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Frazey Ford celebrates Indian Ocean album with new releases

Canadian singer has been set to perform at Black Deer In The City festival at Tobacco Dock before its shock cancellation

Singer songwriter Frazey Ford - image by Lauren D Zbarsky
Singer songwriter Frazey Ford – image by Lauren D Zbarsky

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**This interview with Frazey Ford was conducted before the cancellation of Black Deer In The City festival, which will now not go ahead at Tobacco Dock on October 25-26. All those who bought tickets should contact the organisers for a refund**

“My mum sang all the time when I was a little kid,” said singer and songwriter Frazey Ford.

“She sang harmony so she got me to sing melody, probably from when I was three years old.

“Music was just part of life growing up in Canada.

“When I was a bit older, I went through a difficult period and it was the only thing that kept me tethered to the world.

“That was when I committed to playing and singing more intentionally.

“From my early adult life I had groups including an Al Green cover band.

“The Be Good Tanyas was one of the six or seven bands I had in my 20s and that one randomly took off.”

Having met on the tree planting trail, Frazey teamed up with Samantha Parton and Trish Klein to release three albums of gothic, folksy Americana in the noughties.

“I was planting cedar, fir and pine,” said Frazey.

“If you grew up in this part of the world, tree planting is hard labour in the forest. It’s kind of like a cult, an alternative lifestyle. 

“You work hard for a couple of months, then you go to school or go travelling. It was a great way to get exposed to different things when I did it in the late 1990s.

“As a young person growing up in the mountains in a small community there were a lot of musicians but it was before social media and I didn’t know I could potentially make a living playing and singing.

“That wasn’t my plan. I just intended to find a job that would enable be to do art on the side – I knew I needed to write and play for my own wellbeing.

“It was a surprise when a band I was in took off, because it wasn’t what I had planned for at all.”

Frazey Ford is set to perform at Black Deer In The City festival at Tobacco Dock in Wapping - image by Lauren D Zbarsky
Frazey was due to perform at Black Deer In The City festival before its cancellation – image by Lauren D Zbarsky

Frazey Ford: solo artist

Frazey has continued to find success as a solo artist.

Heading in a more soulful direction in 2010, she released the album Obadiah – her middle name, chosen by her brothers in honour of a pet cat who’d run away – following up with Indian Ocean in 2014 and U Kin B The Sun in 2020.

Ahead of her London show, it’s the second of these two records that demands most attention, following the decision to release an Indian Ocean Deluxe Edition on vinyl and digital last month, a decade on from its creation.

In celebration, three unreleased covers from the same sessions are also getting a public airing.

For Frazey, it’s an opportunity to look back on a “strange, scary and surreal” time where she got to make music with some of her heroes.

“For me, bands and projects are all about different sides of myself,” she said.

“The stuff I wrote for the Be Good Tanyas is not very different from my solo work – it’s just the instrumentation that changes. 

“My parents were hippies so there was a lot of folk music around, but I also had a deep love of soul.

“When I moved away from the band, I spent more time exploring how to marry country and soul.

“More recently I’m influenced by funk.

“Sometimes things evolve and you don’t know what direction you’re going in.

“For Indian Ocean, a filmmaker and writer, Robert Gordon, reached out to me from Memphis.”

Frazey Ford's Indian Ocean Deluxe Edition - image supplied by Nettwerk
Frazey Ford’s Indian Ocean Deluxe Edition – image supplied by Nettwerk

recording in Memphis

At that time, Robert was working on a documentary on Memphis soul, which focused on Al Green and long-time producer Willie Mitchell’s creative home base, Royal Studios. 

“Robert had heard a song from Obadiah on the radio and recognised I was heading more towards soul and he emailed me to say he could set up a recording session with Al Green’s Hi-Rhythm Section – the musicians who played and co-wrote those songs I once covered,” said Frazey.

“I’ve always been obsessed with the sounds on those 1970s soul records.

“It’s the intimacy and sensitivity – the arrangements of the bands.

“You can hear everything separately but it’s all together at the same time.

“For the sessions, I didn’t just want it to be me with their sound – I wanted it to be a mid-point between the way I tell a story and the way they do.

Indian Ocean was born of that collaboration and I felt we married the sounds together – it was such an interesting experience for everyone.

“It was so strange, scary and surreal – it took me a while to feel comfortable, but they were so kind and welcoming.

“They said they had always wanted to collaborate with a country-folk musician – something they hadn’t had the opportunity to do before.”

Recorded at Royal Studios with brothers Charles Hodges on organ, Leroy Hodges on bass and Teenie Hodges on guitar – the architects of Al Green’s sound – the sessions yielded more than just the songs on the original release of Indian Ocean.

“It was wild to be with them – overwhelming and magical,” said Frazey.

“Whatever I brought to them, they responded with a lot of emotional feeling.

“I always record more than I release, and Indian Ocean was a career-defining album, so somebody suggested I do a 10-year anniversary release.

“I was poking around and found tracks that hadn’t been released, so I thought we should put out these B-sides as part of that project.

“I don’t release a lot of covers or love songs but this is a triptych – a nice little package from that era.

“About six weeks after the recording sessions, Teenie – who co-wrote Love And Happiness, one of the most beautiful songs I’ve ever heard and the reason I became obsessed with Al Green and his band – passed away.

“For this project, it was really special to go back to some of the memories of that time and to edit his parts and put out some more of his work posthumously.”

a trio of covers

The three bonus tracks listeners can now enjoy are covers of Otis Redding’s The Happy Song (Dum-Dum), Van Morrison’s Crazy Love and Ann Peebles’ Trouble, Heartache And Sadness.

“Teenie loved our version of Happy Song in particular,” said Frazey.

“That’s a big part of why I’m including these.

“It felt like I had his ghost on my shoulder saying: ‘You gotta put these tracks out’. It feels like we’re honouring him.

“I’ve been in the industry since the early 2000s, and it’s just got weirder and worse the whole time.

“It’s always been perilous and a potentially bad decision as a career no matter what, but you’ve chosen that path.

“I’m fine, I’m living a great life and getting to do what I love to do, so I don’t spend much time worrying about it.

“I ran into a friend recently and she was performing this beautiful show in a small cafe and she said that music is just music regardless, and we’re out there making art, because that’s what we do, and we’re going to do it no matter what happens.

“There might be all kinds of bullshit, but we’re still going to create things.

“Now I’m at a riper age, I get interested in other bands and young talent.

“I’ve started producing and want to help people. I’m a mum and I tend to mother these young artists. 

“There are really cute scenes with funky performers – 20-somethings – starting it all over again, and that’s inspiring.”

Frazey Ford’s Indian Ocean Deluxe Edition is out now on vinyl and digital via Nettwerk.

The three bonus tracks are only available as digital downloads.

key details: Black Deer In The City

Black Deer In The City at Tobacco Dock in Wapping, which Frazey had been due to perform at, was cancelled on October 1, 2025, after the last issue of Wharf Life went to press.

