Alex Neil

UCL School Of Management expands Canary Wharf presence

The university is growing its east London presence with more space at One Canada Square and new student accommodation close to the estate

UCL School Of Management is expanding its presence on the top levels of One Canada Square - image supplied by UCL
UCL School Of Management is expanding its presence on the top levels of One Canada Square – image supplied by UCL

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University College London’s School Of Management is a good example of one of the things people often get wrong about Canary Wharf.

While today financial services companies continue to play a major part in the life of the estate, its diversification that is driving it forward.

Alongside residential towers, space for construction firms, events companies and life sciences bodies, has been created.

Towers originally conceived to house trading floors have been retooled, done up and re-leased to all kinds of different organisations.

Even 10 years ago – when UCL’s school relocated to the 38th floor of One Canada Square, just one year after its creation – things were already changing.

The mixed development at Wood Wharf had won planning permission two years earlier and the estate was preparing to become a place to live as well as work and visit. 

Having initially been attracted to the area’s status as a “major global business district”, UCL’s school has since grown into more space and developed its offering.

However, few – even today – might guess that the very highest floors of the Wharf’s landmark tower are occupied by academics and students rather than bankers. 

The university announced earlier this month that, in addition to floors it already leases in One Canada Square – 38, 48, 49 and 50 – it would also be taking on 46 and 47 too, levelling up to a total of six. 

UCL School Of Management's Professor Susan Smith - image by Jon Massey / Wharf Life
UCL School Of Management’s Professor Susan Smith – image by Jon Massey / Wharf Life

opening the spaces

“We’ll be opening up 48 this coming September and then the other two new floors the following year,” said Professor Susan Smith, a specialist in accountancy and deputy director for student experience at UCL School Of Management.

“Then we’ll have five floors all connected by a fantastic internal staircase.

“It’s really very exciting and we’re all going to get super fit.

“When we open level 47 we’ll also gain a terrace, which will act as one of our social spaces.”

When fully operational, the six floors together will accommodate the needs of some 4,000 students, all benefiting from the new facilities and spaces. 

Susan said: “We’ll be adding a new Bloomberg room, extra classroom space and informal study facilities.

“We already have signs from the Tube to help people find their way here.

“We’ve worked with our architects and have managed to get what we want, in terms of additional teaching space, which is incredibly important for us.

“There will also be places for students to hang out between classes.

“That includes more fun additions like table tennis and a café so people can buy refreshments up here as well as using the kitchen facilities to make their own.

“Of course, there are many options downstairs in the malls too.”

The school's upper floors will all be connected by an internal staircase when work is completed - image supplied by UCL
The school’s upper floors will all be connected by an internal staircase when work is completed – image supplied by UCL

expanding opportunity

Susan said being a part of the wider estate was attractive to students, given its offering.

“Being in Canary Wharf offers a huge number of opportunities, both for us and our students,” she said.

“They are part of a thriving neighbourhood that provides everything they need. 

“There are lots of things for them to do here – sports facilities and arts facilities, for example. 

“A lot of our students also use our main campus in Bloomsbury too but, with the students’ union presence here and our expansion over the next few years, we’ll have a range of activities on-site, as any other campus would do.”

UCL is an increasingly potent presence in east London with two campuses in Stratford playing a major part in the East Bank cluster.

As well as benefiting from interplay with those, the School Of Management also stands to gain from the arrival of Urbanest, a complex of three towers built beside Trafalgar Way just off the Wharf’s eastern edge. 

When they open later this year, the facility will be the largest student accommodation building in the capital with 1,672 student beds, 80 residential flats and a Drive-Thru McDonalds expected to open on its lower level in place of the restaurant that once occupied the site. 

“This new accommodation means our students will be able to live and study in close proximity,” said Susan. 

“As a university, we’ve consciously taken the decision to build around the locations we have in east London and, as we’re growing at Canary Wharf, it’s made sense to take more space in the tower too.”

The campus will be able to accommodate 4,000 students following the expansion - image supplied by UCL
The campus will be able to accommodate 4,000 students following the expansion – image supplied by UCL

shifting focus

The school offers a wide range of courses at both undergraduate and postgraduate level. In addition to degrees in such areas as Information Management In Business, Management Science and International Management, new undergrad courses for 2026 include Management For Social Change and Technology And Innovation.

“We have something to offer people whether they are starting out in their careers or looking to maybe shift the focus of what they’re doing,” said Susan. 

“Typically, the latter might be looking at our MBA programmes or more specialist areas to take a different path.

“For example, we run a course in using data to improve leadership – our MSc in People Analytics And Human-Centric Management.

“We’re always horizon scanning –  networking with the business community, other academics and thinkers in various fields – to ensure what we’re offering is relevant.

“One thing that remains constant is the foundational skill of adaptability – we want our students to be independent and critical thinkers, to be flexible, so they can thrive as the world changes.

“They will need to do that much more than we have had to as their careers will likely be very different from the ones we’ve experienced or can imagine.”

The new floors will offer students and staff more facilities including teaching spaces - image supplied by UCL
The new floors will offer students and staff more facilities including teaching spaces – image supplied by UCL

an attractive location for UCL

As one of the world’s top university’s, UCL attracts students from across the world.

“A large proportion of those studying with us in Canary Wharf are international and come from a diverse range of countries,” said Susan.

“I think they feel at home in the environment we’ve created here.

“We feel we provide an excellent student journey, but it’s not just about what happens in class.

“They have access to some amazing opportunities and a wonderful peer group, which will hopefully be with them for life. 

“They also have the chance to work with businesses on the Wharf and we are engaged in projects with a number of local companies.

“We also run a summer school with Canary Wharf Group and I’m a trustee of the University Schools Trust which supports primary and secondary education in Tower Hamlets so we have links to the community here too.

“I’m most excited about the school having a critical mass here and becoming a fully fledged campus. It will be even more of a destination for staff and students.”

key details: UCL School Of Management

You can find out more about UCL School Of Management in Canary Wharf on the university’s website, which includes a full list of courses available.

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The Space set to welcome diverse communities with spring season

Artistic director and co-CEO Matthew Jameson looks ahead to a programme packed with variety and intended as a warm welcome


The Werewolf Show is set to come to The Space from February 18-19 - image supplied by The Space
The Werewolf Show is set to come to The Space from February 18-19 – image supplied by The Space

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As I’m interviewing Matthew Jameson, artistic director and co-CEO at The Space, a new machine is being installed and filled on the venue’s bar top.

Emblazoned with the logo of a stag lit from behind by a glowing cross and the word “Jäegermeister”, this technological asset is primed to deliver shots of the herbal liqueur at an optimal -18ºC – rendering the flavour of its 56 botanicals, supposedly, tastier. 

The sharp, Germanic lines of the brand name – picked out in a rich gothic, Textura font – echo the Westferry Road arts centre’s forthcoming 2026 Spring Season and are also a reminder that the place is in every possible sense a broad church – something those running it are eager to catalyse. 

