Boisdale Of Canary Wharf

Frederick Kitchen begins new chapter as roof of the Boat House

The last vessel to be commissioned and built at the Thames Iron Works has come full circle back to the River Lea as part of Cody Dock’s heritage pavilion

The Boat House at Cody Dock featuring the fully restored Frederick Kitchen - image by Jon Massey / Wharf Life
The Boat House at Cody Dock featuring the fully restored Frederick Kitchen – image by Jon Massey / Wharf Life

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A visit to the Boat House at Cody Dock isn’t just a chance to experience what’s on show within.

The structure’s roof is itself an exhibit – the Frederick Kitchen is a former lifeboat that’s been extensively restored and flipped over to protect the heritage pavilion below from the elements.

It has an extraordinary story to tell.

The last boat to be commissioned at the Thames Ironworks, just down the River Lea from Cody Dock, it’s carried royalty, saved lives in Wales, been refitted for fishing, turned into a houseboat, sunk and has now returned to east London.

Thanks to research by Julia Briscoe and David Scott at Cody Dock, we can relay some of its journey here.

The interior of the Boat House showing the support structure and the finished vessel - image by Jon Massey / Wharf Life
The interior of the Boat House showing the support structure and the finished vessel – image by Jon Massey / Wharf Life

a generous gift

Frederick Kitchen, the man the boat was named for, played an important part in its story.

Born in Liverpool in 1852 – the son of a cabinet maker and joiner – he initially worked as a painter before going into business and becoming a corn merchant, eventually rising to the post of chairman of Pelling, Stanley And Company.

The firm was an importer of John West Salmon and one of the founding businesses of Unilever.

His success led him to accrue significant wealth in Liverpool before moving to the small village of Trefriw in 1901 on the river Crafnant, living there with two servants and becoming chairman of the parish council in 1904, before his death a year later.

A lifelong bachelor, his closest relative was his brother, Captain James Kitchen.

In his will, he left more than £2million in today’s money to various bodies including the RNLI, specifically to fund “the purchase of a motor-lifeboat to be placed on the west coast of England”.

The institution, having received £2,400 – the bulk of the cash – by 1908, duly commissioned the Thames Ironworks in east London to build a 43-foot Watson Lifeboat, fitted with a 60 horsepower petrol engine, capable of seven knots when motoring but also able to of use sails.

It was designed by Glaswegian George Lennox Watson, who was born in 1851 and was attracted to yachts as a boy during holidays on the Clyde. 

Apprenticed as a shipwright, he became interested in the role hydrodynamics played in their design and had established his own company by the age of 22, going on to design hundreds of successful racing vessels.

In 1887 he became the RNLI’s chief naval architect and, while he died in 1904, the lifeboats he designed continued to be used into the 1950s.   

The brass plaque indicating the boat’s origin on display – image by Jon Massey / Wharf Life

built on the Lea

Founded in 1837, the Thames Ironworks And Shipbuilding Company had its main yards at Leamouth and Canning Town, with operations on both sides of Bow Creek. 

It was a titan of Victorian industry, building warships and liners as well as marine engines, cranes, parts for massive engineering projects and even motor cars.

Notably, HMS Warrior was built by the company as the first armour-plated, iron-hulled warship, leading to a slew of orders from governments around the world.

In the 1890s, the firm came under the control of managing director Arnold Hills, a philanthropist, footballer, vegetarian and champion of eight-hour days at a time when industrial workers were more commonly expected to work 10 or 12-hour shifts.

He was also involved in establishing Thames Ironworks FC, which would later become West Ham United.

However all did not remain well. Orders from the Royal Navy dried up by 1911 and the business closed in 1912.

The Frederick Kitchen was the last vessel to be commissioned and built by the company in Canning Town.

Constructed primarily from mahogany, with a heavy cast iron keel for stability in stormy seas, its design and fabrication represented the absolute zenith of skilled wooden boat building on the Thames.

Its completion also marked the end of an era.


A composite press photo marking King George V’s visit to the vessel, as featured in The Weekly Dispatch - image by The Weekly Dispatch
A composite press photo marking King George V’s visit to the vessel, as featured in The Weekly Dispatch – image by The Weekly Dispatch

a Royal encounter

Following sea trials off Harwich with the RNLI, the Frederick Kitchen made an appearance at the 1913 Cowes Regatta.

Attendees included most of the Royal Family as well as Prince Henry of Prussia – brother of Kaiser Wilhelm II – one year before the outbreak of the First World War.

During the festival, the royal yacht Britannia beat Prince Henry in the Kaiser’s yacht.

King George V also took an interest in the Frederick Kitchen, which had stopped at Cowes on its way to Beaumaris in Wales to serve as the town’s lifeboat.

He, along with senior members of the RNLI, took a trip in the vessel “during which every detail of the boat’s construction was explained” including its celebrated Gardner No. 4 reverse gear, according to the November 1913 edition of The Lifeboat magazine.

Causing quite a stir, the same article lists a succession of dignitaries who then went on to visit the boat.

The Frederick Kitchen is launched at Beaumaris - image by the RNLI
The Frederick Kitchen is launched at Beaumaris – image by the RNLI

saving lives in Anglesey

The Frederick Kitchen travelled from Cowes to begin its intended role as the Beaumaris lifeboat, protecting mariners from the small town at the mouth of the Menai Strait on Anglesey.

The completion of a new lifeboat station in 1914 allowed the vessel to enter service and she was duly dedicated with prayers from the Bishop Of Bangor and the smashing of a bottle of wine by Mrs James Kitchen – wife of her namesake’s brother, who was also present to formally hand over the boat to the RNLI. 

Crewed by eight volunteer sailors, the vessel served from 1914 until 1945 and was then held in reserve until 1948.

During the First World War and into the 1920s, the RNLI only made brief information about its lifeboats’ activities public. 

However, we do know the Frederick Kitchen was launched 35 times on rescue missions – equating to about once per year – with five leading to lives and boats being saved.

Over 31 years of service, 46 people were rescued and two vessels were recovered.

  • One notable mission in 1920 was when the schooner Jane And Ann of Carnarvon, carrying a cargo of mining pit props, broke anchor at Llandudno and drifted. The Beaumaris lifeboat was launched and initially rescued the crew, although the captain (described in the log as “an old man”), refused to leave. 

He was later removed and the schooner anchored, but strong winds saw the ship break away a second time and drift across the Mersey estuary, eventually becoming a wreck.

  • A year later, the Frederick Kitchen was in action again, dispatched to answer distress signals from another schooner, the Pandora of Fraserburgh, loaded with coal. 