You can find out more about Frazey Ford here

Read more: Cody Dock becomes a keeper of the River Lea’s stories

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Theatreship embarks on a fresh season of melodramatic film

Isle Of Dogs floating arts centre continues collaboration with British Film Institute for free screenings and nights featuring live performance

Theatreship's Natalie Hill - image by Jon Massey / Wharf Life
Theatreship’s Natalie Hill – image by Jon Massey / Wharf Life

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When I arrive at Theatreship to interview Natalie Hill, the sun is shining bright.

Swans are gliding on the glittering waters of South Dock and all is right with the world.

But then I see the venue’s doors are closed, a thick rope strung forbiddingly across the steps up to the vessel’s deck.

A cloud falls across the sun and a chill steals across the last day of summer. Have I come on the wrong day?

Has something terrible happened to my interviewee? Is she OK?

Will I hit my deadline or will it be blank pages, hair torn out in frustration, spilt cold coffee on the floor..?

But I’m being melodramatic.

The sun quickly pops out as Natalie casually scoots up on her bike, locks up her mount and guides me on board.

It’s an apt beginning, though, as we’re here to discuss Theatreship’s latest collaboration with the British Film Institute as a venue for its Too Much: Melodrama On Film season.

Natalie has a long history with the moving image.

Despite studying law, her love of film won out and she embarked on a career in the industry.

Her first job was on a UK comedy called Large.

“With my degree, I do have a factual focus and I realised that, by making documentaries, I could marry my two strengths – looking at real stories and doing something creative with them,” she said. “I’ve now worked in factual TV for about 25 years. 

“I’m a producer and director and have made lots of different series like 24 Hours In A&E, Stacey Dooley Investigates and The Apprentice.

“Over the last four or five years, I’ve mainly focused on documentaries where I’m looking at the impact of something.

The Man With 1,000 Kids is the biggest thing I’ve worked on and one of the most impactful because, although Dutch sperm donor Jonathan Meijer’s actions weren’t illegal when I started making the documentary, it was incredibly shocking to find out that he’d got away with lying on such a massive scale to people around the world.

“Professionally I have a focus on telling stories that people will find interesting but that could also help make changes.”

The bar on board Theatreship - image by Theatreship
The bar on board Theatreship – image by Theatreship

curating creativity at Theatreship

While Natalie originally approached Theatreship with the idea of making a documentary about the project to open a floating arts centre moored on the Isle Of Dogs, her involvement quickly became something else.

As a boat dweller on the Island herself, she became the vessel’s head of film programming – a creator turned curator.

“It’s lovely, because I normally produce stuff and here I’m exhibiting other people’s work – that’s an absolute joy,” she said.

“I’m loving it, whether it’s introducing the films, serving up drinks or picking up stray kernels of popcorn.”

She’s masterminded and programmed a successful and growing series of Free Mystery Cinema Screenings on Wednesday nights.

Audiences don’t know what they’ll be seeing, but clues are given out in the run-up to each event and prizes dispensed for correct guesses.

Under her direction, Theatreship has also – from day one – forged a partnership with the BFI screening films alongside live performances for its Creative Worlds of Powell And Pressburger and Art Of Action seasons.

The organisations have also collaborated on a showing of independent seafaring films.

Natalie introduces a mystery screening at the venue - image by Adrian Sidor
Natalie introduces a mystery screening at the venue – image by Adrian Sidor

a cargo of cinema

“One of the main things about Theatreship, is that when vessels came into this dock historically, they brought new things and that’s what we wanted to do from a cultural perspective,” said Natalie.

“We also wanted to showcase vintage cinema to a fresh audience and bring hidden gems from the various genres to people’s attention.

“I’m very passionate about it and feel like a proud parent for what we’ve done for our forthcoming season.

“We’re calling it Never Too Much Melodrama On Theatreship because, for me, melodrama is all about intense emotion and visuals in film. 

“I think it gets a bit of a bad reputation because it’s seen as overacting, am-dram or prima donnas.

“It’s not about that at all, it’s about embracing that intensity.

“It could be as part of a psychological thriller or a war film or about love. It’s about really strong emotions playing out in front of you.

“Our completely Free Mystery Cinema Screenings from October 15 into December will form part of the season, although obviously I can’t tell you what we’ll be showing.

“I can say they’ll be new films, old films and films from all over the world – they’ll be dramatic and good.

“We’re also now doing Late Night Mystery Cinema on various dates.

“These are also free and start around 8.30pm, but will feature a slightly higher age rating and may be edgier, although they’ll still have warmth and integrity.”

 The programme for the BFI season starts on October 13, complete with live performances alongside the named screenings.

“We’ll have three Sapphic Cinema nights in collaboration with Abi Asisa, starting with Benedetta (18) – the story of a 17th Century nun in Italy who develops a passionate and forbidden lesbian affair with a fellow novice – on October 13,” said Natalie. 

“We’ll also be having a mini-season called All About Almodovar on Sundays, starting with Law Of Desire (18) on November 2.  

“He is seen as a living legend of melodrama – Pedro Almodovar’s films are always so passionate, so intense.

“They’re rather like the juicy storylines you get in a soap opera, but on film and from a really revered director.

“Again, each screening will be paired with a live performance.

“Another highlight will be the The Umbrellas Of Cherbourg (U) on November 18, which recently celebrated its 60th anniversary.

“That’s a glorious Technicolor musical and we’ll be having live music from Naomi Banks, an incredible jazz singer who can perform in French, Spanish and English. 

“That film – as a musical – might be seen as a bit cheesy and old-fashioned, but it’s really not. It’s got some really intense storylines in it.

“So many films have been influenced by it like La La Land and Barbie.

“We’ll also be showing Wong Kar-Wai’s 2046 (12A) alongside short film I Am Alive by Jun Chew on December 7.

“The former follows a cynical writer in 1960s Hong Kong who revisits his past through a series of fleeting romances, all the while weaving his memories into a sci-fi novel about a futuristic train that travels to the year 2046.”

For Natalie, the importance of film at Theatreship is in offering audiences a different way to enjoy the medium.

“Because there are so many ways to watch now, people are overwhelmed,” she said.

“Let us make the choice, so you don’t have to.

“Watching long films in a cinema setting is great – you’re not distracted by your phone, so you can just engage with what’s on screen.

“When I’m programming, it’s hard because there are just so many to choose from, but I’ll get round to all the ones I want to show eventually. 

“I often look for films that have a bit of underdog to them – when there’s only a small budget and a small team but someone’s done something really special.

“Sometimes it’s about looking for films that might have won critical acclaim but been missed or approaching others from a different angle.

“For example, we screened Buster Keaton’s One Week but with an introduction looking at the part played by Sybil Seely in the film.”

Audience members watch a film on board the floating venue - image by Theatreship
Audience members watch a film on board the floating venue – image by Theatreship

key details: Too Much Melodrama On Film at Theatreship

Full information and booking details for all film shows at Theatreship during its Too Much: Melodrama On Film season, including the mystery screenings, can be found on the venue’s website.