That might be for people keen to appreciate the chilled, refined blend of a 1934 digestif, once nicknamed Göring-Schnaps, or others who prefer it dropped like a bomb into a Red Bull. 

The space's Matthew Jameson - image by Jon Massey / Wharf Life
The space’s Matthew Jameson – image by Jon Massey / Wharf Life

the pleasure of curation

“The joy of putting together collected works for a season is sometimes realising that there’s so much in common between the pieces,” said Matt.

“Without especially intending to, we’re embracing a lot of Gothic and dark material, which also has whimsy and lightness in it.

“That might feel naturally more at home in October, but the response we’ve had is that this is exactly what people want to see.

“There’s an appreciation of the building itself too.

“We’re a converted church and we’re seeing subcultures congregating here as a special place for them.

“This season we’re continuing to run a series of Goth nights called Enter The Shadows, based around symphonic metal.

“The next one takes place on February 20, which will feature an art exhibition as well as a club night.

“While I’m not part of that community myself, I do like the idea of people looking back to the older stories, the older history, and celebrating a place where they can make the architecture here a part of the story.

“In the coming season, we’re particularly excited by Carmilla (March 26-28) – an adaptation of the original vampire story, which pre-dates and inspired Dracula

“It’s an interesting story, because it tells of a lesbian love affair between a female vampire and her prey that seems to be more consensual and more romantic than Bram Stoker’s novel. 

“One rose to prominence and the other has been somewhat left behind, so we’re very glad to be bringing that to the stage and I think it will really resonate with audiences.

“Also on that gothic theme, we also have a story by a Ukrainian writer – Ivantiy Novak – called The Werewolf Show (February 18-19), which tells the tale of a town under siege by humans transformed into ravenous beasts. 

“We feel it may well offer some commentary on the current geopolitcal situation as it unpacks power and fear.

“Recently, we’ve seen a lot of companies who have been leaning into older methods of storytelling such as adaptations of fairytales.

Hänsel Und Gretel (February 14-15) is a bold and ambitious take on Engelbert Humperdinck’s opera sung in German, while In Five Years Time (February 24-28) is a new opera based on an experimental play by Spanish poet Federico García Lorca.”

Carmilla is a tale of vampires with a hint of consent - image supplied by The Space
Carmilla is a tale of vampires with a hint of consent – image supplied by The Space

music and a bit of the Bard

Music has always played a big part in The Space’s programmes and its regular classical recitals run right through the season into July.

From March 22, there will also be a series of bi-monthly concerts celebrating contemporary piano pieces and composers.

Matthew said, with all the turmoil in the world, there was a real appetite among audiences for ways to take the sting out of reality.

“It does feel as though a lot of the stories people want to see are retreating towards the fantastical and the escapist,” he said.

“So a long run of A Midsummer Night’s Dream (May 27-June 6) feels just the ticket – an antidote to some of the bad things in the world.

“The desire for entertainment – the idea of something that’s magical and wonderful – can be used by writers, actors and directors to tell a wider story without having to hammer a message down people’s throats.

“As a response to one publishing company that put a call out for ‘non-woke plays with no political leaning or message’, we’re proud to champion stories in our programme that touch on controversial issues. 

“We have a show – Kayfabe (May 12-16) – which features transgender and cisgender women wrestlers, set for a contest on the eve of a new law that will ban trans women from the sport.

“It’s important that we support work that’s not afraid to tackle these issues from both sides.

“We’re attracting a lot of different subcultures across the programme, which feels exciting and interesting – a way to welcome different and marginalised communities while retaining the core audience we’ve got.

“We had a huge success last year with Twelfth Night, introduced by our patron, Sir Ian McKellen and performed by trans and non-binary actors – with thousands of people watching round the world to celebrate that community.

“It really was fantastic.

“What’s important to us is that this is a space for everyone on the Island to come and see work that they like and that nobody is excluded by the cost of a ticket.

“Another of the things I’m most excited about for the coming season is Chekhov’s Comedy Shorts (May 7-9), a show made by SpaceWorks, our participatory drama group, which meets here on Monday nights.

“It’s the first time I’m leading a participatory group in a production, and we’ve got many of the team stepping up to direct. 

“That’s going to be a really fun meeting of modern comedy and classic canon material, with a collection of seven, side-splitting shorts for everyone to enjoy.”

Kayfabe features transgender and cisgender women wrestlers on the eve of a law that will ban the former coming into force - image supplied by The Space
Kayfabe features transgender and cisgender women wrestlers on the eve of a law that will ban the former coming into force – image supplied by The Space

key details: The Space’s spring season

Full details of all shows, timings and ticket prices can be found on The Space’s website here

The venue is located on the Isle Of Dogs in Westferry Road with the closest station being Mudchute DLR.

It’s also well served by buses direct from Canary Wharf.

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Luminarium: Myriad set to arrive at Woolwich Works in riot of colour

Inflatable installation by Architects Of Air will arrive in south-east London with visitors able to experience its spaces from April 2-6, 2026

Visitors are invited to step into the interior of a giant inflatable - image supplied by Architects Of Air
Visitors are invited to step into the interior of a giant inflatable – image supplied by Architects Of Air

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Woolwich works is set to invite visitors to step out of the world and into a space of wonder, discovery and colour this spring.

Tickets recently went on sale to experience Luminarium: Myriad, the latest installation from Architects Of Air (AOA), which comes to the arts and events space in April.

Visitors enter the walk-through inflatable via an airlock to explore the structure’s winding pathways and vistas in stockinged feet as daylight shines through translucent panels.

The massive artwork is by AOA, a creative production company founded by artist and maker Alan Parkinson that has been creating inflatable installations since the 1990s.

The Nottingham-based organisation has its roots in a charitable project, which saw offenders tasked with building and repairing inflatable play equipment for kids.

Initially, Alan drove the minibus for the probation service and supervised part-time and then full-time.

Luminarium: Myriad looks quite different from the outside - image supplied by Architects Of Air
Luminarium: Myriad looks quite different from the outside – image supplied by Architects Of Air

going inside

He said: “The bouncy airbed we were using was quite tall – about six foot off the ground with a tube around it to break the children’s fall – and it was restrained by internal ropes.

“To fix it, I’d have to go inside it to carry out repairs. 

“That wasn’t actually very healthy – working in a confined space with glue wasn’t great – but I survived.”

Aside from entering that inflatable structure, Alan drew inspiration from his “bible” – Sheet Metalwork For Welders – a book that dealt with the joining of different forms as well as other inflatable structures such as Colourscape on Clapham Common.

All these influences led to the construction of Alan’s first inflatable environment or Luminarium in 1986 and going on to experiment with more, still working under the auspices of the charity and culminating in the creation of Eggopolis

This promenade performance space for mixed-ability actors toured the UK in 1990 and, while the charity was forced to close, Alan retained the structure and successfully toured it in Germany under the ownership of AOA.

Ever since, he and the now six-strong company, have been developing a lineage of installations and opening them to the public.

He said: “It typically takes about five months to build one and it’s, in some ways, a basic process.

“We make templates, cut out the PVC and glue the edges together. 