Caught in a heavy north-west gale off Anglesey, the ship had broken away from its anchor and was drifting towards the Dutchman Bank when the lifeboat caught up and rescued its crew of four before it too was wrecked.

  • In March 1931 the Beaumaris lifeboat saved three young men and their yacht, the Bluebell, in fierce rain squalls and blinding snow after they lost their sails.

Led by 21-year-old JT Chitty, the son of a master at Eton College, there was much worry locally about the three inexperienced sailors with the Llandudno lifeboat also launched, although it’s help wasn’t needed as the crew of the Frederick Kitchen were able to rescue both the young men and their vessel. 

Incidentally, three months later Mr Chitty again had to be rescued from Bluebell after it broke free from its moorings and its motor failed on the River Mersea. He and a 16-year-old friend were pulled from the upturned yacht by police and harbour staff. 

  • In 1936, the Beaumaris lifeboat once more saw significant action when called to rescue the seven crew members of the schooner Flying Foam.

The 200-ton vessel had dragged her anchor having stopped to make repairs to a sail and was drifting when the Frederick Kitchen came alongside to take Captain Roy Jackson, Lorna his wife and their two cats to safety along with the rest of the people on board.

Abandoned, the Flying Foam ran aground on the west shore of Llandudno with much of its cargo of coal later salvaged via horse and cart.

It was the last sailing schooner to be wrecked in Conwy Bay, with its remains, visible for many years at low tide, becoming a tourist attraction. 

The Frederick Kitchen was launched 35 times on rescue missions - image by the RNLI
The Frederick Kitchen was launched 35 times on rescue missions – image by the RNLI

returning to London

According to National Historic Ships, the Frederick Kitchen continued to lead a colourful life after being sold to a succession of boating enthusiasts.

A cabin was added to the vessel, which was renamed the Lady Pat in 1950 and then later the Jackie Maxwell.

In 1997 the boat was restored in Blyth with the aim of using it for fishing under the new name Herring Queen. 

In 2004 it became the Ballyheo Dream with an extended cabin to allow it to act as a houseboat, but sank at its moorings before being rapidly raised and returned to Blyth.

A spell at the Fish And Duck Marina in Ely followed before the Frederick Kitchen was acquired in 2013 by the Thames Ironworks Heritage Trust, which returned the vessel to east London.

Ownership passed to Cody Dock, which embarked on an extensive restoration project to bring this piece of living maritime history back into public use.

Everyone visiting the newly created Boat House will be sheltered by timbers that were worked by some of London’s finest craftspeople, helped save lives off the coast of Wales, were trodden by King George V and will now be in service protecting and showcasing local history for many years to come.

key details: the Boat House at Cody Dock

The Boat House is located at Cody Dock on the River Lea and is free to visit.

You can find out more about the boat house and the programme for the structure via the ecological regeneration project’s website here.

Read more: Find out more about Common Threads, coming to Cody Dock in September

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Common Threads set to be exhibited at Cody Dock in September

Artist and walker, Remiiya Badru, has spent a year researching, making pieces and hosting workshops to explore the history of calico and Prussian Blue

Detail from work created as part of Remiiya Badru's Common Threads project - image by Jon Massey / Wharf Life
Detail from work created as part of Remiiya Badru’s Common Threads project – image by Jon Massey / Wharf Life

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The areas that line the banks of the Lea are rich in history, the silt of time that’s built up around the waterway.

Watch the river’s tides rise and fall and it’s easy to imagine the currents connecting to the Thames and from there the oceans beyond.

One’s head can easily start spinning from the complexity and variety of those links.  

Sometimes what’s needed is a way of fixing things, a scaffold to support the flow of ideas, themes and events.

To an extent, this is what artist and walker, Remiiya Badru’s, year-long collaboration with Cody Dock is all about. 

Common Threads has seen her take up the position of artist-in-residence at the ecological regeneration project, to research, investigate and respond to two interrelated commodities and their history in the area.

The first is the woven cotton cloth, calico, and the second the synthetic pigment Prussian Blue, once made at the site.

“I’m an artist, but I’m also a walker and an educator and both of those things inform my practice,” said Remiiya.

“I also have a connection with rivers and bodies of water as well as maps with the work I create.

Common Threads is about how we capture stories around the textile trade across the docks in east London.

“I see the threads as stories coming together, so I wanted to bring the community in and give people in this area the opportunity to share their tales.

“In this way these Common Threads are global narratives – they all come from somewhere and I wanted to look at how we could represent that visually in the context of the history.”

Artist and walker Remiiya Bardru has spent a year working at Cody Dock - image by Jon Massey / Wharf Life
Artist and walker Remiiya Bardru has spent a year working at Cody Dock – image by Jon Massey / Wharf Life

weaving stories together

When it comes to both the textile and the pigment, that past is a complex weave – different countries, creations and locations.

For Remiiya – an artist whose practice is characterised by curiosity and serendipity – it’s an irresistible jumping off point.

Having trained as an illustrator and then as a teacher – a useful skill that enabled her to take her art “out of the classroom and into museums and galleries” – she worked for a while in Bristol.

“That was at the Arnolfini Gallery with community groups and facilitating social engagement and I thought it was a very important part of my practice.

“That remains the case today, but I’m also very interested in the heritage of places. 

“I hated history at school but I found a way of seeing the subject as an archive of real people’s stories.

“Geography is also a love of mine – how people and place connect and how cities shift and shape themselves. I really love maps and what they represent.

“These things come together when I’m walking.

“My practice is often intuitive – if something jumps out at me, I’ll go and research it.

“I’ve done many walks along the Thames and the Lea – I’m a bit of a nomad.

“I would say the river is the aorta of the city – it pulls in all those tributaries and the stories flow into it.”

Remiiya's model boat, the Timehri on a beach on the Isle Of Dogs - image by Remiiya Badru
Remiiya’s model boat, the Timehri on a beach on the Isle Of Dogs – image by Remiiya Badru

In recent years, Remiiya has collaborated with the National Maritime Museum, making art and researching its collections to find women and people from diverse backgrounds.

She’s made a “living map” entitled Rhumblines, displayed at the Making Space in Aberfeldy Street.

She’s featured in Thames-focused documentary Time And Tide.

She’s led workshops, walks and meet-ups. 

But perhaps most revealingly she’s built a model boat, the Timehri, named for the “art and craft of man” which she’s taken for walks along the river as a conversation starter and because the journey forms part of the artwork. 

It’s been placed in Canary Wharf, on a beach on the Isle Of Dogs and on the plinth that once supported the statue of slaver, merchant and ship-owner Robert Milligan, who was the driving force behing the construction of West India Docks.

