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Isle Of Dogs: How Mudchute Kitchen provides a warm welcome on the Island

Greta Dzidziguri’s cafe comes complete with generous portions and a snoozing Siberian husky

Greta Dzidziguri runs Mudchute Kitchen on the Isle Of Dogs

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The contented form of Hulk the Siberian husky is a more or less constant presence on the brown-tiled floor of Mudchute Kitchen.

For him, it’s a place to take it easy, which at the grand old age of 13 (around 82 in human years), is doubtless welcome.

He’s a popular fixture – so much so that he’s now often to be found slumbering beneath a hi-vis notice politely asking visitors to leave him to his much-needed rest. 

While interviewing Greta Dzidziguri – who owns both the cafe and Hulk – it quickly becomes apparent why.

A steady stream of children shyly (and some less so) arrive to pet him as he trails around after us, keen to share in any potential limelight.

While placid and stoic, despite the attentions of small fingers, it’s easy to see how such repeated intrusions might become a little irritating for even the most laid-back old gentleman – hence the notice.

It comes across more as a recognition of the central part he plays in this welcoming place – definitely Mudchute Kitchen’s spirit animal – than a restrictive warning. 

“He gets more attention than I do,” said Greta.

“When people come here, they go to see him first then say hello to me.

“Of course he’s not going to bite, but it’s important that people – especially the children – ask first before saying hello.”

Hulk is often to be found snoozing under a table

It’s perhaps a testament to the welcoming atmosphere Greta has fostered at Mudchute Kitchen that Hulk feels so comfortable and visitors feel so obviously welcome.

The cafe operates as an independent business at one corner of Mudchute Park And Farm’s main courtyard and exists in symbiosis with its activities. 

Visitors to the 32-acre site at the heart of the Isle Of Dogs need refreshment and Greta and her team are only too happy to provide that, offering hot drinks, slushies, ice cream and cakes alongside an all-day menu of breakfasts and wholesome specials.

There’s seating indoors and out, with the establishment a popular focal point for people to gather with kids, especially at weekends where toys dominate the central space encircled by cafe tables to the venue’s rear.

It’s a simple but effective recipe that has always drawn a loyal local audience and has seen growth since the pandemic.

“The lockdowns were tough – I was often working on my own and we could only do takeaways,” said Greta, who has been running the business for nearly a decade. 

“But people came back because the park is such a beautiful place to come and it’s perfect for the kids – everyone gets to know each other.

“The cafe is about community. Everyone is welcome here.

“We have some regulars who come and order the same thing every time – we’ll see them in the queue and won’t even need to ask what they want. 

“When I first started we had a team of three or four, but we’ve had to grow because we have many more customers now.

“We serve good quality food that’s all home made and our portions are really big, so I think this is why people keep coming back.

Mudchute Kitchen is located at Mudchute Park And Farm

“People are happy to wait for the food because of that quality and the atmosphere – we have a lovely relationship with our customers and we really care about them.

“My aim is to serve a menu that makes everyone happy – we offer cooked breakfasts and then we also have specials that we chalk up on our blackboard.

“These are dishes I create and we then see if they are popular.

“Some stay for a long time such as chicken soup, for example.”

Born in Lithuania, Greta travelled the world working as a chef with stints in South Africa, Sweden, Italy and Ireland.

She currently lives in Bermondsey, commuting over to the Island with Hulk to run the cafe.

“I feel there’s a lot more potential here and we’d like to do more,” she said.

“We’ve grown through word of mouth and I’d love to get involved with a food charity or perhaps offer something specifically targeted at older residents where people can socialise. 

“I’d also like to do something for children such as art classes with drawing and painting in the future.”

Mudchute Kitchen is open from 10am-3pm Tuesday-Friday and from 10am-5pm at weekends.

Read more: Sign up for the Santa Stair Climb at One Canada Square

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canada Water: How Phantom Peak offers a total escape from the real world

Immersive experience welcomes visitors into a mysterious world of canals and platypuses

Phantom Peak co-founder Nick Moran

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…we’re on the trail of a missing package, but something sinister is going on. There’s blackmail, a robotic AI doctor that’s scathing about our putrid human bodies, a curious undertaker, odd business cards, a disgusted scientist and TVs that play sinister messages when tuned to the right channel. Oh, and there’s something just not quite right about that mayor…

Welcome to the strange, uncanny world of Phantom Peak.

The comic book adjectives seem appropriate for an immersive experience that aims to place those attending right in the middle of a larger than life narrative.

Located a short walk from Canada Water station inside and outside a disused industrial building, the venue promises a fully realised steampunk town complete with canals, waterfalls and residents to interact with.

But things don’t stand still.

The place may have opened a little over a year ago, but it’s just launched its fifth season – the latest chapter in a complex, involved saga designed to keep people coming back for more.

Each time it resets, there are fresh characters to meet, new mysteries to solve and adventures to go on – an approach that for co-founder Nick Moran is akin to another medium altogether.

“When you come to Phantom Peak, you’re essentially coming to a real-life, open world, role-playing video game,” he said.

“It’s up to you whether you walk to the hills and carry on walking or spend your time crafting minerals – you can do what you like. 

“It’s all about player agency, creating a world where people can explore and experience many different things.

“You can do all the events that the townsfolk run all day, or you can follow the trails and the stories.

“It’s not like immersive theatre where you don’t know what you’re doing – you’re guided through the experiences.”

The setting is Phantom Peak, a cultish sort of town in the grip of corporate entity Jonaco, which rebuilt the place after a suspicious blimp accident, founded and controlled by the buff, messianic figure of Jonas.

Part of the vast Phantom Peak installation in Canada Water

Visitors are encouraged to download an app and answer questions to find a quest to follow – although everyone is equally free just to wander around chatting to the townsfolk, playing games and indulging in the street food and beverages on offer from the various outlets.

It’s extensive, expansive and – because of the myriad paths on offer – filled with eager puzzle-solvers hunting solutions, intrigue and adventure.

Oh, and there’s a platypus hooking game in honour of the town’s peculiar mascot.

“This place was an abandoned warehouse and a car park when we came here,” said Nick.

“We’ve transformed it and it’s impossible to do everything at Phantom Peak on a single visit. 