Read more: Amazing Grace to open second site at 12 Bank Street

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Amazing Grace brings live music, food and drink to Canary Wharf

K&G Hospitality set to open brand’s second on the lower levels of 12 Bank Street on Eden Dock

12 Bank Street in Canary Wharf will soon be home to Amazing Grace - image by K&G Hospitality
12 Bank Street in Canary Wharf will soon be home to Amazing Grace – image by K&G Hospitality

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When K&G Hospitality co-founders Vineet Kalra and Ricardo Guimaraes looked at the empty space on the ground floor of 12 Bank Street in Canary Wharf, they saw possibility.  

Having found success with Amazing Grace – a 17th century church a few doors down from London Bridge station that they’ve transformed into a thriving live music venue, bar and restaurant – the pair were on the lookout for a place that could be the next iteration of that brand.

Inside Japanese architect Jun Aoki’s rippling silver pavilion on Eden Dock, they found it and, on October 24, 2025, will open as one of three new offerings set to bring the building to life. 

Its top floors will be taken by opulent hotel brand House Of Gods, while Broadwick’s Landing Canary Wharf will offer serious square footage and flexibility for events.

But the ground floor will be something altogether different – a powerful blend of free live performances, Asian flavours and cocktails.

An artist's impression of the venue's covered terrace - image by K&G Hospitality
An artist’s impression of the venue’s covered terrace – image by K&G Hospitality

“Guests will enter Amazing Grace Canary Wharf via the middle of the three entrances to 12 Bank Street,” said Ricardo, who cut his teeth in hospitality during a spell at massive hotels in New York, eventually meeting Vineet when they both worked at co-living startup, The Collective.

“Inside we’ve taken some inspiration from the church – we’ll have arches behind the stages. The walls will be blue and cream with lots of photographs of artists who have played at Amazing Grace. 

“There will also be a DJ booth and guests can watch the show at ground level or from the mezzanine. We also have a covered terrace for people to enjoy year-round.

“For the food, we have our executive chef Lucien Green, who’s been working with us for the past two years and was responsible for training the chefs at Jamie Oliver’s Fifteen project. 

“The menu will be Asian-influenced, but we’ll also be offering bar food including burgers and wings. We tend to get a lot of larger groups so we’ll also have big platters to share.

“At the bar we’ll have a classic cocktail list with some more fun modern creations and we’ll stock about 20 or 30 wines from all over the world.

“We’ll have Prosecco, of course, because everybody loves it, as well as English sparking wine and Champagne. For parties and events we can also offer canapés.”

K&G co-founder Ricardo Guimaraes always wanted to own his own live music venue - image by Jon Massey / Wharf Life
K&G co-founder Ricardo Guimaraes always wanted to own his own live music venue – image by Jon Massey / Wharf Life

free live music at Amazing Grace

 Central to Amazing Grace’s proposition, however, is its rolling programme of free live entertainment – a first for the Wharf in terms of regularity and diversity of programming.

“Each day will be different,” said Vineet, who worked in accountancy before making the move into hospitality, overseeing hotels in Europe.

“On Monday we’ll have acoustic acts, Tuesdays will be cabaret night, Wednesdays will be live band karaoke – so guests can go on stage and sing with the band.

“That’s become super-popular at London Bridge.

“Then on Thursday, Friday and Saturday, we’ll have more acoustic acts, party bands and DJs into the early hours.

“We have a late licence until 3am and, while we might not be open that long when we start out, we’re hoping to get there.

“We just want people to think of Amazing Grace in Canary Wharf as a fun place to be. Opening here will be a proud moment for both of us and this is a flagship location.”

The venue will also be offering The F*cking Fabulous Brunch, which promises “wild energy and unforgettable vibes” from 2pm-6pm on Saturdays.

Diners can expect two courses and 90 minutes of bottomless drinks for £65 per person with dancing, live entertainers, musicians and DJs. 


An artist's impression of the main stage at Amazing Grace in Canary Wharf - image by K&G Hospitality
An artist’s impression of the main stage at Amazing Grace in Canary Wharf – image by K&G Hospitality

different things to different people

The design of the new venue, which has a total capacity of 450 people, has flexibility hard-wired into its structure.

The mezzanine level boasts a separate kitchen so it can operate as a standalone events space without conflicting with normal service. 

The main space tapers away toward the back creating quieter areas for dining and catch-ups and the terrace directly overlooking the dock promises further sanctuary or the possibility of pop-up semi-outdoor performances.

There’s a sense Amazing Grace could be many different things to different people all at the same time or a single blockbuster space depending on what’s happening on its stage. 

“Very early in my career, I did an internship at The Sheraton in New York – the hotel had 1,700 bedrooms, five bars and more than 100,000sq ft of event space,” said Ricardo.

“Simon and Garfunkel were doing gigs downstairs – there were always different things going on the whole time.

“I love music – I used to go to Ronnie Scott’s when I was young, and to the Blue Note in New York – I always wanted to have my own venue, something similar to those places but with its own identity and that’s Amazing Grace.”

K&G co-founder Vineet Kalra - image by Jon Massey / Wharf Life
K&G co-founder Vineet Kalra – image by Jon Massey / Wharf Life

entertainment at Amazing Grace

Vineet added: “We really started as a live music venue and then worked out what was popular.

“With Friday or Saturday nights, we programme something internally and work with third parties to run the other nights for us.

“Essentially, we’re a multifunctional space that’s very flexible.

“People might come for the food and stay for the music, or the other way around.

“We’ve become known for our projections behind the acts and we’ll definitely be bringing those to Canary Wharf.”

K&G is also working on another project within one stop of the estate.

Vineet and Ricardo have teamed up with Meantime to open a new taproom on Greenwich Peninsula in the spaces once occupied by Craft restaurant.

Following its takeover by Asahi, The Dial aims to give the brand a fresh presence in its birth borough following the closure of its original brewery.

“It’s going to be a taproom, micro brewery and a sports bar and event space,” said Vineet. “Split over three floors, it’s right outside North Greenwich station.”

More on that when it opens…

The venue's mezzanine space will have its own kitchen facility to cater for private hire bookings - image by K&G Hospitality
The venue’s mezzanine space will have its own kitchen facility to cater for private hire bookings – image by K&G Hospitality

key details: Amazing Grace Canary Wharf

Amazing Grace’s Canary Wharf live music bar and restaurant is set to officially open its doors on October 24, 2025, at 12 Bank Street.

Find out more about the venue here

Read more: Cody Dock becomes a keeper of the River Lea’s stories

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Diwali Greenwich Peninsula celebrations to focus on dance

Festival of lights set to bring movement, workshops, food, drink and music to south-east London

Visitors are encouraged to participate in a Group Traditional Dance to mark Diwali - image supplied by Knight Dragon
Visitors are encouraged to participate in a Group Traditional Dance to mark Diwali – image supplied by Knight Dragon

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“Diwali is a celebration of light, joy and togetherness – and this year’s programme brings that spirit to life in a new format,” said Laura Flanagan, director at Greenwich Peninsula.