Such activities are indicative of Remiiya’s intuitive approach to the subjects she investigates – one that she’s carried over into Common Threads.

“Calico is a global cloth with a complicated narrative,” she said.

“It’s a strong cotton fabric that’s thicker than muslin, but not as thick as denim – today it’s often used to make tote bags.

“It was at the centre of an attempt to protect the British textile industry when importing it was banned. 

“The fabric was often printed and Bromley Hall (which sits just across the Lea from Cody Dock on the A12) – a building with multi-layered narratives that go back to Henry VIII and beyond – was a major producer, using copper plates to create intricate designs.”

Hi-vis calico jackets created from the September exhibition - image by Jon Massey / Wharf Life
Hi-vis calico jackets created from the September exhibition – image by Jon Massey / Wharf Life

doing the research

These stories, coupled with extensive research in partnership with the V&A have all fed into a project that will be fully realised in September.

That includes making use of Prussian Blue, which was once manufactured on site at Cody Dock and was shipped worldwide from there by the Imperial Chemical Company.

“When people come to see Common Threads on September 19, I want them to appreciate all the elements of the history of this area,” said Remiiya. 

“I’ve worked with different community groups and schools to get them to think about what’s important to them and we’ve created a series of cloths.

“We’ve also made jackets in calico based on the high-vis ones worn at Cody Dock – again based on people’s personal connections to this area.

“We’re now working on a plan to display all this material across the site.

“I want people to discover Cody Dock – it’s off the beaten track, but it’s an oasis and there’s something here for everyone.

“I really like that the people here love and care for the spaces and that it’s a place where artists can hold up a mirror to history. 

“Over the months I’ve been here, I’ve felt such freedom and autonomy to work on this project and there’s been so much support.

“It’s growing and expanding and that’s really exciting – let’s see where the threads take us.”


Common Threads will be the first exhibition to make use of Cody Dock's newly opened Boat House heritage pavilion - image by Jon Massey / Wharf Life
Common Threads will be the first exhibition to make use of Cody Dock’s newly opened Boat House heritage pavilion – image by Jon Massey / Wharf Life

key details: Common Threads

Common Threads will be unveiled at Cody Dock on September 19, 2026, at the ecological regeneration project’s Lighting Up The Lea event – part of the Totally Thames Festival.

The open day, runs from 11am-6pm, and includes a mix of workshops, live performances, walks, talks and a chance to see the work produced for the project. Entry is free.

Find out more about Cody Dock here

Read more: Discover the extraordinary maps and prints at Frontispiece

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Cerulean Quarter set to welcome the community for Art In The Park

ECF development in Canning Town is set to hold an event showcasing its apartments and celebrating creativity with activities and refreshments

ECF's Cerulean Quarter development is located in Canning Town - image supplied by ECF
ECF’s Cerulean Quarter development is located in Canning Town – image supplied by ECF

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ECF – a partnership between Homes England, Legal And General and Muse – is set to host a community event to showcase its Cerulean Quarter development alongside the work of local businesses and creatives.

Art In The Park will take place in Linear Park from noon-5pm on April 25 and will see the local skate park transformed by street artists.

The event will feature food and refreshments from Zzetta Soul Fired Pizza and Yapix Coffee And Wine House – the development’s Canning Town neighbours – and entertainment will be provided by a local DJ.

There will also be an art station for youngsters to get involved with. The event is free to attend.

Tours of the development’s show homes, so visitors can find out more about the apartments, will also be on offer at noon, 2pm and 4pm.  

Apartments in the first phase are now complete and ready to move into - image supplied by ECF
Apartments in the first phase are now complete and ready to move into – image supplied by ECF

welcoming the community to Cerulean Quarter

Stephanie Smith, head of residential at Muse, said: “We are really looking forward to welcoming the community to our Art In The Park event at Cerulean Quarter. 

“It’s a chance to come together and celebrate all the things that make Canning Town such a special place to live. 

“At Cerulean Quarter, and across all our projects, we strive to create homes and shared spaces that feel welcoming and genuinely support the local community. 

“This event is a lovely opportunity to bring neighbours together, and we hope to see many local residents there, along with anyone who would like to experience the sense of community and everyday life at Cerulean Quarter.”


The homes in the 32-storey tower feature views of the surrounding area - image supplied by ECF
The homes in the 32-storey tower feature views of the surrounding area – image supplied by ECF

available to move into now

The development’s first phase, the 178-home Dockmaster House, has been completed with its properties ready to move into. 

Prices start at £379,000 and one, two and three-bedroom apartments are available as well as four penthouses at the top of the 32-storey building.

Homes feature open-plan design, kitchens with integrated appliances and floor-to-ceiling windows. 

The development is located close to Canning Town station offering rapid connections to Canary Wharf and Stratford via the Jubilee line and the DLR.

Cerulean Quarter has been designed as an 804-home neighbourhood delivered across three phases, the latter two of which are subject to commercial viability. 

Phase 2 has planning permission for 290 homes and Phase 3 has outline consent for 159 homes.

The final phase is currently going though the planning process. 

The project is being delivered by ECF, which brings together Homes England, the Government’s national housing agency, investment manager Legal And General and regeneration specialist Muse.

The group aims to work in long-term partnership with local authorities to “unlock and sustain regeneration, enabling delivery at pace while creating places that continue to grow, evolve and deliver lasting value over time”.

Show apartments are available to view now - image supplied by ECF
Show apartments are available to view now – image supplied by ECF

key details: Cerulean Quarter

Art In The Park is set to take place on April 25 from noon-5pm at Linear Park next to Cerulean Quarter.

To confirm attendance or book a tour of the show homes, email sales@cerulean-quarter.com or call 020 3929 0303.

If you can’t make it on the day, tours of the show apartments are available by arrangement with prices starting at £379,000.

Find out more about the development here

Read more: Discover Cody Dock’s restoration of the Frederick Kitchen lifeboat

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River Of Hope artworks to be displayed at Cody Dock’s Frost Fair

Winter event will also feature live music, a local makers’ market, games, workshops, food and drinks

Children survey the River Lea on a visit to Cody Dock as part of the River Of Hope project - image supplied by Thames Festival Trust
Children survey the River Lea on a visit to Cody Dock as part of the River Of Hope project – image supplied by Thames Festival Trust

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Cody Dock is set to host its latest Frost Fair at the end of the month with a packed programme of activities and attractions.

The event, which is free to attend, will feature a local makers’ market, live music and games.

There will also be workshops for visitors to participate in including wreath making and sustainable wrapping paper printing.

