East Bank director Tamsin Ace on collaboration at Stratford campus

How Sadler’s Wells East, London College Of Fashion, UCL East, BBC Music Studios and V&A East are coming together at the cultural hub

Image shows Tamsin Ace, a woman with curly blonde hair in a black denim jacket in front of buildings at Stratford's East Bank
East Bank director Tamsin Ace

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East Bank is, arguably, the final great piece in Stratford’s Olympic legacy jigsaw.

Comprising significant bases for five totemic institutions, it’s set to be fully open by the end of 2025 – 13 years after the 2012 Games put east London in the global spotlight.    

Building on the successes of the Queen Elizabeth Olympic Park – including all the former sports venues and the extensive residential and commercial regeneration that has taken place locally – East Bank delivers something different for the area.

Even if just one of the London College Of Fashion, the V&A, the BBC, Sadler’s Wells and UCL had chosen to create a new base in Stratford, it would have been seen as a triumph for the architects of the Games.

That all five are committed to the project gives East Bank a kind of cultural and educational heft that hasn’t been seen in the capital for decades.

With four of the organisations sitting proudly overlooking the park on the edge of the River Lea and UCL a short walk away, the concentration of is palpably powerful.

Image shows a sculpture of the Earth hanging inside a large concrete atrium at UCL East on the Queen Elizabeth Olympic Park
UCL East is now fully up and running

greater than the sum: East Bank

There’s a wealth of potential for collaboration and interaction between the five, but the project isn’t leaving things to chance and happenstance.

Tamsin Ace arrived as director of East Bank in September last year – more or less at the same time the London College Of Fashion began welcoming staff, students and visitors to its new campus.

With UCL East also fully open and Sadler’s Wells East set to launch later this year, it’s her job to help maximise interaction between the organisations for the benefit of all – cementing the cultural legacy of the Games.

“My role is to support and enable all these institutions to come together and to make sure they build on each other’s ideas and resources, while also thinking about how they can connect better,” she said.

“It’s a gift, because all of these partners want to be here and to connect.

“They all want to put down roots and have a home in east London, to listen and learn from the amazing heritage and history of the creative communities that have been in this area long before East Bank was even a twinkle in London’s eye.

“To do that I have the full support of the project’s board, which is made up of the principals of the five main partners.

“I’ve got a pass to all of the buildings so I can work from any of them and also understand their programmes and the different ways they work.

“We have creative working groups to discuss opportunities and plans, so my job is to have my ear to the ground, to know what everyone’s thinking and planning.

“It’s also to be out in the community, being really visible, talking to people and hearing what their priorities are so I can help create links.”

Image shows a computer generated picture of the London College Of Fashion, V&A East, BBC Music Studios and Sadler's Well's East at East Bank
An artist’s impression of how East Bank will look when work is finished

cultural programming

Having studied drama at university, Tamsin initially headed for the classroom after realising that acting and “being a Spice Girl” weren’t really for her.

But life as a teacher wasn’t right either and she wound up working for small arts centres instead.

“I was engaging with children and young people and through that found out about this kind of role – developing ways to get different audiences involved and to unlock and learn from their creativity,” she said.

“I love it when the magic comes together and something you hadn’t thought possible is created.”

After more than a decade doing just that at the Southbank Centre – “implementing festival methodology to create the feel of a bustling port city at arts venues by programming around central themes” – and roles at the Museum Of The Home in Shoreditch and at the London College Of Fashion, she’s come to East Bank to help fulfil its 2012 legacy promise.

“All five of our institutions have got public-facing programmes and my job is to connect the dots,” she said.

“We’re all talking all the time. It’s about collaboration, sharing resources and ideas, and it’s also about embedding ourselves in the community.

“It’s also about being open with our priorities and aims, and properly connecting with people who are living and working here.

“Over the last seven years, the organisations have all been building links with key partners such as schools to build programmes that respond to the needs and values of the people locally.

“Ultimately, we want visitors, students and staff to be able to navigate East Bank’s five buildings and understand how they connect to each other.

“In 10 years’ time I would love to see large-scale programming across all of the organisations that builds on their amazing creativity and skills.”

Image shows a curved concrete staircase at the London College Of Fashion in Stratford
Students and staff are already enjoying the London College Of Fashion’s new base

a new hub for creativity

“I think this place can be as successful as the Southbank Centre – there will be enough for everyone here – but I think they are two very different offers,” added Tamsin.

“There’s a magic about coming to this part of the city with its busy, bustling shopping experience at Westfield and then East Bank for culture and creativity.

“I think if we get the local story right and have a programme that is relevant to the community then we’ll get the world right too.

“Tourists will come because they want to feel they are part of events that really do mean something.”

While University College London and the London College Of Fashion are up and running, something of a watershed moment is coming for the project with the opening of Sadler’s Wells East later this year.

