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Deptford: How Baldr CrossFit is creating a safe space for everyone to exercise

Gym in Deptford’s Childers Street sees David Caetano and Ben Wilson offering multiple options

David Caetano, pictured, and his partner Ben Wilson have launched Baldr CrossFit

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We wanted a name that represented bravery, humility and honesty,” said David Caetano, co-founder of Baldr CrossFit in Deptford’s Childers Street.

“It’s named after the Norse god Baldr because I lived in Norway for about four years and my mum is still there. 

“Everything Baldr does is good, but he doesn’t brag about it, so it’s representative of what we’re trying to create here.”

The virtuous son of chief deities Odin and Frigg, is a firm favourite in Asgard in contrast to the deceptive Loki and bombastic Thor, often because of his calm sweetness – not perhaps the most obvious allegory for the sweat and grind of a south-east London CrossFit gym.

But Baldr’s whole reason for existence is to do things differently.

“Above all, this is an inclusive space,” said David, who founded the gym with his partner Ben Wilson, opening the doors earlier this year.

The Deptford gym has a wealth of of equipment for members to use

“People come in, see the Progress Pride Flag hanging in the window and feel comfortable. This is a place for everyone.

“I came to London from Portugal at a time where there was still stigma around being part of the LGBTQIA+ community. Here, there was anything and everything.

“I became comfortable with my sexuality about three years ago but what I’d noticed was that, when you go to gyms, there wasn’t always representation there. Some do have it and, as soon as I’d walk in, I’d feel safe.

“At Baldr, because we’re LGBTQIA+ we’re more outspoken about this and so people are happier being themselves, speaking about their partners and things like that.

“I really felt there was a need to create something within fitness to change the conversation so we’re not talking in terms of men and women, but about individuals.

“The way we do that is to get away from CrossFit’s weights for men and women and just talk about percentages when we come to the bars and levels of resistance.”

Baldr is located around 10 minutes’ walk from both Deptford and New Cross stations and offers a range of classes for up to 10 people.

Alongside its core CrossFit offering these include weightlifting, gymnastics and Capacity, a barbell-free class designed to improve an individual’s ability to recover from high intensity exercise.

Monthly memberships start at £159 for three classes a week. There are also drop-in packages starting at £20 for a single class as well as small group and one-to-one personal training.

Baldr also offers free trial sessions to new clients so they can get a feel for what the gym offers.

“CrossFit is all about functional movement,” said David.

“Every time you squat, you’re sitting on a couch. The idea is that everything you do in the gym can be transferred to the world outside.

“What we’re trying to do with our programmes is to hit those functional movements so that when you’re 80, you can get off a chair without having to roll over or needing someone to help you.

“We constantly vary the sessions across seven areas of exercise so people will never get bored. The idea is an all-round one so members can say they can lift weights, run a mile and do a certain number of pull-ups.

“We keep the group training small, so we have 10 max in a group, and this makes sure that everyone gets attention in the session, and they get a little bit of personal training in a group setting too.”

The gym is located in Deptford’s Childers Street

With Ben, who works for Deutsche Bank looking after the business side of operations, it’s an offering squarely within David’s area of expertise.

“I was always into fitness and wanted to be good at everything,” said David.

“I originally came to London to study architecture, but sitting in front of a computer all day wasn’t really what I was looking for.

“I started doing CrossFit and then decided to train as a coach – that was about seven years ago.

“After working at my first gym and helping to run it for a few years, I joined Third Space in 2019, working in Canary Wharf. 

“The CrossFit gym taught me a lot about running a small fitness business, while working at Third Space enabled me to look at the bigger picture – the language we use in classes and the impact this can have on members. 

“I was also able to take a lead and get involved with developing new coaches and instructors, so that experience was really key for this project.

“Ben’s background is in business, finance and accounting, so he handles that side of things whereas I’m on the product side, looking after coaching, development and what we deliver for our members.

“This is perfect because it means we don’t cross over when we’re working together.

“We live close by and were aware there was nothing like this in Deptford, so we started looking to see if there was a space up for rent.

“Then Ben put together a business plan, looking at the area and why Baldr might be needed here – asking what the brand is and what its target audience will be.”

The pair found a space vacated by a fashion manufacturer and set about kitting it out with gym hardware, gender neutral toilets and, of course, the big pride flag.

The gym has been conceived as a safe space where all are welcome

The dream for Baldr is to expand with gyms in a number of parts of London and perhaps beyond.

David said: “We would like to have several locations so that we can attract people living in different areas. 

“We are aware gyms can be quite intimidating, especially for people not always comfortable with their sexuality, so we like to chat with them and point out it’s their space, their workout and that we’re here to support them.

“We want to make sure that everyone has a good experience in the community and make sure they get that one-to-one experience in a group setting.

“We are loud and proud, so if you need a space like ours, then we are here for you.”

Read more: How WaterAid uses dragon boats to raise money

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How the WaterAid Dragon Boat Race is coming to South Dock

The Canada Square-based charity is inviting teams to raise funds for its cause and paddle for glory

The WaterAid Dragon Boat Race takes place at West India South Dock

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With so much water in this part of London, it’s easy to imagine it as a universally available resource.

Canary Wharf and the Isle Of Dogs are embraced by the lazy meander of the Thames.

Then there are the vast pools of the docks themselves and canals that connect them, which carve up the landscape. 

The stuff is everywhere and – as evidenced by Love Open Water’s project in Middle Dock last year – easily clean enough to swim in, even if glugging down huge quantities is probably unwise.

Everywhere there are shiny new apartments with rainfall showers, designer toilets and taps pumping the stuff up 50 floors so we can live in towers. It’s literally available on tap.

So it’s easy to forget that about one in 10 people globally live without access to clean water close to their homes.

This basic human right is unavailable to some 771million people globally, with the battle simply to slake their thirst and stay alive a terrible brake on almost all aspects of their existence, be it education, work, health – the list is endless.

Teams raise funds, then compete for glory at the event

The mission of WaterAid is simple.

Within a generation, the charity is working tirelessly to make sure everyone in the world has sustainable access to both clean water and decent toilets – the integrity of the former, dependent on the latter. 

Founded in 1981, it has helped more than 28million people get clean water and 29million people get decent toilets, helping lower the percentage of those without access from one in eight, to one in 10. 