“Each time – whether you come with your friends or your family – it will be different, with new stories and trails to explore.

“Then, each season, we create a new chapter in the life of the town – some characters may have gone, others will remain, but there will always be something new and it allows us to move forward or backwards in time with the narrative. “

That’s an aspect Nick and the team take extremely seriously.

Following a degree in classics he trained in writing for the stage and screen before working to create live experiences around newly published books.

This led to a job as creative director of Time Run – a pair of escape room-style games that welcomed thousands of competitors through their doors.

He then performed the same role for The Game Is Now, an immersive experience – officially tied into TV series Sherlock – which he co-wrote with Mark Gatiss and Steven Moffat.

The puzzle, which features Gatiss, Benedict Cumberbatch, Martin Freeman and Andrew Scott, continues to run in west London.

But, having teamed up with set-building expert Glen Hughes, Nick wanted to create something that went beyond the medium of escaping from a room.

“We decided we wanted to do something that would combine all the things we liked about immersive experiences – gamification, storytelling, open world, choice and being able to sit and relax too,” said Nick.

“Escape rooms are all about high engagement, high throughput and pushing people from one thing to the next.

The level of detail at Phantom Peak is phenomenal with much attention paid to props, characters and design

Phantom Peak isn’t like that. It’s about being as engaged as you want to be. It’s all about stories – less a fundamentally passive theatre experience than a place where you can take on a role.

“We wanted it to be a world of play – man-made canals, platypuses, a huge muscular impresario named Jonas.

“From there the stories write themselves – but we take it seriously. It’s like making a TV show.

“There’s a writers’ room where we think about the characters and how we can make the narratives resonate with people.

“It’s novelistic – a place that has real depth, where there’s lots to explore but also lots to do.

“It’s like the platypus itself, the mascot of the town. It’s neither one thing nor another – not quite a mammal, not quite a bird.

“But it’s the symbol of the place and the townsfolk love it.

“Some of the actors we have working here have been with us since we opened and they’ve really grown with the town.

“They are as much a part of the place as anything in the stories and it’s been a real pleasure to see it develop that way.” 

Nick and Glen are currently raising funds to expand Phantom Peak globally. 

Read more: How Wharf Wellness is set to fill Canary Wharf with calm

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Dancing City is set to fill the estate with free performances

Greenwich + Docklands International Festival arrives in Canary Wharf for its 28th season

Bouncing Narratives will take place at Canary Riverside

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The Greenwich + Docklands International Festival (GDIF) is set to run from August 25-September 10, 2023, with free performances taking place all over east and south-east London.

It’s a firm fixture in the calendar and celebrates its 28th season this year with founder and artistic director Bradley Hemmings, as ever, at the helm.

Having previewed the wider event in our last issue, our focus now turns to GDIF’s return to Canary Wharf with its regular Dancing City pop-up on the weekend of September 9-10, 2023.

The death of the Queen saw the event cancelled at the last minute in 2022, however, some of the scheduled acts that were set to perform are on the bill again this time around

Read more: Bradley Hemminds talks about GDIF’s wider programme

This year also marks a limited return to contemporary dance performance during the working week, with recent festivals preferring to stick to weekend dates.

Consequently Wharfers will get their first local taste of GDIF on September 6-7, 2023, with Pan~ // Catwalk.

The show may sound like one of Grimes and Elon Musk’s children, but is actually a theatrical dance fashion show promising to challenge “the urge to label or judge others based on how they appear, revealing instead a mind-opening celebration of fluidity and self-expression”.

Pan~ // Catwalk is set to be performed over four dates in Canary Wharf

Performances will take place in Canada Place close to HSBC in the mall at 1.30pm and 4pm on both the weekday and weekend dates.

Audiences can expect multiple, extravagant costume changes over the 40-minute shows.

“We’re really keen to offer the workforce at Canary Wharf a taster of Dancing City,” said Bradley.

“We’d often done that in the past, but the pandemic and one thing and another had got in the way, so it will be really brilliant to bring it back.

“The whole dynamic of Canary Wharf at lunchtime and early evening is buzzy and lovely, so I think it will work really well there.

“It’s an exciting piece and it’s got a real connection to its setting in the mall with a backdrop of retailers and this brilliantly choreographed fashion show where the two performers go through a heavily synchronised series of scores of costume changes in the course of the performance – it should be really fun.”

Joe Powell-Main and The Royal Ballet will perform Sleepwalker following last year’s cancellation

Including Pan~ // Catwalk, the weekend dates will see Canary Wharf host 12 contemporary dance acts in locations including Columbus Courtyard, Westferry Circus, Wren Landing and Water Street on Wood Wharf.

“Because of the death of the Queen, we were unable to proceed with any events on our final weekend last year,” said Bradley.

“So we’re coming back with a fantastic programme this year featuring some of the artists who would have performed in 2022.

“That includes Joe Powell-Main who will become the first disabled dancer to perform with The Royal Ballet in emotionally charged duet Sleepwalker in Columbus Courtyard.

“That will be a real highlight among the really varied programme for the festival as a whole.

Read more: Joe Powell-Main speaks to Wharf Life in 2022

“Personally I’m really excited to see Bouncing Narratives.

“It’s going to be down at Canary Riverside in a shipping container, so some of the audience can actually get inside it and others will watch from the steps that lead down to the Thames.

“The roof of the container is made as a trampoline, so the performance takes place with people underneath it and that will be very special.

“Among the other wonderful shows will be Arcade at Water Street, which takes the form of a series of games that people are invited to take part in.

“There’s also a fantastic piece from two young dancers in their teens called 4 Minutes, which speaks directly to the lived experiences of young people. 

“Both 16-year-olds get four minutes each at Wren Landing to report back on life through dance in a joyful duet.”

These shows are very much the tip of the iceberg, however with the Wharf also hosting Moon, a duet based around a table and two chairs at Wood Wharf’s  Harbour Quay Gardens, Tread, an explosive stunt performance featuring a constantly running treadmill at Crossrail Place and You & Me, a piece telling the story of a same sex relationship through the traditions of kathak dance and cello and tabla music at Westferry Circus.

Wharf Life’s top pick for 2023, however has to be Valse à Newton – a giant Newton’s Cradle that comes complete with acrobats and dancers all set to swing in Montgomery Square.

