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East Bank director Tamsin Ace on collaboration at Stratford campus

How Sadler’s Wells East, London College Of Fashion, UCL East, BBC Music Studios and V&A East are coming together at the cultural hub

Image shows Tamsin Ace, a woman with curly blonde hair in a black denim jacket in front of buildings at Stratford's East Bank
East Bank director Tamsin Ace

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East Bank is, arguably, the final great piece in Stratford’s Olympic legacy jigsaw.

Comprising significant bases for five totemic institutions, it’s set to be fully open by the end of 2025 – 13 years after the 2012 Games put east London in the global spotlight.    

Building on the successes of the Queen Elizabeth Olympic Park – including all the former sports venues and the extensive residential and commercial regeneration that has taken place locally – East Bank delivers something different for the area.

Even if just one of the London College Of Fashion, the V&A, the BBC, Sadler’s Wells and UCL had chosen to create a new base in Stratford, it would have been seen as a triumph for the architects of the Games.

That all five are committed to the project gives East Bank a kind of cultural and educational heft that hasn’t been seen in the capital for decades.

With four of the organisations sitting proudly overlooking the park on the edge of the River Lea and UCL a short walk away, the concentration of is palpably powerful.

Image shows a sculpture of the Earth hanging inside a large concrete atrium at UCL East on the Queen Elizabeth Olympic Park
UCL East is now fully up and running

greater than the sum: East Bank

There’s a wealth of potential for collaboration and interaction between the five, but the project isn’t leaving things to chance and happenstance.

Tamsin Ace arrived as director of East Bank in September last year – more or less at the same time the London College Of Fashion began welcoming staff, students and visitors to its new campus.

With UCL East also fully open and Sadler’s Wells East set to launch later this year, it’s her job to help maximise interaction between the organisations for the benefit of all – cementing the cultural legacy of the Games.

“My role is to support and enable all these institutions to come together and to make sure they build on each other’s ideas and resources, while also thinking about how they can connect better,” she said.

“It’s a gift, because all of these partners want to be here and to connect.

“They all want to put down roots and have a home in east London, to listen and learn from the amazing heritage and history of the creative communities that have been in this area long before East Bank was even a twinkle in London’s eye.

“To do that I have the full support of the project’s board, which is made up of the principals of the five main partners.

“I’ve got a pass to all of the buildings so I can work from any of them and also understand their programmes and the different ways they work.

“We have creative working groups to discuss opportunities and plans, so my job is to have my ear to the ground, to know what everyone’s thinking and planning.

“It’s also to be out in the community, being really visible, talking to people and hearing what their priorities are so I can help create links.”

Image shows a computer generated picture of the London College Of Fashion, V&A East, BBC Music Studios and Sadler's Well's East at East Bank
An artist’s impression of how East Bank will look when work is finished

cultural programming

Having studied drama at university, Tamsin initially headed for the classroom after realising that acting and “being a Spice Girl” weren’t really for her.

But life as a teacher wasn’t right either and she wound up working for small arts centres instead.

“I was engaging with children and young people and through that found out about this kind of role – developing ways to get different audiences involved and to unlock and learn from their creativity,” she said.

“I love it when the magic comes together and something you hadn’t thought possible is created.”

After more than a decade doing just that at the Southbank Centre – “implementing festival methodology to create the feel of a bustling port city at arts venues by programming around central themes” – and roles at the Museum Of The Home in Shoreditch and at the London College Of Fashion, she’s come to East Bank to help fulfil its 2012 legacy promise.

“All five of our institutions have got public-facing programmes and my job is to connect the dots,” she said.

“We’re all talking all the time. It’s about collaboration, sharing resources and ideas, and it’s also about embedding ourselves in the community.

“It’s also about being open with our priorities and aims, and properly connecting with people who are living and working here.

“Over the last seven years, the organisations have all been building links with key partners such as schools to build programmes that respond to the needs and values of the people locally.

“Ultimately, we want visitors, students and staff to be able to navigate East Bank’s five buildings and understand how they connect to each other.

“In 10 years’ time I would love to see large-scale programming across all of the organisations that builds on their amazing creativity and skills.”

Image shows a curved concrete staircase at the London College Of Fashion in Stratford
Students and staff are already enjoying the London College Of Fashion’s new base

a new hub for creativity

“I think this place can be as successful as the Southbank Centre – there will be enough for everyone here – but I think they are two very different offers,” added Tamsin.