“I got involved with the charity because my family is from Bangladesh and I’ve seen first-hand what a lack of hygiene and clean water can do,” said Aminur Rahman, supporter care advisor at WaterAid. 

“In Bangladesh it’s very common for under fives to die from lack of clean water.

“Children tend to go to local ponds with dirty water to drink. I’ve had personal experience of that with a relative.

“I’ve been to Bangladesh a few times, so for me this cause is something personal that’s close to my heart.”

“You can’t really argue with what we’re trying to do,” added Fiona Lavery, the charity’s change and employee experience director. 

“We work in 27 different countries around the world, predominantly in Africa and south-east Asia, including Mali, Bangladesh, Madagascar and Colombia.

“Each one is different, which makes the challenge a complex one.

“It can be about a lack of infrastructure in rural or urban areas – or it might be that there are marginalised people who can’t get at it because of the situation they’re living in.

“It can be about taps and toilets, but water is also a political issue and a cultural one. As an organisation, we only employ local people to deliver our projects and that’s the right approach because it is community led.

“We empower people to have access to solutions, rather than flying in, giving them something and then going away again.

“That would not be sustainable.”

Various prizes are up for grabs, including best dressed team

HOW TO HELP

In order to do this work, WaterAid needs a constant flow of funds and recently announced the return of its Canary Wharf Dragon Boat Race.

Teams of between 11 and 17 will do battle on the waters of West India South Dock on July 6, 2023, from 11.30am to 6.30pm.

In addition to an entry fee of £350, teams are set a fundraising target of £1,500 and challenged to exceed it. 

On the day, each team will race at least three times in a series of heats, with the fastest three teams taking part in a grand final. 

Prizes will be handed out for the three fastest boats, best-dressed team and, of course, most successful fundraisers. 

The event also includes lunch and a post-race reception with a welcome drink.

“The events fundraising team at WaterAid wanted to create a water-themed event in Canary Wharf since we moved to the area in 2020,” said Corinne Stone, the charity’s senior community and events officer who is organising the race. 

“As dragon boat racing is becoming one of the most popular corporate sports in the UK today, we thought it would be a brilliant opportunity to use the water on the docks and engage with our corporate neighbours in Canary Wharf whilst raising vital funds for our cause. 

“Last year was a huge success and I’m so excited to welcome even more teams for 2023 for what is a fun, competitive and great team building experience.”

Sponsored by Canary Wharf Group, the event raised £26,000 for WaterAid last year with 15 teams competing and aims to exceed that in 2023.

“It’s the perfect setting for the community to get involved,” said Aminur.

“It’s a competitive challenge but it’s also fun and we’re raising awareness at the same time.

“It’s not just about financial support either because just having that visibility can lead to people doing things like petitioning their MP or local authority to highlight this issue.”

Teams of between 11 and 17 are given a funding target of £1,500

“We took part last year and it was brilliant,” added Fiona.

“It was harder than I expected and got highly competitive, but I would say that, for any organisation that wants a proper team-building day, this is perfect.

“You have everyone in the boat and you have to learn to think together. 

“We had people from across the organisation in the boat – some I’d never met in 11 years of working at WaterAid – it’s fantastic for people who want to do more than sit in an office.

“What people expect from an employer has changed – they want companies and other organisations to care about the world we all live in. 

“Events like this offer them a way to demonstrate that they do and for their employees to get out and do something beyond the day-job.

“There are so many challenges that remain worldwide and we need this help to work to mitigate things like climate change.”

Registration for the event is now open, with teams encouraged to try to raise more than 50% of their target by June 8, 2023.

Canary Wharf Group event manager Camilla McGregor said: “We are delighted to welcome back WaterAid’s Dragon Boat Race to Canary Wharf. 

“Following a successful partnership last year, we are overjoyed to see the event increase in popularity with many teams already signed up for this year’s event, helping to raise much needed funds for this fantastic charity.”

Follow this link to find out more about the event or register.

Aminur Rahman and Fiona Lavery of WaterAid

Read more: See the moment One Canada Square was topped out

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Skillwork provides software services to companies of all sizes

Jan Gasiewski and Ali Youssef created the Level39-based firm after meeting at UCL on the estate

Skillwork founders Jan Gasiewski and Ali Youssef

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Business is all about relationships and it’s pretty clear there’s real strength at the heart of Level39-based Skillwork.

It’s also emblematic of how London provides the crucible that allows individuals to come together, fused and more powerful as a consequence.

In a nutshell, Skillwork provides software development services to startups, small firms and corporates looking to run innovative breakaway projects that fall outside their main areas of operation.

But at its heart lies much more than technical prowess. It’s the enthusiasm, energy and passion of two men – co-founders Jan Gasiewski and Ali Youssef.

From Poland and Bulgaria respectively, the pair met and founded the business in 2020 while both studying for their masters degrees in entrepreneurship at University College London’s School Of Management in Canary Wharf’s One Canada Square.

Both had previously studied in the UK – at Lancaster (Jan, business administration) and Northampton (Ali, computer software engineering) – before heading to the capital with perhaps a sense of something unfinished.

“Lancaster is a great university,” said Jan.

“But what you need if you want to go into business is exposure and the nearest city is Manchester. Even that is just far away enough that nobody goes.

“I’d applied for placements at Microsoft and HP. At the assessment centre for the former I didn’t know how to approach it – everyone just said: ‘Be yourself’.

“But the feedback was that all the product work was done in the States and that I didn’t show much human emotion, so I got into HP instead. 

“It remains my only ‘real’ job, but there wasn’t much work to do so I wound up mostly reading books rather than getting experience.”

Ali said: “I’d gone back to Bulgaria, thinking I was going to be a software engineer and I got a job.

“But on the day I was supposed to start, I called the guy and said that I didn’t want to do it. 

“Then I told my dad that I wanted to study entrepreneurship instead and his response was that  business courses were for people who didn’t know what they wanted to do in life.

“But I applied to UCL, got in and that was my first experience of London – coming to Canary Wharf I was so shocked because I had never seen a place like it in my life. 

“It was a place you could talk to anybody – I was having a coffee with a guy and he turned out to be a fund manager in control of millions of dollars. 

“When he asked me what I did, I had to say I was a student.

“In Bulgaria I thought people like these were superheroes that I would never meet in real life.

“But London showed me you could talk to people who were very successful. It changed everything.”

Jan, in a “rare display of extroversion” messaged his course mates at UCL to see if any of them would be up for meeting over a drink.