A blend of physics, daring, gravity, time and space, it should really be something to see.

Find out more about Dancing City and GDIF here 

Read more: How Wharf Wellness is set to fill Canary Wharf with calm

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How The Felix Project’s Santa Stair Climb will help feed Londoners

Challenge will see participants scale 48 floors of One Canada Square to raise cash for the charity

The Felix Project’s first Santa Stair Climb will take place in November 2023

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What links green Father Christmas hats, One Canada Square and the distribution of unwanted food to people in need?

The answer is the Santa Stair Climb in Canary Wharf on Sunday, November 19, 2023, and anyone can take part.

As part of its ongoing partnership with Canary Wharf Group, food rescue charity The Felix Project is challenging people to a sponsored walk up a total of 1,031 steps at One Canada Square to reach the tower’s 48th floor. 

With early-bird registration just launched, there are 1,000 places up for grabs at £25 per person, with each individual given a fundraising target of £300. 

Participants receive a personalised green shirt and Santa’s hat to wear during the challenge, with ascents expected to take just over half an hour on average.

“I’ve been training for it, but I’m not sure I’ll be doing it that fast,” said Tanya Mitchell, director of income generation and marketing at The Felix Project.

“But I will complete it, even if it takes me an hour.

“We’ll have staggered start times between 10am and 2.30pm with 100 people in each wave so the stairwell doesn’t get too busy.

“Participants are asked to arrive an hour beforehand and we’ll be running activities in the lobby with a warm-up and an MC overseeing things.

“We’ve also been gifted the use of the 48th floor for the day, which has the most outstanding views over the London skyline from near the top of the third tallest building in the UK.

“They really are exceptional and this is a rare chance to see them.

“We’re hoping to raise as much money as possible, but we’ve set ourselves a target of £300,000 for this first event.

“That would equate to us being able to make and distribute 870,000 meals to Londoners.”

Participants will take on 48 floors of stairs at One Canada Square

For those who don’t know, The Felix Project is the largest charity of its kind in the capital, collecting food that would otherwise be wasted and redistributing it via a network of organisations to those in need.

“Right now it’s estimated that there are 1.2million people in London living with food insecurity or in food poverty – about 20%,” said Tanya.

“Through our own research with YouGov, we looked at people on low incomes earning an average salary of £20,000 and it’s shocking that one in 10 of them has only £2.95 a day to spend on food.

“We work with more than 500 food suppliers, rescuing produce from farm gates, grocers and the hospitality industry to supply really good, nutritious, fresh meals.

“We operate through four depots in London, taking that food in hour-by-hour, day-by-day, six days a week, 12 hours a day to help serve the needs of more than 1,000 charities and organisations in the capital.

“What that £300,000 would mean is that we’ll be able to pick up thousands of tons of food, take it into a depot, sort it and then immediately get it out to hundreds of organisations where it will be given to people in need of a good meal.

“Here in Tower Hamlets – one of the most deprived boroughs in the country – we work with 90 organisations through out Poplar depot.”

The Santa Stair Climb is the flagship event in The Felix Project’s long-term partnership with Canary Wharf Group, which was announced earlier this year.

There are up to 1,000 place up for grabs with successful climbers rewarded with views across London from Canary Wharf’s tallest tower

“We started off by launching The Green Scheme, which means we’ve been able to go out to the retailers and hospitality businesses on the estate to collect food that would otherwise be wasted, from them,” said Tanya.

“An army of volunteers takes it from those businesses to community organisations to distribute five days a week.

“It’s a pivotal relationship for us because while we want to fight hunger in London, we also want to fight food waste and there is complete sympatico between us and Canary Wharf in its commitment to sustainability and its aim to reach net zero by 2030. We’re part of that solution.

“The Santa Stair Climb is a first for Felix and CWG – it’s exciting and exhilarating to be planning an event for 1,000 people and we want it to be a hero event for London.

“Originally, in the 1800s, Santa’s costume was green so we’re re-appropriating that for the event.

“I can’t wait to see 1,000 people all in green climbing those stairs and we really want to thank CWG and everyone involved for giving us this exclusive opportunity.

“The 48th floor isn’t normally open to the public, so this is a very special event. 

“The 1,000 slots will be allocated on a first-come, first-served basis and I’d also like to say a big thank you to everyone who is considering entering – it’s going to be a fabulous event, a really magical day.”

Those keen to take part can go to santastairclimb.com for more information or scan the QR code at the bottom of this page.

The Felix Project’s director of income generation and marketing, Tanya Mitchell

For those unable to participate, there are many other ways to get involved with The Felix Project, which last year delivered some 29million meals to those in need and is expecting to distribute 30million this year.

People working in Canary Wharf or those living locally can still volunteer for the Green Scheme.

Roles include drivers, co-drivers and walkers to collect food from businesses on the estate and deliver them to community organisations.

Volunteers are also needed at The Felix Project’s Poplar kitchen and warehouse to prepare ingredients, portion and package meals for onward delivery.

Tanya said: “Last year we had 8,500 people step up to the plate to help us in our efforts to defeat food waste and hunger in London.

“We are an organisation that’s powered by volunteers and we are so grateful to them because demand for our services is rising.

“We anticipate that we will rescue 13,000 tonnes of food this year, but the UK wastes 3million tonnes – only 7%-8% is currently rescued, so we can always do more.

“Just before the pandemic, The Felix Project was distributing around six million meals a year. Now it’s five times as many.

“The other change is that now key workers are accessing the community organisations we supply like food banks and community pantries. It’s a big problem. 

“Ultimately it is our mission not to exist and we are part of conversations with organisations that are working with the government to address the issues of food insecurity and poverty.”

Find out more about the Santa Stair Climb or sign up here

Read more: How Wharf Wellness is set to fill Canary Wharf with calm

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Wharf Wellness will showcase offerings across the estate

Four-day wellbeing festival will feature taster sessions, offers and discounts in September 2023

Third Space will be hosting Yoga at Crossrail Place Roof Garden for Wharf Wellness

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We’ve had the blockbuster nights of Festival14 with the likes of Craig Charles and Soul II Soul rocking Canada Square Park.