“There’s a lot of teamwork involved and manual labour.

“Each new structure we create tries something different in the way we shape and construct them.

Myriad, which is coming to Woolwich is quite a subtle structure.

“You don’t really know what you’re going to get until you blow it up and go inside.

“It’s lit principally from above with windows that let the light in too.

“We’ve punctuated some of the surfaces with translucent material to give them a star-like quality.

“When I first saw it, the main dome was a lovely surprise. We ask people to empty their minds.

“They might come with expectations but really we’re asking visitors to step inside and experience a sense of wonder, light and colour.

“Accompanying that, there may be a sense of inspiration and there’s always a wow factor when you first go in.

“Different people will take different things from the installation. 

“Families and young children will have different experiences to an older person coming on their own, who may have a different kind of connection, for example.

“I think it’s often the children, rather than parents, who are enthused.

“It’s a good thing that they make adults come to something like this.”

Alan said he never knows how a structure will turn out until it's inflated for the first time - image supplied by Architects Of Air
Alan said he never knows how a structure will turn out until it’s inflated for the first time – image supplied by Architects Of Air

key details: Luminarium: Myriad

Luminarium: Myriad is set to open at Woolwich Works at Royal Arsenal Riverside on April 2 with visitors able to explore the installation until April 6, 2026. 

Tickets cost £8 per person or £28 for groups of four.

The experience will be open from noon-4pm daily

Find out more about the installation and book tickets here

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Sad Meli serves authentic flavours from Georgia in Royal Docks

Owner’s literal drive spans tourism in the country of his birth, wine with an 8,000-year lineage and now a restaurant and bar near Gallions Reach DLR

Sad Meli Georgian Gastronomy And Raw Wines is located in Royal Docks - image by Jon Massey / Wharf Life
Sad Meli Georgian Gastronomy And Raw Wines is located in Royal Docks – image by Jon Massey / Wharf Life

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Beka Kereselidze’s story is one of obsession and, literally, drive.

The Royal Docks resident, along with his wife, Tatia Bichashvili, opened Sad Meli Georgian Gastronomy And Raw Wines close to Gallions Reach DLR a little over a year ago and it’s been quite the journey. 

Born in Tbilisi, Beka initially came to the UK to visit friends in 2007 and decided to stay.

“At 23, I saw opportunities here for work and I wanted some fun in my life, but I was also going back to Georgia quite often,” he said.

“My family has a summer place in a small village called Sadmeli in the Racha region – it’s where my grandfather used to make wine.

“Georgia is the homeland of wine – we’ve been making it for 8,000 years. Georgian culture and wine come together.

“We have it in our blood, with the forest and the vineyards. It’s normal to have a family tradition of making it and everyone compares theirs with everyone else’s.”


Beka Kereselidze of Sad Meli restaurant and Sadmeli winery - image by Jon Massey / Wharf Life
Beka Kereselidze of Sad Meli restaurant and Sadmeli winery – image by Jon Massey / Wharf Life

dreaming big

While Beka’s father had continued to make some wine on the site for family consumption, his son had bigger dreams.

After getting married in 2016, as is customary, the couple made a wine together using the traditional qvevri – massive clay pots buried in the ground as vessels for fermentation and ageing. 

Buoyed by its reception at a wine festival, Beka was further enthused and began studying production in earnest. 

He spent a decade working as a long-distance lorry driver for Sainsbury’s in the UK, raising money to build the Sadmeli property in Georgia into a proper winery with a terrace restaurant and a guest-house.

“My parents thought I was crazy at first, but when you want something, you do it,” said Beka.

“I was taking online courses on natural wine making.

“On the road I would listen to lessons and other drivers would make fun of me for reading about wine all the time.

“But I was really interested – it was quite an obsession.

“While I was studying I was building a wine cellar and starting to make wine.

“By 2019 I was starting to import the wine to the UK, selling it in restaurants and now wine shops and, by 2022, we finished building Sadmeli, ready to welcome guests.”

The venue has an open kitchen and also serves coffee - image by Jon Massey / Wharf Life
The venue has an open kitchen and also serves coffee – image by Jon Massey / Wharf Life

building Sad Meli

Supported by his family and funded through long hours on the road and a loan from Lloyds bank, the business has since flourished.

However, having relocated to east London, Beka saw further opportunity.

“I’d noticed these mostly empty units close to where I lived, found out who owned them and made the offer,” he said.

“At first, they said no, but then they agreed. I was happy, but also a little bit scared because I didn’t have the money at that time.”

With cash from the Sadmeli operation, more support from Lloyds, contributions from family and help from friends, he overcame that hurdle and began fitting out what was initially supposed to be a wine shop and subsequently morphed into a restaurant and bar. 

“Somehow we did it,” said Beka. “We opened on October 11, 2024 – a Friday and my god it was scary.

“I wasn’t really ready but we’d announced it and then we got a booking.

“A few minutes later we got another one. I don’t think I slept for the three or four days beforehand.

“Then, from that day, I haven’t had a day off. But people really like it.

“They enjoy the wine and we’ve made lots of friends. It’s very rewarding.”

Khinkali dumplings at Sad Meli - image by Sad Meli
Khinkali dumplings at Sad Meli – image by Sad Meli

Sad Meli in Royal Docks

Sad Meli Georgian Gastronomy And Raw Wines serves up a selection of traditional dishes from Georgia such as Pkhali, Adjaruli Khachapuri, Kharcho soup alongside sides and imported soft drinks.

Providing the backbone of the menu, however, are Khinkali dumplings, filled with meat, cheese or mushrooms.

Beka said: “I’m cooking and I have all my mum’s recipes. It’s what we wanted for this place, that the experience comes directly from Georgia.

“There’s a large eastern European community here and they like Georgian food and wine. 

“I try to make everything fresh, which takes time, but we have an open kitchen and people see me cooking and they love this kind of process.

“Guests might have to wait sometimes, but then they drink more wine, which is good for business.

“Our biggest seller is the Khinkali dumplings – they will always be on the menu – but other things I like to change to keep it fresh.

“We are very proud that we have customers who have never tried Georgian food before.

“It’s not just a restaurant, but it’s the country and culture and the wine as well.

“They’re happy because they’ve tried something new.”

The restaurant and bar offers a wide selection of wines to go with its food - image by Jon Massey / Wharf Life
The restaurant and bar offers a wide selection of wines to go with its food – image by Jon Massey / Wharf Life

stocking the bottles

Having studied wine extensively at leading global centre of excellence, the Wine And Spirit Education Trust in Southwark, Beka is delighted to curate a wide range of bottles alongside the wines he’s produced at Sadmeli.

“We make six or seven types of wine ourselves including our signature Saparevi, a full-bodied red made with the most common grape in Georgia,” he said.

“It’s been popular and this year’s has now sold out.

“All the work at the winery is done by hand because my father isn’t used to mechanical processes and we don’t use chemicals on the vines or in production.

“The vineyards we get our grapes from are small. We make good quality wine in small quantities.

“We don’t add sulphites, for example, and we don’t add yeast through the fermentation. 