Ali was the only respondent, and they bonded over food at Honest Burgers swapping tales of their fathers. 

Skillwork’s London base is at Level39 in One Canada Square

“Both our dads had businesses,” said Jan.

“We both grew up looking up to them and both were screwed over quite badly by their business partners.”

Their friendship flourished and they decided to go into business together, with Skillwork founded in 2020 while they were still studying at UCL.

Now based at Canary Wharf’s tech community, Level39 at One Canada Square, it employs some 17 people in London and Bulgaria.

“We always say our partnership is the cornerstone of the business,” said Jan. 

“Because of our fathers’ experiences, we created a set of rules when we started to ensure that nothing like that could happen to us.

“We are very transparent with each other and love working together.”

“We really wanted to be very entrepreneurial from the start,” said Ali. “We were surrounded by people in that environment both at UCL and at home.

“It’s also about an acceptance of potential failure and an appetite for risk.

“To start with, we had no experience, so we decided to plug ourselves into the world of startups and build up knowledge as we went, using that as a catalyst to create something.

“Today we work with small businesses and corporate innovation labs and the core of what we do is software development for those clients.

“We like to mix pragmatism with technology.

“You get people who come to us all guns blazing saying that they’re going to build an AI model to do something incredible but they haven’t yet got any traction.

“So we might apply the brakes there and persuade them to go one step at a time. On the corporate side, we are leaning towards what’s called venture building, where a big company decides it needs, for example, a digital presence, and brings in help from outside to help it develop one.

“So we sit down and discuss with them problems which they are interested in solving, and then we help them to see what ideas might be a potential business plan.

“Then we help them build that product up, and then they take it over and run it.

“We’ve been around now for a little over three years and in that time we’ve been able to work with the likes of pharmaceutical giant GSK and fusion power company Helion.

“We’ve also managed to build all this without any investment. We now have employees who rely on us and fortunately we have a good, strong network of mentors.

“Generally speaking what’s happened is that our success comes from our clients’ success.

“We’ve worked with the majority of our clients since day one and many have seen a huge degree of success.

“They’re all big-name people, so it’s all going very well as far as our reputation is concerned.

“We’re now in a much healthier position, with strong cash-flow and a sound profit margin. We’re now looking outwards to expand.”

While Skillwork’s technical operations take place in Bulgaria, London remains key to the business’ plans for growth.

Having studied at UCL on the 38th and 50th floors of One Canada Square remaining in the tower was a natural step. 

“It was quite prestigious for us to come to Level39 – it was a marketing thing as well, because meeting clients here makes a good impression,” said Jan. 

“I also think it’s one of the best spaces in London. If your working environment is good, then your work will be good and we’re very fortunate that we can afford to be here. We have some clients in Dubai and that might be a place we expand into. 

“Our strength lies in the fact that we have contacts in so many countries and the ability to access them.

“One thing to remember is the UK is and always will be a global power.”

Ali added: “That was the key benefit for us of coming to the UK – when we came here, we were exposed to all these different cultures.

“London isn’t going to go under anytime soon. The reason we’re looking outwards is that we’re a bootstrap business, with not too much cash in the bank, so we have to keep expanding.

“There are only two choices – you go up or you go down. Out next step is to become innovation leaders in the Middle East for anything digital – that’s our ambition.”

Who would bet against them?

Read more: See the moment One Canada Square was topped out

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Greenwich: How Outrivals creates a place to train with community at its very heart

Founder Matt Lo’s gym on The Tide offers workout facilities, small class sessions and personal training

Outrivals is located on Greenwich Peninsula

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Matt Lo’s vision is one of community.

Having dropped out of university, bored by his business course and keen to avoid getting into debt, the entrepreneur tried his hand in various sectors.

Following stints in estate agency, stockbroking and helming a failed website business, fitness beckoned.

“I fell into personal training,” he said. “I was always sporty – basketball, football and athletics at school and basketball for my county, Essex.

“But then you get into standard living, so it was nice to get back into fitness.

“What I learnt from the website business was that I wanted to gain some experience for a few years and earn my stripes before launching something.

“So I worked for Virgin Active in Moorgate, spent all my spare time studying, did my personal training qualifications in 2013 and that was it.”

From those beginnings, Matt started hosting outdoor fitness sessions in east London parks before successfully crowdfunding and opening his first physical gym in Old Street in 2016.

“I took my personal training clients, went freelance and that’s how things evolved,” he said. “Walking through those doors on opening day was beautiful, but also so stressful.

“We had plumbing problems – the changing rooms leaked into the gym floor and when we first opened I was there for several nights in a row lifting floorboards with water gushing out.

Outrivals founder Matt Lo

“I didn’t know what to do, but that’s part of the game – the unexpected stuff, the random scenarios. If you don’t want those challenges, then you shouldn’t run a business.”

With the leaks stopped, his first gym performed solidly up until the pandemic when, like many businesses, its model was upset by unprecedented circumstances.

When the Old Street gym closed permanently in 2021, buffeted by lockdowns and home working, the next chapter in Matt’s story was already unfolding.

“I first saw the space on Greenwich Peninsula about five years ago – but we couldn’t get funding for it back then,” he said.

“So I reached out to developer Knight Dragon as it was still empty and they said they were looking for an operator.

“We came in and opened in 2021 – I feel we’ve created something really solid for the community here.”

That something is Outrivals – a health and fitness space located on the Thames with its entrance facing elevated public space The Tide.

“When the agent showed me the unit in 2018 it looked really promising – especially with everything the developer was doing to create a community, building it up from scratch,” said Matt.

“I wanted to be a part of that. Outrivals has been set up as a place where people can come together to make friends and connections through fitness.

“Essentially, it’s a community-based gym.

The gym offers a range of membership options

“We offer small group classes and personal training with a team of people who are all specialised in their fields.

“It’s down to them that we have got where we are today.

“We’ve tested many different classes – sussing out exactly what people like.

“We wanted it to be a very strong facility, where people come knowing that they’re getting excellent training from very good staff, but having fun at the same time.

“We do strong-man and strong-woman classes where people lift 50k balls – stuff you wouldn’t be able to do at home on your own.

“We do an hour and a half endurance class and we have a leg-day on Monday.

“So we’ve worked on what we want to be about, but at the same time made these things fun for the people who are doing them.”

Memberships at Outrivals start at £30 per month for gym-only access – available for anyone who works, studies or lives in Greenwich.