There have been the tense dramatic screenings of the Lionesses’ triumphs and noble defeat in the World Cup Final.

There’s about to be the spectacle of Dancing City.

But just when you thought things might be settling down, another festival packed with activities arrives on the horizon.

There’s an air of serene calm about this one, however – an antidote, perhaps, to some of the summer’s frenetic buzz.

Wharf Wellness is set to take over the Canary Wharf estate from September 27-30, 2023, with a four-day programme of taster sessions and experiences as well as discounts and offers.

While the full roster of events is still being finalised, Canary Wharf Group has shared some early details so everyone can begin to get organised. 

Broadly speaking, Wharf Wellness can be divided relatively neatly in two.

The first is a programme of experiences run by local firms and organisations based on the estate, designed to showcase what they offer with taster workouts and workshops.

The second is a series of discounts and offers from lifestyle and hospitality businesses on the Wharf that will run throughout the festival’s four-day duration.

Canary Wharf Group retail marketing manager, Claire Slater, said: “It’s a celebration of health and wellbeing across the estate.

Wharf Wellness brings together the best in fitness, healthy eating and healthcare to reflect the diversity of what’s on offer in Canary Wharf, giving workers, visitors and local residents the opportunity to experience it.

“We decided to create it because of the breadth of what’s here, which we really want to shout about.

Canary Wharf Group retail marketing manager Claire Slater

“Ultimately, we want to give people a bit of ‘me time’ while they’re on the Wharf and also to promote our green spaces and waterways – to let people know how much there is here to get involved with and how they can do that.”

The full programme of events is still being finalised with more announcements expected in the coming weeks, but some of the estate’s biggest names are already involved including Third Space, Barry’s and Sweat By BXR.

“We hope there will be an element of surprise for some people participating,” said Claire.

“For example, Third Space will be hosting a Yoga session at Crossrail Place Roof Garden with a mocktail afterwards at Pergola On The Wharf.

“Some people have yet to discover that space, so having the classes up there will really add to the delight we hope people taking part will feel.

“Personally, I think it’s just a really lovely place to be.”

The majority of activities on offer will be free to attend with bookings set to open mid September. 

Access to all classes will be via the Canary Wharf app, which can be downloaded via this link for Android or Apple devices.

A series of discounts, offers and events will also be available exclusively via the app featuring the likes of Randox Health, Space NK, Farmer J, Atis, Pure, Le Chalet Cryo, Aesop and BlooBloom, details of which will be announced in due course.

Love Open Water will host a session suitable for beginners in Middle Dock

“With most sessions free, Wharf Wellness means you don’t need to have a gym membership to experience an amazing class from the brands taking part,” said Claire.

“There will also be open water swimming in Middle Dock with Love Open Water – a really inclusive session designed for beginners to explore in a safe space.

“We’re also very excited about Padium, the new padel tennis club, which is opening its doors at Bank Street at the end of the month.

“They will be offering a session to introduce people to the sport and the facility, which comes with a salad from Urban Greens too.”

Other attractions include plant-based summer roll making in a lunchtime session with a chef at recent Wood Wharf arrival Mallow and a makeup masterclass from Bobbi Brown.

“That’s part of our focus on self-care,” said Claire.

“It’s on the Friday evening, which is perfect for anyone who is set to go out afterwards.

“Then, alongside sessions from Barry’s and Union Square installation Mandala Lab on Saturday, we’re also working to provide something for families with a company called Wee Movers.

“They will be putting on a session of Yoga for kids and their parents at Crossrail Place Roof Garden.”

 With more still in the pipeline, Wharf Life will continue to update readers as new announcements are made, including the date when bookings will go live.

Until then, stay tuned to Canary Wharf’s website and app for updates.

Barry’s at Crossrail Place will be offering sessions in its Red Room studio

CHOOSE YOUR PATH – Wharf Wellness 2023

While the final programme is set to be released in September, we can reveal some dates and times to whet the wellness appetite and get pencils scribbling in diaries…

>> WEDNESDAY, SEPTEMBER 27

Yoga + Mocktails

5.45pm, Crossrail Roof Garden

Europe’s largest luxury health club, Third Space, will host a Yoga session amid the lush vegetation of the roof garden followed by a refreshing mocktail at nearby Pergola On The Wharf.

Sound Journey

6pm, Mandala Lab, Union Square

Head over to Wood Wharf and discover the Rubin Museum’s interactive installation for a sonic adventure inspired by the principles of Buddhism. Mandala Lab will also be hosting sessions on Sept 29 and 30, both at 6pm.

>> THURSDAY, SEPTEMBER 28

Dip + Sip

7.45am, Love Open Water, Middle Dock

Beginners are welcome at this morning open water swimming session at the heart of Canary Wharf. Afterwards, participants are invited for a smoothie or juice at Caravan.

The Red Room 

Time TBC, Barry’s, Crossrail Place

Try out a class in Barry’s iconic red room fitness studio, mixing cardio with resistance training to torch calories fast. Barry’s will also be hosting a session on Sept 30, time TBC.

Summer Roll Making

12.30pm, Mallow, Wood Wharf

Visit the plant-based restaurant for a 50-minute session with participants learning to make summer rolls for their lunch. A great way to discover what Mallow has to offer.

Sweat By BXR will be hosting a boxing class for Wharf Wellness

>> FRIDAY, SEPTEMBER 29

Boxing Class

8am, Sweat By BXR, Crossrail Place Roof Garden

Start the day with a serious, boxing-inspired workout amongst the greenery from this bespoke studio, then refuel with breakfast from Fresh Fitness Food.

Intro To Padel

2pm, Padium, Bank Street

Learn to play padel tennis at newly opened club Padium with this hour and a half-long session covering rules, scoring, techniques and strategies. Participants will also get a salad from nearby Urban Greens.

Makeup Masterclass

5.30pm, Bobbi Brown, Location TBC

Zeroing in on self care, this session is aimed at those looking for tips and techniques to perfect their look.

>> SATURDAY, SEPTEMBER 30

Kids + Parents Yoga

2.30pm, Wee Movers, Crossrail Place Roof Garden

This hour-long session is aimed at family wellness, with kids and their parents invited for a child-friendly exploration of movement and wellbeing.

