So, he is explaining more about what I’m interested in and I can talk with him about whatever I wish. It’s helping me a lot to improve my English.”

Learning to read has opened so many doors for me. It wasn’t always smooth sailing, but my volunteer, Janine, stuck with me through it all. She never stopped encouraging me. 

“Because of her, I found the courage to apply for a job I never thought was possible – and I landed it. This programme has helped me read, but it’s much more than that – it’s been a turning point in my life.”

Before, when they say we should read in class, well, I tried to put myself back. But now when it gets to my turn to read, I’m happy to, even if I make one mistake.”

It helps you with your mental health and wellbeing because you are reading with someone that will listen to you. It’s really helpful to become, for a moment, separate from all the hustle and bustle around you.”

Source: Adult Literacy Trust

key details: Adult Literacy Trust

The Adult Literacy Trust is currently accepting applications from prospective volunteers for training sessions in September.

Those wishing to find out more can email the charity’s volunteer and training coordinator via laura@alt.org.uk for more details or visit the organisation’s website here.

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Hawksmoor Wood Wharf is all set for season of summer parties

The brand’s Canary Wharf branch offers indoor and outdoor spaces for groups and catch-ups with a maximum capacity of up to 330 guests

Hawksmoor Wood Wharf is moored off Water Street - image supplied by Hawksmoor
Hawksmoor Wood Wharf is moored off Water Street – image supplied by Hawksmoor

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where’s this?

Hawksmoor Wood Wharf. The restaurant is located on a floating barge off Water Street, close to the Jubilee line station’s east exit.

for summer parties?

Absolutely. Both the restaurant and its bar on the lower floor have indoor and outdoor spaces that can be enjoyed as the weather warms up.

The venue's bar on its lower level boasts a terrace on the water - image supplied by Hawksmoor
The venue’s bar on its lower level boasts a terrace on the water – image supplied by Hawksmoor

tell me more

Hawksmoor is fully equipped to deal with events of all shapes and sizes

The venue’s private dining room is named Queenie Watts after the Isle Of Dogs singer and publican and can accommodate up to 21 guests around its brass-topped dining table. 

Downstairs, the Hawksmoor Bar can be hired with a maximum capacity of up to 330 guests in the summer months including its terrace.

Inside, the space can fit 90 for dining with an option for semi-private hire accommodating 60 guests.  

what about the facilities

The venue is well versed in events with the team able to arrange everything from appropriate food and drink to entertainment and DJs.

The venue has a private dining room called Queenie Watts – image supplied by Hawksmoor

what’s on the menu

Hawksmoor offers both canapés and bowl food options for organisers to consider, as well as a wide selection of drinks.

Sample menus can be found on the venue’s website, with parties able to take advantage of the team’s flexible approach.

all kinds of everything

The restaurant and bar are able to host not only summer parties, but networking events, business presentations, team nights out and private dinners as well as weddings for up to 100 people.

Menus are built around the brand’s steaks, seafood and seasonal sides, with plenty of options to suit all dining requirements. 

The venue can cater for events with up to 330 guests - image supplied by Hawksmoor
The venue can cater for events with up to 330 guests – image supplied by Hawksmoor

key details: Hawksmoor Wood Wharf

Hawksmoor Wood Wharf is open daily for lunch and dinner.

Email party enquiries to events@thehawksmoor.com or visit the venue’s website here

The restaurant also has a terrace for summer dining - image supplied by Hawksmoor
The restaurant also has a terrace for summer dining – image supplied by Hawksmoor

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Interplay set to present four dances at Sadler’s Wells East in June

Phoenix Dance Company returns to the East Bank venue as artistic director Marcus Jarrell Willis curates a quartet of works for 2026

Interplay features four works including Next Of Kin by Marcus Jarrell Willis - image by Drew Forsyth
Interplay features four works including Next Of Kin by Marcus Jarrell Willis – image by Drew Forsyth

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Collaboration is the word at the heart of Interplay, a series of works set to be presented at Sadler’s Wells East in June.