Standard open gym memberships are £55. Small Group Training memberships start at £60 per month for four classes with eight session and unlimited options also available.

One-to-one personal training packages start at £99 per month with three hour-long sessions included.

“We also offer dedicated packages such as our 12-week strength, weight loss or post-natal programmes,” said Matt, who also runs Choy House, an Asian street food restaurant now based at Design District’s food hall Canteen, a little further south on the peninsula.

“We feel we’re on a really good journey here at this gym.

“When I first came here, there weren’t many buildings – the community was very new. Since then lots of people have moved in and lots has been built.

Outrivals overlooks The Tide park and the Thames

“To help boost that we create events, summer socials and charity challenges that help bring people together, not just in the gym but outside it as well.

“Personally, I understand the importance of fitness although I admit I’m hit and miss with how much I train. 

“When I miss a session, though, I really feel it both mentally and physically, so I know what an effect it can have.

“Ultimately I’d like to grow the brand, launching in other new developments so we can widen out the community and bring even more people together – whether that’s in London, other cities or even internationally.”

Outrivals has a number of offers for those considering taking out a membership.

Prospective clients can try out the gym’s facilities for three consecutive days, including open access to training spaces and small group classes. 

Members can also get up to £50 cashback for referring new clients who then take out a membership.

On the personal training front, in addition to packages for individuals, Outrivals offers sessions for couples or people who simply want to train together.

A £150 per month fee covers two sessions for two people with an Outrivals coach. Packages covering more sessions are also available.

For individuals who need more flexibility, the gym also offers blocks of personal training that can be used over a two-month period instead of the usual one-month expiry date.

Read more: See the moment One Canada Square was topped out

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Royal Docks: How The Greenhouse Theatre is set for a run at Thames Barrier Park

Zero waste venue will be a creative hub to house three of the four artistic commissions for Sea Change

The Greenhouse Theatre is set to come to Royal Docks

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There’s about to be a lot going on to the east of Canary Wharf.

The Royal Docks Team (RDT) has officially unveiled its At The Docks programme – an umbrella for numerous events and attractions set to come to fruition in E16 between May and September.

These include the likes of the Greenwich + Docklands International Festival, the London E-Prix, the Dockyards Summer Series and Newham Heritage Month.

It also includes Sea Change – an RDT collaboration with University College London (UCL) that has seen four new artworks commissioned.

These have been curated by Invisible Dust, which has brought together a quartet of artists with scientists at UCL to respond to the climate crisis.

Finally, after what feels like a blizzard of stakeholders and acronyms, that leads us to May 11-June 4, 2023, when these installations will be available to view for free.

The Greenhouse’s co-founder and artistic director, Oli Savage

Rather than a gallery, however, three of the works will be on show at The Greenhouse Theatre – a zero-waste travelling venue that, even as you read this, is being built at Thames Barrier Park.

Having spent time in Canary Wharf in 2021, it’s a structure typically used as a space for live performances, which has meant a few changes for its latest incarnation.

“We’ll be this really exciting creative hub for those weeks down in Thames Barrier Park – a space where people can engage with the amazing artworks that Invisible Dust has programmed,” said Oli Savage, co-founder and artistic director of The Greenhouse Theatre.

“Physically, this is the same venue – built from recycled materials – but there will also be some new spaces for 2023.

“One of the pieces – Flotilla by Melanie Manchot – will be shown in our new screening space, a very lovely repurposed shed.

“We’re also introducing our first zero waste bar on site where people can come and hang out and stay sustainable while they’re having a drink.

“Our message is that the site is open – we’re encouraging people to come down and enjoy all the things that are on offer.

“We want to make it a space that people really want to come and spend time in.”

Biotopes by Simon Faithful

The core of Sea Change will be four artworks, with three housed at The Greenhouse. 

Biotopes by Simon Faithfull explores habitats with the artist using 3D printed sculptures of his body adapted for other species to reside in.

Power In by Dana Olărescu promises an exploration of energy equity with input from local people. 

Manchot’s Flotilla comprises a film of local women afloat on boats on the night time waters of the Royal Docks, inspired by the history of protests for equality in the area.

The fourth artwork – The Waves Are Rising by Raqs Media Collective – will be viewable at Royal Victoria Dock and sees an augmented reality wave superimposed over live video footage of the still waters in front of City Hall. All are free to access. 

Sea Change will also include Forecast 2023 on May 19, 2023 – a symposium during which writers, artists, scientists and cultural commentators can explore the nature of stories and how they might shape the planet’s future.

Flotilla by Melanie Manchot

A full schedule of events is set to be announced soon. As part of the overall programme, The Greenhouse will be hosting a free youth festival on May 14, 2023, aimed at people aged 14-30.

“This will be a full day with workshops, events and refreshments available,” said Oli.

“There will be live music too and this is very much by and for people aged 14-30 – we’d love a great crowd of young people along to come and hang out with us. 

“In fact we want as many people to come down and see us as possible throughout our time here. It is a lovely, lovely park on the river and right beside the Thames Barrier itself – an iconic piece of architecture, so we’re really lucky to be there.

“There’s also a fantastic community locally, which we’re really excited to engage with and serve.”

The Greenhouse Theatre is also expecting to return to Canary Wharf in June before heading to Battersea in August.

“We’re expecting the Wharf run to go ahead, which will be a return to theatrical programming with a festival feel,” said Oli.

Power in by Dana Olărescu

“We’ll have two or three shows each day – a range of different fringe artists – alongside headline show To The Ocean, which will be on at 7pm.

“It’s a modern retelling of the Selkie myth – a musical about how we connect with each other, with family and with the natural world. 

“It will feature original music and it’s all about a young girl’s journey to find herself who on her 16th birthday discovers her dad hasn’t been entirely truthful about where she’s from.

“She sets out on a mythical, magical journey to the ocean to meet her mother and discover her roots. 

“One of the really exciting things is we’ll be holding open rehearsals people can come to for free while we’re in Royal Docks as well as preview performances at a reduced rate from June 2-4, 2023.”

The Waves Are Rising by Raqs Media Collective

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How One Touch Collective brings something fresh to Cabot Place

Cory Saunders has brought together a community of artists, enthusiasts, designers and retailers

One Touch Collective co-founder Cory Saunders

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Cory Saunders is a singular man, driven, a trailblazer, a one-off.