“We’ve worked closely with independent traders, artists and performers to create a day that honours South Asian heritage and showcases the richness of its traditions. 

“This vibrant celebration reflects our diverse community, and we welcome people from all over London to join in and spend the afternoon eating, dancing and creating.”

Greenwich Peninsula’s forthcoming Diwali celebrations are set to take place on October 18, 2025, from 2pm to 7pm.

Free and family-friendly, the day will feature a range of activities including a group dance by Garba performers and Dhol drummers.

Visitors and local residents are invited to Peninsula Square, Design District and Barton Yard to help celebrate the festival of light.

Here’s what’s happening:

Lantern Making Workshop

Sales And Lettings Suite, Peninsula Square – 2pm-3.20pm

Join this drop-in, hands-on workshop to design your own mini triangular lantern using willow sticks, tissue paper and yarn. 

Led by professional lantern artists, the session offers a fun and creative experience for all ages, with all materials provided.

Under 16s must be accompanied by an adult. 

In 15–20 minutes, participants can craft a personalised lantern to take home or add to the festive display in Peninsula Square.

No booking required.

The celebrations will include a vibrant procession with Dhol drummers - image supplied by Knight Dragon
The celebrations will include a vibrant procession with Dhol drummers – image supplied by Knight Dragon

Dance Rehearsals

Canteen Courtyard – 2.30pm-3.30pm and 4.30pm and 5.30pm

Join expert dancers to learn the joyful steps of Garba and the playful rhythms of Dandiya Raas in open rehearsals designed for all abilities.

These are suitable for ages 10+ and under 16s must be accompanied by an adult

These sessions celebrate the rich and diverse audiences of Greenwich Peninsula, inviting everyone to take part in the evening’s group dance. 

No experience is required – participants just need to bring their energy and get involved.

Dandiya Stick Decorating

Sales And Lettings Suite, Peninsula Square – 4pm-5.50pm

Get hands-on with a pair of Dandiya sticks – short, decorated bamboo poles used in traditional Gujarati folk dances. 

Embellish your own set with colourful trims and festive flair, ready to join the group dance or take home as a joyful keepsake.

No booking is required for this drop-in session.

Group Traditional Dance

Starts Peninsula Square, ends Barton Yard – 6pm-7.15pm

Join a vibrant procession led by illuminated rickshaws, Dhol drummers and Garba dancers in traditional costume as it winds through the Design District. 

Under a canopy of light, take part in a group dance that unfolds in three parts – Dandiya Raas, Garba and open free dancing, the heart of the celebration.

The event will also feature a South Asian street food market from noon-8pm in Peninsula Square and Bollywood beats and desi DJs from 4pm-9pm at Canteen Food Hall And Bar to keep the party moving.

DJs will perform at Design District's Canteen Food Hall - image supplied by Knight Dragon
DJs will perform at Design District’s Canteen Food Hall – image supplied by Knight Dragon

key details: Diwali at Greenwich Peninsula

Diwali celebrations on Greenwich Peninsula are set to take place on Saturday, October 18, 2025, from 2pm until 7pm. 

All workshops and performances are free to attend.

Find out more about the celebrations here

Read more: Cody Dock becomes a keeper of the River Lea’s stories

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David Bowie Centre delivers astonishing archive to the public

With 90,000 objects in its collection, the V&A Storehouse-based facility makes the granular detail of Ziggy Stardust, The Thin White Duke and so many more available to view for free

The David Bowie Centre at V&A East Storehouse - image by David Parry / PA Media Assignments
The David Bowie Centre at V&A East Storehouse – image by David Parry / PA Media Assignments

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“This archive, which has 90,000 items in it, shows David Bowie as an interdisciplinary artist, musician and cultural icon – an advocate for self-expression and reinvention,” said Dr Madeleine Haddon, curator at V&A East.

“The David Bowie Centre makes this collection accessible to everyone.”

As she speaks at the launch of the dedicated, permanent exhibition space, a huge video wall plays clips from the artist’s long and storied career.

There’s a flavour of worship about the place, perhaps even deification.

Madeleine speaks of Bowie’s wide and far-ranging impact on other artists, his varied creative processes and his willingness to experiment and collaborate with others in a reverent fashion as we gaze up into the mismatched eyes of the Thin White Duke, Ziggy Stardust and the rest. 

In many ways, it’s not an unreasonable response. One of Bowie’s singular drives, it seems, was a desire to constantly archive and catalogue his endeavours.

This is evidenced by the artist’s numerous yellow post-its suggesting classification and categories that adorn much of the material. 

Thus the David Bowie Centre at V&A Storehouse in the Queen Elizabeth Olympic Park’s Here East campus might, in some senses, be viewed as the one true repository of the icon’s relics. 

A visitor considers exhibits on show at the new centre - image by David Parry / PA Media Assignments
A visitor considers exhibits on show at the new centre – image by David Parry / PA Media Assignments

the exhibits on show at the David Bowie Centre

“Behind me is a two-hour long film that traces Bowie’s live performances, music videos arranged chronologically, so you can see his evolution as a performer,” said Madeleine. 

“We also have in here 200 objects from the archive that are on display, that trace his life and career, his creative processes arranged in these nine bays that look at his transformative creativity as a musician, a visual artist, a writer, designer and actor.

“Six will be on display for two years while the objects in the other three will rotate every six months in dialogue with contemporary issues we are exploring across V&A East.”

These are diverse altars of public worship, with costumes, notes and slices of his life.

Nile Rogers – who produced Bowie’s biggest-selling hit, Let’s Dance – has guest curated one, while another features Omikron: The Nomad Soul, a video game from 1999 that David did the music for, as an example of his futurism.

There’s lots to inspire and divert here, but really these displays are just a nod to the real function of the centre, one only made possible by its subject’s near fanatical amassing of his own story and its artefacts. 

This is the astonishingly rare opportunity to really delve deeply into the granular residue of his creativity. 

The centre includes a dedicated study room where anyone – not just academics and researchers – can, for free, order any item in the archive to view by appointment.

This is an extension of a service that’s available throughout the V&A’s massive collections.

Due to the depth of the Bowie archive, however, this presents a tantalising prospect for enthusiasts. 

Of the 90k objects in the archive, 70k are pieces of paper that David and his team had already organised to some extent.

There are hand-written song lyrics, annotated scripts and sketches of ideas, costumes and props for various projects.

Their existence means that, for much of Bowie’s extensive output, there’s background material available to the public – concepts that never made it, comments from the time of creation and thoughts on the future.

Costume designed by Mark Ravitz and David Bowie, worn by David Bowie, to perform Man Who Sold the World, on Saturday Night Live in 1979 - image courtesy of the V&A
Costume designed by Mark Ravitz and David Bowie, worn by David Bowie, to perform Man Who Sold the World, on Saturday Night Live in 1979 – image courtesy of the V&A

the chance to dive deep

At the centre’s launch event, for example, I’m shown a series of designs for clothing and puppets to be used on Bowie’s 1979 appearance on Saturday Night Live with Klaus Nomi and Joey Arias as backing singers.