“That will be the first of our cultural partners to have an offering as part of the night-time economy and it will be really exciting to see how the evening shows and workshops change this space,” said Tamsin.

“Sadler’s Wells has also got its hip-hop academy opening, so we’ll have 16 to 19-year-olds learning and practising on-site.

“The building has been designed with an outside and inside feel, so we’re hoping people will get the idea of dance tumbling out into the public realm and people will come to see the next generation of dancers performing or warming up.

“I’m really excited about this summer because this is the time we’re really starting to build that  excitement and buzz – that East Bank is a place you can come and bump into amazing art and ideas.

“It’s a bit of a taster of what’s to come as we build and grow towards total opening by the end of 2025.

“It’s exhilarating and I can’t wait to see how it feels when all five organisations are open. 

“You might be walking from UCL over to the Stratford waterfront and know you’ve got a BBC orchestra rehearsing in one of the studios, a big exhibition at V&A East, dancers performing on the community dance floor outside Sadler’s Wells East and a fashion show being cooked up at the London College Of Fashion. 

“I want everyone who comes here to feel that same sense of excitement and pride we all felt around the 2012 Games themselves.”

Image shows a dancer dressed in black interacting with a staircase ahead of Greenwich + Docklands International Festival in Septemeber
Greenwich + Docklands International Festival is set to come to Stratford in 2024

coming up at East Bank

This summer is when things really start to happen at East Bank in 2024.

Activities kick off with the Great Get Together on June 15 – a free community event at the Queen Elizabeth Olympic Park with activities spanning music, dance, arts, sports and, naturally food.

Then, there’s the UCL Festival Of Engineering on July 15, a celebration of 150 years of advancements in technology, problem solving and creating things.

July will also see London College Of Fashion students present their work, with an exhibition at the East Bank campus, while V&A East will unveil its Made In East London commission – artworks that will be displayed on its exterior.

August is all about the hip hop, with breaking sessions at Sadler’s Wells East scheduled for 3, 5-8 and 9-10. 

Then, September 7 sees the Greenwich + Docklands International Festival pitch up at neighbouring Stratford Cross with its Dancing City programme.

Find our more about the campus here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

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Stratford: How London College Of Fashion is opening itself up to the community

UAL’s East Bank campus hosts Designed For Life exhibition showcasing fashion as a force for positive change

The Decolonising Fashion And Textiles Project, part of the Designed For Life exhibition at the London College Of Fashion

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Even partially open, the enormity of East Bank cannot be overstated.

Its buildings on the edge of the River Lea may appear compact when viewed crossing the water from the Queen Elizabeth Olympic Park.

But this is largely an optical illusion due to the sheer scale of Stratford – the towering structures of International Quarter London and similar behind. 

But, if the physical space afforded to the likes of the BBC Music Studios, V&A East and Sadler’s Wells East is considerable, then the cultural, economic and psychological impact on Newham and the surrounding area is greater still.

Tom Daley splashing into the pool at the London Aquatics Centre and West Ham kicking a small round inflatable about may be sporting legacies of the 2012 Olympic Games.

But their true legacy – more than a decade later – is in the regeneration of the area and the prosperity this will bring in the long term.

How many students will walk through the doors of UCL East (part of East Bank, albeit located on the other side of the river)?

How many dancers will tread the boards at Sadler’s Wells’ new venue?

What music will be played for the BBC?

What sights will be seen at the V&A?

How many lives will now be enriched and shaped by what goes on in these buildings in a part of London that 15 years ago looked very different? 

These are tantalising questions with thrilling answers that will undoubtedly shape Stratford in the years and decades to come. 

Heartening then, that the first of the gang to open at the main cluster is already making significant early efforts to use its space for good.

Designed For Life is displayed over five publicly accessible parts of LCF

University Of The Arts London has consolidated the London College Of Fashion (LCF) at East Bank in a purpose-built tower, which opened earlier this year.

One of its first acts has been to fill five of the publicly accessible areas of the building with Designed For Life, an exhibition featuring textiles, design, film, photography, artefacts, personal testimonies and community building intended to showcase “the transformative power of creative action in shaping our world”.

Suffice to say, there’s a lot going on.

There’s a dress made from a decommissioned refugee tent, an interactive living room reflecting the lives of people in east London, a cloth dragon in a trenchcoat, textile artworks created by migrants together with fabric portraits of them and much more. 

Far too much, in fact, for this article to do the whole thing justice. However, the feel of Designed For Life is very much of using LCF as a platform to tell stories from the area – bringing people who might not usually be represented in such a building inside and putting them centre stage. 

It makes sense, then, to focus on just one part of the exhibition and dig a little deeper into what visitors can expect to find among the swirling cast concrete staircases of the latest addition to Stratford’s educational scene.