But the co-founder of One Touch Collective is paradoxically anything but insular.

He’s all about building and growing a community, showcasing and celebrating others’ talents.

That individuality, however, is worn proudly – not least in the Cabot Place unit he took on as a pop-up, now extended due to demand.

“At heart it’s an independent concession store,” he said.

“We source high-end brands but we also specialise in premium sneakers, creative artwork and developing brands.

“We keep it like a hub – it’s more than a store – we’re building a community for the marathon not the sprint.”

Co-founded with his mum’s nephew, Kyle Wynter, One Touch is unquestionably about people – artists, traders, enthusiasts and like-minded folk whose energy and products come together in the space. 

It’s a radically different retail experience to shopping at a shiny high street store and Canary Wharf Group deserve recognition for adding a fresh ingredient into its blend of shops.

“It all started from my mother,” said Cory. “I was quite privileged as a child – a lot of my clothing came from Bond Street.

The One Touch Collective store in Cabot Place’s lower level

“So the eye I have today – how I look at things, fashion, clothing and toys – it’s all from what my mother provided for me.

“She was into clothes and before she was pregnant with me, she got into the London College Of Fashion but didn’t end up attending.

“To this day, I bring her with me to get my clothes if I’m going out, she has got that eye, my father too.”

Cory’s journey in fashion began around 2008 when he decided to drop corporate work in favour of customising sneakers – a key component of One Touch in its partnership with trader Hypezeus.

“I don’t class this store as mine, it’s for everyone,” said Cory.

“I curate it. I open the door for each individual brand to do what they need to do.

The store stocks a range of collectibles as well as clothing

“If they don’t want to step on it, then that’s down to them. If people want to embrace it, they can.

“When I first came down to see the space at Canary Wharf I thought there would be a big difference to what was here – a shock. But there has been a good response.

“I’m not surprised because what we’re bringing here is the new pop culture of the streets.

“Since we’ve been here people have embraced it and there’s a demand for what we offer.

“Even the majority of people coming to work in Canary Wharf have trainers on their feet – the bowler hat and the suit are gone.

“Our ultimate aim is to be established, but for all the right reasons – to create something that has longevity that’s authentic.

“Our doors are open for everyone and it’s all positive.

Leather jackets by Exhibit 69, on sale at One Touch Collective

“Moving forward I’ll be working with Hypezeus and that’s the plan for this space.

“It’s taken me 10 years to find someone who’s on the same page as me and that’s Chris Ng – the top sneaker seller on TikTok. 

“We clicked just like that – we collaborate and it just works. It’s very important to have the right people around you.

“Another example is Mark Anthony, the artist Exhibit 69.

“His work is on another level and we’re proud to stock his hand-painted leather jackets. 

“When people come in here we tell them he’s not a fashion designer but an artist.

“The creativity and energy he puts into his work is amazing – I’ve seen people fall on the floor looking at the jackets.”

And that’s really the message.

To feel the vibe at One Touch, the best thing to do is pop down and check it out.

There’s bound to be someone on hand to guide you around its exclusive selection of products you definitely won’t find elsewhere.

Follow @onetouchcollective on Insta

PART OF THE COLLECTIVE

Artist Mark Anthony aka Exhibit 69

EXHIBIT 69

Artist Mark Anthony works under the name Exhibit 69 and sells his vibrant painted leather jackets at One Touch. 

“I use my art to manage my mental health – it calms me,” said Mark.

“The beautiful part for me is when you know someone is wearing one. That’s a proud moment.

“Fashion and art are related and it’s always fun to do something as a group, so I’m very happy to have my jackets for sale here. 

“I paint leather jackets because I’ve always liked punk culture – I remember going to Camden and seeing people there.

“I loved their boldness, the DIY attitude and that they didn’t conform to society. I think there’s something beautiful and brave about that.” 

Follow @exhibit69 on Insta

Chris Ng of Hypezeus

HYPEZEUS

Hypezeus sells limited edition sneakers, streetwear, designer clothes and collectables.

“I founded it while I was doing my PhD in mechanical engineering,” said Chris Ng, who has become a top seller of footwear on TikTok and is a key collaborator for One Touch.

“It’s so hard to get hold of limited edition sneakers, but I wanted it to be accessible for everyone – not just people who have connections.

“Initially I built up my own collection and then a lot of my friends were asking me how they could get these shoes.

“I see sneakers as works of art that you can wear.

“I wanted to help create a community where we share the same vision – Cory, Mark, and so on – artists who have a real talent, and that will offer something for everyone, with all price points covered.

“Then we want people to come in so we can tell them the story behind each brand.

“We believe this is very important, because it’s the designers’ artwork, and you want to share that with the customers.

“We also want them to come in and have fun, and discover new brands which people will like, not just the big corporate names that they will also want to see.

“Getting a new pair of sneakers feels like when you’re a young kid and you get the toy you always wanted.

“It’s a fresh feeling because every pair is different but it’s also a bit like a sticker book because you want to complete your collection.

“I’ve lost count of how many pairs I have personally.

“Now it’s about making them available to everyone else.

“Go back 10 years and people who collected trainers were sneaker-heads.

“But now everyone on the street has a pair – this is how the trend is going.

“I clicked with Cory because we share the same vision and want to work as a team to give people what they want.

“That’s what Hypezeus and One Touch Collective are all about”

Follow @hypezeus on Insta

EXODUS PAS DE CE MONDE

Founder Inder Paul Sandhu created the brand as a response to not being able to afford the clothes he wanted.

He makes hats, jackets and scarves – all for sale at One Touch.

“Exodus is from the bible and the French means ‘not of this world’ so there’s a duality in it,” said Inder.

“There’s a coolness and also my spirituality because God has put me here. 

“I’m used to being misunderstood, underestimated, so that’s what the brand is for.

“I wanted it to be the cool kids club, with the caveat that we’re all cool kids.

“I’m London-based and my main background is music, but I couldn’t afford the clothes I wanted so I thought I would go and make them instead.

“I met a couple of tailors and they gave me the time of day.”

Follow @exoduspdcm on Insta

Read more: See the moment One Canada Square was topped out

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Stratford: How Alexa Ryan-Mills’s garden is set to celebrate Sadler’s Wells East

East London-based designer is preparing for her first RHS Chelsea Flower Show this May

Garden designer Alexa Ryan-Mills

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I‘m just looking out at the rain and wondering when it’s going to start warming up,” said Alexa Ryan-Mills.

