Boisdale Of Canary Wharf

Theatreship gains BIFA recognition for floating cinema programme

Arts centre moored on the Isle Of Dogs is only venue in London to be longlisted in the Best Cinema category at forthcoming awards

Theatreship founding director, Inigo Lapwood - image by Jon Massey / Wharf Life
Theatreship founding director, Inigo Lapwood – image by Jon Massey / Wharf Life

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Theatreship has become the only venue in London to be longlisted in the Best Cinema category at the forthcoming British Independent Film Awards. 

Selected alongside 14 other venues, following a contest that saw nearly 50,000 votes cast, the floating arts centre moored on the Isle Of Dogs has won recognition for its innovative approach to celebrating the moving image.

“Our audiences sit in cinema seats that have had people in them watching films for 50 years,” said Inigo Lapwood, founding director of Theatreship. 

“On the boat, they’ve been doing that for three years now.

“We’re not the only arts centre on the long list and that presents an interesting idea about what cinema is becoming and what makes it special.

“For us, it’s watching movies with other people and making that an event.

vYou get to see films through others’ eyes.

vIt’s one of the reasons we have an interval at every showing, so there’s an opportunity for audience members to talk to one another.”

Natalie Hill introduces a screening at Theatreship - image by Adrian Sidor
Natalie Hill introduces a screening at Theatreship – image by Adrian Sidor

welcoming and often free…

Theatreship’s screenings, curated by project director and head of film programming, Natalie Hill, are very much about bringing people together.

The venue offers regular free mystery shows on Wednesdays with those attending completely unaware of what they’ll be seeing until the lights dim and the projection begins. 

“It’s a really powerful way of experiencing  film, because people don’t have to take a financial risk and it makes it maximally accessible.

“Making it a mystery means we can screen films people might not have heard about and may not have chosen, if they had known about them.

“The way we experience media at the moment is through algorithms, which only provide viewers with more of what they like.

“At our mystery nights, we hope audiences enjoy something completely new that’s a surprise.

“It takes away choice paralysis and you get our promise that it will be something good.

“Natalie really believes in the magic of cinema and has a real skill for demystifying film.

“She introduces every film live on stage and her passion is infectious.

“I think sometimes people can feel a kind of pressure in arts spaces, like you could somehow ‘get it wrong’.  

“Natalie is really good at communicating that there’s no right or wrong way to experience a film – you just need to see it.

“I think that’s part of why people keep coming back. 

“We’ve screened century-old films to a packed-out cinema, none of whom had never seen a black and white film before. 

“We’ve shown pieces with no spoken dialogue.

“We’ve even shown a film shot entirely from the perspective of a chicken. 

“Every week, Natalie finds the things she loves about these films and shares that with the people on board, who end up loving it too.”

Visitors sit on 50-year-old cinema seats in the 100-capacity vessel - image supplied by Theatreship
Visitors sit on 50-year-old cinema seats in the 100-capacity vessel – image supplied by Theatreship

more than showing films

Theatreship’s screenings in partnership with the British Film Institute and other shows hosted at the venue often feature additional performances by artists that respond to the centrepiece of the evening.

Inigo said: “Being long listed is massive for us. We’re one of the smallest venues on the list and possibly the newest. 

“There’s a lot of hard work involved in carving out a space like Theatreship. 

“Nat and I have volunteered full time for several years now to help make it happen. 

“It’s a real labour of love, so it means so much to hear so many people have responded in kind by voting for us. 

“We’re the only London cinema to have made the list.

“Compared to some of the other London cinemas that were up for the award – amazing institutions like BFI Southbank, Genesis, or the Prince Charles – we’re an absolutely tiny space. 

“To know that enough people come aboard and care about what we do that we can be in the top 15 nationwide feels like a real vindication of some of the risks we’ve taken – providing half our programming completely for free, pairing films with live performances by new artists, and trusting audiences to give a chance to beautiful films they might never have seen before.

“We do it because we really believe it’s important for people to get that window into different worlds.

“Film is such a playful, imaginative medium, and this past three years it’s been such a joy to find a playful imaginative community growing around us.”

Canal And River Trust regional director for London and the South East, Ros Daniels said: “Our 2,000 mile network includes dozens of locations which have graced the silver screen. 