Read More: ow Jon Hala in Canary Wharf became a family business

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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West India Quay: How Indo + Caribbean tells the story of indentured labour

Temporary exhibition at the Museum Of London Docklands offers insight into the practice

Indenture transportation: The SS Chenab at West India Docks in 1928 – image Museum Of London Docklands

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Walk around West India Docks today and, despite a few preserved cranes, mooring points and the odd plaque, it’s relatively easy to forget that every honeyed brick in their construction has witnessed the passage of a history that profoundly affected the lives of people across the globe for the better part of two centuries.

In 2023, their  waters are busy with BBQ and hot tub boats, families on little electric launches having picnics and open water swimmers with fluorescent tow floats. 

The quays themselves have mostly been overtaken by the concrete overhangs of Canary Wharf.

It’s wonderful that these bustling, lively scenes exist, but it’s equally important to tell the stories of what came before, in some cases so we can acknowledge the horrors of the past and reflect on how we might ensure such things are avoided in future.

Fortunately we have the Museum Of London Docklands on West India Quay to do just that – its staff working hard to ensure its displays are relevant, engaging and unflinching as they work to unlock the past for visitors.

My way into its latest free, temporary exhibition – Indo + Caribbean: The Creation Of A Culture – for example, the image at the top of this page – taken in West India Docks when the SS Chenab paid London a visit in 1928.

It’s part of the museum’s collection and looks, at first glance, to be a fairly innocuous picture.

The Museum Of London Docklands’ temporary Indo + Carribbean display – image Museum Of London Docklands

But this vessel was originally built for James Nourse Ltd in 1911 to transport indentured labourers from India to other British colonies after slavery was abolished.

“This image was taken a little after indenture ended, in 1917, but we also found the company’s log book with the details of all the journeys that its ships made and we have that on show, open on the page for the Chenab,” said Shereen Lafhaj, the exhibition’s curator.

“That’s really interesting because it gives an indication of how the journeys were viewed and how the indentured labourers were treated.

“It’s all numbers and there are references to half people, who would have been children.

“We make the point that this exhibition is to do with the British Caribbean, although the topic of indenture is a much wider story. India was sending indentured labourers all over the world.

“Before the 1833 Slavery Abolition Act, the work being done on plantations in the British Caribbean to produce things like sugar, rubber and cocoa was being done by enslaved Africans.

“After 1833, planters in the British Caribbean were asking where their cheap labour could come from and India was seen as the perfect solution.

“It was in the British Empire, there was already an Indian indenture system going on in Mauritius at the time, and so they used that as a template.

“Basically, labourers would commit to working for a set number of years – usually three to five on plantations.

Indo + Caribbean curator Shereen Lafhaj

“In return they would be promised accommodation, a basic wage and so on, but it’s very obvious that most of the indentured labourers did not know what they were signing up for.

“All that was required was a thumb print. We have an example of one of these contracts as part of the exhibition.

“It was back-breaking work, with children over 10 and women also participating on the plantations doing activities like spreading manure or cutting sugar cane – gruelling tasks.”

The display, which is free to visit and located on the museum’s top floor, offers an introduction to the topic of indenture, people’s experience of travelling to the Caribbean and what they found when they got there.

“Indenture was a very mixed picture and it’s a complex area but we do know most people did not understand what they were getting into,” said Shereen.

“In our audio section you have clips of stories of people getting on board or even trying to escape from the depots they were kept in before embarking.

“It was also a huge cultural shock because India had a caste system and that was completely ignored.

“This caused problems for people returning to India after their indenture as they became the victims of negative stereotypes.”

There’s also a section on Indo Caribbean Londoners, recording the experiences of those who came to the UK on ships such as the Empire Windrush, but slipped through the net of recognition, with no category on the census to record their presence.

“We have three wonderful partners who are Londoners and they’ve recorded a great song for us where they talk about identity, London and their families,” said Shereen.

“We thought it was really important to tell some of these stories too.”

Find out more about the exhibition, which runs until November 19, 2023, here.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Woolwich: How Dock28’s homes are focused on affordability in south-east London

Fairview New Homes apartments are located beside Royal Arsenal’s Broadwater canal

An artist’s impression of Dock28 with Canary Wharf in the background

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A focus on affordability is the overall philosophy driving Fairview New Homes’ approach to its latest scheme in Woolwich.

Homes at Dock28 are set to become available at the south-east London site from August 19 and the developer has brought them forward with low price points and running costs very much in mind.

Comprising 216 apartments, split into studio, one, two and three-bedroom homes, the scheme is located on the banks of the disused Broadwater canal.

This once served the industrial operations of the Royal Arsenal and meets the Thames to the north.

Sited about 16 minutes’ walk to the east of both Woolwich Elizabeth Line station and Royal Arsenal DLR and rail station, future residents will benefit from the widespread regeneration of the area as well as the multitude of improvements to the historic town centre.

Such developments mean those buying at Dock28 will be within 15 minutes of numerous pubs, bars and restaurants as well as the extensive cultural space of Woolwich Works and the many shops of the High Street.

Fairview New Homes sales manager, Sohail Saiyed, said: “When you look at this development and the way we have approached it, it’s a very affordable option.

“It’s set within a really lovely area – when you look at what’s happened here over the past few years, I think the location massively benefits from the nearby regeneration.

“What we’re offering – when you look locally at how much apartments are being marketed for – is very good value with the guide price for a studio starting at £275,000, one-beds from £297,000, two-beds from £390,000 and three-beds from £475,000.”

Homes at Dock28 will be located beside the Broadwater canal

These prices are markedly lower than those in the likes of Royal Docks or the Isle Of Dogs, with buyers able to save tens of thousands of pounds on similar sized properties.

Prospective buyers can also look forward to lower service charges, with Fairview taking a pared down approach to on-site amenities in favour of lower bills for residents.

Sohail said: “There will be a communal residents’ garden as well as a roof terrace for people to use, but Fairview’s approach is to try to make the homes we build as affordable as possible both to buy and in terms of the service charge.

“Amenities like gyms and concierge services mean higher bills, but we still put security at the heart of our designs with a two-step entry system so packages and mail can be delivered safely to the blocks.”

The apartments themselves aren’t short on features either with private balconies and patio spaces offering outdoor space.

