In 1968 sci-fi flick Barbarella, Jane Fonda’s eponymous character is at one point entombed in the Exsexsive Machine – a contraption intended to kill her with orgasmic waves of pleasure when some kind of diabolical tune is played by its creator, Durand Durand on his futuristic musical keyboard.
Fortunately, Barbarella proves too much for the dubious device, causing it to burst into flame to the profound disappointment of its creator.
When first broadcast on the BBC, a decade after its creation, the film was potent enough to immediately prompt a nascent pop trio in Birmingham to name themselves Duran Duran in honour of the antagonist and his piano-wielding ways.
While they’ve so far failed to kill anyone with the pleasure of their output (at least to our knowledge), it’s a demonstration of the movie’s power to inspire.
Even 57 years after it first hit the big screen, it remains a cultural icon with some clout.
How do we know? Well, Canary Wharf is about to get its very own Barbarella.
opening Barbarella at YY London
Located on the lower two floors of the YY London building in Reuters Plaza, the venue is set to open its doors on June 20, 2025, and already there’s a playfulness about proceedings.
Part of Big Mamma Group – which operates the likes of Ave Mario, Jacuzzi, Gloria Shoreditch and Carlotta in the capital – there’s a sense the east London venue will be every bit as larger-than-life as the camp classic that inspired its identity.
A conversation with Enrico Pireddu, managing director of Big Mamma’s operations across Europe, does little to suppress that notion.
Born in Sardinia, he studied electrical engineering before falling into hospitality and “going on an adventure in France”. Joining the company in its early days, he grew with them, taking charge of East Mamma in Paris in 2015.
“Then, in 2018, I went to London to open our first restaurant there, moving with my Argentinian wife who I’d met in Paris and my French cat,” said Enrico, who has since added “a beautiful English daughter to the mix”.
“Then I started as operations manager for the UK, London has been the biggest adventure of my life.
“There are so many brilliant professionals and you can learn a lot.
“When I became managing director in the UK, I tried to bring everything I learnt to it.
“The key is to know your market and knowing what to do to make a difference.
“It has not always been easy and I’ve made a lot of mistakes, but I’ve learnt a lot about business, leadership and I’m still learning every day.”
Big Mamma Group’s Enrico Pireddu – image by Joann Pai / Big Mamma Group
growth and expansion
Big Mamma feels very much on an upward trajectory.
Canary Wharf will be its 30th restaurant, having already seen venues open beyond the capital in Birmingham and Manchester.
But rather than stick to replication, the group’s approach relies instead on tailored offerings.
“The restaurants are all different and we’re very site driven, so we have to feel the vibe,” said Enrico.
“Barbarella is on the waterfront – it has two floors and there are many things that make you feel it’s a great opportunity.
“The idea for the restaurant is to reflect the golden age of Italian cinema and its eccentricities.
“It’s a world we want people to step into.
“Canary Wharf is a fascinating area – it changes very fast, it has a lot of life and culture.
“We’ve been watching its transformation and a lot of our chefs in London have lived in the area.
“Many have asked to come and work in Barbarella.”
Members of the Barbarella team post at Bokan on the Isle Of Dogs. We’re not sure, but it’s unlikely Canary Wharf’s towers will be decorated like this for the opening – image by Haydon Perrior / Big Mamma Group
stories of the interior
At this stage, we can neither confirm nor deny the presence of an Exsexsive Machine on the premises.
It’s also unclear whether the playlist will include all of Duran Duran’s back catalogue, or just a few of the hits.
What we do know is that there will be chocolate brown silk walls, a mirrored bar, a three-metre wide amber chandelier, silver curtains, a mirrored reception desk, a chromed lounge and a gold-framed open kitchen.
The latter will be the domain of Roman chef Marco Rastelli, hailing from the same city where producer Dino De Laurentiis built his original studios, home to Barbarella and countless other vivacious shoots.
“The food is a very important story,” said Enrico.
“Everything is homemade and we’re very proud of it. We might have an idea what we want to do, but we also change depending on the chef. We take inspiration from everywhere.”
Diners can expect a series of “twisted classics” including the likes of Italian tomato tatin with Parmigiano cream and a pizza selection that changes daily.
Secondi include buttered Cornish lemon sole filleted tableside to share and a selection of steaks from butcher Phillip Warren, ranging from a tender fillet to a 1.2kg T-bone.
beyond spaghetti
“Personally, the first thing I’ll be ordering is the metre-long spaghettone,” said Enrico, praising the extra-thick version of spaghetti that’s perhaps set to be the restaurant’s signature dish.
“We also have a big wine list, all Italian, with a lot of big-name labels.
“To round things off, I’d probably have the tiramisu with a pistachio espresso martini.”
Even though much of the branding is slanted towards the sexy, glam 1970s camp of the kind of film that inspired its name, Barbarella also aims to be a welcoming environment for all.
“You can definitely bring your whole family here,” said Enrico.
“We will provide everything you need when you’re out with the family at the weekend.
“For example, Sunday lunch is inspired by when your grandmother invites you and everyone else over – that long table with the whole family sitting together.
“We have a lot of families on Sunday in our restaurants and we love them, whether that’s a booking for three people, four, seven, eight or even 50.”
While much of Barbarella remains under wraps for now, the potted jungle that has arrived outside is a statement of intent –a wild counterpoint to the comparatively neat Eden Dock. This place could well be a riot.
key details: Barbarella
Barbarella is set to open at YY London in Canary Wharf’s Reuters Plaza on June 20, 2025.
Those seeking more details should subscribe to Big Mamma’s newsletter for
further updates. You can also find details of the group’s other restaurants in London on its website.
But these arrivals are very much in the vanguard of a cascade of launches to come.
With Union Square acting as a wide boulevard through to the eastern edge of the estate – picnic and ping pong tables already attracting a healthy flow of Wharfers – it’s perhaps the ideal time for Signorelli to arrive in the neighbourhood.
“The message is simple,” said Rebecca Rosmini, CEO of Signorelli, which she founded with husband Alberto a little over 10 years ago.
“We do great coffee, pastries, focaccia, cakes, cookies and biscuits.
“In Italy, you have places where you buy your croissant and your coffee, have a chat with a neighbour and then go on with your day.
“Our recipes are Italian-inspired – the ethos is very much from Alberto’s mum’s way of cooking – but we’ve adapted them for the UK market.
“Our coffee is fantastic, Italian blends and roasts, different to much of east London where there has been a trend for darker roasts.
“Our espresso is really lovely.”
Signorelli co-founder and CEO, Rebecca Rosmini – image by Jon Massey
the learning curve of Signorelli
Wood Wharf will be the fifth branch in what has become a finely tuned east London operation.
However, Signorelli’s genesis was not without its learning curve.
“My background is as a surveyor in commercial real estate,” said Rebecca, originally from Hartlepool.
“My mum started investing in residential property in the 1990s and needed a mini-me to go around building Ikea furniture for her.
“I still like doing that – it gives me a very tangible before-and-after feeling and you can see the results immediately.”
Joining the Tesco graduate scheme having mastered the allen key, Rebecca forged a career with the supermarket giant before a move to Sainsbury’s property team.
She then founded RSR, her own commercial real estate advisory company, that has since worked with the likes of Deliveroo, Asda, Boots and local authorities.
“After starting the business, I met Alberto, an agronomist – he moved to London to look for a job because it wasn’t the right time for me to relocate,” said Rebecca.
“Then he started baking at home. He can be very obsessive and it got a bit out of control.
“We started giving out baked goods to our neighbours, then we started doing picnics and having big dinner parties at home in our tiny flat in Camden.
Freshly baked loaves for sale – image by Jon Massey
“People started joking that we should have our own catering company.
“One day, an Italian pizzeria company approached me to find a site in London and they were looking for a manager, so I put my husband forward.
“We went on a journey with them and went through the process of finding locations but we discovered they wanted to import frozen food from Italy and defrost it here to serve.