Head down a level from the entrance and you’ll find items and a short film showcasing UAL’s Decolonising Fashion And Textiles Project.

Dr Francesco Mazzarella, senior lecturer at LCF’s Centre For Sustainable Fashion

Dr Francesco Mazzarella, senior lecturer at LCF’s Centre For Sustainable Fashion, who is leading the initiative said: “The project runs for two years and has received funding from the Arts And Humanities Research Council.

“First I did some ethnography to immerse myself in the context – the three boroughs we are concentrating on – which are Newham, Tower Hamlets and Waltham Forest.

“I wanted to understand the needs and aspirations of the local communities there.

“Then we did storytelling sessions with participants who are refugees or asylum seekers based in London.

“The stories were of identity, cultural heritage and migration – but also the participants’ skills, needs and aspirations.

“In the sessions we were asking them to bring clothes, textiles and objects that meant something to them.

“We are very mindful that refugees are often interviewed, investigated or monitored, so we didn’t want to do a study of them.

“Instead, as a team we all took part by bringing our own objects as a way to share each other’s lives and also build empathy.

“People coming to view Designed For Life will see more than 40 artworks created by participants and ourselves with statements written to express our feelings.


A migrant himself, Francesco created his own artwork alongside workshop participants, including fabrics to remind him of Brazil, Holland, South Africa and Italy

“It’s really a celebration of the untold stories of refugees – which are often overlooked – with the exhibition aiming to shift negative or dominant narratives to show how people can bring their skills and talents to a local community and economy.”

Francesco worked with local photographer JC Candanedo – a Catalan-Panamanian migrant who has a studio in London – to capture images of people taking part in the sessions. 

The headshots were then transferred to fabric, with participants using multiple techniques to decorate, embroider and alter them.

Each work has its creator’s statement printed on the reverse so visitors can discover more about the people they are seeing.

“What’s beautiful is that every story is unique and challenges what it means to be a refugee or asylum seeker in London,” said Francesco.

“People come here to escape from war, violence due to religion, gender discrimination or politics.

“What I like is the collective sense of all these stories – it’s bigger than the individual parts.

“The coming together of all of this gives a sense of community and the mutual support which builds for refugees.

“People participated for different reasons.

“Some were interested in fashion and textiles, wanted to learn some skills, or perhaps worked in the industry and are aiming to rebuild their careers here.

“Others just wanted to meet new people and use crafts to enhance their wellbeing – especially those living isolated in hotels in very poor conditions.

“Meeting other people has helped them to rebuild their confidence, and making new connections has helped them to rebuild their lives.

One participant created two artworks during the project, this one during a pilot session

“One participant has two artworks in the exhibition.

“The first was created for a pilot we did last summer. 

“It is very dark, with blood coming from the eyes.

“As a researcher I have tools to help people unpack their stories.

“At first she had an identity crisis about her heritage.

“She’s from Singapore and, as a trans woman, she was the victim of rape, and when she reported this to the police, she was blamed for being trans.

“She came here and joined our project.

“At first she didn’t care about fashion or want to pursue a career in fashion.

“She thought it was unreachable and not very inclusive.

“She wanted to wear more western clothes to feel more integrated into society here.

“She has very traumatic memories of her own country and wants deliberately to erase her own past. 

“All through this project we tried to highlight something small that she had which could keep her grounded, and she realised that she always wore a necklace given to her by her mum before she left.

“You can see that in her second work.

“She wanted to add some glitter to this artwork as a sense of hope for a brighter future.

The second piece she created

“Through this process she met many other people, and now she’s volunteering for several charities and is feeling much more confident.

“You can see here that she has really embraced her gender and identity and is also tapping into different aspects of her culture and heritage by including batik from Indonesia, where her auntie is from, for example. 

“In the second piece – called Smiles And Pain – she wants to unpack what it means to be an asylum seeker, where she says that, even if we wear a smile and are resilient, behind that there is a mountain of trauma and pain.

“She also wants to say that everybody wants to be treated with tenderness and deserves love and safety.

“Refugees may not have many material possessions, but they really hold onto their material culture and their heritage. 

“Working with vulnerable people, we can’t ask them to tackle the climate emergency from a sustainability point of view– they have more pressing issues socially.

“By plugging into their heritage, however, they can start gaining agency – a voice – and make connections locally that may point to education, employment and entrepreneurship.

“That’s using fashion to drive positive change.”

Remember, this is just one of five displays covering multiple projects at Designed For Life. Set aside an afternoon to explore the exhibition fully.

  • Designed For Life is free to visit with no booking required.
  • The exhibits are available to view at LCF at Stratford’s East Bank, 10am-5pm, Tuesday-Saturday and will be in place until January 19, 2024.

Find out more about the exhibition here

Designed For Life features a series of installations including a recreation of a textile worker’s front room

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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