Food will be provided by German Deli and Milagros with drinks – including mulled wine – from the Cody Dock bar.

Also on show during the day will be a series of artworks from River Of Hope, a project that saw school pupils work with artists at Cody Dock to creatively respond to the Lea and the environment around it.

As part of the Thames Festival Trust’s Totally Thames festival, the resulting pieces by five Newham secondary schools and nine primary schools were first displayed in September at Cody Dock, beside the Millennium Bridge and at Compressor House in Royal Docks.

Some of those by secondary schools shown at the latter will also feature at Frost Fair, while others have made the journey to COP30 in Brazil.

Two of the artworks created as part of River Of Hope – images supplied by Thames Festival Trust

two years in the making

Kate Forde, Thames Festival Trust head of education and engagement, said: “River Of Hope has been a two-year programme that’s worked in five regions around the UK as well as in France and Ethiopia.

“The aim, through partnerships, is to connect people with their local environment, specifically with their rivers and waterfronts, as well as elevate the work of young people. 

“Their pieces are showcased in different ways at international festivals all around the country.

“In Norfolk, for example, we installed artwork on the sails of boats and had a procession of vessels come down the river.

“In London, our environmental partner is Cody Dock and they’ve been perfect for the project.

“With the primary schools, they all visit the site and a lot of professional development for the teachers is involved with the aim of inspiring a more creative approach to teaching and learning.

“Through the geography curriculum they deliver a term’s worth of work around River Of Hope with the final output being the artwork – in this case a series of flags that are already on display at Cody Dock.

“At both secondary and primary level we can see the long-term impact of the project is making them relevant.

“Since Covid, schools are much more reluctant to do outdoor visits, but learning in this way is so beneficial. 

“Feedback from the teachers has been that these experiences at all ages were such a leveller – seeing kids who may have been disruptive in the classroom really coming into their own.

“It really does highlight the importance of a variety of approaches to learning.

“The project is very much also about leaving a legacy there, whether it’s the artwork being displayed or the schools knowing about and being able to access resources such as the ones at Cody Dock on their doorsteps.

“In addition to the flags by the primary schools – made using marbling techniques with artist Fiona Grady – the works that will be shown at Frost Fair have been created by Newham secondary schools in collaboration with artist Shona Watt and poet Dauda Ladejobi.

“These have been reproduced on silk as three metre-high hangings and they’re really extraordinary.

“It’s the students’ take on what they learnt and their feelings about climate change globally, what’s happening in the world and their hopes for the future.”

For those unable to get down to Cody Dock, the works can also be viewed online here.


Pupils participate in a workshop at Cody Dock - image supplied by Thames Festival Trust
Pupils participate in a workshop at Cody Dock – image supplied by Thames Festival Trust

key details: Frost Fair at Cody Dock

Cody Dock is located on the edge of Canning Town right beside the River Lea.

The closest public transport is Star Lane DLR station.

Its Frost Fair event is set to take place on Saturday, November 29, 2025, from noon-5pm and is free to attend.

Find out more about the event here

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Dance For Parkinson’s continues to grow at English National Ballet

Engagement initiative has spawned a performance group as scientific evidence builds for its multi-faceted benefits

English National Ballet director of engagement, Fleur Derbyshire-Fox - image by Laurent Liotardo
English National Ballet director of engagement, Fleur Derbyshire-Fox – image by Laurent Liotardo

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It was as a teenager that Fleur Derbyshire-Fox first experienced the power of a big organisation reaching out.

She attended a special day at English National Ballet (ENB) for those interested in pursuing a career in dance.

“I remember my knees knocking when I went into that class,” she said.

“Then someone asked me if I’d thought about going into full-time training, which is what I then did.”

It was an experience that left her with a life-long drive to ignite similar sparks in others and something that’s central to her role as director of engagement at ENB.

The company moved out east in 2019 and, while its base at the Mulryan Centre For Dance on London City Island isn’t primarily a venue for public performance, it is the epicentre of ENB’s efforts to connect with those outside its doors.

Locally it hosts dance classes for all, companies of younger and older dancers as well as a programme for those suffering from dementia and coordinating activities across the country.

“The move to east London has been exciting and has opened up new opportunities for us,” said Fleur.

“When I took up this post in 2007, which was then called director of learning, what really attracted me was that it was about change. 

“It was ENB recognising that to be a reflective organisation it needed to build on its engagement programmes.

“How would people know if they were interested in dance if they didn’t get a chance to find out? That’s been the purpose of my role.”

Dance For Parkinson’s Performance Company in action at RePlay, a recent showcase at ENB - image by ASH
Dance For Parkinson’s Performance Company in action at RePlay, a recent showcase at ENB – image by ASH

an initiative in focus

Rather than try to encompass the totality of ENB’s myriad collaborations, initiatives and partnerships, we’ve decided to focus on one.

“Dance For Parkinson’s was among the first programmes we brought over to our new home,” said Fleur.

“The more you enliven the building, the more you’re engaging people. You have to bring them in, to reach out and that’s an ongoing process.”

Dance For Parkinson’s has been running through ENB since 2010.

Those living with the neurodegenerative condition, which affects sufferers’ movement leading to symptoms such as tremors, stiffness and physical slowness, are invited to participate in regular classes inspired by the company’s classical and contemporary repertoire.

“It was originally inspired by work done in the US by the Mark Morris Dance Group and began as a 12-week pilot programme, working with Professor Sara Houston of Roehampton University,” said Fleur.

“Her findings were ground-breaking and started our evidence-based approach.

“That was very important if we were going to be perceived as not being woolly.”

From there, grant funding allowed the roll out of the programme across the country via partnerships with the Royal Albert Hall in London, DanceEast in Ipswich, Liverpool Hope University in Liverpool, Oxford City Council and MuMo Creative in Oxford and the National Dance Company Wales in Cardiff.

The company celebrates after their performance - image by ASH
The company celebrates after their performance – image by ASH

the benefits of Dancing For Parkinson’s

“The benefits for those with Parkinson’s are multi-faceted,” said Fleur.

“It helps with both the motor and non-motor symptoms of the disorder.

“Dance brings communities together, so it also helps with positivity and wellbeing.

“Because the classes are structured as ballet classes, all the exercises we do at the barre help with the posture, flexibility and fluidity of gait as well as giving people the tools for when their symptoms freeze movement.

“The classes have live music, which is fundamental because the musicians can respond to the participants and the exercises tap into that internal rhythm.

“The message is that you may be living with Parkinson’s, but this is a dance class where you are expressive – you’re a dancer in your own right – and you’re dancing with others, improvising as well as learning repertoire.