“Since we opened Sad Meli in Royal Docks, once I’ve poured my wine for them, no-one asks for anything else or says they don’t like it.

“That’s a source of pride for me. People love it and it feels almost unreal.

“Sometimes I’m tired, but its that feedback from the customers that gives us the motivation to continue.

“Mine and my wife’s lives have completely changed. 

“We had an aim together and we’ve achieved it.

“For me, I wanted to do something here instead of driving and now I do.”

Sadmeli Saparevi, Beka's signature wine - image by Jon Massey / Wharf Life
Sadmeli Saparevi, Beka’s signature wine – image by Jon Massey / Wharf Life

key details: Sad Meli Georgian Gastronomy And Raw Wines

Sad Meli Georgian Gastronomy And Raw Wines is located on the eastern edge of Gallions Roundabout, south of the junction with Atlantis Avenue.

It’s within easy walking distance of Gallions Reach DLR station and is open daily from noon.

You can find out more about the venue here

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Vertus’ 50-60 Charter Street offers next level living in Canary Wharf

Twin towers benefit from a full complement of amenities as built-to-rent operation learns and grows on the east London estate

50-60 Charter Street by Vertus, a pair of towers housing rental apartments at Wood Wharf - image supplied by Vertus
50-60 Charter Street by Vertus, a pair of towers housing rental apartments at Wood Wharf – image supplied by Vertus

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Launched towards the end of last year, Vertus’ latest build-to-rent apartments in Canary Wharf may best be described as next-level.

The twin towers of 50-60 Charter Street are connected by communal spaces at their base, rising high on Wood Wharf to overlook South Dock and house some 756 apartments ranging in size from 463sq ft to 1,397sq ft.

Perhaps what really sets Grid architects’ structure apart from the rest of the now extensive Vertus portfolio – which includes nearby aparthotel Vertus Edit for shorter stays – however, is the 14,000sq ft of communal space.

The main lobby space at 50-60 Charter Street - image supplied by Vertus
The main lobby space at 50-60 Charter Street – image supplied by Vertus

Arranged over two lower floors, this includes informal co-working spaces, an evening lounge, a games room with arcade machines, shuffleboard and pool and a snug with one of the largest flatscreen TVs I’ve ever seen, allowing it to double as a screening room.

For fitness there’s a studio space kitted out with Reformer Pilates machines, a chunky free weights room and a large gymnasium with luxury health club-grade cardio and resistance machines.

Workers can also make use of a string of private pods to minimise distractions or book characterful meeting rooms.

Then, for relaxation, there are flexible, purpose-built dining rooms for social gatherings or larger parties.

That’s before you even mention the ground floor lobby, which boasts a grand piano, an honesty market and a bold feature staircase to take residents up to the main communal areas.

Vertus residential building manager, Sam Pickering - image by Jon Massey / Wharf Life
Vertus residential building manager, Sam Pickering – image by Jon Massey / Wharf Life

smooth operation at 50-60 Charter Street

The person in charge of ensuring all of this operates smoothly is Vertus residential building manager Sam Pickering.

Born to Kiwi parents in the UK, he grew up in New Zealand, moving to Britain in 2015 “for a year”. His career has taken him through hospitality into looking after student accommodation before moving into build-to-rent and joining Vertus in 2024, initially to manage its 8 Water Street building.

“I remember at my interview saying that one of my goals was to manager a flagship site, although I didn’t expect it to be within a year,” said Sam, who is meticulous in his attention to detail, admitting he can’t resist rearranging coasters in the communal areas by colour when they’ve become disordered.

“We’ve got fantastic spaces – they’ve been very well thought out. Vertus has taken all the best parts from the other buildings they’ve opened.

“You enter via a very large reception foyer. It’s incredibly grand, with amazing gardens, high ceilings and open spaces.

Apartments range in size from studios to three-beds - image supplied by Vertus
Apartments range in size from studios to three-beds – image supplied by Vertus

“One of the benefits here is that our concierge team, who do a fantastic job, are truly here 24-hours.

“The residents build very strong relationships with them and it’s something that really sets us apart.

“With the design and facilities of 50-60 Charter Street, a lot of consideration has been put into what people want.

“The whole building has been designed around that.

“The dining rooms are flexible, for example – two of them can be separated or combined into one.

“Vertus offers very high-end living and with lots of services.

“Residents can bring their dry-cleaning down, and we can have that delivered and then brought back, for instance.

“We’re here to provide those experiences – we want the whole building to feel like a home.

“There are all these reasons to come down from your apartment and enjoy the other spaces, even if it’s just to get a coffee.

“That’s been very popular – we’re always having to top up the mugs.”

The evening lounge at the scheme can be divided into semi-private areas if desired - image supplied by Vertus
The evening lounge at the scheme can be divided into semi-private areas if desired – image supplied by Vertus

creating a community

Since the first residents moved into 10 George Street in 2020, not far from its latest building, Vertus has made a point of putting in place the architecture to bring residents together.

Its events team, Dor Rugira and Brogan Murray, hosted 197 gatherings in 2025 with an attendance rate of 81% across the Canary Wharf Group subsidiary’s buildings.

Sam said: “There is a real community on the estate.

“These events operate across the portfolio which is brilliant because it allows people who are living in such close proximity to meet each other and build friendships.

“That’s been really lovely for the staff to see.”

The Snug or screening room - image supplied by Vertus
The Snug or screening room – image supplied by Vertus

built for service

Sam’s role is to ensure the areas he looks after run smoothly, allowing the wider team to deliver the service that residents expect.

“On a day-to-day basis, it’s about the safety of the building – making sure the residents are taken care of, making sure all the safety checks for fire and water are done, that the place is safe to live in and that everyone is comfortable and their needs are met,” he said. 

“We are very fortunate to have a very diverse team here.

“We’ve got the buildings managers and the property managers who deal directly with the apartments.

“Any initial concerns will go through them, and if there’s anything wrong, it will come to me.

“The concierge team do a fantastic job, liaising with the residents to make sure of that.

The Games Room at 50-60 Charter Street - image supplied by Vertus
The Games Room at 50-60 Charter Street – image supplied by Vertus

“The people who live here are an eclectic mix.

“We have students, lots of couples – many who are young professionals.

“We have groups of friends sharing, which is quite common in our two-beds and three-beds.

“It’s been very popular since launch and that’s because Canary Wharf is a developing area.

“Even if you’re not working on the estate, you’ve got the Elizabeth Line, the Tube and the DLR so you’re very well positioned to get around London quickly.

“Now we have residents living here, it really feels good to see the spaces being used.

“Managing it is a really lovely job to have and I’m really excited as we expect the numbers to grow over this year.

“For me, it’s been a tremendous opportunity and Vertus has been spectacular.

“It’s been such a place to learn and grow and develop, and I’m so grateful for all the opportunities I’ve had.

“Personally, I’m really looking forward to seeing how people take to the facilities we have here and to see them enjoying themselves.”