Leeds-based Phoenix Dance Company returns to the East Bank venue, following the sell-out success of Inside Giovanni’s Room last year, to showcase a programme of four pieces. 

Interplay is all about artistic expression – what we wanted to do was to produce works that were varied and that ask what it means to express ourselves in different ways with specific reference to the idea of duality,” said Marcus Jarrell Willis, artistic director at Phoenix. 

“The key is in the title we’ve given the show – it’s a way for us to remember that, while this is a dance programme with a unified theme, we don’t always have to take everything so seriously.

“Yes, there are meaningful messages in the different works featured, but it’s also about simply offering a full palette of dance so audiences can take what they want from it.

“I don’t have any intention of trying to prove anything with that, I just want it to be something that people can connect to.

“People may love all the works, just one or none of them.

“I just hope those watching feel something, that they are impacted by what they see and that they receive something.”

Phoenix Dance Company artistic director Marcus Jarrell Willis - image by Hugo Glendinning
Phoenix Dance Company artistic director Marcus Jarrell Willis – image by Hugo Glendinning

choosing the works

For Interplay, Phoenix, which operates as a rep company, will present Marcus’ Next Of Kin, Ed Myhill’s Why Are People Clapping?!, Travis Knight and James Pett’s Small Talk and a new collaboration between Marcus and choreographer Yusha-Marie Sorzano entitled Suite Release.

Some are duets while others are ensemble works.

Marcus said: “The programme actually came together quite seamlessly.

“With one selected, immediately it tapped into my brain and I’d think of a complementary work to go with it – it all gelled.

Small Talk came first – I’d been following Travis and James’ work already, connected and had a conversation.

“A year prior to them creating, I just invited them into the studio to have a jam session, to play and to see how they related, with no real expectation.

“Straight after that, there was something there, which led me to commission the work.

“I’d seen Ed Myhill’s piece years before in different iterations.

“He grew up in Leeds and has been a dancer for a long time in the National Dance Company Of Wales. 

“When I first came to the UK to focus more on creating dance I was based in Cardiff and I’d viewed Why Are People Clapping?! digitally during lockdown and then seen it on stage. 

“It’s set to Steve Reich’s Clapping Music, so people’s hands are the driving force that create the rhythm for the dancers.

“It’s really interesting to see something so unusual, but also about who is coming to our company. 

“I’ve known Ed for a long time and I knew he’d bring a great energy to our studio and the culture of Phoenix.

“From there, I knew I wanted to restage Next Of Kin, which I choreographed and originally danced with a dear friend many years ago.

“I was quite precious about it at first, but I realised I wanted it to be reimagined with this company because there are such special relationships between the dancers and this is a work that draws on those.”

Ed Myhill's Why Are People Clapping? features in the programme - image by Drew Forsyth
Ed Myhill’s Why Are People Clapping? features in the programme – image by Drew Forsyth

a step into the unknown

“Finally, there’s Suite Release, which has been an incredible project. It’s my first time co-creating,” said Marcus.

“I’ve cooperated on many projects but never with another choreographer and it was about recognising that, while I have responsibilities and expectations, I’m still learning as well. 

“So, I dug deep into what that might look like, picked up the phone and called Yusha-Marie. We have a 25-year-plus journey together.

“We danced together and have been friends for many years and we have seen each other grow.

“I wanted to make sure that it was with someone who I felt comfortable with but who would still push me and that I could push.

“We’d spent all these years in different companies, continuously trying to enhance and perfect our crafts, with all these different styles and techniques.

“Our piece is about why we started dancing in the first place.

“She was a young girl, born in Trinidad who migrated to Miami, with her dad DJ-ing and I grew up in Houston, Texas with hip hop, r’n’b, house music and soul.


Phoenix Dance Company members perform Suite Release - image by Drew Forsyth
Phoenix Dance Company members perform Suite Release – image by Drew Forsyth

“I danced at the barbecues with my family and that’s where the moving started.

“So Suite Release is a big party.

“It allows the dancers to break free from all expectations.