The three-bedroom duplexes at the scheme will extend to more than 1,000sq ft of internal space too.

Fairview is currently marketing one, two and three-bedroom homes

“You have large windows throughout the apartments, a white matte finish on the walls, with premium painted doors, chrome handles and sun-bleached oak Amtico flooring in the living areas and grey carpets in the bedrooms,” said Sohail.

“In the kitchens, there are quartz, salt-and-pepper, worktops with dove grey doors to the units, fully integrated appliances including fridge-freezers, induction hobs, electric ovens, wall-mounted microwaves and free standing washer dryers in the storage cupboards.”

Some properties feature views of the Thames, while others take in the Canary Wharf skyline to the west – a reminder perhaps that the estate can be reached in less than half an hour, door-to-door thanks to the arrival of Crossrail.

The DLR offers access to Royal Docks and London City Airport, while trains offer trips to Greenwich, Deptford and London Bridge – not to mention the nearby Uber Boat By Thames Clippers river bus.

All in all, Dock28 is very well connected.

Read More: How Jon Hala in Canary Wharf became a family business

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Greenwich: Greenwich + Docklands International Festival set to return

2023 event will be the 28th iteration overseen by founder and artistic director Bradley Hemmings

Open Lines is set to take place in Woolwich

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The soles of Tatiana Mosio Bongonga’s feet will be the focus of the audience as the Greenwich + Docklands International Festival (GDIF) returns to central, east and south-east London.   

Crowds will gather in Woolwich’s General Gordon Square at 7pm to watch the tight-rope walker inch along wire drawn taut by 12 people from the local community.

Her one-night-only performance of Open Lines, high above the heads of her audience, marks the opening of the festival, while also acting as a signpost to its overarching theme.

“It’s an act of everybody coming together to make an impossible act of hope possible,” said Bradley Hemmings, founder and artistic director of GDIF.

“The performance will be accompanied by live music and it just feels like a lovely way of opening the festival by introducing our theme this year.

“Obviously all our eyes will be up on the high wire, but it’s lovely to think of those 12 people playing their part.

“We’ll also be making a film with those individuals, inviting them to think about what acts of hope they’ve observed in their day-to-day lives and how they can contribute to hope in the local community.”

This year will see the 28th iteration of GDIF spreading art, creativity, dance, theatre and spectacle all across this quarter of London with the overwhelming majority of performances free to attend.

The various events roughly break down into 11 – all set to take place between August 25 and September 10, 2023.

Cygnus will take place in Royal Docks

This year these will take place in locations as diverse as St Paul’s Cathedral, Stratford, Royal Docks, Canary Wharf, Woolwich and, of course, Greenwich, where Bradley and his team are based.

“The festival has always set out to try to reflect the unfolding story of Greenwich and east London,” he said.

“When we started it in 1996 and I looked across the river to Canary Wharf and there was only one tower, that was it. 

“Things have changed massively since then. But it’s not just the physical environment, it’s also the stories of this place.

“One of the most painful is the murder of Stephen Lawrence 30 years ago and we’ve commissioned a production to mark that.

“It doesn’t go over the story itself, but is an optimistic piece that speaks of that moment and what the legacy of Stephen Lawrence means to young black people in this part of London.

“It’s called The Architect and audiences will travel on board a red double decker bus – the kind Stephen wasn’t able to board that night in 1993.

“I think this will be the emotional centrepiece of this year’s festival – a symbol that GDIF couldn’t take place anywhere else and of how it works to make this a better and more hopeful place to live and work.”

Tickets for The Architectone of the few paid-for events at the festival, running September 6-10 – have sold out online, although more may become available with interested readers encouraged to follow @GDIFestival on social media for details.

“In their feedback, people often talk about their experience of being with other people, having conversations and enjoying spectacles they have never seen before in public spaces,” said Bradley.

“This year, there will be plenty of opportunity to do all those things – a good example being Cygnus at Royal Docks.

“From August 31-September 3, after darkness falls, a series of robotic swans that change colour and emit sounds and music will light up Royal Victoria Dock.

“Then, over at Greenwich Peninsula, there will be this wonderful performance – Rozéo – from a French company, which will take place on 10-metre high sway poles next to the Thames from September 2-3 at 2.30pm and 5.30pm.

“Our aim is always to programme lots of visually arresting things so people can  share what they’ve seen with their friends and families.

“My hope is that the festival is one of the ways people will remember their summers – a landmark each year in the calendar.”

One of the key dates within GDIF is undoubtedly Greenwich Fair – a whole day of events held among the buildings of the Unesco World Heritage site from 1pm-7pm on August 26.

“We couldn’t do a GDIF without Greenwich Fair and we’ll be introducing a whole range of performers and family entertainment to audiences this year,” said Bradley.

“The whole thing will take place across the Old Royal Naval College, beside the Cutty Sark and this year in Greenwich Park too.

“We’re really excited about that and we’re working with them in a more ambitious way for the first time – focusing on arts created by abled, disabled and neuro-diverse artists, so there’ll be a festival within the festival – loads to enjoy.”

Rozeo will take place on Greenwich Peninsula

Events will include The Air Between Us, an aerial performance featuring disabled artist Rodney Bell at 1pm and 5.30pm and Teabreak, a journey through the history of tea making with fresh brews from a hand-painted Tuk Tuk at 2.35pm and 4.45pm.

Animaltroniek from 2.30pm stars roaming robotic creatures. In total there will be 15 shows or performances to enjoy on the day.

“Another highlight of the wider festival for me will be Woman, Life, Freedom! at Stratford Park at 8pm on August 26,” said Bradley. 

“We’re working with the brilliant, award-winning Ameena Hamid Productions on developing this work with a team of Iranian artists who wish to remain anonymous. 

“It celebrates the voices and music of women following the death of Mahsa Amini in Iran almost a year ago. 

“In that country, those voices can’t be heard, so the idea is to share with our audience this rich culture, which is very much what people are fighting for there.

“Again, it’s another act of hope – standing in solidarity with those women and what they are aiming to achieve.”

Dancing City at Canary Wharf is also set to return this year as part of GDIF, following its cancellation after the death of the Queen in 2022. 