“From James Bond to Bridget Jones, and from Paddington to Peaky Blinders, our charity’s canals, river navigations and docks have played a starring role – so it’s fitting that a cinema floating on our waterways has been recognised in this way. 

“We’re delighted to hear  Theatreship, the first vessel to join our Docklands Arts and Heritage Berth initiative, has been recognised in this year’s British Independent Film Awards for providing free cinema and arts events on the water to the communities of east London.”

The winner of the British Independent Film Awards Best Cinema will be announced on December 6, 2026.

The Theatreship bar offers a place to converse before, after and during intervals in screenings - image by Milo Robinson
The Theatreship bar offers a place to converse before, after and during intervals in screenings – image by Milo Robinson

get those diaries out…

  • Film events to look out for at Theatreship include the regular free screenings on Wednesdays and a new partnership with the National Theatre with productions shown live on the boat on a monthly basis for £5.

At 6.30pm on December 3, 2026, the venue will once again team up with Stiff Records for an evening of stories about the label behind Madness, Ian Dury, The Pogues and many more.

The evening will include  an audience with label co-founder Dave Robinson, who also managed Jimi Hendrix and lived with Van Morrisson.

key details: Theatreship

Theatreship is moored in the Millwall Cutting on the edge of West India South Dock and is easily accessible on foot from South Quay DLR station or Canary Wharf’s various stops. 

You can find full listings and book tickets for all events at the arts centre via its website here.

Read more: Why Third Space is highlighting the benefits of resistance training

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Theatreship embarks on a fresh season of melodramatic film

Isle Of Dogs floating arts centre continues collaboration with British Film Institute for free screenings and nights featuring live performance

Theatreship's Natalie Hill - image by Jon Massey / Wharf Life
Theatreship’s Natalie Hill – image by Jon Massey / Wharf Life

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When I arrive at Theatreship to interview Natalie Hill, the sun is shining bright.

Swans are gliding on the glittering waters of South Dock and all is right with the world.

But then I see the venue’s doors are closed, a thick rope strung forbiddingly across the steps up to the vessel’s deck.

A cloud falls across the sun and a chill steals across the last day of summer. Have I come on the wrong day?

Has something terrible happened to my interviewee? Is she OK?

Will I hit my deadline or will it be blank pages, hair torn out in frustration, spilt cold coffee on the floor..?

But I’m being melodramatic.

The sun quickly pops out as Natalie casually scoots up on her bike, locks up her mount and guides me on board.

It’s an apt beginning, though, as we’re here to discuss Theatreship’s latest collaboration with the British Film Institute as a venue for its Too Much: Melodrama On Film season.

Natalie has a long history with the moving image.

Despite studying law, her love of film won out and she embarked on a career in the industry.

Her first job was on a UK comedy called Large.

“With my degree, I do have a factual focus and I realised that, by making documentaries, I could marry my two strengths – looking at real stories and doing something creative with them,” she said. “I’ve now worked in factual TV for about 25 years. 

“I’m a producer and director and have made lots of different series like 24 Hours In A&E, Stacey Dooley Investigates and The Apprentice.

“Over the last four or five years, I’ve mainly focused on documentaries where I’m looking at the impact of something.

“The Man With 1,000 Kids is the biggest thing I’ve worked on and one of the most impactful because, although Dutch sperm donor Jonathan Meijer’s actions weren’t illegal when I started making the documentary, it was incredibly shocking to find out that he’d got away with lying on such a massive scale to people around the world.

“Professionally I have a focus on telling stories that people will find interesting but that could also help make changes.”

The bar on board Theatreship - image by Theatreship
The bar on board Theatreship – image by Theatreship

curating creativity at Theatreship

While Natalie originally approached Theatreship with the idea of making a documentary about the project to open a floating arts centre moored on the Isle Of Dogs, her involvement quickly became something else.

As a boat dweller on the Island herself, she became the vessel’s head of film programming – a creator turned curator.

“It’s lovely, because I normally produce stuff and here I’m exhibiting other people’s work – that’s an absolute joy,” she said.

“I’m loving it, whether it’s introducing the films, serving up drinks or picking up stray kernels of popcorn.”

She’s masterminded and programmed a successful and growing series of Free Mystery Cinema Screenings on Wednesday nights.

