The Shop in Deptford sells audio visual technology to creative types

The SE8 business from Joshua Harvey and Kane Dobrin offers guitars, synths, vinyl, hi-fi, cameras, effects, film and vintage electronics for sale

Owners of The Shop in Deptford, Joshua Harvey, left, and Kane Dobrin - image by Jon Massey
Owners of The Shop in Deptford, Joshua Harvey, left, and Kane Dobrin – image by Jon Massey

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It’s a cold winter’s day when I visit The Shop in Deptford and Joshua Harvey is in need of the coffee he’s sipping from a mug that celebrates tinned seafood giant John West’s Alaska Salmon.

It’s been an early morning out scouring a car boot sale for stock and he’s still warming up.

Step into the space he operates jointly with fellow owner Kane Dobrin and it’s easy to see why such worm-catching activities are necessary.

Their railway arch in Resolution Way is piled high with stuff – a carefully selected horde of audio visual tech, music, instruments and curiosities – displayed to encourage a rummage.

The thing that’s really filling the space, however is unmistakeable. It’s excitement – the thrill of finding those bargains and then passing them on.

“It’s when you’ve gone to a boot sale, it’s early in the morning and you’re getting out of your car – you’re hopeful,” said Kane.

“You never know what might show up. It works as a business – we buy stuff for less than it’s worth, going to markets every week.

“You have to pick your area, learn everything about the products in it and be able to spot them quickly.

“When the trader tells you the price you have to be able to say yes or no quickly, taking no time to think.”

The arch is filled with audio visual technology for creatives to explore - image by Jon Massey
The arch is filled with audio visual technology for creatives to explore – image by Jon Massey

the thrill of the chase

Joshua added: “Some of the most exciting times of my life have been finding things at boot sales or markets that are rare or valuable and really shouldn’t be there.

“But you have to watch your margins and learn everything so you can make those decisions quickly.

“You need to know that if it’s a Mini DV camera it’s probably broken, that if it’s a tape deck the belt has probably gone. 

“This morning I got a rare Sony Walkman Pro – it was standard issue for BBC reporters. 

“It’s funny how much good stuff does come on the circuit but you need to be there at the crack of dawn.

“You have to be the first person to see it and that can mean going round with a torch while it’s still dark.

“You also need to be prepared. Never walk through a market without a tenner in your pocket to put down as a deposit, just in case.”

The Shop is in some respects a permanent manifestation of a business the pair have been engaged in for years. 

“This sort of thing was in my family a bit,” said Joshua.

“They’re car people and so, growing up in the Midlands, I was surrounded by loads and loads of stuff. You just get into it.

“I met Kane while he was at university and a lot of what we do is based on our common interests.”

The Shop is located under a railway arch in Resolution Way, Deptford
The Shop is located under a railway arch in Resolution Way, Deptford – image Jon Massey

opening The Shop in Deptford

Trading initially at the markets and boot sales of Brighton before moving on to Brixton and Portobello Road, their business grew from sheds and living rooms to storage units with The Shop a natural progression.

“A lot of our stuff would suffer on the market – especially the instruments and hi-fi equipment,” said Kane.

“We always thought that if we could put it in the right context and space, then people would dig it.

“There’s a shortage of places where you can go and try things – you can go to a boot sale but often you won’t know if something works or not or how it feels.”

Joshua added: “This is the first time people have been able to come and see stuff when we’re not on a market stall. It’s a bit like having a warehouse except that people come in and stop you doing things.

“It’s awesome really – it’s so cool when someone comes in, finds something and then buys it.

“Most of the things on the shop floor, unless they’re extra special, have probably been with us for less than three months.

“We like to price things on the cheaper side to get them moving and into the right hands.

“If it’s something we’ve had forever, then it’s probably because we want to hang on to it. It’ll be rare, interesting or mean something to us.”

The Shop sells hi-fi equipment, cameras, records, guitars, effects, film, digital accessories and more - image Jon Massey
The Shop sells hi-fi equipment, cameras, records, guitars, effects, film, digital accessories and more – image Jon Massey

buying, selling, swapping

The Shop buys as well as sells and offers swaps and part-exchange.

While the definition of its stock is somewhat open-ended, customers will broadly find creative technologies related to capturing or generating audio, images and video.

“We like functional stuff that’s high quality and made with the user in mind,” said Joshua.

“There’s a rule of thumb with objects, that, the fewer jobs they do, the better they’re going to be at them – computers, for example, do everything but they’re pretty terrible at it.

“We chose to be in Deptford partly because there are lots of creative people here and we wanted to be close to them.