A full preview of the many events taking place on the estate over September 9-10 will follow in the August 23 issue of Wharf Life.

Resurgam will take place at St Paul’s Cathedral

TOP PICK – Resurgam

Taking place daily from August 31-September 2 at 6.15pm, one of the most iconic buildings in London will see American company Bandaloop take over its facade for a series of half-hour, free aerial performances.

“They specialise in amazing abseil performances on sensitive buildings and at world heritage sites,” said Bradley.

“We’re using the south transept of the cathedral, so audiences will be looking at it from the Millennium Bridge side.

“There will be road closures there to accommodate large-scale audiences.

“The piece takes inspiration from the inscription on that side of St Paul’s – Resurgam – which means ‘I will rise’ and refers to the cathedral, which was born out the ashes of the Great Fire of London.

“It stood throughout the Blitz in the Second World War, so it’s a symbol of hope and resilience so it will resonate with everyone in these difficult times and speak to optimism.”

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Canary Wharf: How Randox Health’s Discovery package takes a bodily snapshot

What going to the brand’s Canary Wharf clinic is like for its £195, 150-data point assessment

Randox Health in Canary Wharf

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“They say a little knowledge is a dangerous thing, but not half so bad as a lot of ignorance,” wrote Terry Pratchett at the opening of his 1987 novel Equal Rites.

There he was referring to a bumbling wizard keen to secure his magical legacy before his inevitable death, but the sentiment nevertheless remains broadly true.  

We are passengers in our bodies.

Whatever it is that passes for our consciousness, if handed full control, would last perhaps a few seconds before being overwhelmed by the astonishing complexities of breathing, pumping blood, interpreting nerve signals and digesting food before rapidly dying. 

To jump on the current cultural zeitgeist, Dr Robert Oppenheimer astutely pointed out in one of his Reith Lectures for the BBC that even the best of us, toiling for a lifetime, only manage to do one or two things really well. 

If faced with operating the systems of the body, the poor sentient parts of our brains would be next to helpless. 

That’s not to say, of course, that we can’t notice things that might help out or improve the way we work.

You don’t need to know how a combustion engine works to understand that putting oil in it lubricates the mechanism and tops it seizing.

Human life has steadily been getting longer precisely as the species has got better at preserving it through medicine, diet, health and safety measures and, generally speaking, killing one another less.

One of those ongoing, incremental revolutions is the rise of monitoring – the collection of data about ourselves, our health and the ways we might use that information to improve things.

While our phones measure our steps, the number of floors we’ve climbed and our sleep, it’s become increasingly commonplace to see people in the gym wearing heart rate monitors and patches continually measuring blood glucose levels.

The idea is that the mostly unseen secrets of our bodies could hold the key to radical benefits for our short and long-term wellbeing.

Who wouldn’t want to know, right? 

So, when Randox Health offered me the chance to sample its £195 Discovery package I jumped at the opportunity.

With branches across London, including one recently opened in Canary Wharf, the company is the consumer-facing arm of Randox proper, a Northern Ireland-based global health testing business with revenues in the hundreds of millions.

Six vials of blood are drawn during the Discovery appointment

The appointment arrived on a fresh July morning.

I hadn’t read the instructions properly – glancing through them in Third Space’s changing room, following an unusually strenuous morning Yoga session, I realised too late that I was supposed to have avoided exercise prior to the tests.

Having feverishly consumed about three litres of water in a desperate bid to rehydrate, I nevertheless marched into the Cabot Square clinic to be met with reassurance that we could still go ahead.

Clinical lead Patricia Veres then took me into a consultation room where I was quizzed on the general state of my health, my medical background and lifestyle choices.

The experience then split into three parts. 

First I was measured and underwent a body composition scan to assess muscle and fat quantities and ratios.

Next I was dispatched to do the awkward dance of the urine sample – somewhat welcome given my enthusiastic efforts to hydrate.

Patricia told me it should be mid stream, but did that mean I should stop or simply resign myself to a certain amount of splashing?

Suffice to say, pot filled and on to the next adventure.

The final act was the blood test itself.

Having been rejected as a plasma donor during the pandemic thanks to my deeply buried veins, I was dreading this part – but Patricia was the model of slick professionalism, delivering a minimal sharp scratch in seconds and rapidly filling six vials.

With my various liquids and measurements dispatched, ready to give me 150 pieces of information about my body, Patricia took time to answer every one of my questions. 

The feel of the whole business was medical but shot through with a welcoming warmth intended to relax and allay customers’ fears.

It worked, I left feeling reassured in the knowledge that in a few days I’d have some fresh insights land in my inbox.

What happens next is just that.

A little less than five working days later, I received a link to the various reports.

These come presented in three documents. The first a summary of any headline issues picked up during the tests, covering various systems in the body.

The second is a copy of the body composition scan which you get to see and discuss in the initial appointment and the third is the detailed results themselves.

Randox also sends out a paper copy of the latter, although quite why in 2023, is anybody’s guess.

Perhaps some people like to frame them.

For want of a more technical explanation, my summary was fairly simple – 82% of the test results were normal or optimal, 4% were a little off and 14% were of some concern.

Some of the report’s conclusions were of little surprise. I’m clinically a bit overweight and could certainly do with shifting a few pounds. I knew that anyway.

But the value here is really in getting glimpses of what lies beneath.

There were bursts of relief – my prostate shows no signs of concern right now, ditto my liver and kidneys.

My diet is apparently working to provide adequate levels of almost all essential nutrients (vitamin D supplements are my secret, especially given the so-called summer we’ve had to date).

But then there’s my phosphorus levels, something possibly a bit questionable with my thyroid function, a bit too much bad cholesterol and an over-abundance of fat-carrying triglycerides in my blood. 

With the exception of the weight, I’m currently asymptomatic so none of these issues would likely have seen me beating down my GP’s door.

A summary of Jon’s Discovery test results

Now I know, however, I well might. 

It’s important to note that a Discovery report is not a diagnosis. The point is to deliver data that may allow people to take action to head off any issues that might be creeping up.

My thyroid function, for example, is completely normal at present.

But the presence of certain antibodies suggests that might not be the case in future so it’s worth keeping an eye on.

It’s also worth noting that a test on a single day is simply a snapshot of the body in a particular state at certain time.