“They know it’s on stage, but they have to dance like there’s nobody watching.

“Collaborating was really great, actually and I will admit I was a bit nervous.

“I hoped it wouldn’t ruin a friendship, but many of our ideas just pinged off each other.

“We do have our own singular ways of approaching our practice as creators, but we have a common goal.

“It was nice to be in the studio and work in that way.

“One of the other really lovely things was that the dancers in the company got to see me in a different light.

“We work and play hard in the studio, and so we always have openness.

“Having someone come from my beginnings into the space allowed them to see young Marcus hanging out with a friend, which then opened them up and made them more ready to go.

“It’s amazing and the four dancers have really held that essence throughout the tour we’ve taken Interplay on.

“It’s also been an experience that’s made me want to collaborate more.

“Even now I’m tapping into colleagues and friends that are trying to be involved in the more dramaturgical side of things.

“I feel I’ve opened up a whole new layer on how we, as a company, can collaborate too – we know how to bring creative people into the room, but what happens when we start producing?”

Small Talk by Pett Clausen Knight - image by Drew Forsyth
Small Talk by Pett Clausen Knight – image by Drew Forsyth

key details: Interplay

Interplay is set to run at Sadler’s Wells East for four performances from June 24-27, 2026.

Shows start at 7.30pm and last an hour and 50 minutes including an interval. Tickets start at £15.

Find out more about the show here

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One Eden project brings further urban renewal to Canary Wharf

Plans approved for transformation of 33 Canada Square shows sustainable direction of travel as estate sees extensive refurbishment

An artist's impression of how One Eden will look under the plans for its renewal - image supplied by Canary Wharf Group
An artist’s impression of how One Eden will look under the plans for its renewal – image supplied by Canary Wharf Group

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Regeneration was very much the word when the Canary Wharf project was starting out.

But 35 years after One Canada Square was officially opened, it’s renewal and evolution that are everywhere.

Quietly, across the estate, structures that have stood for most of the last three decades have been refurbished and improved.

Some have been less obvious – 25 Cabot Square and One Cabot Square don’t look all that different from the outside but have enjoyed internal improvements.

Similarly, Citi’s £1billion refit of 25 Canada Square is also largely an internal affair that won’t massively alter the skyline.

But that’s not the only approach.

30 South Colonnade, once home to Reuters, has been transformed into YY London with glass and metal preferred as a much more open facade to the dated white marble cladding.

This striking glow-up was enough to attract Revolut as anchor  tenant with Deutsche Bank and Until as neighbours.

25 North Colonnade has also had a polish, a rebrand as Cargo and may soon be back on the market for £250million having been fully let by owner Blackstone.

Canary Wharf Group itself is currently consulting on plans for a radical overhaul of 8 Canada Square, currently occupied by HSBC and possibly in line for a new life as a mixed use scheme with chunks carved out of its upper levels.

Canary Wharf Group development manager Sarah Moss is part of the team working on One Eden - image by Jon Massey / Wharf Life
Canary Wharf Group development manager Sarah Moss is part of the team working on One Eden – image by Jon Massey / Wharf Life

a new identity: One Eden

But perhaps the poster-child for the estate’s latest rebirth – a process that’s clearly playing a part in the rush of companies relocating to or within the Wharf – should be One Eden.

Located right opposite YY London, there are plans to take 33 Canada Square, originally part of Citi’s cluster, and give the structure its own identity at the head of Eden Dock. 

The project recently won planning permission, but will only go ahead when tenancies are agreed, with earliest possible completion around 2030.

The reason for this is that Canary Wharf Group’s approach to urban renewal schemes of this kind is significantly more complex than simply getting out the paint pots and laying some new carpet.

To find out more, Wharf Life sat down with development manager Sarah Moss, part of the team working on One Eden.

“With this kind of project, it’s about looking at an existing building with really brilliant bones and asking how we can transform it into a sustainable office space suitable for companies to use today and in the future,” she said. 