“That wasn’t what we wanted, so we parted ways.
“Alberto was so disappointed. He’d spent six months developing recipes and was really down, so we thought: ‘Stuff it, let’s do it ourselves’.
“I knew that East Village in Stratford was launching retail units and thought we should go and have a look.
“I hadn’t been back since my time at Sainsbury’s and it was October 2014, windy, cold and empty.
“There could have been tumbleweed.
“There was no transport hub, no retail – I just didn’t see it. But Alberto thought it was perfect.
“He said I should imagine it, that it was just like Italy – pedestrianised with water and trees – that it would all be about people walking, talking and interacting.
“I made peace with it.
“We designed the unit ourselves, it immediately felt like home and we had friends popping in to help.
“The Ikea skills came back too and then the vinyls came down, even though I didn’t really feel ready to have people in.”
Filled focaccia at Signorelli – image by Jon Massey
opening the doors
“It was carnage,” said Rebecca.
“We had no idea what we were doing and, before we opened, I suddenly decided we were going to do scrambled eggs, because that was what people needed.
“We looked up how Jamie Oliver did them and then we opened.
“We forgot to hire people, so we had a queue out of the door and people came to help us.
“We had lawyers and accountants, some vegetarian, cooking sausages – we didn’t even know that you had to prep food ahead of service.
“We were cooking like you would at home – we just thought it would be the same.
“We went on a three-year learning curve and there were so many terrible stories along the way.
“I think it was the community that made us survive – we had so many people rooting for us.
“People wanted us to succeed and I was blinded to how crap we were. It took a long time.”
Latte art on the coffee – image by Jon Massey
fighting for Signorelli
In the end, the pandemic was part of the solution. The first lockdown provided a forced stop, time to rest, regroup and rethink.
“I always say we’ve had two businesses – the crap one from 2015 to 2020 and then 2.0,” said Rebecca.
“We decided we were determined to fight for Signorelli – we had put so much into it and we weren’t just going to kill it.”
Salvation began with a serendipitous decision taken in 2019 to install a serving window out onto the street.
This reopened in April 2020 to serve pastries and coffee. People queued in socially distance fashion.
Back as a small team, with Alberto – as ever – baking overnight, Signorelli had two baristas serving and Rebecca doing deliveries in her trusty 25-year-old SEAT. It was a fresh foundation.
Suffering “PTSD” from the smell of burnt eggs, they resolved never to offer brunch again and set out on a new path – baked goods, coffee and alcoholic drinks for later in the day.
The arrival of the couple’s second child prompted another change as Signorelli opened its Bakehouse, centralising production in part to allow Alberto to work fewer antisocial hours.
Instead, the new direction was the catalyst for creating the current shape of the business, allowing greater capacity for more staff and the founders to step back a bit from the day-to-day.
The cafe serves coffee, pastries, sweet treats and savoury options – image by Jon Massey
a complex symphony
“No-one in our baking team trained as a baker – they have all learned in our business and they’re doing an amazing job,” said Rebecca.
“It’s like a perfect symphony – you just watch them and everyone knows their role.
“We chose Canary Wharf for our latest expansion because it’s about 15 minutes from the bakehouse by cargo bike for deliveries.
“In lockdown, my husband, me and our little boy came to E14 a lot – we used to do these really long walks along the canal.
“Both Alberto and I grew up by the sea, so being close to the water felt familiar.
“Our strategy now is about creating mini pods of branches to grow Signorelli and we’d love to create one in Canary Wharf.
“It’s always been my husband’s dream to recreate the town squares of Italy in the UK, bringing people back to the table, to conversation.
“The Wharf allows us to share that energy.
“We are so much about getting people together, getting them off their phones and getting them to talk to one another.
“It requires patience and you can’t go into it expecting a quick turnaround.
“It’s a journey that you go on with the landlord, with the community, and everyone needs to work together to make it come alive.”
Stuffed with tomatoes, pesto and mozzarella – image by Jon Massey
sustainable baking
Signorelli’s arrival in Canary Wharf also brings with it catering services and celebratory cakes, all delivered with a consistent focus on sustainability and healthy ingredients.
“The Italian philosophy is to have really good raw produce from rich soils, then you can create something really amazing from just three or four ingredients,” said Rebecca.
“We’re not about cutting costs to produce a better margin.
“We’re really happy to accept less profit on our baked goods to deliver better quality.
“My rule is that if I wouldn’t feed it to my three-year old, then I will not feed it to my customers.
“We guard massively against ultra-processed foods, although we haven’t yet found an alternative to Nutella, so there is one naughty thing.
“We also monitor our waste really carefully.
“We’re always looking to re-use anything that goes unsold, but is still delicious.”
Signorelli Wood Wharf is located in West Lane off Union Square, Wood Wharf – image by Jon Massey
key details: Signorelli Wood Wharf
Signorelli Wood Wharf is located at 5 West Lane off Union Square and is open every day from 7am-7pm.
The bakery and cafe operates a “once it’s gone, it’s gone” policy to minimise food waste with customers seeking pastries advised to visit before noon for the full range.
The launch of an aparthotel in Canary Wharf is a smart move.
Those wishing to live on the estate long-term already had two options – they can buy a property from Canary Wharf Group or rent one through it’s subsidiary Vertus.
Short-term visitors can, of course, stay in Water Street at Tribe. But now Wood Wharf also offers something in between.
Vertus Edit, which celebrated its official launch this month, houses 378 studios of varying sizes split across two buildings in West Lane, overlooking Union Square for short or extended stays.
That could be for one night or six months and every inch of its design embraces that level of flexibility.
In contrast to trad hotel rooms, guests get fully equipped kitchens and access to communal rooftop spaces as well as more intimate lounge and terrace areas.
Please clean my room – a wooden sign for the door at Vertus Edit – image by Jon Massey
comfort at Vertus Edit
This is a place laser-focused on the comfort of its inhabitants whether they’re just passing through or living in Wood Wharf for a while – perhaps visiting family or working locally.
On my stay, we’re allocated a “Cosy” studio for a single night.
While this is the second smallest on offer, its 257sq ft feels palatial in comparison to many hotel rooms with an expansive bathroom and shower.
The strip of kitchen running from the door to the bedroom includes an oven, a toaster, a kettle, a proper four-burner hob and a real fridge – enough to cook a complex meal.
In-room, what Vertus delivers best is functional luxury.
Aside from the colourful East London Printmakers artworks, the aesthetic is plain, even minimal. But what is provided in spades is quality.
The furniture and appliances have a solidity, a dependability about them, which promises reliability – a kind of subtle reassurance to aid a good night’s sleep in the supportive cloud of the bed.
Rooms at the aparthotel are decorated in a cosy, minimal style – image by Vertus
a clean, green stay
Sustainability is here too.
My room features toiletries supplied in refillable metallic dispensers from Kankan.
Nothing feels throwaway.
Chief among Vertus Edit’s attractions is its location.
About five minute’s walk from the eastern exit of the Jubilee line station, it’s within easy reach of the whole of Canary Wharf and much of central London thanks to the area’s transport links.
But a close second is definitely the facilities on offer.
While the rooms are relatively neutral in their design, the lounges, co-working spaces, meeting rooms and private dining space pop with personality.
There are rich colours, exotic wallpapers and even a neon ice lolly installation (it’s art).
Its facilities for guests to do their own laundry, an honesty market pantry system for ingredients, snacks and drinks plus a gym for workouts really cement Vertus Edit’s proposition for practicality.
It may not feature some of the trappings of a traditional hotel (although staff are always on hand), but the clear depth of its communal spaces marks it out as something special.
Then, of course, there are all the benefits of being moments from Canary Wharf’s increasingly vibrant offering.
And with more to come in Wood Wharf, stays will only get better.
The spaces are decorated with art by East London Printmakers – image by Vertus
key details: Vertus Edit
Rates at Vertus Edit vary depending on the date and length of stay, but those booking can currently get 15% off using code HELLOEDIT in celebration of the aparthotel’s launch.