“There’s a magic about coming to this part of the city with its busy, bustling shopping experience at Westfield and then East Bank for culture and creativity.

“I think if we get the local story right and have a programme that is relevant to the community then we’ll get the world right too.

“Tourists will come because they want to feel they are part of events that really do mean something.”

While University College London and the London College Of Fashion are up and running, something of a watershed moment is coming for the project with the opening of Sadler’s Wells East later this year.

“That will be the first of our cultural partners to have an offering as part of the night-time economy and it will be really exciting to see how the evening shows and workshops change this space,” said Tamsin.

“Sadler’s Wells has also got its hip-hop academy opening, so we’ll have 16 to 19-year-olds learning and practising on-site.

“The building has been designed with an outside and inside feel, so we’re hoping people will get the idea of dance tumbling out into the public realm and people will come to see the next generation of dancers performing or warming up.

“I’m really excited about this summer because this is the time we’re really starting to build that  excitement and buzz – that East Bank is a place you can come and bump into amazing art and ideas.

“It’s a bit of a taster of what’s to come as we build and grow towards total opening by the end of 2025.

“It’s exhilarating and I can’t wait to see how it feels when all five organisations are open. 

“You might be walking from UCL over to the Stratford waterfront and know you’ve got a BBC orchestra rehearsing in one of the studios, a big exhibition at V&A East, dancers performing on the community dance floor outside Sadler’s Wells East and a fashion show being cooked up at the London College Of Fashion. 

“I want everyone who comes here to feel that same sense of excitement and pride we all felt around the 2012 Games themselves.”

Image shows a dancer dressed in black interacting with a staircase ahead of Greenwich + Docklands International Festival in Septemeber
Greenwich + Docklands International Festival is set to come to Stratford in 2024

coming up at East Bank

This summer is when things really start to happen at East Bank in 2024.

Activities kick off with the Great Get Together on June 15 – a free community event at the Queen Elizabeth Olympic Park with activities spanning music, dance, arts, sports and, naturally food.

Then, there’s the UCL Festival Of Engineering on July 15, a celebration of 150 years of advancements in technology, problem solving and creating things.

July will also see London College Of Fashion students present their work, with an exhibition at the East Bank campus, while V&A East will unveil its Made In East London commission – artworks that will be displayed on its exterior.

August is all about the hip hop, with breaking sessions at Sadler’s Wells East scheduled for 3, 5-8 and 9-10. 

Then, September 7 sees the Greenwich + Docklands International Festival pitch up at neighbouring Stratford Cross with its Dancing City programme.

Find our more about the campus here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

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Stratford: How Alexa Ryan-Mills’s garden is set to celebrate Sadler’s Wells East

East London-based designer is preparing for her first RHS Chelsea Flower Show this May

Garden designer Alexa Ryan-Mills

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I‘m just looking out at the rain and wondering when it’s going to start warming up,” said Alexa Ryan-Mills.

While idle talk of the weather is ubiquitous in the UK, for the Walthamstow-based garden designer – and all those in her profession – precipitation and temperature are a constant preoccupation. 

That’s especially true when there’s a deadline looming and, for Alexa, the 10 days leading up to May 23-27 are fast approaching.

That’s when she and her team will create her first garden at RHS Chelsea Flower Show – arguably the biggest stage in British horticulture.

What exactly appears in that garden will, to some extent, be dependent on the weather – although Alexa said she was confident the nurseries she’s working with would have sufficient stock to provide backup options, should the mercury fail to rise to the desired level.

While Wharf Life covers neither Chelsea nor Walthamstow, the reason we are interested in this garden is twofold.

Firstly, Alexa’s design is inspired by the forthcoming opening of Sadler’s Wells East – the fourth venue in the Sadler’s Wells family, which is set to open overlooking Stratford’s Queen Elizabeth Olympic Park in 2024.

But that is still a building site at present, so secondly, there’s a more immediate link – all the plants and materials used in the creation of the garden will be donated to Sadler’s Wells associate institution School 21 in Stratford, where they will be used to improve its outdoor spaces.

“School 21 has been planning and fundraising to do this for a while,” said Alexa.

“I found out about that and we’ve now spent some time going round and identifying areas where we can put the plants after the show. 

“There are lots of different play spaces, which at the moment are quite bare, and we can get the kids involved in planting those up.

“The school also has a great design and technology department that will be able to re-use the materials too.