“It’s my job, day-to-day, to deal with the architecture, that sustainability mission and to engage with occupiers so we can bring all these things together and make a really great product for our stakeholders.

“At present, Citi staff are using the building as they prepare to move into the tower next door when it’s refurbished so we’re gearing up to redevelop One Eden so a new occupier can move straight in.

“With schemes like this, it’s always a decision to be made – do you let the building as-is, do you do a light refurbishment or a major reinvention? 

“We’ve looked at the market, at Canary Wharf and what we want this asset to be. It’s right in the middle of the estate and has such great potential to be a better class of building.

“Responding to occupier demand, we think we can deliver something really great for our customers.

“Our conclusion is that it’s a really well-structured building that can be made more sustainable.”

energy and regeneration

Originally from Australia, Sarah has spent the last eight years working in development in various roles for Lendlease, which brought her to the UK in 2022.

She joined Canary Wharf Group after a spell at British Land about seven months ago.

“Britain has these incredible regeneration projects and to be involved in them as part of my career was a real drive for me to come here,” she said.

“Canary Wharf was always somewhere we looked at when I was studying and working in Australia and I love the vibrancy of London.

“There’s always something to do and the drive to get things done. 

“Everyone seems really engaged and excited to do things whether that’s working on projects like this or their social lives.

“I love the energy that the city brings.”

It’s not too much of a stretch to say that Canary Wharf Group’s plans for One Eden are squarely aimed at bringing fresh energy into the building.

Sarah said: “One of the really innovative features that we’re intending to bring to the tower is opening up an entrance on its lower level – so it’s right there when you emerge from the Jubilee line. 

“It should really help the building come alive, creating new connections and allowing people to walk through.

“One of the things about the building is that it’s so well situated and we’re looking at including three retail spaces in the face of the building. 

“That activation of the ground floor will be great – we know our occupiers value the friendliness it brings to a building and we want their staff and clients to feel that as well as making the spaces more permeable.”

retain and reuse

In addition to the changes on the lower levels, the plans include an extra floor with a pavilion structure and terrace, capping off the existing tower.

Sarah said: “We’re also looking at making the building a really functional space with end-of-trip facilities such as showers and bike storage for commuters coming in.

One of the most important things is that we’re modernising the structure in a sustainable way, re-using 97% of the substructure and superstructure.”

The plans would see One Eden become fully electric, with 62,000 tonnes of existing concrete retained in the structure and 47% less carbon produced in construction when compared with a new-build. 

The project is targeting BREEAM Outstanding certification and will include 25,575sq ft of internal balconies and terraces laced with greenery as well as 19,644sq ft of outdoor terrace space.

Overall, One Eden comprises 545,000sq ft of workspace.

future-proofing the project

Making a space for workers of the future is also an opportunity to keep an eye on the future.

Undertaking this project has meant Canary Wharf Group delving into its paper archives to understand the existing structure so, as part of the renewal, much better records of the scheme will be created to aid similar refits in the decades to come.

Sarah said: “While the existing materials we have are excellent, we’ve been taking this opportunity to implement a really structured system of building information management.

“Everything is now 3D-modelled and tracked so we know we have really accurate information about what’s been built so that if people want to change part of the structure they will have those details instead of having to undertake fresh investigations. 

“One of the questions we ask ourselves on projects like this is how we make these buildings last longer.

“What we hope is that, by collecting this information comprehensively, it will make it easier to redesign and refit in future.”

key details: One Eden

Occupiers interested in taking space at One Eden can find more information and contacts on Canary Wharf Group’s website here.

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Excel London thriving on investment, innovation and sports events

CEO Jeremy Rees talks infrastructure and tribal behaviour as the Royal Docks venue reports strong performance with the likes of Hyrox

Excel has hosted the London T100 Triathlon in various forms for 25 years - image supplied by Excel London
Excel has hosted the London T100 Triathlon in various forms for 25 years – image supplied by Excel London

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Following the successful completion of a mammoth project to extend Excel London by 25%, the venue is enjoying something of a purple patch as it attracts new shows and ever-increasing numbers of visitors.