Canary Wharf is built on connections, creating a community of people and organisations with opportunities to come together, grow, evolve, discuss, create ideas and make things happen.
From large team meetings and workshops to corporate parties, private dining, team bonding and more, we’ve got the space and the opportunities to showcase, engage, impress and bring people together.
Looking for the right location for your next event?
Bask in the rays on the terrace at No 35 Mackenzie Walk – image by Canary Wharf Group
celebrate outdoors in Canary Wharf
>> When the sun starts shining, it’s time to head outside and Canary Wharf has some amazing venues with outdoor space to arrange an alfresco meet-up…
The Boathouse
Harbour Quay Gardens / Wood Wharf
Inspired by intimate speakeasies and chic Parisian jazz clubs, The Boathouse boasts modern facilities, stylish décor and a large rooftop area with ample seating.
Max Capacity – 25 seated, 200 standing
bookings@boathouselondon.co.uk
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The Parlour
Park Pavillion / Canada Square
This is a gorgeous bar and restaurant perfect for both daytime and evening events with its large terrace.
Max Capacity – 200 seated, 550 standing
info@theparlourbar.co.uk
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Humble Grape
Mackenzie Walk
This venue boasts more than 400 artisan wines on its list, innovative cooking in its kitchen and private hire spaces.
Max Capacity – 90 seated, 120 standing
events@humblegrape.co.uk
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Hawksmoor Bar
Water Street / Wood Wharf
The water-level floating bar and events space offers a variety of different options including a beautiful outdoor terrace.
Max Capacity – 300 standing
woodwharf@thehawksmoor.com
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BrewDog
Churchill Place
Whether you’re planning a business meeting, private party or special celebration, BrewDog Canary Wharf is ideal.
Max Capacity – 310 seated, 510 standing
canarywharfbar@brewdog.com
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GoBoat
Churchill Place
Enjoy a team social with a difference aboard your own self-drive boat, cruising the waters around Canary Wharf.
Boat Capacity – 8
ahoy@goboat.co.uk
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Emilia’s Crafted Pasta
George Street / Wood Wharf
Walking into this venue is like entering a bustling trattoria in Italy’s Emilia Romagna region, with all the plentiful food and drink options one would expect. There’s also an alfresco space for outdoor dining.
Max Capacity – 60 plus 24 seated outside
hello@emiliaspasta.com
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No 35 Mackenzie Walk
Mackenzie Walk
No 35 Mackenzie Walk is a lively bar and restaurant – the perfect spot for large scale breakfast or brunch events, seated three-course dining or drinks receptions with DJ and substantial canapés or finger food.
With a dedicated events team on hand to help organise your event, they have tried and tested menus and packages to suit all occasions. The large bar and extensive south-facing waterside terrace makes it a perfect summer party destination.
Max Capacity 90 seated, 300 standing
reservations@no35mackenziewalk.co.uk
TRIBE Hotel offers hospitality at its on-site bar and restaurant, Feels Like June – image by Canary Wharf Group
stay in Canary Wharf
>> For Summer Socials that stretch into the night, why not book a place to stay and cut out the commute in the morning?
TRIBE Hotel
Water Street / Wood Wharf
With 312 rooms set across six floors, this venue also boasts a 24-hour, free-flowing ‘Social Hub’ plus dining and event destination Feels Like June which can seat up to 220.
Rooms To Book – 312
reservations.canarywharf@mytribehotel.com
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Vertus Edit
Union Square / Wood Wharf
Opened in March, Vertus Edit offers guests a choice of 378 studios across two buildings in West Lane with rooms ranging in size from 200sq ft to 301sq ft.
Each comes with a fully-equipped kitchen, dining space, comfy double beds, super-fast wi-fi, and a bright bathroom with a walk-in shower and complimentary toiletries.
Guests can enjoy shared spaces, including a lush garden lounge and landscaped terrace, co-work, gym, meeting rooms and private dining rooms.
Rooms To Book – 378
reservations@vertusedit.com
Dishoom has plenty of options for group bookings – image by Canary Wharf Group
fine dining for Summer Socials
>> Food is at the heart of a good celebration and Canary Wharf offers an extensive range of options for group bookings, ideal for team lunches or larger gatherings
Blacklock
Frobisher Passage
Nestled beneath the train tracks of the North Dock in Canary Wharf, Blacklock is perfect for group dining, serving up sharing plates of chops, succulent steaks and plenty in between.
Max Capacity – 120 seated
canarywharf@theblacklock.com
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Brasserie Marceline
Water Street / Wood Wharf
Planning an event? French cuisine specialist Marceline has the perfect space for it. Choose from the elegant main dining room, their waterside terrace, or semi-private and fully private dining rooms.
Max Capacity – 400 standing
events@marceline.london
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Din Tai Fung
Crossrail Place
A Taiwanese restaurant and bar where award-winning Xiao Long Bao soup dumplings meet group dining perfection. There’s even a private space that can accommodate up to 16 guests.
Max Capacity – 130 seated
canarywharf@dintaifung-uk.com
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Food at Caravan – image by Canary Wharf Group
Caravan
Reuters Plaza
Located in the heart of Canary Wharf, sitting alongside Konstantin Grcic’s iconic Six Public Clocks artwork, Caravan Canary Wharf delivers superb all day dining.
Max Capacity – 150 seated
events@caravanrestaurants.co.uk
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Dishoom
Water Street / Wood Wharf
Nestled in a little corner of Wood Wharf, Dishoom brings to life the glittering-shimmering, big-business, metropolitan scene of ‘70s Bombay. Perfect for groups.
Max Capacity – 40 on terrace
reservations@dishoom.com
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Hawksmoor Wood Wharf
Water Street / Wood Wharf
Hawksmoor’s dedication to flavour and ethical sourcing has seen the venue achieve the highest rating from the Sustainable Restaurant Association. The venue boasts a 150-cover restaurant, a 120-cover bar and private dining room for up to 20 guests
Max Capacity – 150+ seated
woodwharf@thehawksmoor.com
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Kricket
Frobisher Passage
Tucked beneath the DLR in Canary Wharf, a reimagined space combines new and unique design. Kricket offers a vibrant setting for groups. Known for its modern Indian food, the menu is perfect for sharing.
Max Capacity – 80 seated
events@kricket.co.uk
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Roe
Park Drive / Wood Wharf
Set across three stunning floors with a wrap-around terrace, Roe offers
event spaces overlooking the water – perfect for private dining or special occasions.
Max Capacity – 250+ seated
events@roerestaurant.co.uk
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Mallow
Water Street / Wood Wharf
This 100% plant-based restaurant in the heart of Wood Wharf serves seasonal, sustainable food, inspired by cuisines from all over the world. The first floor is available for private hire, with movable seating to assist in creating memorable gatherings.
Max Capacity – 100+ seated
canarywharf@mallowlondon.com
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Patty&Bun
Park Drive / Wood Wharf
This is your one stop shop for an epic team lunch, boozy bash or even
full venue hire for something more bespoke. The team can tailor menus and packages to help your event run with ease.
Max Capacity – 60 seated
canarywharf@pattyandbun.co.uk
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Wahaca
Park Pavillion / Canada Square
Wahaca brings the vibrant energy of Mexico to Canary Wharf. Available spaces include a bookable private terrace bar overlooking the park and exclusive venue hire.
Max Capacity – 180 seated
canarywharf@wahaca.co.uk
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The Ivy In The Park
Canada Square
The venue offers a range of options for group bookings including two private dining spaces decorated in vivacious botanical style. The first floor is also available for hire.
Max Capacity – 50 seated
events@theivy-collection.com
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Roka
Park Pavillion / Canada Square
Roka Canary Wharf offers several versatile spaces for your events. The dining room features elegant interiors and a central robata grill, for dining groups of up to 60 guests or 120 when hired exclusively.