50-60 Charter Street boasts three fitness studios including one featuring cardio and weights machines - image supplied by Vertus
50-60 Charter Street boasts three fitness studios including one featuring cardio and weights machines – image supplied by Vertus

key details: 50-60 Charter Street

Homes in the first phase of 50-60 Charter Street are available now, with more properties set for release in July. 

Prices start at £2,600 per month for a studio, £3,000 for a one-bed, £4,100 for a two-bed and £5,200 for a three-bed. Properties come fully furnished.

You can find out more about Vertus’ homes here

A studio apartment at 50-60 Charter Street - image supplied by Vertus
A studio apartment at 50-60 Charter Street – image supplied by Vertus

Read more: How Vintners Lanes blends wine and bowling in Greenwich

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Hill and Peabody unveil Penfold artwork at Dagenham Green

Artist’s installation celebrates east London site’s manufacturing history with brightly painted Ford Cortina as regeneration continues to progress

Dagenham Green has unveiled a brightly coloured Cortina, marking the site's former incarnation as part of Ford's enormous east London plant - image supplied by The Hill Group
Dagenham Green has unveiled a brightly coloured Cortina, marking the site’s former incarnation as part of Ford’s enormous east London plant – image supplied by The Hill Group

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Andy Hill is clear.

The group chief executive  says the family-owned developer he founded is in the business of building communities, “not just homes” but places local people can live, work and engage with, which honour the history of the sites.

I have a personal connection myself.

My parents had Ford cars when I was growing up. Escorts, Fiestas (always red), a Focus, a Mondeo and even a Ka – the latter being the car I drove after passing my test.

Many, though not all, will have been built at or used parts from the company’s vast plant in Dagenham.

As I drive to The Hill Group’s Dagenham Green scheme, I’m in my late mother’s 2013 red Ford Fiesta – a descendant of the final passenger car to roll off the company’s east London production line.

Incidentally, it dates from the same year Ford ended all production in the UK.

But, while the assembly lines fell quiet, the physical and mental connections to a plant that produced nearly 11million vehicles between 1931 and 2002 are still very much alive. 

As I park up at Hill’s site, I reflect that on it once stood buildings where hands made parts for vehicles I rode in as a child – an experience shared by millions across the country.


Artist Tim Gresham, known as Penfold - image supplied by The Hill Group
Artist Tim Gresham, known as Penfold – image supplied by The Hill Group

marked with art

Apt then that joint venture partners The Hill Group and housing association Peabody have chosen to celebrate that legacy by displaying a new automotive artwork beside the marketing suite for the 3,500-home Dagenham Green scheme. 

Artist Tim Gresham, known as Penfold, was commissioned to create a visually striking piece and – working in partnership with specialist garage Type 2 Detectives – has repainted a 1966 Mk1 Ford Cortina. 

One of around 3million built between the 1960s and 1980s at the site, the vehicle was officially unveiled atop a shipping container on January 22 and will remain in place for three months before transferring to Silverstone ahead of the British Grand Prix.

As well as the impact of the company’s products, there are the generations of people who worked in Ford’s factories – including Andy’s dad, who he said was once employed and then fired by the firm.

Connecting the site’s social history to the present at the launch was Tracy Goodman and her family.

Her mother, the late Dora Challingsworth, led the 1984 strikes at Ford’s plant as a shop steward, eventually winning female employees recognition as skilled workers and making good on industrial action in the late 1960s that paved the way for the Equal Pay Act in 1970.

The Hill Group's group chief executive, Andy Hill, presents Dora Challingsworth's grandson with a miniature replica of Penfold's Ford Cortina - image supplied by The Hill Group
The Hill Group’s group chief executive, Andy Hill, presents Dora Challingsworth’s grandson with a miniature replica of Penfold’s Ford Cortina – image supplied by The Hill Group

a connection to history at Dagenham Green

Tracy, whose grandson was gifted a miniature replica of Penfold’s artwork at the event, said: “It meant a great deal to attend with my family and share the story of courage and sacrifice shown by the women at Ford’s pressing plant in Dagenham. 

“I hope our words resonated and that Dagenham Green will continues to honour and keep alive the memory of this important moment.” 

Andy added: “The pressing plant that once stood on this site holds a long and influential place in the local community’s history, with its legacy deeply intertwined with the lives of future generations who will call this neighbourhood home.

“I would particularly like to thank Dora’s family for joining us and Penfold for his extraordinary creativity in reinvigorating the exterior of this old Ford Cortina on the site where it was originally made in the 1960s.

“We hope the artwork brings joy and inspiration to everyone who passes.”

Penfold is known for working across a variety of media from a studio in his native Bristol. 

His pieces are often colourful and abstract and his work includes several large scale installations and murals.

The artwork is unveiled by Andy, Peabody's Angela Wood and Tracy Goodman - image supplied by The Hill Group
The artwork is unveiled by Andy, Peabody’s Angela Wood and Tracy Goodman – image supplied by The Hill Group

past, present and future

Peabody’s deputy executive director of development, Angela Wood, said: “Dagenham Green carries a deep and proud history, shaped by the people who worked here.

“They stood up for change and built a strong community around the site. 

“This artwork is a celebration of that shared story and a reminder that the past still has a place in the neighbourhood we’re creating today. 

“Art can stop people in their tracks, spark conversations and help places feel human and lived in.

“This piece helps connect new and existing residents to the character, identity and spirit of Dagenham as it continues to grow.”

An artist's impression showing part of the Dagenham Green development - image supplied by The Hill Group
An artist’s impression showing part of the Dagenham Green development – image supplied by The Hill Group

living locally

One, two and three-bedroom homes are currently available at Dagenham Green for private sale through The Hill Group, with prices starting at £300,000. The scheme is served by nearby Dagenham Dock station.

Shared ownership apartments, ranging in size from one to three bedrooms, are available through Peabody with prices starting at £81,000 for a 30% share of a one-bed based on a full market value of £270,000.

key details: Dagenham Green

Penfold’s artwork is currently on show at Dagenham Green near the junction of New Road and Kent Avenue and is free to visit.

You can find out more about the development and the homes on offer there on its website.

Read more: How Vintners Lanes blends wine and bowling in Greenwich

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Vintners Lanes marries bowling with Davy’s historic aesthetic

Wine merchant now boasts a flourishing alley in a former Greenwich brewery as part of its portfolio of bars, restaurants and hybrid shops

Vintners Lanes in Greenwich is an urban bowling alley behind Davy's Wine Vaults - image supplied by Davy's
Vintners Lanes in Greenwich is an urban bowling alley behind Davy’s Wine Vaults – image supplied by Davy’s

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As a pioneer of city wine bars with a distinctive Victorian feel, Davy’s decision to open a bowling alley in Greenwich at first glance looks a little out of character for a 156-year-old wine merchant.

Launched just over a year ago, Vintners Lanes is tucked away behind Davy’s Wine Vaults and offers bowlers six three-quarter-length lanes amid the storied bricks of the old Lovibonds brewery-turned warehouse.

It’s a far cry from the sport’s traditional UK home – vast metal sheds on retail parks packed with AMF equipment and the multi-sense assault of arcade machines.