It’s the one where he sang The Man Who Sold The World

There really is a thrill in seeing simple sketches by someone who achieved such success in their lifetime juxtaposed with the kind of doubtful notes we all might make on a pad of paper.

The crossings-out are a light reminder that Bowie was human, after all. 

But the centre offers more than this.

Also in the study room when I visit is the actual costume Bowie wore for the show.

Modelled after Nomi’s aesthetic, the angular tux prevented David from walking, so he had to be placed before the mic by his artistic accomplices at the start of the performance.

This is the magic. The opportunity to see one-to-one designs springing so vibrantly off the page and into reality.

There’s a feeling visitors could, with a bit of research, replicate this with so many of the objects in Bowie’s archive, discovering the origin story of each piece.

A V&A Collections Access Officer handles a life mask by William Forsche of David Bowie’s face painted to resemble his makeup from Aladdin Sane – image by David Parry for the V&A
A V&A Collections Access Officer handles a life mask by William Forsche of David Bowie’s face painted to resemble his makeup from Aladdin Sane – image by David Parry for the V&A

archiving himself

“Bowie saved everything from scribbled notes to elaborate sketches and is a powerful reminder that no idea is too small and that the creative process is worth documenting at every stage,” said Madeline.

“You get to see that behind the scenes here at the David Bowie Centre.

“This approach is one that is a rich legacy for all artists in all disciplines and all backgrounds who we hope will come and visit us here.”

It’s worth noting, perhaps, that while the Bowie archive does lend itself to detailed exploration, those visiting Storehouse who simply wish to drop in will still be rewarded. 

The centre works on many levels. There are easily accessible copies of some of the archive’s popular documents on show and the bays of exhibits to enjoy.

There’s also the seemingly endless barrage of images from the video screen and an especially curated soundtrack of Bowie’s songs. But most of all, visitors will be left with the unmistakeable impression of complexity. 

As an artist known for his constant reinvention, seeing the working behind the illusion only impresses at the sheer relentless energy it must have taken to achieve so much. 

Asymmetric catsuit David Bowie wore as Ziggy Stardust, designed by Kansai Yamamoto in 1973 - image courtesy of the Victoria And Albert Museum
Asymmetric catsuit David Bowie wore as Ziggy Stardust, designed by Kansai Yamamoto in 1973 – image courtesy of the Victoria And Albert Museum

key details: David Bowie Centre

Entry to V&A Storehouse at Here East in the Queen Elizabeth Olympic Park is free and includes access to the David Bowie Centre. 

The museum is open from 10am daily and usually closes at 6pm except on Thursdays and Saturdays when it’s open until 10pm.

Find out more about the new centre here

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Third Space Canary Wharf launches Hyrox Training Space

Dedicated studio created along with five discipline-focused classes to help members train for the popular fitness events

The Hyrox Training Space at Third Space Canary Wharf has facilities for members to train all the challenges they will face in a full race - image by John Payne
The Hyrox Training Space at Third Space Canary Wharf has facilities for members to train all the challenges they will face in a full race – image by John Payne

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Hyrox is a juggernaut.

When the German-founded fitness race first took place at Excel London in 2021 – its UK debut – just 613 people took part.

In 2023, that was 24,000 and, for this year’s December event, the number of athletes competing is expected to be around 40,000.  

For the first time, contestants will use a 1km indoor course at the Royal Docks venue, running a total of 8km while completing eight fitness challenges between the laps.

It’s a discipline that’s caught the minds of gym-goers and, with its finger on the pulse, an opportunity for Third Space Canary Wharf.

Europe’s largest luxury health club recently unveiled its Hyrox Training Space, a studio facility specifically tailored to those following the discipline, complete with a six-lane sled track, SkiErgs, rowing machines, treadmills, and a full suite of functional equipment.

As an official training partner, the club’s timetable has seen five classes brought in for members aimed at honing different aspects of fitness for those preparing for events or working their way to taking part in future.


Third Space sport and performance master trainer, Chris Stanton - image by Jon Massey / Wharf Life
Third Space sport and performance master trainer, Chris Stanton – image by Jon Massey / Wharf Life

bringing Hyrox to Third Space Canary Wharf

“We saw that people training in the gym were increasingly adhering to Hyrox protocols,” said Chris Stanton, sport and performance master trainer at Third Space.

“We wanted to provide the best environment for those individuals to train, all together in one space.

“We know people want to be part of something as it grows and it’s great we’re able to stay at the forefront of innovation and trends for our members at Third Space. 

“Everyone leading the business is immersed in fitness and wellbeing and that allows us to rapidly make decisions to put in new facilities in response to what’s happening – responding to member feedback.

“With Hyrox, we were one of the first affiliate clubs.

“That gives us access to their courses for our coaches and the partnership is very strong.

“They’ve already expressed an interest in filming in the studio and some of their staff have come down to visit.

“It’s a thriving collaboration and they see us as an organic part of their event.

“It allows us to tap into what they’re doing and to get early access codes for our members who want to attend their events to compete.”

The partnership is about more than sexy neon lights.

Third Space’s suite of classes is laser-focused on resulting in a positive performance.

That’s something that taps into Chris’ own hybrid career.

While sporty as a youngster, his other passion led to a career in acting and musical theatre (his mum was a big Gene Kelly fan), which included spells on stage in the likes of High Society and three years in the cast of Legally Blonde.  

“A little over 10 years ago, I did my first triathlon and was involved in health and fitness alongside my theatre and film work,” he said.

“In 2019, when my son was two, I made a conscious decision to pursue a fitness career – I felt I was just missing out on the more routine parts of being a dad.

“In 2020, I was offered this role and I find real satisfaction in it – I’m leading classes, I’m involved with education for our trainers and our creative programming.

“There’s a skillset that comes across from the discipline and adaptability of an actor and I see that when other performers come into the industry too – they have the ability to present and to keep the show going.”

As Hyrox is a relatively new discipline and a sport that’s still very much growing and evolving globally, the question of how to train for the events is also a developing field.

However, Chris and the team, in partnership with Hyrox, are delivering a programme that’s aimed at putting Third Space members on the cutting edge of the contest.

The dedicated studio includes six sled lanes - image by Jamie McGregor Smith
The dedicated studio includes six sled lanes – image by Jamie McGregor Smith

enjoyable and challenging

“The first time I did an event, I thoroughly enjoyed it, even if it was extremely challenging in certain areas,” said Chris.

“From the moment you cross the start line and run 100m, you’re really on your own despite all the other people.

“You might recognise one or two faces on your way but you quickly get immersed in the challenges.

“Then, when you come to the finishing line you just feel phenomenal.

“My first event was tough, but I also realised, from a sporting perspective, it was something you could train for and potentially make big gains.

“How can you find an extra 2cm in a jump? How can you get a bit of extra speed?