Max Capacity – 120 seated
infocanarywharf@rokarestaurant.com
Fairgame offers games, street food and fairground-themed bars – image by Canary Wharf Group
competitive socialising
>> Action-packed gatherings are an increasingly popular option for groups looking to add an extra layer to their events. Check these Canary Wharf options out…
The Cube
Charter Street / Wood Wharf
Combining intense physical and mental skill, The Cube pushes the boundaries of immersive gaming. Based on the Bafta-award winning TV gameshow, players must master balance, speed and judgement across seven games.
Max Capacity – 440
groupbookings@bookthecube.com
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Pitch Wharf
Churchill Place
Pitch Wharf is a dynamic, multifunctional venue with a stunning waterside terrace, designed to host events of all sizes. Guests can enjoy
everything from virtual golf games and Mario Kart in their immersive bays to roulette and shuffleboard, creating a unique blend of energy and competition.
Max Capacity – 400
events@pitchldn.co.uk
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K1 Speed
Cabot Place
K1 Speed is one of the UK’s most trusted corporate event providers, offering an exhilarating indoor go-karting experience in Canary Wharf. Featuring over 500m of track, next-generation electric karts, and an exclusive bar and lounge area, K1 Speed is the perfect choice for your next event.
Max Capacity – 150
sales@k1speed.com
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Fairgame
Fisherman’s Walk
Classic fairground games, reimagined. One unique, immersive experience. This is the funfair… exactly like you don’t remember. With games and drinks packages starting from just £41pp, get in touch with the team now to discuss your next event or social.
Max Capacity – 600
events@wearefairgame.com
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Electric Shuffle
Cabot Square / North Colonnade
Bringing together groups of up to 350 guests can be a hassle, but it doesn’t have to be. Electric Shuffle’s high energy tournaments are the ultimate team-building activity
that’s sure to make you the hero of the office party. Located in the heart of Cabot Square, their venue
features two stylish bars, 10 cutting-edge, digially enhanced shuffleboard tables, and vibrant interiors, perfect for turning good nights into great ones.
Max Capacity – 350 standing
bookings@electricshuffle.com
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Clays
Cabot Square / Wren Landing
Take a shot at a fantastic interactive experience and make Clays your target for a guaranteed fun-filled
event that everyone will love. All packages include unlimited gameplay in private or semi-private shooting pegs, fully loaded with
delicious food and premium drink options. Set in a spectacular cocktail bar where you can enjoy dancing and post-game celebrations all in one place.
Max Capacity – 330
events@clays-group.com
Boisdale Of Canary Wharf is ideal for Summer Socials that stretch into the evening and beyond – image by Boisdale
Summer Socials lates…
>> Summer Socials need not end early evening – Canary Wharf has plenty of venues where the party can go on into the small hours…
Soma
Frobisher Passage
A modern and minimalist take on the classic speakeasy, Soma serves drinks inspired by the Indian subcontinent and beyond. In 2022, Soma Soho, the sister to the brand’s new Canary Wharf bar, was voted Best Bar at the GQ Food And Drink Awards. This is a hidden gem – elegant and understated – just waiting to be discovered, a favourite of those in the know.
Max Capacity – 50 standing
canarywharf@hovarda.london
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Hovarda
Water Street / Wood Wharf
Hovarda, the iconic Aegean restaurant and bar that’s already turned heads in Soho, has arrived on the Wharf and it’s everything you’ve been waiting for. Nestled in the trendy Wood Wharf district, this isn’t just a place to eat – it’s an experience.
Max Capacity – 250 standing
canarywharf@hovarda.london
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Pergola On The Wharf
Crossrail Place
Pergola On The Wharf is a botanical waterside Eden, grown for naturally good times. Flooded with natural light via floor-to-ceiling windows, strewn with vines and ferns, the indoor space is home to two bars, a beautiful open kitchen and a private dining room.
Max Capacity – 700 standing
events@incipio-group.co.uk
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The Alchemist
Reuters Plaza
The Alchemist Canary Wharf is a creative cocktail bar and restaurant with theatre and immersive experiences at its core. Cocktails include serves that change colour, smoke and even levitate. The food menu takes influence from South East Asia and the Americas with playful versions of much loved dishes. The vibrant location has live DJ’s throughout the weekend, playing disco house, classic house and soulful tracks.
Max Capacity – 300 standing
reservations@thealchemistbars.com
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Brera Lounge
Cabot Square
Located next to the fountains in Cabot Square, Brera Lounge offers a captivating escape. Guests are invited to indulge in the flavours of authentic Italian pizza, expertly crafted cocktails, and the calming
ambiance of premium shisha beside rushing water.
Max Capacity – 200 seated
tasso@italika.co.uk
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The Cocktail Club
Cabot Square / Wren Landing
The venue benefits from a large,
open-plan space with eclectic interior design and a large outdoor
terrace. Have Champagne roaming on trays for your guests’ arrival and why not surprise them with a couple of immersive circus acts. Expect swinging lamps and a large range of cocktails.
Max Capacity – 200 standing
info@thecocktailclub.com
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Boisdale Of Canary Wharf
Cabot Place
A lively restaurant and music venue serving modern British food, comprising of the UK’s largest whisky bar, a garden terrace, the Hine bar, a cigar lounge and library, overlooking Cabot Square with the City’s skyline in the distance. There are multiple spaces available for private hire within the venue.
Max Capacity – 250 seated
reservations@boisdale-cw.co.uk
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COMING SOON
Canary Wharf never stands still and Mediterranean venues Barbarella and Brother Marcus at YY Londonplus Lina Stores in Crossrail Place will soon be opening their doors to offer further options…
Muscles can be trained by progressively overloading them.
In response to the greater weight or number of reps, the body is prompted to respond – growing in size, strength and capability.
It’s an apt analogy for Third Space’s approach to its offering.
The last time I sat down with David Burrow, senior general manager at Third Space Canary Wharf, Europe’s largest luxury health club, was about to embark on a major renewal project.
Changing rooms were refitted, showers replaced, saunas and steam rooms upgraded, lighting boosted and tweaked, flooring improved and training areas refreshed with new equipment including weights and cardiovascular fitness machines.
But seemingly the Canada Square club has barely taken a rest before plunging into its latest round of upgrades.
It’s a case of going straight into the next set.
“We’ve converted the space at the front of the club, which used to be The Pearson Room, into a beautiful Reformer Pilates studio,” said David, who is in his ninth year managing the club.
“It overlooks the wonderful grass square through floor-to-ceiling glazing, which really adds something to the class experience – it’s a design feature.”
Third Space Canary Wharf’s senior general manager, David Burrow – image by Jon Massey
responding to members’ needs
The conversion is in response to demand.
Reformer Pilates, which makes use of spring-loaded beds to resist or support an individual’s movement, is booming right now, with businesses popping up across the capital.
The latest studio doubles the club’s provision at its main Canary Wharf site – both spaces a response to the demand seen since launch at its nearby Wood Wharf branch.
“We knew it was going to be popular, but the demand is incredible,” said David.
“We run classes every hour, on the hour in all three of our studios and we’re also expanding our programme throughout our other clubs beyond the Wharf because it’s what our members want.
“There’s a waiting list for almost every session.
“What’s been key for us is having the right quality of instructor.
“As a piece of apparatus, Reformers are pretty standard but having someone with the right level of experience is what keeps people coming back.
“The success of Reformer Pilates at Third Space has been driven by our instructors and they are absolutely sensational.
“They are all different and deliver their own style of training but at a level of quality our members expect.
“We provide high end Reformers, but it’s the teaching that’s incredible and helps members be the best version of themselves, while feeling they can really connect and progress.”
The square-facing studio isn’t the only addition to the front of the club.
Next door is a lounge space that’s also proving popular.
“In response to flexible working we’ve tried to create a place where people can find a happy medium between using a laptop and socialising,” said David.