“For the garden we also recently decided to work with Brixton-based artist Benjamin Wachenje, who will be creating a hip hop-themed mural as a backdrop and School 21 will be able to use this as well.”

An artist’s impression of Alexa’s RHS Chelsea Flower Show garden

Before that happens, though, the garden itself must be created and shown – a project that has its genesis in Alexa’s change of direction from a career in PR and communications.

“I felt like I’d had enough of that industry and I was thinking about what to do next,” she said.

“Around the same time I met a garden designer, having just bought a house in Walthamstow.

“She designed my garden and I really enjoyed the process and thought I’d like to know a bit more about it. Before I did anything crazy and quit my job, I did some initial training. 

“That went really well and so I decided to invest more in training and that’s how I wound up starting to build a business in east London.”

Having worked mostly designing private residential gardens in the likes of Waltham Forest, Hackney and Newham, Alexa specialised increasingly in planting design, studying for a diploma in the field and collaborating with landscape architects and other designers on a freelance basis.

“While I was studying at the London College Of Garden Design, I knew I wanted to create a garden for a cultural hub and I used Sadler’s Wells as my imaginary client,” she said.

“I found out Sadler’s Wells East was set to open in Stratford, so I created a design that was related to dance – choosing plants that might have an interesting shape or ones that would self seed and move around the garden like that.

“Then I saw a call out from an organisation called Project Giving Back – a grant making charity that provides funding for gardens for good causes at the RHS Chelsea Flower Show.

“I realised I had an idea and all I had to do was persuade Sadler’s Wells. They said: ‘Go for it’, so I applied and after various rounds, got the funding.

“Then I had to apply to the RHS because you get the funding, but still have to be chosen for a place at the show itself.”

Alexa says she was inspired by the planting at the Queen Elizabeth Olympic Park in Stratford

She was successful and is now set to lay out a six-by-eight metre space under cover in the All About Plants category of the show’s main pavilion.

Featured plants will include the nodding blooms of salvia nutans and three trees, namely hionanthus retusus, styrax obassia and acer monspessulanum.

“I really wanted to make the plants the performers – the dancers – and put them centre stage,” said Alexa.

“It’s all about visitors being able to see the planting and the shapes and enjoy them from different places to sit and walk through.

“There’s a pipe-like sculpture inspired by the saw-toothed roof of Sadler’s Wells East – itself a reference to the manufacturing and industrial heritage of Stratford – that frames different views.

“I’ve chosen plants that have interesting shapes with lots of purples and limes as well as oranges. I want it to feel energetic. It’s about dance. 

“There has been a fashion at Chelsea for lots of calm, muted planting, but this design is not like that at all.”

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Stratford: Why Sadler’s Wells East is looking to young dancers for its first production

Summer workshops set to help find participants for first show Our Mighty Groove by Uchenna Dance

Vicki Igbokwe is reviving and refreshing Our Mighty Groove at Sadler's Wells East
Vicki Igbokwe is reviving and refreshing Our Mighty Groove at Sadler’s Wells East – image Matt Grayson

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Baptism” is the word Vicki Igbokwe uses to describe the inspiration for her show Our Mighty Groove.

Apt then that a refreshed and revived version of the work has been chosen to anoint Sadler’s Wells East as the first production to hit the stage at the new dance theatre when it opens next year in Stratford.

This summer Uchenna Dance – the company Vicki runs as creative director – is looking to young east Londoners to get involved with a series of workshops, leading to some participants taking to the new stage with the professional cast in 2023. 

Our Mighty Groove is inspired by the night I was baptised at an underground house club in the USA,” said Vicki.

“I’d been travelling to New York every summer from 2008 for a few weeks, because I’d discovered house dance and I wanted to learn.

“On this particular night I had just finished a house class and the teacher said that to really understand and get into the spirit of these styles, you had to experience them in their natural habitat by going to a club.

“When I got to this club, I got stage fright – everyone was amazing.

“They weren’t all professional dancers, just people who could boogie. Some were trained but others were just people who had maybe grown up with the dance as part of their culture.

“All my self-esteem evaporated. I had my back up against the wall of this club for what felt like six hours.

“Any time anyone came up to me I’d wave them away, saying: ‘Oh, no, no, I’m from London’.

“I can laugh about it now, but on the night I felt that I couldn’t do what they were all doing.

“So I watched this cipher in front of me – a dancers’ circle – with one person in the middle, giving it large, and other people cheering them on.