But, if anything, the appetite to forge on and drive things to the next level among the team operating the exhibition, conference and immersive experience hub is greater now than ever.

“Everything we do needs to be looked at through the lens of how we get to be the best event destination in the world,” said Jeremy Rees, who joined Excel in 2010 as sales director and took over as CEO in 2017.

“That comes from standards and values, but also from investment.

“It’s something we will strive to achieve every single time we improve something.

“For example: ‘Is our Wi-fi and 5G technology equal to what the best event destination in the world would offer?’.

“I would say today the answer is no, it needs to improve.

“We’ve assessed what it should be and have invested many millions of pounds, which means in a few months our new system will be up and running.

“When that happens, we will be the world’s most technologically-enabled event destination.

“We’re taking this approach across Excel.

“Our extension is world class and we’ve invested a lot in Immerse LDN, but we’ve also addressed a wide range of things in areas visitors don’t always see.

“We want to make it as easy as possible for our customers to have as good an experience as they can, so we’ve been improving the wider infrastructure behind the scenes and the visitor facilities to help achieve that. 

“Every week we fixate on how we can make marginal changes to the inside and the outside of our buildings to make them as good as they can be.

“It’s also about being open to feedback and, in the events business, we’re lucky because we constantly get that from visitors and organisers. 

“Then we have a framework in place for our teams to think about how we can respond to an issue and in what time scale.

“It might be something we need to plan ahead for, perhaps one, two or three years in the future, but what we have is a constant programme of change and development that asks how we can do things better.

“Expectations are constantly rising and we need to always be thinking about how we rise to meet them.”

Hyrox London has grown to see more than 40,000 competitors take part - image supplied by Excel London
Hyrox London has grown to see more than 40,000 competitors take part – image supplied by Excel London

shifting the dial

This process of consistent, iterative improvement – never standing still – is perhaps why the venue is busier than ever, recently attracting 250,000 visitors over just seven days from April 19-26, 2026. 

Despite much of the capital slowed by a Tube strike, the east London venue hosted 10 events in the period, with the Elizabeth Line unaffected and playing a solid part in helping the exhibition centre record one of its busiest weeks since the 2012 Olympics.

Around 40,000 of those visitors travelled to Excel to collect their registrations for the 2026 London Marathon, with the venue noting that sport and fitness are playing an increasing role in its success.

“It’s an important part of what we do – it’s a sector that’s passion-led, tribal and one that reflects society,” said Jeremy. 

“People are thinking more carefully about what they eat and how they look after their bodies and their minds.

“Two or three years ago brands like Hyrox were on their journey to growth.

“Now it’s gobsmackingly astonishing that last year more than 40,000 people took part in Hyrox London at Excel and this year more people will be doing it here than running the marathon. 

“It’s a triumph, an event where people at any level can take part and compete for themselves while improving their fitness.”

Hyrox, which sees participants take on a succession of exercise challenges interspersed with 1k runs, held its first event at Excel in 2021 with 650 contestants. 

Now hosting events across the globe, the brand has achieved enormous success and its 2026 edition – scheduled for December 5 and 6, 2026, in east London – will also feature Youngstars, its contest for those aged eight to 15.

Formula E returns to the venue this summer - image supplied by Excel London
Formula E returns to the venue this summer – image supplied by Excel London

a destination for competition

“That’s been one extreme, but sports and fitness in a broader sense have long been important for us,” said Jeremy.

“We’ve been hosting the London T100 Triathlon in various forms for 25 years and last year that saw around 6,000 athletes taking part and 25,000 fans attending the event.

Formula-E has also been astonishing and will return this August.

“Technically it’s a great show and it’s been amazing to have cars break the indoor land speed record while racing through our building.”

On a wider point, Jeremy said it was Excel’s flexibility – the ability to become a race track while also having the likes of Gym Race, Turf Games, ATHX, Nike’s After Dark Tour and the London International Horse Show on its calendar – that was most attractive to organisers.