“We’ve got soft-seating areas for people to relax and have conversations, and we’ve got a breakfast bar where people can work.
“It’s been another hugely popular addition and soon we will open a balcony area off it that people will be able to use too.”
The new Recovery Spa – Third Space
stars of the Recovery Spa at Third Space
Perhaps the most substantial change in recent weeks at the venue has been the reopening of the venue’s spa, now with a very clear focus on recovery.
Open to both members and non-members alike, it’s a tranquil space away from the more intense areas of the club.
David said: “We’ve changed it from something more traditional into a Recovery Spa for regeneration and renewal.
“We do all the things you’d expect such as facials, aesthetic treatments, massage and acupuncture, but we’ve also added new features such as Cryotherapy, Red Light Therapy and a Vibroacoustic Bed.
“We test all of these things thoroughly before making the decision to include them in our offering.
“We’re always sceptical. I went to try the bed and it was a really fascinating sensory experience.
“In the middle of the afternoon I was wide awake, thinking there was no way it would make me fall asleep.
“But I got on it, switched it on and a minute later I was out.
The spa includes a Cryotherapy chamber that can take up to two people – Third Space
“There was a tap on my shoulder 25 minutes later and I woke up.
“It’s a very clever tool and you can have different programs with different frequencies, depending on what your aim for the session is.
“The benefits of good sleep are so enormous and people are increasingly aware of that.
“You need rest and repair time to function properly and this bed helps people access that.
“Another thing that can help people in many different ways is our new Cryotherapy chamber that can take up to two people.
“They step into a space chilled to -85ºC and it shocks the body into simulating recovery with a euphoric feeling that’s incredible.
“It’s short – you can go in for three minutes and your skin temperature drops significantly.
“It can be challenging, but you come out feeling great.
“The demand for that and cold plunges is increasing everywhere and it’s a must if we’re going to provide an area where people can recover and regenerate more effectively.
“Wellness – feeling better and being better – is so important to people and I think that’s a good thing – the right direction of travel for our industry.”
Third Space is currently giving new members at Canary Wharf their £100 joining fee back as club credit to spend on its products and services such Natural Fitness Food, personal training, Recovery Spa treatments and more...
rocking Hyrox and more
Speaking of the future, these changes are far from the end of the story, with competitive exercise concept Hyrox inspiring the next move.
“We’ve got another project that will almost double the size of our free weights area, adding on a Hyrox studio – the first gym to have a space dedicated to the sport,” said David.
“Although the contests are about sport and the drive to achieve, there’s a huge communal element to it, so competitors are both doing better physically and feeling better because you have that community there.
“The process of change is non-stop and we’re constantly reviewing feedback from our members and data on what they use.
“Some people love the dynamism of a Yard WOD at peak time in Canary Wharf. Others prefer something more chilled.
“What we want is an offering that allows everybody to be the best version of themselves.”
Red Light Therapy is also on offer – Third Space
key details: Third Space
Third Space membership for The Wharf including full access to its Canary Wharf and Wood Wharf clubs currently costs £230 per month.
Group membership including all sites excluding Mayfair costs £279 per month, with an all-club deal costing £305.
Members receive 25% off their Recovery Spa booking included with membership.
You do not need to be a Third Space member to use the spa with sessions available to book online.
Opened in 1996, The Space has spent nearly three decades hosting theatre and arts performances on the Isle Of Dogs.
Born of a dream dreamt by the late Robert Richardson – who also had a hand in creating the Roundhouse in Camden – the venue spent 19 years under the care of Adam Hemming who took over the reins in 2005.
Now a new era has officially dawned.
Matthew Jameson has been named permanent artistic director and co-CEO of The Space, after a year as interim director following Adam’s departure.
With nearly six years at the venue, he brings with him a wealth of experience as deputy director.
Now he’s looking ahead.
The Space’s summer season is set to feature Lavvies, a play set in a ladies loo featuring former cast members of Grange Hill – image by The Space
a dream realised
“It’s always been a pipe dream of mine to run my own venue, but I never thought I would actually become attached to one,” he said.
“It’s the distance between a long-standing fantasy and reality.
“While getting to where I am hasn’t been like writing a goal down on paper and saying it would happen, looking back, I can see it’s the path I was going to take.
“It’s got me here and I’m really glad about that.
“My background is as an actor and performer who then fell into writing because there were things I wanted to see on stage that weren’t being written.
“Then I got into directing because people weren’t directing my work, so I thought I would give it a try.
“I came to The Space because it’s a wonderful place to be and I wanted to help others to work and make the opportunities for them that I’d had.
“I stayed with the venue and learnt all the things on the job which have got me to this position.
“I’m so grateful to have had this opportunity, it’s been like a lengthy apprenticeship.
“While I remain the custodian of The Space and the wonderful things that happen in this beautiful venue, there is a sense I’m no longer holding the fort.
“There’s a feeling of freedom and liberation – it’s great to take control and see what we can do in the future.
“There’s a certain giddiness in having the title of artistic director which goes beyond my functional role.
“I’m responsible for directing the art in this building and that’s a job that mingles with the the ghosts, the shadows and the memories of all the things I’ve seen in this room over the years.”
Snoligoster sees a Florida folktale transported to east London – image by The Space
embracing the roots
Among Matthew’s ambitions for the venue are two key pillars, ensuring its programme is accessible, enjoyable and relevant to a local audience and also a focus on presenting a varied offering.
“People are likely to see a return to the original roots of The Space,” he said.
“It was established as a multi-form arts centre that had room for all forms of expression with a particular focus on music.
“We already have a series of recitals and we’ll be looking to make greater use of our Steinway baby grand in future.
“We’d never want to lose our identity as a theatre, but looking at regional venues you see a depth and breadth of programming that’s pretty inspirational.
“There’s room for all sorts of things under this roof – cinema nights, our regular symphonic metal goth nights and things we’ve never tried before.
“Now seems like a fantastic time to try them.
“I think it’s interesting people yearn for communal activities – I don’t know what subcultures we’ll be welcoming but, in a place like London, if you build it, then audiences will come to you.
“Our patron, Sir Ian McKellen has called this one of his favourite performance spaces in the world and I agree with him.
“Even after three decades we’re still finding new ways to use the building. It’s grand enough to be epic and do the big things, and small enough to share profound intimacies.
“At The Space you’re never more than 10 metres from the performers, you get that connection with someone who is baring their soul in their performance and giving you something wonderful.
“I think the immediate thing for me is making sure we’re listening to the communities, to the people of the Isle Of Dogs and east London – ensuring we know what it is they want to see on our stage, and that we’re representing them.
“I’m very conscious that a lot of people at the moment, who may be sceptical or hesitant to come to the theatre, should see it as an art form that can be daft, silly, wonderful and cheerful as well as gloomy, dark and highfalutin.
“I’m not saying we shouldn’t present the more serious work, but there is a duty to remember the light, the hope and the positivity we can bring.
“I’m going to tease the word ‘panto’ – something we haven’t previously embraced, but traditionally its a genre that’s all about making local jokes and engaging people who live in the area.
“We’re going to do something bright, something fun.
“There might be something to think about too, especially for the parents, but it will be something joyful whether you’re a regular theatregoer or watching a show on stage for the first time.”
Lobster Pot is a play about domestic terrorism that’s also a comedy – image by the Space
summer season at The Space
Right now, Matthew and the rest of the team at the venue are simply looking forward to The Space’s summer programme.
He said: “I keep looking at it and thinking it’s a really wonderful mixture.
“There are things which are about the state of the nation and the world, plus stories I wasn’t aware of dealing with things like religious mania and indoctrination.
“The jewel in the crown of our artistic vision for this season is going to be The Yourspace Festival, which we’re hoping to turn into a regular fixture.
“We’re starting off with a weekend in July, turning The Space over to local community groups – people we’ve worked with before – and inviting them back to do whatever they want.
“One of my first acts as artistic director will be to give control of the stage to the people.