“We don’t list items online and you probably have a 50-50 chance of a response if you message us – really people have to come and see what we’ve got.”

There’s an element of sustainability to the business too.

By keeping such products in circulation, The Shop is reducing demand for new ones to be manufactured when older tech could do the job just as well, if not better, than modern equivalents.

“We used to just sell film cameras,” said Kane.

“They were in fashion but now customers are looking at older digital models again too. 

“Social media has really helped with that because now so many people are posting images and everyone is looking for their own way to do that.

“With music technology, people have always wanted the old stuff.”

Joshua added: “It really led the way – as soon as much of it was invented, people wanted that specific sound and the tools to make it.

“Quality stuff holds its value – there’s always a bunch of weirdos who come out of the woodwork for it.”  

key details: The Shop in Deptford

The Shop is open from 10am-6pm Tuesday-Sunday in Resolution Way, Deptford.

The owners can be contacted via email to infor@the-shop.xyz or by calling 07919 874 626.

Find out more about the business on Instagram

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Gareth Gardner Gallery showcases architecture images in Deptford

How Gareth Gardner went from journalist to photographer and gallery owner in south-east London while searching for storage space

Gareth Gardner, photographer and architectural photography gallerist
Gareth Gardner a photographer and architectural photography gallerist

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A little like the exhibition space he runs in south-east London, there’s an upbeat openness about Gareth Gardner.

Originally from Warwick, he studied civil engineering in Southampton before taking a job as a journalist and moving to the Isle Of Dogs back in 1995. 

“Mudchute was my first experience of living in London,” he said.

“I was working on New Civil Engineer, a big trade magazine at the time, and it was really good – we had 25 editorial staff, two staff photographers – it was just insane.

“They trained me really well, as they had a policy of employing half civil engineers and half journalists, the idea being that we would cross-fertilise our areas of expertise.”

More media jobs followed, before an opportunity to write one particular feature heralded a change in career.

“I was obsessed with photography from an early age, and I somehow managed to persuade my employer in my last job as a journalist to let me go for a one week course on large format film photography,” he said. 

“The piece was about whether architects should be taking their own pictures.

“I loved it and that was it – I decided I was leaving my job and went to the London College Of Printing to study photography.

“That’s what I’ve done ever since. I’ve got a big client base for architectural design now, creating images for magazines and organisations.

“Mostly I photograph cultural institutions, galleries and temporary exhibitions – that sort of thing – and I love all of that.

“I do architectural interiors, getting commissioned by architects and designers to photograph completed projects.

“That might be reportage-style, or an interior that’s hyper-styled to within an inch of its life.

“These different approaches are interesting and enjoyable, I get to meet interesting people and work around the world.

“I quite like the idea that when I turn up to a shoot, I haven’t met the people before and have to make something happen on the day – try to create something to tell the story of their project.

“With my editorial background, I’m looking at the narrative, the story, what they are trying to say, what their marketing objectives are, what they are doing with the photographs.

“It’s quite a niche area of photography and requires specific equipment.”

Boundary Conditions at Gareth Gardner Gallery
Boundary Conditions at Gareth Gardner Gallery

the birth of Gareth Gardener Gallery

The latter requires space and that’s really what we’re here to talk about.

Having lived around the capital and in and out of the city, Gareth decided he’d like to move back to south-east London.

Seeking a place for storage and to use as an office, he found Enclave – a clutch of artist-run units in Resolution Way and decided to create something a bit beyond his initial brief.

“Paying large amounts of rent just to store things seemed a bit misguided – but here the whole remit is that you should have some form of public-facing activity going on,” said Gareth. 

“I’d had a studio where I was living previously in Acton and needed somewhere to put everything. 

“So this made me think that it would be a really good opportunity to do something I love alongside my more commercial work.”

Thus Gareth Gardner Gallery was born – to its owner’s knowledge the only space dedicated to displaying photography of architecture and place in the UK.

“Working frequently in museums, this actually relates to what I do,” said Gareth.

“I’m very interested in how things are curated and designed – I knew I wanted to open a gallery and there’s not another one like it in Britain as far as I can tell.

“It doesn’t show lots of glossy photos of newly-built buildings, – we’re not about flattering architects and developers.

“We try to do things that are an artistic and creative response to architecture and place, that capture the impact of humans on our environment by what we build.

“There’s also an aspect of social documentary too. 

“The idea is also to try to make it as accessible to people who wouldn’t normally exhibit as possible. 

“Putting on an exhibition can be an incredibly expensive undertaking – printing, framing, hiring the space itself.