“I think I first went bowling in my 30s and that experience was exactly what I didn’t want Vintners Lanes to be,” said James Davy, chairman of the business and the fifth generation of his family to work in it.

“While the game was fun, what went with it was less so.

“What we wanted to do was to create something that provides a really good experience for customers throughout.

“That’s working for us now and we’re immensely proud of it.

“If you’d said to me at the beginning of this project that it would look like this and perform this way, I would have bitten your hand off.”

Davy's chairman, James Davy, at Vintners Lanes - image by Jon Massey / Wharf Life
Davy’s chairman, James Davy, at Vintners Lanes – image by Jon Massey / Wharf Life

recognised across the pond

James is somewhat prone to modesty.

Last April, Vintners Lanes was named amongst the seven best venues for the sport in the world at the 40th annual Bowling Centre Architecture And Design Awards in Texas – the only alley to be recognised in the UK.

Lauded for its interior, it marries the polished exacting woods of the lanes, sleek steel racks of black bowling balls and subtle screens with the cosy comforts and antiqued aesthetic more commonly found across the Davy’s portfolio.

Having operated as a wine merchant since 1870, the company opened The Boot And Flogger near Borough Market in 1965, marking its entry into the hospitality sector.

That glorious establishment started a trend for wine bars in the capital with its owner going on to open at many more sites including a lengthy stint in Canary Wharf. 

Over the decades, the business has grown and changed.

Today it operates wine bars, tapas spots and wine shops on its public-facing side. 

It also continues to run a thriving wholesale operation, supplying wine to a wide range of customers and businesses.

It’s an expression of a company that, despite trading for more than a century and a half, isn’t averse to a bout of evolution here and there. 

In fact, Davy’s long had plans for its former warehouse in Greenwich, initially intending to convert it into office space.

The venue marries Davy's historic aesthetic with modern bowling facilities - image supplied by Davy's
The venue marries Davy’s historic aesthetic with modern bowling facilities – image supplied by Davy’s

skittles over workspace

“We canned that idea after Covid as people weren’t going into offices,” said James.

“We had already done a joint venture with Houdini Escape above Davy’s Wine Vaults in Greenwich and we really liked the vibe of different people coming into our venue.

“We looked again at the space in the warehouse we had at the back of our Greenwich venue – beyond Vintners Yard – which coincided with the arrival of our new CFO, Mark Carrick, who already had bowling in his mind having previously worked for Tenpin.

“We asked ourselves whether we could physically fit an alley in there and the answer was ‘yes’, which quite surprised us. 

“The length of the lanes is normal for an urban location and we’ve managed to fit six in alongside a kitchen and bar, making the venue self sufficient.

“The building itself is beautiful and really deserves to be seen.

“We’re open every day for bowling and also offer kids parties and even corporate events. 

“Vintners Lanes has been a very interesting journey and it’s starting to mature into a good business.

“We’re getting lots of bookings, but there’s still more space for us to fill.

“Vintners Yard, just outside, is really attractive to people walking past and it helps that we’re right next to the station.

“We host live music sometimes as well as other events, like beer festivals, as it’s become a bit of a destination.

“It’s full of old wine bar furniture with a bar and a barbecue shed – it’s an exciting place to come to.” 


Vintners Lanes serves pizzas, burgers and more - image supplied by Davy's
Vintners Lanes serves pizzas, burgers and more – image supplied by Davy’s

changes in hospitality

James, who joined the business in 1992 and has seen extensive change over that time, said the hospitality sector was currently making the news for the significant challenges it faces at present.

Notably, Davy’s took the decision to close the Crusting Pipe – a wine bar it opened in 1980 in Covent Garden after its performance in the evenings dropped away making trading no longer sustainable.

“Sadly we left that area and some customers were appalled – even angry – but, after 8pm, the business had changed over the years and it took a dip post-Brexit and then again after Covid,” said James.

“If you’re losing a session a day, that’s not sustainable and we have to be careful about how we operate. It is now more expensive to employ people and to run the premises we have.” 

Despite the economic headwinds, James believes there’s still opportunity for good businesses delivering value to customers.

He said: “We hear about closures in the news, but there are plenty of people doing well.

“It’s still a fantastic experience to go to a nice venue that’s well run – it’s a good use of money and time and everybody benefits from that.

“The closures are partly to do with cost, but also a consequence of evolution. Hospitality has become slightly more difficult – especially when you’re providing a service to commuters as much of our business does.

“But it’s more rewarding when you can make it work. I’d like us to open more hybrid wine shops in the future, where you can get a drink as well as buy a bottle.

“You’ve always got to be glass half full – where we’ve got it right, it’s wonderful to see.

“With Vintners Lanes, the venue appeals to an adult audience, although we really welcome kids.

“It’s a place where parents choose to bring their young ones and we probably sell more and better wine than most bowling alleys.”

The award-winning venue has established itself a potent part of Davy's portfolio - image supplied by Davy's
The award-winning venue has established itself a potent part of Davy’s portfolio – image supplied by Davy’s

key details: Vintners Lanes

Vintners Lanes is located directly behind Davy’s Wine Vaults next to Greenwich station and is open daily.

A single game of bowling costs £12.95 per adult.

Find out more about the venue or make a booking here

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Sea Lanes Canary Wharf plans approved for early summer opening

Eden Dock is set to get a floating swimming pool for summer 2026 as proposals for swimming, changing and amenities on land get the green light

An artist's impression of how Sea Lanes Canary Wharf will look when opened - image supplied by Canary Wharf Group
An artist’s impression of how Sea Lanes Canary Wharf will look when opened – image supplied by Canary Wharf Group

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The use of land to deliver amenities while development plans are being worked up has become a key feature of the east London property scene in recent years.

Royal Docks boasts a former brewery that’s become home to small creative businesses and Stratford has a strip of land with an al fresco sauna.

Canary Wharf already features an expansive Padel Tennis club in the shape of Padium on a site awaiting a tall office block.

Often, and certainly in these cases, such projects significantly enrich the areas they operate in for residents and visitors alike.

So, news that the plans for a floating swimming pool in Canary Wharf’s Eden Dock alongside a “health and wellbeing destination” on the land beside it have been approved, provides a tantalising glimpse into the future.

Targeting an early summer launch, Sea Lanes Canary Wharf is set to deliver a 50m, six-lane swimming pool, two electric saunas powered by renewable energy, changing facilities, a  community clubhouse for events, food and beverage offerings and a store offering wetsuit hire and storage services.

Operated by the team behind Sea Lanes Brighton, the facilities will be open 364 days a year with both pay-per-swim and membership options available. 

Designed to act as a stepping stone between pool swimming and open water, the 1.3m-deep lido will be suitable for all ages and abilities with life guards on hand to keep swimmers safe.

Director at Sea Lanes Brighton, Joe McNulty, is no stranger to the property market. Having grown up in Archway, he moved to the seaside town aged 19 to attend university and ended up staying, evolving his passion for exercise in the pool into a love of sea swimming.