“Other highlights include Lobster Pot, which is a play about domestic terrorism that’s also a comedy and a show called Lavvies featuring cast members from Grange Hill who recently got back in touch and have collaborated on a piece set in a ladies’ loo.
“Then there’s Snoligoster, a folktale from the Florida swamps, captured and shipped to east London and so very many more.”
key details: The Space
The Space is located on Westferry Road and is easily accessed from Canary Wharf via D7, 135 and 277 buses, which stop right outside the venue. It’s a 10-minute walk from Mudchute DLR.
The performance hub features a packed programme throughout the year while The Space Bar to the rear of the venue serves up food and drinks daily to all-comers.
It’s currently open 5pm-11pm, Monday to Thursday, noon-midnight on Fridays, 10am-midnight on Saturdays and 10am-10pm on Sundays, with plentiful brunch options at the weekend.
For Wharfers who’ve been around the sun a few times, catching its rays on the terrace with a pint of bad lager outside The Slug And Lettuce in Reuters Plaza was an essential – if oft messy – rite of passage.
Tucked away to the right of the main exit from Cabot Place and Canada Place shopping malls en route to the Jubilee line, it was an ever-present temptation – a detour via dependable, if not luxurious debauchery.
Swept away in the project to refresh the building above – now YY London, soon to be home to unicorn Revolut – the space it once occupied has been in chrysalis mode for a few years just waiting for May 28, 2025.
Coinciding with the publication of our latest print issue, it’s now that Brother Marcus spreads wide is metaphorical butterfly wings to welcome Wharfers through the doors – taking this prominent corner of the estate from the ridiculous excesses of the Slug to the sublime of its future.
Founded the best part of a decade ago by three school friends – Tasos Gaitanos, Alex Large and Arthur Campbell – the incoming brand now operates across six sites with branches in Spitalfields, South Kensington, Borough, Angel and Covent Garden.
Spearheading that growth are Alex and Tas, with Arthur having since stepped away from the business, although not the friendship.
Connection is important and any significant time spent with the co-founders makes it clear where their priorities lie.
“We’re in a people business and that’s the end of it,” said Tas.
“We have one rule. Our job is to bring joy to our guests, but you can’t do that without bringing joy to the whole team and everyone needs to be on board with that.
“That’s how we’ve created something that resonates with people.”
Brother Marcus co-founders Alex Large, left, and Tasos Gaitanos – image by Jon Massey
channelling creativity into hospitality
Both Tas and Alex initially embarked on artistic careers before becoming involved in hospitality.
Alex trained as an actor and trod the boards in the West End, notably in A Midsummer Night’s Dream at the Noel Coward Theatre.
Tas spent about four years in Edinburgh, “taking my photography career incredibly seriously”.
But freelance cycles of boom and bust saw both drawn to the world of food and drink.
A journey working for various businesses eventually led them to Balham and the opening of the first Brother Marcus.
“We had about £10,000 we’d got together for a street food truck,” said Alex.
“But we managed to get a cafe opened on that budget, building almost all of the furniture ourselves in Tas’ garden in three days.
“Due to the lack of money, we worked with a guy in Georgia over Skype to build a website.
“I remember the first customer’s face. He wanted porridge, but we had to say it was off the menu.
“We were our own suppliers, pushing a shopping trolley down the high street from Sainsbury’s.
“But that first day was awesome, even though we’d barely slept for three days.”
Tas added: “We opened on the Thursday and immediately realised we needed to employ five more people.
“By the Saturday we had 45-minute queues, not because they were long but as a result of it taking us so much time to serve people.”
Harissa eggs with kale and smashed avocado on sourdough toast – image by Brother Marcus
expanding the Brother Marcus brand
Things have come on some distance since 2016, with Brother Marcus’ Canary Wharf restaurant the group’s largest to date with 90 covers inside and a further 84 on its expansive outdoor terrace, complete with retractable roof.
So what will it be serving up amid the terracotta, wicker pendant lights and textured curves?
“We’re all-day dining, so we go from breakfast and lunch to dinner – everything is inspired by the East Mediterranean region,” said Tas.
“In the mornings we have breakfast pittas, with fillings like double crispy bacon or kofta and egg.
“They come with labneh, kasundi relish and are sprinkled with za’atar.
“Then, if you want to be really indulgent, we have larger dishes that we also serve during brunch at weekends.
“There’s a fried chicken rosti dish that can have halloumi, bacon and sausage added to it.”
Alex added: “These are all served with speciality coffee and, at weekends, amazing cocktails – when we offer two for £20.
“If you want to go mad, you can, or you can just have a quick breakfast.”
The restaurant is ready to welcome Wharfers – image by Brother Marcus
from lunch into indulgence
While accurate, rapid service is essential at breakfast time, Brother Marcus promises a more sedate, indulgent pace at lunchtimes for those who prefer to take things easy.
Its menu features meat, seafood and vegetables grilled over charcoal on skewers, a wide selection of mezze and “rip and dip” pitta bread with freshly made dips.
“Creating Brother Marcus has involved a lot of research, a lot of trips to the East Med,” said Tas.
“There’s a huge element of curiosity and exploration that goes into it.
“I’m from Cyprus, my mum’s English, my dad’s Cypriot but I was born in Crete, so I feel Cretan.
“I came to school in England, which is where I met Alex and Arthur – I understand what you get when you share culture and food.
“Every time we do one of these trips, it’s about trying a bit of this and a bit of that and then working out how we frame the flavour in a London context.
“We want to do that with our food, but also with our spaces.
“When you’re over there, the textures you see on the walls might be anything from 800 to 2,000 years old, so we have to ask how we can bring those colours – that feel – to a restaurant in Canary Wharf.”
Alex added: “What’s happened with this site in Canary Wharf is that we’ve been braver, as we’ve grown up with this brand.
“We’ve been more confident in using what we’ve discovered and what we love, rather than by playing things safe.
“We’re also really excited about the outdoor seating area, where people can drink, and it’s going to be our best by a long way and should open in the first week of June.”
A breakfast of granola and apricot at Brother Marcus – image by Brother Marcus
the importance of food to Brother Marcus
Throughout our conversation, it’s clear both Alex and Tas are passionate about sharing the things they enjoy – something reflected in the act of breaking bread over mezze in one of their restaurants.
“One thing that’s been undeniably an integral part of our brand is having open kitchens and bars – a passion for ingredients and for making everything in-house,” said Tas, whose favourite dish on the menu is the lamb kofta skewers.
“There’s a real love for the quality and output of the food and beverages we want to deliver.
“We want to blur those boundaries between where the guests are sitting and where the chefs are working to gives customers the feeling of what it means to be part of the action of a restaurant.
“I think we’ve got the layers of that really nicely. If there are no barriers between me, the chef and the food, then that’s brilliant.
“We’ve got this amazing mezze for £42 per person, so if people don’t want to decide, they can put their trust in our team members and we’ll curate the experience – find out what they like and dislike and then try to overfeed them so they leave satisfied and in a better place than when they arrived.”
Alex, who has a weakness for the brand’s cod’s roe taramasalata – “it’s the real deal” – added: “One of the great things about our concept that lines up with this area is that, if you want to come to dinner and spend £30 to £40 a head, that’s possible.
“Equally, if you want to come and spend £100 a head, you can do that as well. That works for the wide variety of people who work, live in or visit Canary Wharf.
“The area had been on our radar for a while, but it was always the case that is didn’t feel quite right before.
“Canary Wharf has developed so much in recent years, it’s incredible now.
“As soon as this site at YY London came up it felt like we’d fit in.
“Sustainable expansion is key and hospitality and growth are enemies.
“We’ve learnt some serious lessons over the years – you have to protect the quality of what you’re doing.”
The restaurant is the brand’s largest, able to serve 90 covers inside and a further 84 on its weatherproof terrace – image by Brother Marcus
a drink and a name
In addition to food, Brother Marcus will offer a range of drinks including a wine list where half of the bottles for sale at the restaurant come from the East Med.