“All of these elements, plus the social element – the chat, the tea and, of course, the biscuits afterwards – make for a very strong community and that has given confidence to individual dancers to go on and join other groups. 

“Parkinson’s is very individual in its symptoms, so it may take people quite a while to come to terms with it.

“We have chats when people are diagnosed about what happens next, what they can do, where they can go for help.

“Above all, we provide a joyous experience.

“Those coming along can expect a lot of smiling people.

“We start with a warm-up, seated, and we have our dance artists and musicians in the space.

“The movements we do are linked to the dance phrases we look at later.

“There will be lots of different rhythms, lots of different music threaded through the session.

“There’ll be a voice warm-up as well, so that the muscles in the face can be loosened up.

“It’s designed to free inhibitions.

“The artists might notice that some slower movements will be needed, and then we’ll do some different rhythm movements as well.

“Then we come to standing, and for those who need more support, there will be diversification within the class, so the movements can also be performed seated.

“We’ll do some partner work and improvisation and then we’ll start learning some material, so there’ll be a sense of achievement.

“At the end of the session there’ll be a cool-down and we’ll have a linking of hands to congratulate ourselves for the class and our artistic endeavours.

“We have such wonderful people taking part, it’s really great to bring everyone together. In some ways it’s a passion project.

“I’ve poured my heart into this, as has my team at ENB.”

Dance For Parkinson’s: a catalyst for research

However, Dance For Parkinson’s has continued to be more than a therapeutic endeavour.

ENB has been working with Professor K Ray Chaudhuri of King’s College London, a specialist in Parkinson’s Disease to better understand the effect of the classes.

“We conducted a randomised trial over three years,” said Fleur.

“We’ve had interim findings and the research is currently being peer reviewed before final publication later this year.

“But certainly the indications are that dancing in this way has benefits for all stages of Parkinson’s.

“The advice if you have the disease is to do as much exercise as you can.

“Over the years we’ve had physiotherapists come in and I’ve watched what they do.

“With that approach, someone might be given a series of exercises, but we’re replicating those movements in a joyous, artistic way.

“What we’d like to do is embed what comes out of the study into the various care pathways, so we can raise awareness with clinicians.

“Wouldn’t it be great if you could say to everybody with Parkinson’s that there’s a pathway using dance they can try for 12 weeks to see how they benefit?”

The collaboration with King’s, which culminated in a performance for friends and family, has also taken the programme in a fresh direction.

“We had people saying they wanted to do a bit more of this, so now we have a much faster-paced class,” said Fleur.

“It’s performance focused and we held our first show last year, with two more since.

“The production values are very high – they have to be at ENB. We believe that whatever we do, it needs to be on a par with what we put on the main stage.

“So we now have this other vehicle, and what’s so good about this company is they’re all advocates – they want to be seen and heard.

“I was speaking to one of our dancers recently, who said they would never have come to a dance class, let alone thought they would perform in front of 200 people, but they love it and want to continue doing more of it.

“That’s really wonderful to hear.”

key details: Dance For Parkinson’s

The next Dance For Parkinson’s  sessions are set to run at English National Ballet’s Mulryan Centre For Dance on London City Island from April 23 until July 2, 2025.

Classes are on Wednesdays (excluding May 28) from 11am-1pm and cost £60 for the 10-week term.

Dance For Parkinson’s Performance Company’s summer term runs from April 26 to July 5, 2025, on Saturdays (excluding May 31) with sessions from 11am-1pm and costs £85 for 10 weeks.

Find out more about the initiative at ENB here

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Cody Dock gears up for Spring Forward event to launch The Barn

Visitors’ centre at ecological regeneration project beside the River Lea will be complete for April 12 event as the weather warms

Spring forward will see the official launch of The Barn  - image by Jon Massey
Spring forward will see the official launch of The Barn – image by Jon Massey

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April 12, 2025, is set to be a momentous day at Cody Dock.

From 1pm-7pm, the east London ecological regeneration project will host its Spring Forward event – but things are going to be a bit different this year.

While the rolling bridge will be ceremonially upended, plants will be sold, workshops hosted and performances staged, there’s a wider triumph to celebrate.

Specifically, the Cody Dock visitors’ centre will be unveiled in its finished form.

Now named The Barn, the team has been working hard to install windows, doors, walls and ceilings, as well as raising the land outside the structure, ready for the event.

For those attending, it will be the first opportunity to explore the finished space – an amenity which will serve as the focus for the site, a public lodestone for those passing through.


Cody Dock heritage programme manager Bella Quirin - image by Jon Massey
Cody Dock heritage programme manager Bella Quirin – image by Jon Massey

getting ready for the launch

“It’s a wonderful event, celebrating the arrival of spring and the world shaking itself back to life with a real focus on ecology,” said Bella Quirin, heritage programme manager at Cody Dock.

Spring Forward is all about helping people to reconnect with nature after the colder weather.

“Among the highlights will be Tails Of Migration, a really interesting workshop run by our education team.

“Lots of species return to the UK from warmer habitats at this time and it’s all about showcasing those journeys and getting people to interact with them.

“The idea is that participants will also think about their own journeys and the places they have lived before, whether those are across large distances or relatively small ones.

“From that, we’ll be able to capture people’s oral histories as part of our ongoing heritage work.”

The Cody Dock scheme is complex in its scope and events such as Spring Forward offer visitors an opportunity to get to grips with some of the many projects under its umbrella.

There’s its role as a place of work and study, with artists resident in its studios and collaborations with academics to study and respond to the local area a regular feature of its operations.

Then there’s its commitment to supporting and studying local wildlife as well as stewardship of the tidal Lea.

It’s a place for innovation and experimentation as much as conservation.

Local history is another major thread running through its fabric with Spring Forward visitors able to view progress on work to restore the Frederick Kitchen, probably the last boat to be built by the Thames Ironworks at the mouth of the Lea.

This craft will eventually be used as the roof of a heritage pavilion, which will host a succession of exhibitions about the history of the local area.

Flowers bloom at Cody Dock - image by Jon Massey
Flowers bloom at Cody Dock – image by Jon Massey

connecting to history at Cody Dock

“That’s set to open next spring and it will be a fantastic space,” said Bella.

“It will have glass walls, so visitors will be instantly connected to the water, even when they’re inside.”

The April event will also include a chance to view Cabinet Of Curiosity No. 1, the first of three artist commissions exploring local history. 

The work focuses on the Thames Ironworks and includes verse from William McGonagall recalling the calamitous launch of the battleship Albion that saw more than 30 people lose their lives when a stage collapsed into the water. 