As director of Copsemill Properties, he’s spent more than three-and-a-half decades buying spaces locally and turning them into offices and residential homes or refurbishing existing schemes. 

The floating swimming pool will be fed with water by the dock - image supplied by Canary Wharf Group
The floating swimming pool will be fed with water by the dock – image supplied by Canary Wharf Group

the genesis of Sea Lanes

“As a swimmer, one of the problems with Brighton was that there were no facilities for sea swimming – showers, changing rooms and so on – or anywhere to dry off, change or even to have a coffee after a dip,” said Joe.

“I found a site that had an old funfair on it and Brighton Council was asking people what should be done with it.

“Originally the plan was to have a sea swimming club with a clubhouse and a coffee shop. Somewhere to hang out with an annual membership.

“Then I got involved with one of the partners and a swimming coach, and they suggested a small training pool to teach people how to swim properly.

“That evolved from a one lane, 12m facility to a 50m heated, chlorinated pool on the beach.

“Alongside we built studios, a bar and a restaurant with a whole community of businesses now calling it home.

“Sea Lanes Brighton became a whole commercial development, much larger that I’d originally envisaged.

“It’s also been a big success since it opened in 2023 and we started to think about doing the same kind of thing elsewhere.

“We had a connection at Canary Wharf and went to talk to them to see if we could work together.

“The site beside Eden Dock is awaiting development, but the agreement is we’ll have it for five years initially.

“We’ll have the same size pool as Brighton but this one will be floating on the dock, tethered to the quayside and the bottom with a solid floor and mesh walls.

“While Brighton is chlorinated and heated, Canary Wharf will be unheated with water from the dock moving in and out through the mesh. 

“It’s designed in part as a training facility for people who want to get into open water swimming.

“It’s shallow enough for people to stand up in so people can get their confidence up before progressing into the open water of Eden Dock for a session overseen by lifeguards in kayaks, for example.

“From there people can go on to explore lakes, rivers and even seas around the world.”

The site at the end of Eden Dock that Sea Lanes Canary Wharf will be built on - image by Jon Massey / Wharf Life
The site at the end of Eden Dock that Sea Lanes Canary Wharf will be built on – image by Jon Massey / Wharf Life

beyond a dip

As well as the swimming facilities, Sea Lanes will create a selection of amenities overlooking the pool as part of the project.

“The saunas will take about 15 people each and there will be a cold water plunge in the dock,” said Joe.

“There will also be hot showers and changing rooms as well as a space with a programme of events that will also be available for hire.

“While Sea Lanes Canary Wharf will be primarily an outdoor venue with a food and drink offering that’s similar to Brighton, there will be a series of igloo-style enclosures for people to escape the weather if necessary.

“We’re also looking into having an outdoor gym.

“I think people will find it really exciting to swim in the pool, looking up to see themselves surrounded by all of these buildings. 

“There’s nothing else really like it in London and, if it works, we’d love to stay in Canary Wharf beyond the five years, perhaps looking at another site.

“We’ll also be looking at other sites in the capital.”

Shobi Khan, CEO at Canary Wharf Group, said, “Almost one year on from the opening of Eden Dock, we’re making another bold step forward in the enhancement of our green and blue spaces at Canary Wharf.  

“Sea Lanes Canary Wharf will build on the success of Eden Dock as a unique wellness destination, where access to nature, leisure and world-class amenities are seamlessly integrated.”

Construction on the project is set to begin early this year. 

key details: Sea Lanes Canary Wharf

Sea Lanes Canary Wharf is set to open in early summer 2026, although no launch date or pricing has yet been released.

Find out more about the proposals here

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Creative Virtual on why the firm believes human-curated AI is better

Founder and CEO of the Canary Wharf-based business, Chris Ezekiel, explains how his firm’s approach is proving attractive to larger organisations

Creative Virtual founder and CEO, Chris Ezekiel – image by Jon Massey / Wharf Life

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It feels like a big year for Chris Ezekiel.

Not only is he gearing up to become a father for the third time – a sibling is on the way for sons Matthew and Harry – but Creative Virtual, the company he founded on the Isle Of Dogs 22 years ago, recently went live with a hybrid human and AI system to help Australia’s largest mobile network better deal with its customers.  

“We think it’s a world first,” said Chris, who still lives locally despite running the global business as its CEO.

“Our project with Telstra sees a large enterprise using conversational AI and chatbot technology in a public-facing way – a hybrid approach with all the appropriate guardrails in place.

“There are other companies doing this with AI, but only on a small scale.

“We spent the best part of 2025 building the system and linking it in to all their operations.

“It’s all about knowing when to give a generative answer, something more structured or a combination of the two.

“Our system also does things like summarising, classifying and making all these decisions in real time.

“I’m very proud that we’ve displaced two of the world’s largest companies in this field – IBM and Salesforce – to deliver this solution.

“As soon as Telstra switched it on they doubled their containment rate, which means twice as many interactions have been automated rather than going through to a human in their contact centre.

“Now we have a road map to do much more over the course of the next 12 months.

“Our system is going to be the central point of communication for all their interactions with existing clients and potential customers – all with a clear escalation path for more complex queries or situations.

“There’s always going to be a need for that.”

beyond ChatGPT

Chris said that, while the arrival of ChatGPT in 2022 and the subsequent proliferation of large language models that generate responses had been significant for the sector that Creative Virtual operates in, many firms had done little in the way of implementing the technology.

“People have this perception that computers have to be 100% accurate, or the job they do is not acceptable,” he said.

“If a human makes a mistake, it often doesn’t get the same level of attention as a machine failing or given an answer that’s wrong.

“As a result, many larger organisations were paralysed when it came to putting new systems in place.

“During this time, we stuck to our guns and did what we’ve always done – tune into what organisations really want.

“That’s what’s brought us success. We’ve kept humans in the system to curate answers, working alongside generative AI and other technologies, meaning we can combine their talents when communicating with customers – something that’s reassuring to large organisations such as banks or telecommunications firms.

“With these clients there’s a large number of processes that their customers need to go through – billing enquiries or applications for accounts and credit cards, for example.

“These need high levels of curation and can’t be left to AI.

“That’s why clients like our approach. They can have very tightly controlled parts of the process alongside the simpler enquiries that can be dealt with by AI.

“Our tagline remains completely relevant today – we’re about the science of conversation and finding the best ways to automate those interactions whether that’s via chatbots, texts, WhatsApp or Facebook Messenger.

“We’re still doing that, but using the latest techniques.

“Our project with Telstra – all that hard work – has resulted in a big global showcase for Creative Virtual.

“We have built some bespoke systems for the client, but many of our standard techniques are ready to scale for other organisations.

“One of the most important elements is the expertise to  understand what this technology can and can’t do – what you can measure and how to set an organisation’s expectations.

“Having this blueprint as we go into 2026 is absolutely key for our business.”

designed to be flexible

Creative Virtual has built its approach to conversational interaction around the idea that it can rapidly and easily switch out AI systems to benefit its clients as the technology develops.