“I have this optimised approach.

“We print everything here and we have frames people can use.

“We try to elevate all the stuff we have and try to make it look as high end as possible within the context of trying to keep it affordable.

“Architectural photography is very much the domain of white, middle-class, straight male, so it’s about trying to get different voices in.

“It’s difficult to get different perspectives.

“It’s all about getting new stories told about architecture, especially if there’s local relevance to what we do.”

Close To The Hedge at Gareth Gardener Gallery
Close To The Hedge at Gareth Gardener Gallery

from the past to the future

Previous exhibitions have included Boundary Conditions, with photographers capturing images of the Pepys Estate in Deptford, inspired by a series for The Architectural Review half a century ago and Close To The Hedge – an exploration of hedges which garnered national media coverage and that is set to be re-staged in extended form for the Royal Horticultural Society in 2025.

“The gallery is a small space, but we try to make the most out of it,” said Gareth.

“We try to have a lot of extra interpretational material to put the images in context.

“I’m also interested in getting involved in publishing again on a small scale.

“I’ve always enjoyed working on layouts with designers and art directors.

“We try to do four exhibitions a year.

“I also do portfolio reviews and anybody can apply for free to have their work looked at.

“I’ve been lucky to have had a lot of really nice things happen in my career and I think everybody deserves to have their work looked at.

“Some photographers have exhibited here as a result of that process – it’s great to pay it forward and people can buy the work, although we’re not primarily a commercial space.

“I’d love for the gallery to develop further.

“We’re always looking for ideas to reach as many people as possible.” 

key details Gareth Gardner Gallery

Gareth Gardner Gallery is located in Deptford’s 50 Resolution Way in Enclave 10.

Further exhibitions will be announced online in due course for 2025.

Find out more about the gallery here

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Little Nan’s moves to a bigger and better location in Deptford

Owner and granson, Tristan Scutt talks about opening 2.0, Flat Butcher and Aunties Ballroom

Image show Aunties Ballroom at Little Nan's 2.0 with a comedy gig in full swing under a disco ball in the shape of an anchor
Little Nan’s new space includes Aunties Ballroom, seen here in full swing

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Tristan Scutt is surrounded by his brain at Little Nan’s 2.0 and he’s all the happier for it.

He first opened Little Nan’s Bar 11 years ago as a pop-up tribute to his late Little Nan Jojo.

Using her furniture and crockery for the decor, he took over a pop-up space behind The Bunker Club in Deptford Broadway.

Success blossomed as customers fell for cocktails in teapots, a wealth of knick knacks and Tristan’s genuine passion for ’80s and ’90s memorabilia.

Then, after several locations, he found Little Nan’s a home at Deptford Market Yard.

Three it’s spent the last eight years occupying as many as four richly decorated railway arches.

Now, however, a fresh chapter has started.

Having endured three years of precarious leases and a reduction in space, following the arrival of new managing agents, Tristan has taken the decision to move on – well, actually just up the road.

Head along the railway line from the existing bar down Resolution Way and, just beyond Villages Brewery, a new wonderland has been created.

Under much larger arches, Tristan has created essentially four venues in one. 

Image shows Little Nan's owner and grandson Tristan Scutt, a man with a pierced chin in a dark blue shirt decorated with playing cards
Little Nan’s creator Tristan Scutt

four venues in one

“First of all there’s Little Nan’s 2.0, which has Flat Butcher above it – a space that can be hired, inspired by Pat Butcher from EastEnders,” said Tristan.

“Then there’s the Grown Grandkids Play Den with air hockey, table football and arcade games.

“Aunties Ballroom is on two levels with a custom-made glittering anchor to celebrate Deptford.”

If that sounds a lot, it’s because it is.

Four times bigger than the Deptford Market Yard space (and with four extra toilets), Tristan has one setting when it comes to interior design and that’s just to go for it.

Everywhere there are display cabinets packed with things.

Fabrics and colours clash amid a riot of leopard print, neon and fake ivy.  

Image shows entry to a brightly lit bar with animal print rugs and neon signs inside
The entrance to Little Nan’s 2.0 in Resolution Way, Deptford

extreme maximalist kitsch at Little Nan’s

“It’s an expression of extreme maximalist kitsch,” said the founder and grandson who has an MA in fine art from Goldsmiths.

“Our decor is nostalgic – there are a lot of nods to Deptford history including the anchor plus cabinets filled with memorabilia and toys. 

“It’s a reference to Deptford Vintage Market, where many of the items were sourced.

“It’s also a celebration of local stores from back in the day like Abstracticus, the Second Time Round shop in Lewisham Way and Aladdin’s Cave.