While idle talk of the weather is ubiquitous in the UK, for the Walthamstow-based garden designer – and all those in her profession – precipitation and temperature are a constant preoccupation. 

That’s especially true when there’s a deadline looming and, for Alexa, the 10 days leading up to May 23-27 are fast approaching.

That’s when she and her team will create her first garden at RHS Chelsea Flower Show – arguably the biggest stage in British horticulture.

What exactly appears in that garden will, to some extent, be dependent on the weather – although Alexa said she was confident the nurseries she’s working with would have sufficient stock to provide backup options, should the mercury fail to rise to the desired level.

While Wharf Life covers neither Chelsea nor Walthamstow, the reason we are interested in this garden is twofold.

Firstly, Alexa’s design is inspired by the forthcoming opening of Sadler’s Wells East – the fourth venue in the Sadler’s Wells family, which is set to open overlooking Stratford’s Queen Elizabeth Olympic Park in 2024.

But that is still a building site at present, so secondly, there’s a more immediate link – all the plants and materials used in the creation of the garden will be donated to Sadler’s Wells associate institution School 21 in Stratford, where they will be used to improve its outdoor spaces.

“School 21 has been planning and fundraising to do this for a while,” said Alexa.

“I found out about that and we’ve now spent some time going round and identifying areas where we can put the plants after the show. 

“There are lots of different play spaces, which at the moment are quite bare, and we can get the kids involved in planting those up.

“The school also has a great design and technology department that will be able to re-use the materials too.

“For the garden we also recently decided to work with Brixton-based artist Benjamin Wachenje, who will be creating a hip hop-themed mural as a backdrop and School 21 will be able to use this as well.”

An artist’s impression of Alexa’s RHS Chelsea Flower Show garden

Before that happens, though, the garden itself must be created and shown – a project that has its genesis in Alexa’s change of direction from a career in PR and communications.

“I felt like I’d had enough of that industry and I was thinking about what to do next,” she said.

“Around the same time I met a garden designer, having just bought a house in Walthamstow.

“She designed my garden and I really enjoyed the process and thought I’d like to know a bit more about it. Before I did anything crazy and quit my job, I did some initial training. 

“That went really well and so I decided to invest more in training and that’s how I wound up starting to build a business in east London.”

Having worked mostly designing private residential gardens in the likes of Waltham Forest, Hackney and Newham, Alexa specialised increasingly in planting design, studying for a diploma in the field and collaborating with landscape architects and other designers on a freelance basis.

“While I was studying at the London College Of Garden Design, I knew I wanted to create a garden for a cultural hub and I used Sadler’s Wells as my imaginary client,” she said.

“I found out Sadler’s Wells East was set to open in Stratford, so I created a design that was related to dance – choosing plants that might have an interesting shape or ones that would self seed and move around the garden like that.

“Then I saw a call out from an organisation called Project Giving Back – a grant making charity that provides funding for gardens for good causes at the RHS Chelsea Flower Show.

“I realised I had an idea and all I had to do was persuade Sadler’s Wells. They said: ‘Go for it’, so I applied and after various rounds, got the funding.

“Then I had to apply to the RHS because you get the funding, but still have to be chosen for a place at the show itself.”

Alexa says she was inspired by the planting at the Queen Elizabeth Olympic Park in Stratford

She was successful and is now set to lay out a six-by-eight metre space under cover in the All About Plants category of the show’s main pavilion.

Featured plants will include the nodding blooms of salvia nutans and three trees, namely hionanthus retusus, styrax obassia and acer monspessulanum.

“I really wanted to make the plants the performers – the dancers – and put them centre stage,” said Alexa.

“It’s all about visitors being able to see the planting and the shapes and enjoy them from different places to sit and walk through.

“There’s a pipe-like sculpture inspired by the saw-toothed roof of Sadler’s Wells East – itself a reference to the manufacturing and industrial heritage of Stratford – that frames different views.

“I’ve chosen plants that have interesting shapes with lots of purples and limes as well as oranges. I want it to feel energetic. It’s about dance. 

“There has been a fashion at Chelsea for lots of calm, muted planting, but this design is not like that at all.”

Read more: See the moment One Canada Square was topped out

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How personal training at Third Space delivers the right results

Eliter personal trainer Tim Hart talks focus, science and goals as he puts our writer through his paces

Third Space Canary Wharf elite personal trainer Tim Hart

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SESSION TEST

Imagine driving your expensive car to a garage, paying a fee and then being let loose on the tools to fettle and prod at your vehicle in the name of maintenance.

Unless you already have a fairly decent body of knowledge, it’s unlikely such activity will yield positive results except in the most basic of jobs. 

Now consider how different that is to taking your body – a vehicle you’re born into and will ride in your whole life – to the gym.

Sure, there’s plenty of equipment there, but how well do you really know how to use it? Crucially, will you be doing more harm than good? The logical step is to seek help.

Members at Third Space in Canary Wharf, in addition to an induction session with a trainer, essentially have two avenues to explore in this regard.

There’s an extensive timetable of group classes.

But for those really looking for something bespoke, there are the personal trainers offering one-on-one sessions.

An hour-long session with elite personal trainer Tim Hart was enough to convince me of the benefits of such sessions.

Trained in nutrition and health science, he has a wealth of experience in helping people to reach their goals, tackle physical weaknesses and prepare for intense expeditions.

Consequently, when I told him I wanted to address a bit of knee pain on the right hand side, he was well-qualified to suggest some relevant rehab exercises to improve strength and stability around the joint. 

Following a few mobility drills, he soon had me skipping up and down the gym’s track, then leaping sideways from foot to foot, struggling to hold my balance while he watched for signs of instability.

From there, we went to work the core, chest and arms by using moves on a cable machine to ensure all of my body was involved in the exercise.

Then came a series of side-to-side squats with a bar and single leg deadlifts.

During every exercise Tim was constantly keeping an eye on my form, offering corrections and encouragement to ensure I was learning the right movement.

He also explored  the range of motion to identify exactly where any discomfort in my knee was occurring – a process that enabled both the modification of the exercises and a far greater awareness of my capabilities than before.

At the end of the session, I left with an arsenal of moves designed to work the affected area without damaging it – a programme that has since seen a big reduction in pain and a great increase in confidence.

That focus, really, is the power of personal training.