It’s just one of the many ways that Cody Dock is seeking to nurture connections between past and present as its regeneration of the 2.5 acre site continues.

“One of the things about Cody Dock – especially The Barn – is that we really want people to feel there’s collective ownership of our spaces as well as them being an attraction,” said Bella.

“The visitors’ centre will be such a dynamic space.

“It will work for our school visits, our ecology team if they’re hosting workshops, but also as a place for performances.

“There will be a full lighting system and we feel that there’s already a really strong vision emerging for it. It will act as a beacon for the whole project – somewhere people can come together.”

While the building itself has been used at previous events, hosting musical performances, dances and a sonic excursion along the Lea with visitors’ feet immersed in sand, the addition of sealed windows and doors will allow for greater flexibility.

There are plans for regular film screenings, with directors invited to participate in Q&A sessions, although full details have yet to be revealed.

seeking a food and drink partner

Another major change will be the completion of The Barn’s kitchen, which will provide cafe and dining facilities for the site.

Cody Dock is currently inviting applications for a partner to run this part of its operation. 

The aim is to both generate income for the project and Gasworks Dock Partnership – the charity overseeing it – and to draw more visitors to the site.

GDP is hoping to attract a partner that aligns with its charitable aims, prioritising recruitment of local staff, paying the London Living Wage and using ethically sourced ingredients.

“The cafe will very much be central to our operation in many ways,” said Simon Myers, CEO of GDP.

“They will be most likely to come into contact with people passing through, so it’s really important that their aspirations and aims chime with our objectives.

“We’re about place-making and greater community cohesion so we need to be somewhere that’s really welcoming to everyone. 

“We’re also an environmental organisation, so produce that’s served here needs to be sustainably sourced and, hopefully, the food and drink on offer will also reflect the diversity found in the local population.” 

key details: Spring Forward at Cody Dock

Spring Forward is set to take place at Cody Dock on April 12, 2025, from 1pm-7pm. The event is free to attend, spots can be reserved digitally.

Cody Dock is easily reached on foot from Star Lane DLR station via Cody Road and South Crescent.

You can find out more about the many projects and initiatives based there online.

Find out more about Spring Forward here

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SO Resi director Kevin Sims on the benefits of shared ownership

We talk lower deposits, security of tenure and staircasing with the man overseeing Metropolitan Thames Valley housing association’s operation

SO Resi director Kevin Sims - image by SO Resi
SO Resi director Kevin Sims – image by SO Resi

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“It’s about educating people on what the product is and what process they will go through when buying something with us,” said Kevin Sims, director of affordable homes provider SO Resi, part of Metropolitan Thames Valley (MTV) housing association. 

As we’re running a special feature on shared ownership in Wharf Life, we thought we’d turn to an expert in the field to offer readers some clarity on the scheme and whether it might work for them.

First, a few facts.

The way shared ownership works is relatively simple.

Buyers essentially enter into a partnership with an affordable housing supplier such as a housing association. 

They purchase typically between 25% and 75% of a property, paying rent at a capped level on the rest as well as any service charges due.

To be eligible, buyers in London must have a combined household income of less than £90,000 a year and not own another property.

But why go down this route at all? 

“A lot of people aspire to home ownership – we’d all like to live in a five-bedroom house in Kensington, but most of us can’t do that,” said Kevin who joined MTV six years ago and now looks after the organisation’s shared ownership buyers throughout their journey with SO Resi. 

“While 100% ownership might be the goal, some people will only be able to achieve 50% or 75% but owning a share in a property is still better than renting. 

“One of the most important things you get as a shared ownership buyer is what I call: ‘Security of tenure’.

“If you’re renting, you don’t own anything.

“Your landlord might wake up on any given morning and decide they want to sell up – you’re constantly at the mercy of a notice period and all the stress and worry that comes with an unexpected move.

“That’s not going to happen to a shared owner.

“There might be a situation where someone defaults very badly on their rent and mortgage, but as a housing association we’ll be there to step in and help so, unless someone’s got themselves into a real pickle, there will never be anybody saying they have to move out in a month’s time.

“That security is a really valuable part of the product.

“There’s also freedom of expression of course.

“Shared owners can decorate the property however they want – they’re more or less free to live in it like they own it outright.”

Homes at SO Resi Canning Town in east London have proved popular -SO Resi director Kevin Sims - image by SO Resi
Homes at SO Resi Canning Town in east London have proved popular -SO Resi director Kevin Sims – image by SO Resi

more affordable

It’s not just peace of mind, however.

Not only is the monthly cost of a shared ownership property in east London typically cheaper than monthly rent on a comparable home, the bar to getting on the ladder is significantly lower too.

“Saving a 10% deposit for a £400,000 one-bed apartment would mean putting aside £40,000 before you consider the other conveyancing and moving costs and that’s unmanageable for a lot of people,” said Kevin.

“The only way many can manage to raise a 10% deposit would be to move out of London and that just isn’t possible for some.

“But if you bought a 25% share in that property with a 10% deposit, you’d only need to save £10,000. That’s still a lot, but it’s considerably easier than buying outright. 

“There’s also recently been an increase in the number of 95% mortgages available and having to only find £5,000 makes a very, very big difference. 

“That allows a whole load of people who can’t buy into the housing market any other way to do so.

“That means they have an asset and, while people would aspire to own 100% of a property, I’d certainly rather have 25% than nothing at all.

“In long term, the value of that asset will grow – nobody’s going to lose out on buying at any one of our London developments whether that’s at Canning Town, Nine Elms or Wembley.

“Of course there are places on the outskirts of the capital but they’re no substitute for London life, which is why people find it so attractive. 

“Consequently shared ownership is a big draw for lots of people, especially those who are renting at high rates in the city.”

staircasing with SO Resi

The journey doesn’t end with the purchase of the first share, however, with buyers able to increase their stake in a property, paying less rent as their level of ownership increases. 

“The process is called ‘staircasing’ and there are lots of ways that shared owners can do that,” said Kevin.

“For many years, for example, we’ve offered shared owners the option to increase their stake in a property by 1% every 12 months.

“Unlike some other housing associations, MTV under that SO Resi umbrella actively encourages staircasing and we have a big team to facilitate it. 

“At present, about 8% of our shared ownership buyers own all of their home so for some it’s an aim rather than a destination.

“If somebody then wants to move out, that’s not a problem either.

“We are very proactive if someone wants to sell their share and it’s now a straightforward process to either market it through us or via an estate agency.”