“I hope it’s somewhere people will feel at home.

“They’ll have seen what we can do over the road and here we can do even more of it and on a longer term basis.

“Anything too empty scares me.

“Our AirBnB holiday home is like this in Weymouth and my flat is like this in Deptford – this is really how I live.

“When I look back at photos of the original pop-up I think it was a little simpler – perhaps I was worried 11 years ago how people would feel.

“Now it’s just: ‘Go for it’.

“I love stuff, I’m a massive EastEnders fan and I’m addicted to Deptford Market, so this is a great reason for me to trawl all the local shops and the stalls to fill the venue.”

Image shows a room at Little Nan's 2.0 filled with ornaments, toys and vintage furniture
Little Nan’s 2.0 is packed with toys, vintage furniture and memorabilia

pleasing the customers at Little Nan’s

“Our cabinets are obviously full of things I like, but I’m also always looking at and listening to what our customers are into,” added Tristan.

“Initially all our cocktails were named after members of the Royal Family.

“Then I realised not everyone was quite as big a fan of the Windsors as I was, so we changed things.

“We have got rid of our Prince Andrew, although we still have a Prince Harry, which dates from before the whole book thing.

“It feels nice to have created these new venues. It’s been a mad couple of months and we’ve had some great guys doing the build.

“My mate, Matt Sargent, has made all the fabrics and then I’m responsible for the rest of the decor.

“Weirdly, it’s been a calming process. 

“I think after what has been a stressful couple of years this has wound up being such a great move for us.

“You always have to turn stuff into positives and, perhaps, this was the kick we needed to find a better space.

“That’s why it feels great. We’d never have been able to do what we’ve done here in our original units.”

Image shows actor Pam St Clement who played Pat Butcher in EastEnders visiting the venue
When Pam St Clement (Pat Butcher) visited Little Nan’s

Little Nan’s 2.0 is up and running

Excited to welcome guests, Tristan has been slowly opening sections of the new venue while the build has been going on.

This is partly, I suspect, because he can’t resist sharing the new spaces.

Extended facilities go deeper than the bathrooms and entertainment areas.

2.0 will have room for a proper kitchen and there are plans to invite chefs in for pop-up collaborations in due course. 

While Aunties Ballroom can be set out as extra hospitality space, it also lends itself to performances beneath the rich satins, silks and quilts that coat its walls. 

“We’ve now had our first event there – a comedy night called Your Friend And Mine hosted by poet and comedian Jack Scullion, which went really well,” said Tristan.

“We especially want the ballroom to be multi-purpose.

“There’s no static furniture so we can have it set up in so many different ways. It can be used for performances or decked out with tables and chairs.”

Image shows a lit cabinet filled with playing cards, toys, records and a bust of Pat Butcher in the style of Queen Victoria
Little Nan’s 2.0 is filled with nostalgic items including a bust of Pat Butcher as Queen Victoria

whole venue hire

“Here, all of our spaces can be opened up and used as one or sectioned off,” said Tristan.

“People can hire the whole thing or, for example, we might have Little Nan’s open and a workshop up in Flat Butcher. 

“I’m excited to see how people use the space over the summer and how it evolves. 

“It’s the start of a new chapter and I think we’re really ready for it. It’s 11 years since Little Nan’s started and it feels good to be doing this in Deptford.

“We’d been looking for a new space for a while. It’s been an opportunity to really think about what we’re doing after 11 years of Little Nan’s.

“Before the eight years in Deptford Market Yard, we’d done the pop-ups.

“Our new location is a nod to everything we’ve done before.

“It’s all that we have learnt about how to put on really good events for customers’ birthdays, hen-dos and other celebrations.

“That’s what we’ve done under these two huge arches.

“With the move, we wanted to have somewhere we could really spread our wings and express what we want to do and that’s what we’ve done.

“We know our customers love our outdoor space and we have that here as well, but we have so much more inside too.

“I’m really excited to see people come in.”

With things in a fluid state as the venue gets fully up and running, the best place for updates is Little Nan’s Instagram feed, which can be found @littlenansbar.

Stay tuned for news of opening hours and future events.

Image shows a richly decorated space with different coloured fabrics and cabinets of 80s and 90s objects
Aunties Ballroom is on two levels and can be configured in many different ways as there is no fixed furniture

key details

Little Nan’s 2.0 is located in Deptford’s Resolution Way.

Hours are subject to change as things get under way, but the venue is currently open Fridays and Saturdays from 5pm-12.30am.

Find out more about the new site here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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