It allows, more than any other form of exercise, an ability to address specific issues or goals in detail with the effects multiplied by subsequent, dedicated sessions. 

Personal training sessions are charged as extra to membership. 

Third Space Canary Wharf is very well-equipped, but how best to use its facilities?

FULL FOCUS – TIM’S THOUGHTS

  • >> For Tim, who has more than a decade of experience in the health and fitness world, the key to good personal training is putting his clients’ goals front and centre:
  • >> “From my perspective it’s to provide some science and solid theory behind the process,” he said.

“Your goals will always be your targets, and there may be some worry that a personal trainer is going to hijack what you’re looking for and all of a sudden you’ll be doing exercises you’re not interested in.

“My advice is to find a good personal trainer to start with in an establishment that will have a high calibre of individuals and professionals working in it.

“A client’s aims should always remain the focus and as a customer, you should look for an efficient scientific method being used by the trainer that you feel streamlines the process of really getting to where you want to be.

“For example, if it’s a knee injury and you want to lose weight, then the theory will combine quite nicely by finding exercises that will facilitate a reduction in pain and aid recovery, but will also get you to lose body fat as well.

“Your trainer should not be putting their own goals on you, but be using science and theory to optimise your own goals and help you achieve those results.”

Read more: See the moment One Canada Square was topped out

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Greenwich: How Wizard Works sew a little magic into all their bike packing bags

How co-founders Veronica Lowe and Harry Major run an open-hearted manufacturing business

Harry and Veronica in their workshop at Design District on Greenwich Peninsula

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The author Alan Moore, creator of Watchmen, V For Vendetta and The League Of Extraordinary Gentlemen maintains magic is very real.

It’s just that it lives in our minds rather than the real world.

A visit to Wizard Works at Design District on Greenwich Peninsula, however, does a little bit to confound that notion.

On the face of it, co-founders Harry Major and Veronica Lowe and their team hand-make a range of bike packing bags for cyclists in a bright and airy ground floor workshop. 

Wizard Works is now a team of six at Greenwich Peninsula

But look more closely and there’s a little bit of magic running through the thread on every seam.

That’s because everything this company does has a purpose – design that stems from a real world problem or a lived experience.

When I arrive for our interview, Veronica seems buoyant.

A Crowdfunder prize draw she’s set up is gaining some traction and it’s for a cause close to her heart.

She and Harry had travelled to her native New Zealand at Christmas – the first time she’d been able to see her family for four years, due to the pandemic. 

Sadly, not long into their trip, her father died suddenly. The couple extended their stay to be with family before Harry flew back, with Veronica set to follow on.

But then, in February, Cyclone Gabrielle hit, devastating the Esk Valley where she was staying – the floodwater rising so rapidly she and those in the household where she was staying had to take refuge on the second floor, before being rescued by boat the following morning. 

In a blog post she wrote: “Eventually the rain eased, the water stopped rising and in the morning I was rescued.

“I cried as I was jet-boated to safety, through the vineyards I worked in as a teenager, the valley Dad spent his whole life cultivating, completely engulfed by the little river we grew up playing in.

“The devastation is heartbreaking, there are people and families that have lost everything, including their lives.

“My dad’s house, with all his special things, that only days before we’d organised and lined up in his hallway to collect – reminders of our lovely father – all totally destroyed.”

I mention this deeply traumatic set of events because Wizard Works’ reaction to it says everything about this small, independent company. 

It’s created an AllBlack collection of bags with 50% of net sales donated to the Hawke’s Bay Foundation Cyclone Relief Fund and set up a prize draw to contribute to the relief effort for a disaster that killed at least 11 people, displaced some 10,000 and left homes, businesses and farmland in ruins.

While born of adversity, this latest project is perhaps emblematic of the open-hearted way Harry and Veronica run Wizard Works – a business that grew from a passion for cycle touring adventures, a bout of miserable winter weather and a desire for a creative outlet.

The couple’s business was born of cycling adventures

“We met in London,”said Veronica. “I was on a working holiday and my visa expired in 2011, by which time we’d been dating for a while and so he said he’d come with me when I left.

“We were not strangers to hare-brained schemes, like going round the world with someone you’d only just started dating.”

“We’d been in Melbourne for a few months and we did our first big ride together – maybe one and a half miles from a neighbouring suburb to have brunch in a cafe,” said Harry.

“We realised we’d ridden from there to here – it felt like we could do anything. We thought we might get a rainbow-coloured tandem and cycle round the world. 

“Although we prefer two bikes, the feeling of that conversation stuck with us and we planned our first multi-day cycle around Mornington Peninsula.

“It was awesome and my first time camping – Veronica was the outdoors person.”

Hooked, the couple began planning – reading blogs and making lists – as they set their sights on a year-long journey by bike from Tokyo to Kuala Lumpur.

Although they didn’t know it, their experiences on that trip were the foundation for what would become Wizard Works.

Wizard Works makes bike packing bags for commuting and adventuring

“After that trip we got holiday visas and moved to Vancouver to stay with a friend we’d met in Melbourne who told me we were going to need an indoor hobby because the winters in Canada are shit,” said art school graduate Harry, who grew up in London. 

“He was right, it rained every day that October.

“So, having spent most of our trip around Asia talking about the gear we wish we’d had, we decided to do something about it and we bought a little Singer sewing machine and started making bags. 

“I thought it would be easy, but it wasn’t – everything I made was terrible, but it was mesmerising.

“I loved that combination of technical problem solving and creativity. We started off making bags for ourselves and they slowly got better.”

The hobby turned into a side hustle with Harry and Veronica back in London gradually increasing the time they were spending on the business.

Finding success through online sales, they hired staff to cope with demand and took space in Peckham before outgrowing that and moving to Design District.

Today, Wizard Works is a team of six producing a collection of core products as well as custom-made bags.

The bags it makes are inspired by the Bike Packing movement, which aims to place luggage within the frame of the bike rather than having to rely on unwieldy panniers.

But it’s not just about function.

Veronica said: “Something that really felt difficult when we were buying things for the trip was that everything was black or brown.

“You could buy bags that were fun, but they were at the lower end of the quality spectrum.

“We wanted to do something which was more colourful and that fitted with our brand name.”

“Right from the beginning we just wanted to make the bags that we wanted ourselves,” said Harry.

“The name partly comes from Veronica’s older brother who used to say: ‘You’re a wizard, Harry, and a thumping good one at that,’ when he saw me because that’s what a British ‘Harry’ is. 