SO Resi Canning Town apartments feature open-plan design - image by SO Resi
SO Resi Canning Town apartments feature open-plan design – image by SO Resi

key details: SO Resi Canning Town

There are still some shared ownership properties left to purchase at SO Resi Canning Town in east London.

Prices start at £98,750 for a 25% share in a one-bed with estimated monthly outgoings of £1,371.

The apartments are located within easy walking distance of Canning Town station for access to the DLR and Jubilee line, offering direct connections to Canary Wharf, the City, London City Airport, Excel and Stratford. 

Kevin said: “There’s a whole raft of reasons why your London professionals will see Canning Town as a very attractive proposition – it’s got lots of appeal to lots of different kinds of people.

“It’s been really successful as a scheme for us and you can see why buyers want to live there.”

Find out more about the development here

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SO Resi Canning Town homes still available at east London hub

With 17 apartments remaining, buyers have the chance to purchase shared ownership homes

SO Resi Canning Town is located in a bustling east London neighbourhood
SO Resi Canning Town is located in a bustling east London neighbourhood

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There are 17 chances left to get on the property ladder at SO Resi Canning Town.

Well over half of the shared ownership properties at the east London scheme – a collection of 37 one, two and three-bedroom homes located at the Manor Road Quarter development – have already sold.

But there’s still time to pick up a share and, with mortgage costs likely to fall if the Bank Of England cuts the base rate, the apartments are looking ever more affordable.

 “SO Resi Canning Town offers a real opportunity to purchase a Zone Two apartment in 2025” said Kevin Sims, director of SO Resi, the shared ownership brand of Metropolitan Thames Valley Housing, the fifth largest housing association in the UK.

“Proposed plans from Newham Council mean the new town centre is set to be home to a new community hub, cinema, shops, office spaces, as well as brand new shared ownership homes. 

“By choosing from our final 17 properties, prospective homeowners are set to gain a foothold in London’s property market alongside becoming a part of a vibrant and emerging community.”

There are 17 properties still up for sale
There are 17 properties still up for sale

getting on the ladder for less

While a first-time buyer purchasing a property worth £395,000 at SO Resi Canning Town might normally expect to have to find a 10% deposit of £39,500, the government-backed shared ownership scheme means raising significantly less up front.

For a 25% share of that apartment, worth £98,750, they could secure a deal with a 5% deposit of just under £5,000, paying rent on the unowned portion of the home as well as the service charge.

Owners then have the option to increase the share of the property they own in a process called staircasing, decreasing the rent payable on a home. 

SO Resi Plus offers owners the opportunity to incrementally increase their stake by 1% each year with no additional fees or valuations, a scheme that has proved so successful it is now available nationwide.

The Canning Town apartments themselves feature open-plan living areas, fully fitted kitchens with Zanussi appliances and solid timber floors. 

All enjoy private balconies and feature built-in storage solutions, with living spaces ranging from 557sq ft to 971sq ft.

The area is increasingly attractive to buyers with extensive regeneration ongoing and a multitude of transport links connecting it to the rest of the capital.

There are 17 properties still up for sale
Homes are available on a shared ownership basis

key details: SO Resi Canning Town

Prices at SO Resi Canning Town start at £98,750 for a 25% share of a one-bed.

Find out more about the scheme here

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SO Resi Canning Town offers affordable homes in east London

Provider’s director Kevin Sims talks regeneration and getting on the ladder in a vibrant area

Image shows an artist's impression of SO Resi Canning Town, a tall blue residential block
SO Resi Canning Town is located in east London close to London City Island

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“With Newham Council and the GLA’s £3.7billion regeneration project for Canning Town and the Royal Docks, the area is quickly becoming a sought-after area of London,” said Kevin Sims, director at SO Resi. 

“The unpredictability of the housing market coupled with high pricing has been putting aspiring homeowners at a major disadvantage compared to previous generations of home buyers. 

“At SO Resi, we aim to level the playing field by offering more opportunities for shared ownership solutions.”

In a bid to alleviate buyers’ affordability troubles in such a vibrant area, SO Resi – the shared ownership brand of Metropolitan Thames Valley Housing, the fifth largest housing association in the UK – is currently selling a collection of 37 apartments.

 SO Resi Canning Town’s one, two and three-bedroom homes are located at Manor Road Quarter, the latest development by the English Cities Fund – which was also responsible for the regeneration of nearby Rathbone Market.

The immediate area boasts a multitude of attractions, including craft beer at Husk, modern Italian food at Pepenero, a bouldering facility at Rise Climbing and outdoorsy activities at Bow Ecology Park and environmental community project, Cody Dock.

The development itself will add a newly created park as well as space for shops alongside the homes that are bring created. 

The shared ownership properties themselves feature open-plan living areas, fully fitted kitchens with Zanussi appliances and solid timber floors. 

All enjoy private balconies and feature built-in storage solutions, with living spaces ranging from 557sq ft to 971sq ft.

Image shows a bedroom in a show home at SO Resi Canning Town
One, two and three-bedroom homes are available at the development

a compelling location

“These properties at our Canning Town development are the perfect example of our aim,” said Kevin.

“Proposed plans from the council mean the town centre is set to be home to a new community hub, cinema, shops and office spaces as well as brand new shared ownership homes, underscoring the increased popularity of this form of buying as an option for prospective homeowners. 

“By choosing from our 37 shared ownership properties available at our SO Resi Canning Town development, prospective homeowners are set to gain a foothold in London’s property market alongside becoming a part of a vibrant and emerging community.”

Residents at the scheme will be within walking distance of City Hall at Royal Docks, the home of the English National Ballet at London City Island and the art and heritage of Trinity Buoy Wharf.

It’s a compelling offering, even before you factor in the bustle of Stratford, the Queen Elizabeth Olympic Park, Westfield Stratford City, Canary Wharf, The O2 and Greenwich Peninsula – all within two Tube stops or less. 

Canning Town station is also a major bus interchange, meaning residents can easily access areas such as Bethnal Green, Aldgate, Walthamstow and even Romford.

Under shared ownership residents purchase between 25% and 75% of a home with a deposit of as little as 5%.

They then pay rent on the remainder and can choose to purchase more of the property – as little as 1% per year if desired. 

Image shows an open-plan living area in a show home at SO Resi Canning Town
The apartments at SO Resi Canning Town feature open-plan living areas

key details: SO Resi Canning Town

SO Resi Canning Town is a collection of 37 apartments ranging in size from one-beds to three-beds. 

Prices at SO Resi Canning Town start at £96,875 for a 25% share of a one-bedroom apartment, based on a full market value of £387,500.