“How do you boost your anaerobic strength, power and endurance, your aerobic ability and then find consistency? 

“We have five different class concepts within Hyrox to help members try and answer some of those questions.

“Hyrox Run tackles the biggest part of the race – it’s 50% of the event, so you need to be effective.

“Hyrox Power is about 75% cardio-focused, with 25% spent on movement and skill with a high metabolic output.

“Hyrox Power is a combination of endurance and making sure participants can dominate the various stations.

“Hyrox Train is a 12-week progressive programme aimed at developing functional fitness to get race ready. 

“Finally, Hyrox 90 is our most popular option – 90 minutes is an average time for people to complete a race and the class is about participants understanding how they can get past an hour of work.

“It’s not necessarily a simulation of a race but is structured around working blocks with a desired outcome.”

Third Space Canary Wharf offers members five classes specifically aimed at preparing them for Hyrox - image by John Payne
Third Space Canary Wharf offers members five classes specifically aimed at preparing them for Hyrox – image by John Payne

crossover benefits

The Hyrox classes can, of course, also be an end in themselves.

The physical and mental gains have a great deal of crossover with other sports and can simply be enjoyed in isolation as part of a wider fitness programme. 

Chris said: “There’s a direct correlation, for example, between training for Hyrox and triathlon.

“Developing an engine is a true aerobic ability and applies to many different sports. 

“The most enjoyable aspect of coaching for me is when I connect with an individual and see them change and realise their goal. That I helped facilitate this is amazing. It’s about challenging people, giving them choices and making it fun. 

“Not everyone will reach the highest levels of performance but health-wise, Hyrox is about efficiency and discovering different ways to do things – everyone will get from A to B in varying ways.

“As for the event itself, the fact Hyrox takes place indoors in a closed environment is so special. 

“There’s a lovely moment when you’re doing an event where it feels as though you’re interacting directly with spectators because you’re so close to them – you’re not in an arena.

“It’s amazing for them too because they can see everything that’s happening.”

Hyrox races see participants run 8km, undertaking a fitness challenge after every 1,000m - image by John Payne
Hyrox races see participants run 8km, undertaking a fitness challenge after every 1,000m – image by John Payne

key details: Third Space Canary Wharf

Membership at Third Space Canary Wharf costs £245 per month inclusive of all classes including Hyrox-focused sessions and all fitness facilities.

The Wharf membership also covers full access to Third Space Wood Wharf. 

Recently Third Space also launched Recovery and Recovery Plus memberships for those seeking to regularly access its Red Light, Cryotherapy and Vibroacoustic Bed facilities, all available at its Canary Wharf Recovery Spa.

These start at £115 per month.

Find our more about the new training space here

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Excel London expansion is historic moment for UK’s events offering

CEO Jeremy Rees says the 25% boost in space and new facilities are already proving popular with organisers and brands, bring prosperity to the capital and Newham and the Royal Docks

This image has an empty alt attribute; its file name is 2.-L-R-Jeremy-Rees-Howard-Dawber-and-Humaid-Matar-Al-DhaheriWEB.webp
Excel London CEO Jeremy Rees, left, is joined by deputy Mayor Of London for business Howard Dawber, centre, and Humaid Matar Al Dhaheri, chairman of Excel London and managing director and Group CEO of ADNEC Group at the new venue’s first event - image by Excel London
Excel London CEO Jeremy Rees, left, is joined by deputy Mayor Of London for business Howard Dawber, centre, and Humaid Matar Al Dhaheri, chairman of Excel London and managing director and Group CEO of ADNEC Group at the new venue’s first event – image by Excel London

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People of greater seniority, plus time, results in events that do more for those attending and their organisers.

It’s this equation that underpins the expansion of Excel London in Royal Docks and the reason it’s already proving popular with brands from across the world.

Opened earlier this summer, the new facility saw early action hosting Formula E as its debut. 

Built by Canary Wharf-based McLaren Construction, the extra 25,000sq m of space boosts the venue’s overall capacity by 25% to 125,000sq m.

That’s golden acreage for organisers to use, especially with the Elizabeth Line working as a major artery to deliver an ever increasing flow of people to the venue.

Excel London's expansion massively expands the venue to the east - image by Excel London
Excel London’s expansion massively expands the venue to the east – image by Excel London

a crucial transport link

“Since it started running and now everyone’s become familiar with it, visitor numbers have 

risen 20%, dwell time has gone up by 20% and there are substantially more senior people from organisations coming to events here,” said Jeremy Rees, CEO of Excel London. 

“The data is now backing up what we’ve been observing.

“If we’re in the business of connecting people, we’re doing that with an audience that’s a fifth bigger, is more senior and for a period of time that’s 20% longer.

“That multiplier effect is very substantial.”

With such positive figures as a foundation, it’s perhaps little wonder that an enhanced Excel is proving very popular following the introduction of the new facilities.

The extension includes an expanded international convention centre – allowing the venue to compete to host some of the largest congresses in Europe – as well as new exhibition halls, conference spaces and meeting rooms.

It is part of a wider £350million investment programme in London’s business and tourism economy by venue owner ADNEC Group.

The new facility includes outdoor terrace spaces - image by Excel London
The new facility includes outdoor terrace spaces – image by Excel London

a transformational expansion

“Our customers are saying the extension transforms the way they can use Excel,” said Jeremy.

“There are 37 rooms, you can have 7,000-8,000 delegates in the new space alone in a very cost-effective and efficient way.

“By using its external terraces, organisers can also create more of an emotional impact.

“Around 60% of our corporate market now is coming out of the USA – large tech, pharma and life sciences events.

“It’s exactly for them that we have built this facility.

“The encouraging trend is that they like it, they’re booking it and they’re going to be bringing tens of thousands of people to London for the first time.

“The market is speaking, everyone is moving forward with intent and the space is already getting booked up.

“It will be fascinating to see what happens over the coming months.

“Our owners in Abu Dhabi are wholeheartedly committed to investing in the experience economy in London.

“They’re extraordinarily proud of what’s been achieved so far.

“Opening the extension was definitely a history-making moment.”

Excel recently hosted Formula E - image by Excel London
Excel recently hosted Formula E – image by Excel London

Excel London: creating a halo effect

There’s a wider story here, however.

While greater provision of facilities at the venue is good news for Excel, its owners and their clients, the benefits extend well beyond its walls.

“The new facility is a very substantive step forward in terms of regular employment and profile for the area and I think the halo effect will continue to ripple through the estate and further afield into Newham and the surrounding boroughs,” said Jeremy.

“It’s an increasingly attractive proposition to invest in hospitality and the experience economy in and around Excel. 

“When you look at Canary Wharf and London City Airport, the wealth building agenda in Newham and beyond with the GLA, there is a really coherent strategy to maximise the experience for visitors and the returns of investors and investees in London.

“There’s a real sweet spot at the moment and there are big players investing heavily in infrastructure – we’re one of those – to make sure as a city we stay ahead of the game compared to our European competitors.