“This place is a global trade hub, a centre for ideas – somewhere people want to come to listen and learn,” he said. “Then they take those ideas away with them all around the world.

“I’ve been pleasantly surprised by how much of an impact our extension has had – building a space organisers were asking for has seen them vote with their feet in the corporate market it was designed to serve.

“Large-scale technology events that once booked one year in advance are now booking three or even five years ahead because they know that our space fulfils their requirements. 

“They’ve seen the results and they know there’s going to be even greater demand for it in the future.

“There’s also a real benefit for shows when they become associated with a venue – events such as the World Travel Market, for example. 

“For those top tier brands, Excel offers an established ecosystem and the Elizabeth Line enables visitors to access that.

“Take Canary Wharf, for example, which is now three minutes away and has such an amazing selection of bars, restaurants and facilities.

“It’s that quality that is helping us attract these events to London.”

Excel London hosts the London International Horse Show, which is set to return to the venue from December 7-21, 2026 - image supplied by Excel London
Excel London hosts the London International Horse Show, which is set to return to the venue from December 7-21, 2026 – image supplied by Excel London

key details: Excel London

You can find out more about events at Excel London on the venue’s website here.

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The Harder They Come returns to Stratford East for a summer run

Blockbuster reggae show is back from May 16, 2026 and features music by Jimmy Cliff, star of the 1972 film, as well as new songs by Suzan-Lori Parks

Natey Jones in The Harder They Come  at Stratford East in 2025 – image by Danny Kaan
Natey Jones in The Harder They Come at Stratford East in 2025 – image by Danny Kaan

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The Harder They Come is set for a blockbuster return to Stratford East this summer, after playing to packed houses at the venue last year.

Based on the 1972 film of the same name, which starred reggae legend Jimmy Cliff in the lead role of Ivan, the show is a story of poverty, music, love, religion and crime.

The Harder They Come features classic reggae hits from Cliff, Desmond Dekker and Toots And The Maytals and has been adapted for the stage by Tony and Pulitzer Prize-winning writer Suzan-Lori Parks who also wrote new songs for the piece.

For the latest production, Natey Jones returns as Ivan alongside Madeline Charlemagne as Elsa, with Chanice Alexander-Burnett taking over that role from June 8, 2026.

The story follows an aspiring singer who arrives in Kingston, Jamaica, determined to live out his dreams on his own terms and make it as a music superstar.

After cutting a record deal with a manipulative music mogul, he learns that the game is rigged and becomes increasingly defiant.

As his star rises, he finds himself topping the charts and the most-wanted list of criminals. 

This show transports audiences to 1970’s Jamaica and asks what the cost of fighting against systemic injustice really is?

Natey and Madeline Charlemagne are both returning for the latest run - image by Danny Kaan
Natey and Madeline Charlemagne are both returning for the latest run – image by Danny Kaan

a hit comes back

“As the DJ says in The Harder They Come: ‘It’s a hit because you people made it a hit’ – and it turns out that isn’t just a line in a play, it’s exactly what happened at Stratford East,” said director Matthew Xia.  

“Coming back now feels like a celebration of Jimmy Cliff’s legacy and of the audiences who showed up and claimed this story. 

“I’m thrilled and as proud as rum punch that The Harder They Come is returning, just as big, bold, and revolutionary as before.

“There’s something rare about bringing a show like this back to the building where it belongs. 

“This is a piece that lives in the exchange between the stage and audience – a summer reggae party driven by Cliff’s music, the energy of this fantastic company and the people in the room with us each night.”

Audiences can expect top quality reggae including Cliff’s timeless hits You Can Get It If You Really Want, Rebel In Me and Many Rivers To Cross.

Tickets for the show are already selling quickly - image by Danny Kaan
Tickets for the show are already selling quickly – image by Danny Kaan

key details: The Harder They Come

The Harder They Come is set to run at Stratford East from May 16 to July 4, 2026, with performances times varying depending on the day.

Tickets range from £10 to £53.50 and are on sale now.

Find more information about the show here

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