“Wizard Works got a name and went from being a hobby to being a business – but we were always coming at it as the end user.

“We knew what worked, but we wanted it to have an aesthetic that lined up with the kind of bikes we were riding and the stuff we were wearing.

“In about 2017 and 2018 there was a kind of culture around kooky bikes – things people had built themselves. We wanted to be the luggage brand to go with that type of cycling.”

As you might be able to guess, there’s an enormous amount that won’t fit in this article – Wizard Works’ tireless battle to make its Cordura bags more sustainable, for example – but suffice to say it’s a brand well worth checking out.

A SELECTION OF WIZARD WORKS’ BAGS

Shazam Saddle Bag

Ideal for adventurers or commuters who carry larger loads – £195-£205

Alakazam Basket Bag

This bag easily expands and comes with straps for bigger loads – £148-£215

Lil Presto Barrel Bag

Mounts either to saddles or handlebars, ideal for the light packer – £68

All Wizard Works’ bags are made by hand in Greenwich

Read more: Discover the House Mill at Three Mills

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Tony Brien captured the crowning of One Canada Square’s pyramid

Photographer was suspended from a crane to record the topping out of the estate’s iconic tower

A worker drapes the Union Jack over the freshly fixed pyramid – image Tony Brien

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Talk to Tony Brien about his career in photography and there’s always a sense of fun in his anecdotes.

Having begun his career as a photo journalist working on Fleet Street – covering football, rugby at Twickenham and cricket at Lords – a move to Northern Ireland during the Troubles was a stark contrast.

But even here he recalls the humour of the people of Belfast and the grand times enjoyed in nightclubs under hotels despite the violence and the regularity of being stopped on nights out by the army or paramilitary groups.

Returning to London, he set up a studio for an advertising agency before deciding a couple of years later to “take a bet on himself” and go freelance, starting his own business in a mews just off Oxford Street.

“I had a few clients who were using my services and the studio, which had a red filing cabinet and bits of cameras everywhere,” said Tony.

“Looking back, it was fantastic and it worked. I’ve never had a bad day in photography – if I have a big project, I’ll do anything to make it work.”

 It was that attitude that would set him on a trajectory to capturing the images featured on these pages – recently rediscovered during a clear out after more than 30 years.

Tony worked extensively for Olympia And York, the company founded by the Reichmann brothers, which undertook the development of Canary Wharf.

In the late 1980s, he captured many images of the scheme as construction progressed, working with the company until it collapsed in 1993. 

Workers await the arrival of the pyramid cap in November 1990 – image Tony Brien

“The people running the company were so generous of spirit – they really wanted it to work,” said Tony.

“I think it was Sherlock Holmes who said to Watson that you should always carry a pistol east of Aldgate and that still applied to a certain extent at the time.

“When I was commissioned, I walked all over the East End and went up various tower blocks to see whether I could get a view of the development as it was being built.

“In the end I said we needed to hire a helicopter if they wanted shots of Canary Wharf in relation to the City.

“That was £1,000 a day, which was a lot of money, but I hired a panoramic camera – the only one in the country at the time – and sat in the footwell with the doors off, headset on, which was the only way to do it at the time.

“The clients loved the shots and they were used for promotional booklets that were sent out everywhere.

“They caused quite a stir at the time because of the way they used the panoramic photography.

“Olympia And York had huge plates made up – they were really keen to take ownership of that format as their look.”

 The images on these pages were not, however, taken from a helicopter. In fact they almost never happened at all.

The tip of the pyramid comes into view – image Tony Brien

“Nowadays it can be done with drones,” said Tony.

“I’d been asked to capture the topping out of the tallest building in Europe – One Canada Square – telling the story of the regeneration and rebirth of Docklands and, in turn, London itself.

“It was early November 1990 and it wasn’t a great day, it was blustery and they usually stopped lifting anything at a wind speed of 34 knots. That day it was gusting up to 50.

“The only way to get the shots was for me to be lifted up 830ft in a small metal cage on a single chain by a crane.

“Originally the cage didn’t have any walls so they built a sort of tea chest in it to stop both me and my camera equipment falling out.

“So there I was in my ski suit, all ready, and we didn’t know whether it would happen.

“But the wind slowed considerably – the guys at the top radioed to say it was OK and we ought to take a punt at it. 

“So I got in, started sorting out my cameras and rose off the ground. About halfway up, the wind started gusting again but we decided to keep going and up we went. 

“After my little bucket had passed the half way mark, they started lifting the cap of the pyramid for the top of the building.

“The danger, of course, was that either that structure, or my crate would swing in the wind and hit the tower.

“So there I was, at the top, swaying around and waiting for the pyramid, which had three flags – from the UK, Canada and the USA – in celebration of those backing the project.

“I was committed. I’d said I would do it and I was right there, in position.

“I could see the workers on the building waiting for the pyramid and I had every camera possible there and loaded.

Tony in his makeshift crate at 830ft – image Tony Brien

“But the trouble with the panoramic cameras is you only get four shots so you’re a bit snookered.

“There I was, sitting in my box, changing film and looking up to see where we were. Then the wind really started blowing. 

“Well, you know when you’ve got the shot, and I thought I had, but I bent down to load some more film and felt the bucket drop a little. 

“I dropped into the foetal position, as though that was going to do anything.

“Then everything was OK, I stood up, got one more shot and then told the workers to get me out of there.

“Going down was fine and I jumped straight in the Range Rover and drove to central London to get to the processing house.

Back in Canary Wharf: Tony at One Canada Square – image Jon Massey

“Then, when the shots were done, I rang the client and said: ‘I think I got it’. Everyone was terribly excited.

“The flags had got knotted up and for that last shot I shouted over to the workers to pull the Union Jack out – they were very accommodating. 

“It was quite something to witness their bravery in those dangerous conditions as they guided the pyramid into place.

“Finding the film again was a really nice discovery.

“The people running Olympia And York were a real pleasure to deal with – it’s something I’ll never forget”

Tony continues to work as a photographer and his Canary Wharf images are currently being shown at Ad Lib Gallery in Wimbledon.

For all enquiries regarding the images featured on these pages, please email tony@tonybrien.co.uk or visit his website via this link

Tony’s blockbuster panoramic shot of the topping out – image Tony Brien

Read more: Discover the House Mill at Three Mills

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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