Audiences don’t know what they’ll be seeing, but clues are given out in the run-up to each event and prizes dispensed for correct guesses.

Under her direction, Theatreship has also – from day one – forged a partnership with the BFI screening films alongside live performances for its Creative Worlds of Powell And Pressburger and Art Of Action seasons.

The organisations have also collaborated on a showing of independent seafaring films.

Natalie introduces a mystery screening at the venue - image by Adrian Sidor
Natalie introduces a mystery screening at the venue – image by Adrian Sidor

a cargo of cinema

“One of the main things about Theatreship, is that when vessels came into this dock historically, they brought new things and that’s what we wanted to do from a cultural perspective,” said Natalie.

“We also wanted to showcase vintage cinema to a fresh audience and bring hidden gems from the various genres to people’s attention.

“I’m very passionate about it and feel like a proud parent for what we’ve done for our forthcoming season.

“We’re calling it Never Too Much Melodrama On Theatreship because, for me, melodrama is all about intense emotion and visuals in film. 

“I think it gets a bit of a bad reputation because it’s seen as overacting, am-dram or prima donnas.

“It’s not about that at all, it’s about embracing that intensity.

“It could be as part of a psychological thriller or a war film or about love. It’s about really strong emotions playing out in front of you.

“Our completely Free Mystery Cinema Screenings from October 15 into December will form part of the season, although obviously I can’t tell you what we’ll be showing.

“I can say they’ll be new films, old films and films from all over the world – they’ll be dramatic and good.

“We’re also now doing Late Night Mystery Cinema on various dates.

“These are also free and start around 8.30pm, but will feature a slightly higher age rating and may be edgier, although they’ll still have warmth and integrity.”

 The programme for the BFI season starts on October 13, complete with live performances alongside the named screenings.

“We’ll have three Sapphic Cinema nights in collaboration with Abi Asisa, starting with Benedetta (18) – the story of a 17th Century nun in Italy who develops a passionate and forbidden lesbian affair with a fellow novice – on October 13,” said Natalie. 

“We’ll also be having a mini-season called All About Almodovar on Sundays, starting with Law Of Desire (18) on November 2.  

“He is seen as a living legend of melodrama – Pedro Almodovar’s films are always so passionate, so intense.

“They’re rather like the juicy storylines you get in a soap opera, but on film and from a really revered director.

“Again, each screening will be paired with a live performance.

“Another highlight will be the The Umbrellas Of Cherbourg (U) on November 18, which recently celebrated its 60th anniversary.

“That’s a glorious Technicolor musical and we’ll be having live music from Naomi Banks, an incredible jazz singer who can perform in French, Spanish and English. 

“That film – as a musical – might be seen as a bit cheesy and old-fashioned, but it’s really not. It’s got some really intense storylines in it.

“So many films have been influenced by it like La La Land and Barbie.

“We’ll also be showing Wong Kar-Wai’s 2046 (12A) alongside short film I Am Alive by Jun Chew on December 7.

“The former follows a cynical writer in 1960s Hong Kong who revisits his past through a series of fleeting romances, all the while weaving his memories into a sci-fi novel about a futuristic train that travels to the year 2046.”

For Natalie, the importance of film at Theatreship is in offering audiences a different way to enjoy the medium.

“Because there are so many ways to watch now, people are overwhelmed,” she said.

“Let us make the choice, so you don’t have to.

“Watching long films in a cinema setting is great – you’re not distracted by your phone, so you can just engage with what’s on screen.

“When I’m programming, it’s hard because there are just so many to choose from, but I’ll get round to all the ones I want to show eventually. 

“I often look for films that have a bit of underdog to them – when there’s only a small budget and a small team but someone’s done something really special.

“Sometimes it’s about looking for films that might have won critical acclaim but been missed or approaching others from a different angle.

“For example, we screened Buster Keaton’s One Week but with an introduction looking at the part played by Sybil Seely in the film.”

Audience members watch a film on board the floating venue - image by Theatreship
Audience members watch a film on board the floating venue – image by Theatreship

key details: Too Much Melodrama On Film at Theatreship

Full information and booking details for all film shows at Theatreship during its Too Much: Melodrama On Film season, including the mystery screenings, can be found on the venue’s website.

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