“When you come to our restaurant, the menu has got to tell a story, so the drinks also need to do that,” said Tas. “We wouldn’t be doing our guests a service if we just offered classic gin-and-tonics.
“We’re a creative company, so we do twists on classics – we work with seasonal ingredients, and we do things which differentiate us from other places – we’re proud of that.”
Which just leaves one final story to tell, perhaps best served with a glass of rose on the venue’s terrace.
Brother Marcus is named for one of Alex’s twin siblings.
Alex’s tales of Brother Marcus’ gregarious scrapes became so frequent the name stuck and a brand was born.
Perhaps Brother Ben will get a venture in future.
The design takes its cues from multiple trips to the East Med to find inspiration for flavours and decor – image by Brother Marcus
key details: Brother Marcus
The latest branch of Brother Marcus is located on the lower floor of YY London in Canary Wharf’s Reuters Plaza.
Taking bookings from May 28, 2025, for its soft launch, the restaurant is open from 7am-11pm, Monday to Friday, from 9am-11pm on Satudays and from 9am-9pm on Sundays.
Rita Law wasn’t intending to start a business in London.
Having decided to take a career break, she’d booked an Airbnb for a month in the city with the idea of studying drawing.
That, however, was in February 2020 – two weeks before the UK went into a nationwide lockdown as the global pandemic washed over the country.
While she had studied in Bristol some years before, she’d only visited London a couple of times and didn’t really know the city.
Rita started off baking banana bread during lockdown and has now expanded her range – image by Rita Law
an unexpected stay
“I got stuck here because of the travel restrictions and my course was cancelled – to be honest, I started panicking a bit,” said Rita, who was born and raised in Hong Kong before embarking on an international career as an advertising producer in Poland and beyond.
“I’d only booked accommodation for a month because I thought I’d figure out which neighbourhood I’d like to spend time in later – but then I couldn’t find anywhere to stay.
“Eventually I found a place in Lewisham and lived there for the whole of lockdown.”
It was there, having found a new job in the UK in advertising, that Rita – like so many of us – started experimenting with baking.
She began with banana bread, sharing her efforts with friends and neighbours. Word started to spread.
“People loved it and started asking if they could order it,” she said.
“I didn’t know how to run a business or what the legal requirements might be, but that’s when I started to have the idea that maybe baking could be more than just a hobby.
“I wasn’t entirely thinking about it seriously at the time because I was still planning to return home but then I met my boyfriend and decided to stay.
“So, I was working full-time in advertising but I started to do some research into baking as a business and last year, in August, I launched Crumbs And Munch.
“At the moment I’m a home baker, working out of my kitchen in Canning Town.
“I was so nervous when the council came to inspect it, but I got a five-star rating.
“It’s been quite a journey. It’s really the positive feedback from my friends and family gave me the confidence to do it.”
Rita’s aim is to go into baking full time following her success selling at the market – image by Jon Massey
“The first one was so good,” she said. “It was a real shock, because I didn’t think people would buy from a nobody.
“I wasn’t established, so I only brought a few trays of banana bread and a few trays of muffins and I expected to have a lot left over, but I sold out.
“That gave me more confidence to think I could do more, so I thought about scaling the business up and making it more presentable, as well as thinking about product development.”
Having started out specialising in banana bread, Rita has since expanded her range to feature brownies, muffins, stuffed cookies and more.
She aims to trial a new product every time she trades at the market, which is also where she gets her ideas.
“I love talking to my customers face-to-face, so that I can get inspiration,” she said.
“I spend a lot of time doing that and they make suggestions – I learn so much from them.
“It takes a week for me to work on a new recipe, to test it and make sure it’s a product I can make reliably and sell and then I bring it back to the market to try it out – I love that.
“It’s like I connect with the community and I’m baking for them.
“Nothing is baked more than two days in advance because it all has to be fresh.
“I also think I’ve identified a gap, it’s not that easy to buy banana bread but it’s often something people bake at home.
“I think that connection can be quite strong for my customers.
“People get that home-baked taste and the smell and recall their childhoods.
“It’s what grabs their attention when they’re passing.
“I also think presentation is very important, being from an advertising background. I really enjoy making my stall presentable, with all the products laid out.”
Crumbs And Munch trials new products on a monthly basis – image by Rita Law
growing Crumbs And Munch
Having taken solid first steps with her fledgling business, the plan is now to embark on the next chapter.
“This is now the time to scale up and take on a more permanent site where I can connect with my customers more regularly,” said Rita.
“I know it will be a huge commitment – having a stall at an indoor market – but I’m excited to start working on it and I’ve already submitted an application for a pitch at Greenwich Market.
“Beyond that, in the future, I’m very interested in establishing a community hub where I can bring together baking with storytelling.”
In addition to finding a more permanent place to trade, Rita is also looking at moving her operation to a commercial kitchen so she can ramp up to full-time production.
The impetus, however, is the way her bakes make her customers feel.
“I’ve already bought an extra fridge, but you can only do so much in a home kitchen,” she said. “So I have that ambition.
“Selling these products on the market actually feels quite emotional for me sometimes – the people buying them are trusting me and I’m so glad they like them.
“I do feel overwhelmed at times with the positive feedback.
“It feels like I do a little magic and people really enjoy my stuff.
“Hopefully I’ll be able to take this business full-time in the second half of this year – that’s what I’m planning for.”
key details: Crumbs And Munch
Crumbs And Munch currently sells its products online and in-person at Thrive’s monthly pop-up markets at Surrey Quays Shopping Centre.
The next few are set to be held on May 31, June 28 and July 26, 2025.
If you want to see the genuine stuff, pop over to the British Museum where they have a vast array of real things dating back 3,000 years.
The Russell Square institution has more than 100 mummies alone and they’ll let you look at them for free.
Tutankhamun: The Immersive Exhibition has perhaps a dozen, somewhat sorry-looking historic objects, plus a bunch of replicas in varying degrees of quality.
Somebody didn’t want to pay the extra cash for the King Tut mask with the inlays, so the colours are just painted on.
But this is because Tutankhamun: The Immersive Exhibition is really all about spectacle.
The visuals are stunning, even if the narrative arc is far from clear – image by Jon Massey
a flurry of facts
Visitors are initially introduced to a series of museum-like displays offering info on the Boy King and the discovery of his barely-touched tomb in the 1920s.
These are pretty informative, presenting a drip-feed of knowledge.
There are teasing mysteries too such as the questions over Tutankhamum’s parentage – was his mum actually the famous Nefertiti, for example?
There’s quite a bit on archaeologist Howard Carter, his partnership with Lord Carnarvon and how their blockbuster discovery took the world by storm.
There’s some depth – just enough to get the neurons firing as we wander into a space grandly titled “The Treasure Room”.
But this is not a touring museum, it’s an entertainment.
The replicas that lie within – including a full-size mummy, the ersatz death mask plus the odds-and-ends collection of bits from ancient Egypt – are only an aperitif.
What this “exhibition’s” creators are really all about is digital.
Replicas in the exhibitions’ ‘Treasure Room’ – image by Jon Massey
Tutankhamun: The Immersive Exhibition, a digital spectacle
First we enter a room with projections on all four walls and the floor. Here, a 30-minute looped video presents a visually arresting vision of – what exactly?
Golden geckos run around the floor, sandstorms act as screen wipes, followed by infestations of scarabs, scorpions and, at one point, an unstoppable cascade of golden jewellery.
Lightning flashes, deep voiceovers intone important-sounding words. If there is a narrative at all, presumably it’s the life of King Tut, but to be honest, that’s not the point.
It’s a surprisingly fun and engaging watch.
Imaginative in the extreme (Gods come to life, temple pillars telescopically retract for unclear reasons), it’s like an ancient Egyptian acid trip made flesh for our amusement.
This is equally true of the not one, but two VR experiences that follow.