“We’re already leading Europe and, globally, with this new facility, we are very much in the top percentile of venues that have everything to offer – exhibition and convention space, amazing transportation as well as fantastic hospitality offerings.

“My sense is that, until the next venue is completed in a tier one city, Excel is the place to come to.

“It’s fashionable, practical and commercially resonant for everyone that uses it.

“This new extension allows us to present a new kind of space that’s not existed in London before – it’s genuinely transformational for the city.”

 Excel, of course, isn’t standing still.

Future plans include investment in its digital infrastructure, its hospitality offering and outside areas.

This will build on the success of Immerse LDN, a series of spaces of chapters on the edge of the dock that have been generating a steady stream of visitors to immersive attractions celebrating the likes of Formula 1, Egyptian history, Friends and Squid Game

“There are regularly around 6,000 people a day visiting these and they’re here for a very different purpose than those coming to events at Excel,” said Jeremy.

“They are coming to be entertained, for fun, for enjoyment and they’re bringing their families.

“It means bars and restaurants can build really quite compelling business cases to locate here with consistent trade flowing though on a daily and weekly basis. 

“It’s not just Monday-Friday, it’s also the weekends and it extends into the evenings too. In terms of driving a more vibrant estate, it brings life to these spaces on a consistent basis.

“I believe London has deserved more substantive, more modern and flexible infrastructure and it now has that.

“We all need to work very closely together to attract more inbound business, which ultimately creates a substantial effect throughout the visitor economy, advantaging so many of our businesses and organisations.”

key details: Excel London

Full venue details for those interested in hosting events at Excel London can be found on its website alongside extensive listings detailing what’s on in Royal Docks.

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Kew Bridge Rise offers highly connected homes in a vibrant area

Case study: Music producer Devesh Sodha bought at The Hill Group scheme because of its views, design and a wealth of local amenities

Kew Bridge Rise buyer Devesh Sodha - image supplied by The Hill Group
Kew Bridge Rise buyer Devesh Sodha – image supplied by The Hill Group

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Connectivity is often at the top of buyers’ lists when searching for a home in London.

Fortunately, the capital’s transport system unlocks a wide range of locations, allowing for rapid transit from north to south as well as east to west.

Take Kew Bridge Rise, for example.

The west London development is located within easy walking distance of both Gunnersbury and Kew Bridge stations.

From the former, Canary Wharf is a little over 40 minutes away.

Located south of the vast green open spaces of Gunnersbury Park and over the river from Kew Gardens, The Hill Group’s scheme  offers one and two-bedroom apartments in five buildings with prices starting at £437,500.

For one buyer, in addition to the transport, the decision to move to the development was also about the attractions of the local area.

“As soon as I saw the apartment, I fell in love with it – the space and layout are lovely, and the kitchen is great,” said Devesh Sodha, a music producer who has relocated to Kew Bridge Rise from Leicester.

“The balcony view and the winter garden feel like a huge bonus.

“Every morning, we go out onto the balcony and drink in the view with our coffee. It’s the perfect way to start the day. 

“Plus, we have the winter garden on the other side of the apartment, overlooking central London.

“That’s an incredible view at night, with the London skyline lit up. 

“We can see the London Eye, the Shard and everything, so we have these amazing views of the Thames and the city all around.”

Devesh had originally tried to buy an apartment in Acton, but a series of unexpected delays meant the purchase fell through.

He said he was glad about the way things had worked out in the end, after successfully buying a two-bedroom property.

He’s now renting the second bedroom to a friend – a composer he met while on a mastering course in France who was also on the hunt for a home in a lively neighbourhood.

A show home interior at Kew Bridge Rise - image supplied by The Hill Group
A show home interior at Kew Bridge Rise – image supplied by The Hill Group

a vibrant area

“There’s a great culinary scene here and some lovely pubs,” said Devesh. “I’m a big foodie and have already found an instant favourite restaurant, Q Verde. 

“It’s a little, family-owned Italian restaurant.

“The people are just lovely and it’s the best pasta I’ve ever had. 

“The Express Tavern is nice too – we went there to get to know our neighbours, which was brilliant.

“It’s a very friendly and safe community, and there’s an exciting buzz to it.

“There’s always something fun going on and the area is so full of character.

“It all worked out for the best. We love the apartment – it’s a comfortable space and the local environment is just what we wanted.

“We’ve got everything from a main Sainsbury’s for big shops to all these little independent stores, which are great for browsing and picking up bits and pieces. 

“It’s a good place to feel inspired, too. The apartment balcony, in particular, inspires creativity and a sense of connection with the city.

“A lot of my clients are in Los Angeles, so I need to work in that time zone.

“Being in an area that suits my schedule was really important. 

“I’ve always liked West London and you get a decent amount of space for your money here. It’s a great area with so much happening locally.”

Kew Bridge Rise features landscaped communal spaces - image supplied by The Hill Group
Kew Bridge Rise features landscaped communal spaces – image supplied by The Hill Group

buying at Kew Bridge Rise

Devesh also had strong praise for the process of buying at Kew Bridge Rise.

“The customer service has been excellent from the get-go,” he said.

“The Hill team is very knowledgeable and helpful, without ever being pushy.

“They were happy to offer us a decent incentive for buying.

“With the recent stamp duty change, we were facing a big hike of up to £11,250. 

“When we mentioned it to Hill, they offered to cover it. The resulting reduction in stress was enormous.

“The solicitor that Hill recommended was also highly efficient.

“We completed in about three weeks, with a smooth process and great communication at every stage. 

“We’re thrilled to be here. Buying such a high-quality new home means we’ve been able to move and settle in quickly. 

“It has given us the peace of mind to simply come here and start living.”

Buyers at Kew Bridge Rise can expect open-plan apartments with full-height windows, Amtico flooring and balconies or winter gardens.

The development is close to a wealth of amenities including the likes of Wyke Green Golf Club, Royal Mid-Surrey Golf Club and Richmond Park Golf Course, the shops and restaurants of Chiswick High Road and Kew Retail Park.

It’s also within a 20-minute walk of three nursery and primary schools, all rated outstanding by Ofsted as well as being within five kilometres of two similarly lauded secondary schools.

Apartments feature balconies or winter gardens - image supplied by The Hill Group
Apartments feature balconies or winter gardens – image supplied by The Hill Group

key details: Kew Bridge Rise

Prices at Kew Bridge Rise start at £437,500 for a one-bedroom home.

Those seeking more information about the development can visit the scheme’s website or call 020 3906 1952.

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Riverscape amenities, location and connectivity attracting buyers

Ballymore and Oxley’s Royal Docks development offers homes close to the Thames and the open spaces of Lyle Park in Silvertown

Ballymore and Oxley's Riverscape scheme is located in Royal Docks next to Lyle Park - image supplied by Ballymore
Ballymore and Oxley’s Riverscape scheme is located in Royal Docks next to Lyle Park – image supplied by Ballymore

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The attractions and pull of Riverscape are myriad.