It’s likely the harsh sweaty shapes I’d spent part of the morning bending my unwilling body into will have had some impact on the results – my triglyceride levels, for example.

But others are quite clear.

It’s reassuring to know that my diet is broadly delivering what it should albeit with a side of too much saturated fat. That’s an easy fix.

Tougher is finding enough phosphorus to eat.

After getting the report I later leave Waitrose with a basket overflowing with pumpkin seeds, kefir, mackerel and sardines.

My salted butter days may be behind me, but there’s no shortage of delicious alternatives that should help keep my skeleton in bones. 

I will also be seeking a phosphorus supplement, at least in the short term, because while my levels are catastrophically low, its a mineral you have to be careful not to top up too much.

In the end though, the proof will be in the pudding.

While Discovery offers a snapshot, Randox’s most popular packages are its Everyman and Everywoman offerings.

For £295, you essentially get two Discoveries six months apart to help track the impact of any changes you’ve made.

Just don’t go too radical – after all, a little knowledge can be a dangerous thing.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Isle Of Dogs: Why Suzan Altay wants women to self-check their breasts for lumps

Personal trainer and fitness instructor was diagnosed with breast cancer after finding a tumour

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“I cannot emphasise enough the importance of self-checking your breasts,” said Suzan Altay.

“I was lucky that I found the lump because, five months before, it hadn’t shown up on the mammogram or MRI.” 

Suzan, who lives on the Isle Of Dogs and works as an elite personal trainer and Yoga and Pilates instructor at Third Space in Canary Wharf, was no stranger to having scans as part of a high risk group.

“I’d been going for check-ups twice a year since my early 20s because of fibrocystic breasts – cysts in the tissue,” she said.

“They call them lumpy breasts, so I’d go for the regular appointments and trust that process.

“It was just before I was due to go for a scan that I realised something was wrong.

“I was doing my stretching exercises one Sunday morning, when I suddenly discovered something that wasn’t there before.

“It was about the size of a pea and it wasn’t moving.

“Because I was on the priority list, I got an appointment immediately – I was referred for a biopsy, which confirmed that the lump was cancerous.

“Then they had to decide what kind of treatment I was going to have.

“The first biopsy suggested I should have a lumpectomy, where they just remove the tumour and the tissue around it.

“But a further MRI showed another mass, meaning I would need a mastectomy.

“I was given the option to have one or both breasts removed and for safety I decided to have both.

“It was supposed to be just the surgery because it was local, but during the surgery they check the lymph nodes, and found out that the cancer had spread to them too.

“Five months earlier, the scans hadn’t picked anything up and then all this.

“It was horrible, I was terrified.

“You put your trust in doctors, machines and so on – I’d not missed a single appointment in 20 years – and then all of a sudden you start questioning what was missed?

“Did I eat too many grapes? Did I not drink enough water?

“You want to make sense of it to protect yourself, but you have to accept that, with these kind of things, nobody really knows the cause.”

Because the cancer had spread to the lymph nodes, doctors recommended an aggressive approach to the disease. 

“I think the hardest part of the whole treatment was the chemotherapy and losing my hair was part of that,” she said.

“It took them a month to decide what kind of drugs would be necessary.

“During the surgery I’d had breast reconstruction and I was lucky to preserve my nipples – so I’d had a month getting used to my new body when I started losing my hair from the cocktail of medication I was given.

“I had 16 sessions and then radiotherapy, which took about 11 months in total.

“It happened just after the pandemic, so while lots of people were going back to work, I didn’t for about a year.

“When you’re on chemo, the drugs make you feel sick but you also take medication to stop you throwing up – that was just a horrible feeling and you’re tired all the time.

“I was really fortunate with the radiotherapy I didn’t have a rash or anything, and I kept asking the nurses if it was really working, because I had no effects at all.

“I was even able to go back to teaching so I would go for treatment in the morning and then take classes afterwards.

“Then, on February 1 last year I was given the all clear – I had a bottle in the fridge all ready to celebrate and then I got Covid.

“It’s been more than a year now, everything seems fine and I’m good.

“I’m on daily medication and every three months I have to go for injections but my check-ups are now scaled back.

“I do get tired and sometimes a low mood, but physically and mentally I’m building up my strength again.

“The reason I wanted to tell my story was to raise awareness so women keep checking themselves and keep pushing if they find something they think isn’t right.

“Around one in three women in the UK will get cancer and finding it early is really important.

“I was lucky – when I found my lump the cancer had already spread and I don’t know what would have happened if I hadn’t found it then.

“I knew of a lady at one of the gyms I worked at who’d had cancer and was fine.

“Then she suddenly disappeared and I later discovered she had passed away – she was younger than me.

“Each day I think of her because my story could so easily have been like hers.

“Even though the treatment can take a lot out of you mentally, as well as physically, breast cancer has a high survival rate because it is relatively easy to treat.

“In my life I’ve jumped from planes and dived with sharks – I was fearless, but now I realise I can be afraid because life can be taken away just like that.”

Suzan is a personal trainer and Yoga and Pilates instructor at Third Space in Canary Wharf

Cancer can come for anyone.

Those who have attended one of Suzan’s classes at Third Space (myself included) will have been struck by her apparently boundless levels of energy and infectious passion for both Yoga and Pilates.

Having come to the UK in her early 20s from Cyprus, she initially studied sound engineering, before going on to work in the field. 

Having long practised Yoga, she chose to train as a teacher after breaking up with a boyfriend and deciding to do something for herself – making the switch to the fitness industry and later going on to qualify as a Pilates instructor and a personal trainer. 

“It’s an important time in your life when you find yourself,” she said.

“I loved sound engineering when I was doing it, but when I’m on the mat I feel I have more confidence – I know what I’m doing and it gives me pleasure.

“Once I started learning more about Yoga it gave me something – I didn’t realise what that was until I started teaching, but it was what I’d been missing in my previous career. 

“It can be demanding, but I never feel tired in the classroom.

“The benefits of practising both Yoga and Pilates are really good and have helped me recover.

“The body is such an amazing machine, but it’s so important to be aware of it – everyone should keep checking themselves because things can go wrong.”

Read More: Why there’s only weeks left to see Punchdrunk’s The Burnt city

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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