The first takes place in a swivel chair and starts off as a tour of the tomb.
Reality is quickly left behind, however as we ascend to the afterlife, complete with lava, giant God statues and a heart weighing ceremony with Anubis.
The graphics aren’t amazing and the content is balderdash – Nefertiti is now definitely Tut’s mum, for example – but it’s diverting for seven minutes or so.
In the second one, we don headsets and wander around a room.
One minute we’re in the tomb, the next we’re on the dig site.
Then we’re half trapped under some poorly rendered sand.
Other guests are represented as the top third of a greyscale Howard Carter, which adds an extra level of silliness to proceedings.
Maybe there’s a plot but who knows? And frankly, who cares?
At about £25 a go the ride is amusing.
There’s a light shower of facts, followed by at least 90 minutes of solid nonsense that’s worth a watch purely because nobody seems at any point to have queried whether it’s a good idea to flood the screen with golden rings, just because you can.
Even what purports to be a serious holographic presentation of the mummification process features sky water, or something.
You have to see it to believe it.
4/5 ****
Columns are brightly coloured and sometimes bounce up and down like telescopes – image by Jon Massey
key details: Tutankhamun: The Immersive Exhibition
Tutankhamun: The Immersive Exhibition is booking until June 29, 2025, at Excel London’s Immerse LDN in Royal Victoria Dock.
Tickets start at £22 plus booking fees and can be purchased via Eventim or Fever.
The exhibition is located about five minutes from Custom House station offering DLR and Elizabeth Line services.
Never before have so many people had access to such a wealth of content at the mere tap of a finger.
But with the vastness of a largely unregulated digital world comes the issue of quality.
With not only humans (who are bad enough) but AIs churning out swathes of answers, opinions and hallucinations as they whisper what it heard or saw, humanity is increasingly submerged in a sea of at best confusion and at worst falsehoods.
It’s not so very long ago that wellness blogger Belle Gibson fooled hundreds of thousands of followers and Apple with her tale of overcoming brain, blood, spleen, uterine and kidney cancers, mostly through exercise, healthy eating and a positive mindset.
In reality there’s no evidence the Australian social media personality was ever diagnosed with the disease – but that didn’t stop her developing an app, gaining widespread influence and being embraced by one of the world’s largest tech firms.
Her twisted story is especially relevant, given its use of cancer as a jumping off point.
About half of us will develop some form of the disease during our lives.
Cancer Awareness Trust is based at Canary Wharf tech community Level39 in One Canada Square – image by I-Wei Huang
searching for information
“At the point of diagnosis, the vast majority of people will go online to search for information, as do their loved ones,” said Daniel Woolf.
“But they can easily find themselves in the wrong place – TikTok or Instagram, for example.
“A short-form video of someone who is very charismatic may lead someone to go away and make life-changing decisions because they are looking for a glimmer of hope.
“But are they trustworthy?
“Something like one in three online sources is either misinformation or not pertinent to a particular individual’s diagnosis.”
That’s what the development of Cancer Platform is seeking to change.
As the organisation’s chief tech and data officer, it’s Daniel’s job to oversee the app’s development, a task he’s relishing after a long career in the NHS.
“I planned to be there for four weeks and ended up being there for 17 years,” he said.
“I’ve been an engineer, a data analyst and have directed a number of teams at regional and national level.
“But as I moved through the various national bodies, I found I couldn’t have the impact I wanted.
“There are so many layers and I felt insulated.
“With so many different governments the chairs were always being moved around.
“What I wanted to do was use technology to help improve people’s lives.
“The bureaucracy in the NHS was enormous and so, when it came time for a career change, I wanted something small with the feel of a startup where I could be hands-on, albeit in an organisation with huge ambition.”
the Cancer Awareness Trust’s ambitions
The Cancer Awareness Trust is aiming big.
Drawing funds and support from its creative brand Evamore Music – which has released works featuring the likes of Ozzy Osborne, Cillian Murphy, Glenn Close and the late Sinéad O’Connor – the organisation is supported by Canary Wharf Group, among many others, in its efforts to deliver Cancer Platform.
“The trust’s aim is to empower people to change the course of cancer,” said Daniel, who was born in Hoxton and grew up in east London.
“Having the artists, music, events and that creative spirit involved makes us unique – it’s very different from the technology side.
“With Cancer Platform we want to hold people’s hands through their journey after a diagnosis.
“We’re testing it this summer and we’re aiming to put it out there in 2026 and then to gradually build it up with more and more information.
“What we’re creating is a layer above the standard websites that are out there.
“Cancer Platform uses personalisation and AI to make the information highly relevant to each user.
“There is a lot of good information out there already, but it’s fragmented and often it’s left to the individual to find what’s relevant to them.
“Cancer Platform helps users to build up a scrapbook of information that helps them consolidate their knowledge and understanding from a trusted source.
“It’s about taking away the unpredictability of Dr Google.
“Cancer is complicated. Treatments may be available in certain regions but not in others. Ethnicity, background and age are also relevant.
“Our aim is to provide information and services that are relevant to each individual as well as relatable stories from people in similar situations, offering hopeful optimism where appropriate.
“A lot of medical information can sound cold and clinical – more about the cancer than the person.
“Our ambition is for people not to have to log-in initially.
“We want to build that trust first and some people might have a diagnosis they don’t wish to disclose – safeguarding is important to us and we won’t be selling their data.
“We also want people to be able to search for information that’s personalised to a degree, but then we’ll encourage people to sign up for an account so they can take the next steps and we can really hold their hands.
“They might come to Cancer Platform to ask about symptoms or a diagnosis and then what we’re doing in the background is pairing them up with relevant information, pulling it from trusted sources and feeding it back to them in an understandable way.
“The key thing is not just giving answers, but making sure we give them the right sources to guide people to specific charities. Then they are able to see the next steps.
“One of the things we’re trying to do is to inform people about the questions they should be asking when they next visit their oncologist such as whether they are entitled to a second opinion.
“Users will get responses, suggested prompts and stories of people like them so they can get an idea of what their own journey might be like.”
the process of assurance
Key to Cancer Platform’s aims will be ensuring the information it supplies to users is robust, accurate and clear.
This is one of the greatest challenges in its delivery and one Daniel and the team are already deeply engaged with.
“The assurance process is in development at the moment,” he said.
“It’s quite a new field. There are a number of academic papers, which are all looking at the area of trusted information.
“These include some principles and measures, which we’re then building our own assurance processes on top of as well as working with leading oncologists.
“We also have a team which is taking a granular approach in ensuring that the information we supply is accurate and comprehensive.
“For example, we have banks of questions from a wide array of sources, that say: ‘These questions are what people come to us to ask’.
“So we’ve taken those answers through our assurance process and then they’re assessed for their accuracy and fitness for purpose.
“It’s vital to get the balance right.
“We’ve got our oncology team working through that now and the results from them will show us what levers to pull next.
“Have we identified the gaps in our knowledge base?
“Do we need to tune the AI a different way to access and serve more information?”
a trusted source of information
Ultimately, the charity’s intention is for Cancer Platform to provide information on all forms of the disease, a project truly massive in its scope.
Initially, the plan is to focus on breast and prostate cancers before expanding out to other areas.
“Admittedly, our ambition is huge so it’s about constantly focussing on the next step,” said Daniel.
“A number of specific charities already exist in these areas, so we can build out from that and make sure it’s working for those groups of patients.
“It also helps us to co-design with those communities.
“One of the biggest challenges – because there are so many good ideas – is to make sure we’re hyper-focussed. That’s my job.
“Building a platform like this is hard but we’re at a crossroads moment.
“Until recently, much of the information we needed just wasn’t there but it is now.
“We want to make it available to people and to do that without selling their data. We’re a charity so there’s no profit motive.”
key details: Cancer Awareness Trust
You can find out more about the Cancer Awareness Trust, Cancer Platform and Evermore via the charity’s website.