Ballymore and Oxley’s 749-home scheme on the western edge of Royal Wharf overlooks Lyle Park and offers residents direct access to central London via the Uber Boat By Thames Clippers river bus service that stops at a dedicated pier on the development’s doorstop. 

Then there are the connections to the east and south-east of the capital via the DLR, the on-site amenities including cafes, restaurants, a pub, a nursery, a primary school and a host of independent stores. 

That’s before we even talk about the residents’ access to the Royal Wharf Clubhouse with its 25m swimming pool, sauna, jacuzzi and gym, the 24-hour concierge service and the 16th-floor Sky Lounge overlooking the Thames.

For publication designer, visual journalist, expressive and therapeutic arts practitioner and recent Riverscape buyer, Deborah Withey, however, the first thing she noticed was the scheme’s brand colour.


A show home interior at Riverscape - image supplied by Ballymore
A show home interior at Riverscape – image supplied by Ballymore

finding a home at Riverscape

“Orange is my favourite colour so you had me at orange, seriously,” said the founder of arts education studio, Henry H Art Academy.

“I saw it on Instagram and I thought the presentation was really smart – it had a bit of soul to it, so every time it came up I found myself not swiping it away.

“Eventually, I went to the website.

“Riverscape was only the second place we looked at.

“I felt immediately at home – odd, because I had never spent any time in the Silvertown area before.

“The apartments appeared to be thoughtful in design and materials. 

“I loved the close proximity to the Thames, the incredible views, and in particular the garden design. 

“Green space is important to all of us and I felt Riverscape was designed with attention to that, along with a respect for the Docklands.

“For example, putting the memorial of those killed in the 1917 Silvertown explosion in a prominent place on the grounds, making Lyle Park more beautiful, and preserving the Harland And Wolff signs there. 

“It’s important to pay homage to what went before.”

One, two and three-bedroom apartments are available at Riverscape - image supplied by Ballymore
One, two and three-bedroom apartments are available at Riverscape – image supplied by Ballymore

living close to the Thames

Designed by Howells architects, Riverscape offers one, two and three-bedroom homes – the latter designed with families in mind.

The scheme boasts 5,500sq m of landscaped open space including a communal children’s play area and sandpit.

For Deborah, though, chief attractions came via proximity to the river and the chance to put her stamp on a new home.

“My son just graduated from UCL and he is in Docker Building in a one-bed, with a beautiful west-facing view right above Lyle Park,” she said. 

“Earlier this year, I sold our home in Wales and decided to use the funds to purchase something for my future life.

“It’s a one-bedroom on the top floor of the Steamer Building.

“I am very excited about sourcing pieces for it and filling it with art, both my own and works by others. 

“I lived in the centre of Detroit along the river for many years and it reminds me of that.

“I am a visual journalist and designer who decided to pursue a new path with creativity and wellbeing at its heart. 

“In 2018 I opened Henry H Art Academy an expressive arts education studio where the creative and therapeutic process of art making is employed to enhance the psychological and social wellbeing of individuals of all ages, learning needs and health conditions. 

“Let’s say I love helping others find their own form of creative expression – their ‘secret sauce’.

“Having the Thames Clippers pier was a big factor in my decision. 

“I think the local area and community have great potential as long as it stays green and I’m most excited about taking the boat everywhere on the Thames as well as walking our whippet, Ricky, in Greenwich along the Thames Path.

“I’m also looking forward to being involved in charity and community art projects in the Docklands and within Newham.

“I feel very fortunate to live at Riverscape and cannot wait to make the apartment a creative haven and visual jewel.

“My style is mid-century, which I liked way before it was everywhere – eclectic, smart and interesting.”

Facilities at the communal residents' Sky Lounge at Riverscape - image supplied by Ballymore
Facilities at the communal residents’ Sky Lounge at Riverscape – image supplied by Ballymore

key details: homes at Riverscape

Prices for the final apartments available at Riverscape start at £459,000 for a one-bedroom home. 

Find out more about living at the development and the facilities on offer on the scheme’s website.

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The PA Show Autumn set to return to Old Billingsgate in October

The event brings together PAs, EAS, VAs, office managers and other corporate support professionals with suppliers for one day

The PA Show Autumn is set to take place at Old Billingsgate in October, 2025 - image by Mash Media
The PA Show Autumn is set to take place at Old Billingsgate in October, 2025 – image by Mash Media

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The PA Show Autumn is set to return to Old Billingsgate in October.

Aimed at personal assistants, office managers, executive assistants, virtual assistants and those in other business support roles, the one-day event brings together more than 90 service suppliers with professionals from London and further afield. 

Sponsored by SWR Business Direct, which offers companies travel solutions by rail, the show promises “a dynamic mix of networking, learning, and supplier discovery”.

Running from 9am-5pm on October 9, 2025, visitors are free to explore a packed exhibition space featuring the likes of Addison Lee, TAG, National Theatre Events, Leeds Castle, Flight Club And Electric Shuffle, Fairgame and Up At The O2 among many others.

“Our exhibitors are carefully selected to ensure they deliver real value to executive support professionals,” says Lisa Farnfield, sales event director for The PA Show. 

“The event provides an efficient, inspiring way to discover solutions that can enhance productivity, streamline workflows, and create memorable corporate experiences.”

The PA Show sales event director, Lisa Farnfield - image by Mash Media
The PA Show sales event director, Lisa Farnfield – image by Mash Media

connect at The PA Show Autumn

Beyond the opportunity to connect with suppliers, the show also offers a range of features to help keep visitors engaged.

There will be speed networking sessions, enabling attendees to build up contacts as well as the option to have a complimentary headshot taken by a professional photographer for those seeking to sharpen up their online image.

The PA Passport Trail will also be making a return, offering visitors the chance to win prizes by engaging with participating exhibitors and to take home a goody bag filled with gifts once completed.

In addition to the networking and exhibition, The PA Show Autumn also boasts a packed programme of CPD-accredited sessions held in its Key Skills Theatre. 

Each is designed to equip attendees with practical tools they can implement immediately in their careers.

Topics include mastering communication and leadership techniques and harnessing new technologies that are reshaping the modern workplace.

These are paid-for sessions and can be booked when registering so visitors can secure a spot. 

Old Billingsgate is a short walk from either Monument, Tower Hill or Tower Gateway stations for Tube or DLR services.

The show attracts professionals from a wide variety of companies and organisations in the City, Canary Wharf, Greater London and beyond.

Those interested in exhibiting should contact organiser, Mash Media.

There are plenty of networking opportunities at the show for attendees - image by Mash Media
There are plenty of networking opportunities at the show for attendees – image by Mash Media

key details: The PA Show Autumn 2025

The PA Show Autumn, 2025, is set to take place at Old Billingsgate on Thursday, October 9, from 9am-5pm.

The exhibition is free to attend for PAs, EAs, VAs, office managers and professionals engaged in similar activities.

Registration is essential to gain entry.

Delegate upgrades are available for those looking to take advantage of the full educational programme.

Find out more about the show here

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