However, Chris believes that while the sector is showing advancement in several areas, it is important to recognise its limitations.

“There are some very clever people in the industry who claim that we’ll have artificial general intelligence very soon, that computers might even become sentient,” he said.

“But we don’t even understand human intelligence at this point.

“You have to take a step back and recognise all these new systems such as large language models are still based on silicon chips – ones and zeros – backed by incredible processing power, but a model that hasn’t changed since the invention of the computer.

“With quantum computing, biological systems or a combination of the two, it may be possible for AI to do a great deal more, but will it become self aware, will it be able to feel things? 

“I think its impossible to say that our existing computer models will take over the world.

“I’m not arguing that we haven’t seen advances in systems that can predict the next word or phrase or that these engines can’t simulate intelligence or awareness. 

“But that to have emotions the computers that run them will need more than ones and zeroes.

“I’m sceptical that artificial general intelligence is just around the corner, even if discussing it makes for a good story in the media.”

doing more and more jobs

One thing Chris is certain of is that AI technologies will be increasingly used to automate large parts of our lives.

“AI will do many of the jobs humans do today and robotics will come increasingly into play, such as self-driving cars,” he said. 

“It is going to be an exciting area and AI is already being used to help doctors with diagnostics and to process large volumes of data in many different fields.

“That’s how we use the technology, for customer services, training virtual sales people and bringing our systems into the retail experience. 

“There will be robots in stores capable of retaining far more information about products on sale than a human ever could, for example.”

That’s not to say AI is perfect or that the large companies involved in developing new models aren’t overly optimistic about the value of their creation.

“With all the billions being invested, there is, perhaps, a bubble – but AI is not going to go away as a tool, just as the end of the dot com boom wasn’t the end of the internet,” said Chris. 

“This technology is very much with us and it will be used to automate many things that are not automated at the moment.

“Overall, I think it will enhance our lives and it will encourage us to be more creative as people.

“Who wants to sit in a contact centre answering the same mundane questions day-in, day-out? We have to evolve our technology so the workforce can do more involving things.

“One of the key issues for firms is that, with so much AI generated content, everything will start to feel very similar. 

“That’s why I think our current approach is the correct one.

“Having humans work alongside AI has always felt to me like the perfect combination.

“We need human curation so that organisations are able to retain their voice and project their brand whether it’s an AI or a person talking to their customers. 

“That’s one of the attributes of our project with Telstra. Its strength has been in the testing we’ve put the systems through against real-life conversations – a way for our client to see our systems work and that gives them confidence. 

“We launched with them during the Black Friday and Cyber Monday periods and it was the best possible time to stress-test what we’d put in place.

“Organisations change their content all the time, so our system had to know Telstra’s products, offerings and sales information and deliver that to customers without error.

“It hasn’t been easy to achieve that, but the feedback from them is that this is the first product they’ve had in years that has been on time, on budget and on spec, which is pretty incredible.

“It’s already delivering real business results.”

key details: Creative Virtual

Creative Virtual is based in Canary Wharf’s Cabot Square and operates globally.

Find out more about its services here

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Pink Pilates begins 2026 at Royal Wharf with 20% discount

Women-only fitness studio in Royal Docks offers Reformer Pilates classes for adults and teenagers as well as private sessions, massage and more…

Pink Pilates is offering a 20% discount to celebrate the start of the year - image supplied by Pink Pilates
Pink Pilates is offering a 20% discount to celebrate the start of the year – image supplied by Pink Pilates

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— Use code WHARF20 when booking for this offer —

In celebration of the New Year and the launch of business, a women-only Reformer Pilates studio in Royal Docks is offering readers a 20% discount on their next session in 2026.

Pink Pilates opened its doors at Royal Wharf in October, promising “a fresh and uplifting approach to movement and wellbeing” for its clients. 

tell me more

Located in Royal Crest Avenue at the east London development, the studio has been designed to support both the physical and mental health of those coming through its doors.

Pink Pilates offers a wide range of classes designed to suit different needs and life stages, suitable for women of all ages and abilities.

It also offers one-on-one sessions tailored to individual goals and private group sessions for up to eight people, as well restorative massage aimed at releasing tension, soothing tired muscles and calming the mind. 

why Pilates?

The studio says the system of movement is “widely recognised for its ability to improve core strength, posture, flexibility, balance, and mobility, while also offering powerful mental wellbeing benefits”.

It adds that: “Pilates practice can help reduce stress, improve mood, support recovery from injury and enhance overall quality of life.”

Pink Pilates’ focuses on wellness rather than perfection, based on a belief that movement should feel empowering rather than pressurised. 

To that end, its classes are designed to help women “feel strong, confident, and energised, both physically and mentally, without unrealistic expectations or one size fits all approaches”. 

The women-only studio offers a range of classes as well as private sessions - image supplied by Pink Pilates
The women-only studio offers a range of classes as well as private sessions – image supplied by Pink Pilates

why Pink?

The studio has embraced the colour throughout its workout spaces and branding, aiming to create a feminine, fun environment that provides an uplifting, inspiring atmosphere.

Intentionally different from more traditional fitness environments, Pink Pilates wants to offer women a joyful setting where they can feel “comfortable, confident and at ease”.

what’s on offer?

Classes include sessions for beginners, lymphatic core, rehabilitation, prenatal and mummy. There are also programmes for teenagers and slower-paced yin-inspired sessions.

The studio says: “Reformer Pilates is particularly beneficial for those recovering from injury or managing ongoing physical concerns, as exercises can be adapted and supported using spring-based resistance.

“Sessions are led by expert instructors who prioritise safe technique, individual support, and inclusive teaching.”

anything else?

Pink Pilates is also available for private hire whether for corporate wellbeing sessions, team bonding experiences or bespoke celebrations such as birthdays or special occasions. Full details are available online.

how do I get to Pink Pilates?

The studio is located within easy walking distance of Pontoon Dock DLR station and close to bus stops on North Woolwich Road. 

Royal Wharf can also be accessed via Uber Boat By Thames Clippers river bus services using the development’s dedicated pier. 

Pink Pilates' studio is located at Royal Wharf in Royal Docks - image supplied by Pink Pilates
Pink Pilates’ studio is located at Royal Wharf in Royal Docks – image supplied by Pink Pilates

what do classes normally cost

There are a variety of ways to access classes at Pink Pilates. One-off group sessions cost £26 with discounted packs of classes also available. The studio also offers monthly memberships starting at £90 for four classes.

Private sessions for one or two people start at £90, while classes for teenage girls aged 13-17 start at £20.

how do I access the discount?

New or existing customers should use code WHARF20 when booking to get 20% off their next session in 2026 at Pink Pilates.

The code can be used by new or existing clients at the studio and the offer applies to all reformer classes, class packs, private one-to-one sessions and massage treatments.

Check with the studio for full details.

key details: Pink Pilates

Pink Pilates – @pinkpilatesx on Insta and @officialpinkpilatesx on TikTok – is located in Royal Crest Avenue at Royal Wharf, E16.

Classes can be booked online here

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