“Then I saw a person in a  pink balloon hat and somehow I could tell they weren’t going to take no for an answer. They got closer and closer, and I was thinking: ‘Gosh, gosh, gosh’.

“They didn’t say anything, just extended their hand. There was just something about that person which made me peel my back off the wall and they led me into the cipher.

“I got into the middle with all these amazing people looking at me, and I thought: ‘Sugar. I’ve got to do something’.

“So I tried to remember some of the steps that I’d learnt in the dance class. I had four moves, so I just repeated them. I thought I probably looked like a robot.

“But the amazing thing was that everyone around me made me feel like Janet Jackson, shouting and cheering me on.

“Something just clicked in me and I went from feeling I couldn’t dance to total freedom in my body – I just had the best night ever. I was one of the last people to leave the club, still in my moment. 

An artist's impression of Sadler's Wells East in Stratford
An artist’s impression of Sadler’s Wells East in Stratford

“It felt absolutely liberating, I felt good within myself, and it was a life-changing moment, not just for me as an artist, but as a person – a human being and a woman.

“I realised that when we feel good, we do good. That when you empower someone, even if they’re going to struggle with what they’re trying to achieve, they’re going to have so much more energy if they have that support.

“So that’s why I call it a baptism – I felt like I’d been reborn.

“I came to New York that year one way and I left a completely different person – not in culture – but in confidence, not just for myself but also thinking how I could enable other people to experience their own versions of that.”

Dance was not the most obvious path for Vicki.

“I was supposed to be a barrister,” she said.

“My dad was a barrister and my mum was a councillor in the Labour Party. They were Nigerian, so the choice was lawyer, doctor, engineer or failure and the fourth was not an option.”

Vicki, whose father had died when she was a child, became a carer aged 14, looking after her mother, who had become seriously ill, plus her three younger sisters. 

She battled through GCSEs and began studying A-Levels with the aim of becoming a barrister, but realised she was following her parents’ dream rather than hers.

Instead she enrolled on a BTEC in performing arts at a college where she discovered it was possible to study dance at university.

“To this day I believe my mum – may her soul rest in peace – paid my teachers to only talk to me about law or possibly becoming a teacher,” said Vicki. 

“So I went on to study dance at Middlesex University and then did some performing with Impact Dance and producing with East London Dance.”

Not satisfied with popping and locking, exposure to house styles in London in 2006 set her on her current path – something more “feminine, graceful and elegant” – with elements of waacking and vogue.

Following her stateside pilgrimages, she set up Uchenna Dance – derived from her Nigerian name that means God’s will – left a full-time job in the 2009 recession and started making work.

Vicki set up Uchenna Dance in 2009
Vicki set up Uchenna Dance in 2009 – image Matt Grayson

“We worked very much as a community group for the first year and a half, not really doing shows,” said Vicki.

“We did lots of rehearsals – I was exploring my movement vocabulary – looking at how I could fuse West African influences and contemporary dance.

“Our first professional show was Our Mighty Groove in 2013, which was at Sadler’s Wells so it’s such a big deal to be the opening show of the new venue at East Bank.

“I’m really excited, first because it’s such an honour but also to be working with young performers.

“For me that makes it extra special – to work in dance, to be giving these young people the opportunity to get to know themselves better whether they want a career as a performer or not.

“Some of those taking part in the workshops will be among the first people to be in the new building, to touch it, to be on the stage and in the dressing rooms. That’s something which is really exciting.”

Uchenna Dance will be running four workshops for young people interested in taking part in Our Mighty Groove in November next year.

Youngsters wishing to take part must either be living or studying in east London and be aged 16-21 on August 31, 2023.

“Those taking part can expect an introduction to dance, to who we are and to the styles that we work with,” said Vicki.

“This includes club styles such as house, vogue and waacking, along with West African influences.

“But most importantly the workshops will be a space where people can come as they are to learn to be inspired, because we, as artists and teachers, will also be learning from them.

“There will be connection, meeting, making friends and also a bit of a journey.

“Sometimes we work with people who just say that they can’t do what we do – that they’re not good enough. 

“We say that they should start where they feel comfortable.

“What we’re really good at is pushing people past their comfort zones.

“They’re often surprised and ask how they did it, but it’s all in them.

“In terms of the final show, this won’t just be a five-minute slot for the young performers, they will be part of it from the beginning right through until the end.”

Uchenna Dance’s Our Mighty Groove workshops are free and take place on August 8, 14, 18 and 27 at various times.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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