Find out more about the scheme here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Cody Dock set to create heritage centre for Newham on the Lea

Grant of £1.6million will see historic boat refurbished and used as the roof of a glass-walled structure

Computer generated image shows a glass walled structure with a blue and red boat as its roof - Cody Dock's planned heritage centre
An artist’s impression of the new heritage centre at Cody Dock

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The Cody Dock project has many facets to it.

Central to its plans are the twin aims of returning what was an abandoned industrial wasteland to community use alongside efforts to boost and study the local ecology.

But there’s also Gasworks Dock Partnership’s mission to preserve and celebrate Newham’s rich heritage – a project that recently received a massive shot in the arm.

In 18 months’ time, walkers along the River Lea cutting through Cody Dock will find a singular structure in front of them. 

Beside the rolling bridge and The Growing Space – now used to rear much of the project’s plant life – a new heritage centre will be created.

Lighting Up The Lea has won a £1.6million grant from the National Lottery Heritage Fund, which will see a glass walled pavilion built on the site covered by a rather unusual roof – a former Welsh lifeboat.

The vessel is not, however, just a convenient lozenge of timbers and iron to protect visitors from the elements.

It boasts a remarkable, historic link to Newham, making it perhaps the most appropriate of structures to help protect the history of the area.

Image shows two men with red hair in front of the mahogany panels of the Frederick Kitchen at Cody Dock
Simon Myers, left, with son Tom who is leading the restoration of the boat at Cody Dock

arrival at Cody Dock

“Just before the Olympics in 2012, we were approached by a bunch of West Ham football fans who knew that the club was going to move to the London Stadium in Stratford,” said Simon Myers, Gasworks Dock Partnership and mastermind of the Cody Dock project. 

“They knew the club originated at the Thames Ironworks, which once owned land at the mouth of the River Lea when its managing director, Arnold Hills, helped found a football club to help improve the health of its workers.

“The fans had bought a boat that had been built by the company, thinking that the London Legacy Development Corporation would agree to use it as part of a museum next to the new stadium dedicated to the history of West Ham and the Ironworks.

“However, they weren’t successful in securing funding or a site – even though it was a good idea – and they approached us initially just to store the boat.

“Years passed and nothing really happened except a second boat turned up that in an even worse state than the first.

“Eventually they offered them to us for scrap.”

Image shows the Frederick Kitchen, a stripped down wooden boat sat on supports, as work continues
The Frederick Kitchen, part of the way through her restoration

scrap, or something else?

However, Simon and the team were not about to simply discard the craft. Instead, a plan was slowly hatched to show off at least one of the craft in all its glory and preserve it for future generations.

“My thought was that, if we’re going to do something with these boats, it’s because we want to tell their story,” said Simon. 

“It’s not about getting them in the water – we’ve got plenty of boats here for that. So why not restore one, turn it upside down and use it as a roof of a structure with glass walls?

“That way people will get to see the exterior of the boat from outside and the interior when inside.

“You’ll have this beautiful cathedral ceiling and see all of the internal structure.”

The Frederick Kitchen, named in honour of a former lifeboat master, is not just an elegant architectural solution.

Having won funding to carry out a feasibility study – a precursor to the £1.6million award – the Gasworks Dock Partnership engaged in an extensive programme of research into her history.

It turns out, she may have been the very last vessel to leave the Ironworks, which closed in 1912.

A computer generated image of people in a glass-walled building with the boat as its roof
An artist’s impression of the interior of the heritage centre

an important history

“There’s a glass plate image owned by the National Maritime Museum in Greenwich that shows her sitting in a dry dock all by herself in 1913,” said Simon. 

“We think she may have been the last to leave – we do know she was one of a string of five boats that weren’t finished when the works closed, although she was completed and became a Watson class lifeboat stationed at Beaumaris from 1914 to 1945.

“The closure marked the end of major shipbuilding on the Thames.

“Her hull is made from Honduran mahogany with a steam-bent interior frame of oak with a keel of solid iron that runs along her entire length and weighs as much as the rest of her put together.

“She’s really the pinnacle of timber shipbuilding – designed at the crossover between pulling and sailing vessels and motorised craft, so she has some adaptations including an encased propeller to avoid it being fouled by nets and rigging, which wouldn’t want if you were engaged in a rescue.

“A few years after she was launched, new technologies came in with the use of plywood and then fibreglass and plastic.

“She was the last of her kind.”

A crane holds the former lifeboat as she is moved to a special shed for refurbishment works
The boat is brought into a special shed, ready for refurbishment

a grant for Cody Dock

The full grant will be used over three years, with 18 months to prepare the ground for the new structure and restore Frederick Kitchen to her former glory – the latter project being headed up by Simon’s son, Tom.

The money will also cover a rolling programme of events centred around Newham heritage  with the space eventually used to host quarterly exhibitions.

“For a long time now, in addition to the ecology, which is really special, we’ve felt that one of the selling points of this area is the heritage of the Lea,” said Simon.

“One of the things that’s always struck us is that, apart from the House Mill, Newham doesn’t have any museums – certainly not ones that reflect the wider heritage of the area.

“There’s such a rich seam of history here, whether it’s the Lea as a boundary between the Danes and the Saxons or how the land on the east bank was part of Essex rather than London and all the implications of that.

“Then there’s the arrival of industry, which saw the local population increase from 4,000 to around 250,000 in about 50 years.”

Two people work on the woodwork of the Frederick Kitchen
Tom supervises as renovation work continues

a rich seam of exhibitions

“Frankly we would need an Amazon-size warehouse to cover all the heritage we have and we reckon we could go for 30 years without repeating a topic with quarterly exhibitions in our multi-functional, multi-purpose structure,” added Simon.

“The likes of West Ham and Tate & Lyle have fantastic archives that are not on show to the public so it would be amazing to feature pieces from those collections.

“We have so many plans. It will take 18 months to restore the boat and we’ll be re-landscaping the site of the building at the same time.

“We’ll be doing outdoor exhibitions for Lighting Up The Lea during that period as well as working with the community and participants on our education programmes to gather more stories and local history.

“When our heritage programme launches, our plan is that one quarter will be dedicated to ecology, one to social heritage, one to industrial heritage and the last to miscellaneous aspects of history.”

Image shows a general view of Cody Dock on the River Lea under a rainbow with a toothed rolling bridge made of iron and a large wooden sculpture of a figure
Cody Dock boasts myriad facilities including a rolling bridge

key details – Cody Dock

The Cody Dock project has a wealth of opportunities for volunteers to get involved, with activities including the restoration of the Frederick Kitchen, cleaning up the River Lea and studying the area’s ecology. 

Find out more about the project here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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