Docklands Archives - Page 9 of 41

September 5, 2024September 5, 2024

Jools Holland prepares to host the Boisdale Music Awards 2024

The musician, presenter, band leader and singer talks Isle Of Dogs pubs and playing in special rooms

Image shows Jools Holland and YolanDa Brown hosting the Boisdale Music Awards — Jools Holland in full flow hosting the Boisdale Music Awards with saxophonist YolanDa Brown

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Jools Holland has a long association with Boisdale Of Canary Wharf.

He’s been patron of music at the Cabot Place venue since it opened its doors way back in 2011.

But his musical connection to this part of London goes back even further.

“Growing up, I lived in Greenwich – just the other side of the Blackwall Tunnel – but nobody dared go through ‘the pipe’ as it was known,” said the band leader, pianist, presenter, singer and former member of Squeeze.

“It was another world, but we were teenagers so we went through and discovered the people on the other side of the river were just as nice as us.

“I cut my teeth playing in pubs on the Isle Of Dogs such as The Watermans Arms and The Gun.

“I even won a talent show in one at the age of 15.

“The prize was that you got to play there for four weeks.

“They sacked me after three, because I didn’t know any more songs.

“Pubs used to have piano players and then, once a week, maybe a band.

“There was one in Rotherhithe – The Prince Of Orange – which had trad jazz. It was open all night for a while and it was fantastic, although it’s closed now.”

That regularity of live performance was what first attracted Jools to Boisdale.

“I went to the restaurant in Belgravia a few times and got to know the owner, Ranald Macdonald,” said the musician.

“I just thought it was so great that they put on music, because there aren’t that many places doing that consistently.

“Boisdale does and that’s amazing because it’s a really hard thing to organise.

“Right from the first time I went in there, it had an atmosphere, something a bit glamorous – as though it was from another age like a 1940s American film.”

Jools performs with Gregory Porter and Nick Reynolds of the Alabama 3

patron of music: Jools Holland

As patron of music, Jools regularly hosts a Boogie-Woogie Spectacular at the Canary Wharf venue, featuring his favourite stride and boogie-woogie pianists such as Neville Dickie, German Axel Zwingenberger and Swiss Ladyva.

He also hosts the Boisdale Music Awards annually and is set to do so again on September 18, 2024, in the company of saxophonist YolanDa Brown – herself now an east London restaurateur.

“Boisdale Of Canary Wharf is really a wonderful place,” said Jools.

“It has a magical atmosphere that’s like walking into another world.

“You have the joy of the music, the food and the buzz.

“The awards are really great because you get people from all different fields of performance at varied stages in their careers.”

Previous winners have included the likes of Alabama 3, PP Arnold, Snow, Tony Iommi, Kiki Dee, Suzi Quatro, Emeli Sande, Lemar, UB40, Lisa Stansfield, Mud Morganfield and Maxi Priest.

It’s also recognised emerging acts such as Errol Linton, Emily Capell and Charlie Pyne.

“Forget what they say in the media, there aren’t different sorts of music, these are just great players and singers,” said Jools, who often collaborates with winners on the night.

“It’s a bit like Later, my TV programme.

“The event is a real mix of things rather than just a load of pop music – although there’s nothing wrong with that.

“I’d use previous winners Gregory Porter and Albert Lee as examples.

“Albert is one of the greatest country guitarists the world has ever known and Gregory is one of the best jazz singers alive today.

“I love the fact that they’re in different spheres, but they can both fit into Boisdale and both receive awards from this venue in Canary Wharf – I think that’s wonderful.”

PP Arnold on stage at the Boisdale Music Awards

Boisdale Of Canary Wharf: home of the unexpected

One of the endearing things about nights out at Boisdale is that you never quite know what’s going to happen and its awards ceremonies are legend for their unexpected appearances and juxtapositions.

Where else might you spot Hugh Laurie swapping tales with a founder member of Black Sabbath or see a Sex Pistol perform with David Bowie’s sideman?

With going on a decade and a half of performances, its stage has hosted an unrelentingly diverse programme of acts, with Mel C, Rebecca Ferguson, Alexander Armstrong and Suspiciously Elvis giving it their all.

“My friend Rod Stewart did go in and perform one night and loved it,” said Jools. “He didn’t realise I could have been there playing with him.

“Boisdale Of Canary Wharf has become a great room. When these places are new, I think they’re harder. I do think rooms have a spirit – now it’s got a vibe in it.

“It’s a curious thing. I’m not a mumbo-jumbo person, but there is definitely something about a musical instrument that’s been played a lot, or a room that’s been inhabited and has had a lot of music played in it, with people enjoying it. That really adds to the atmosphere.

“You can’t put your finger on what it is, but the likelihood of something great happening is much increased.

“For me, that was playing with Gregory Porter at Boisdale.”

People attend the Boisdale Music Awards dinner hosted by Jools Holland — The event packs our Boisdale Of Canary Wharf

Jools Holland on Canary Wharf

It’s not just the venue itself for Jools, however.

Having grown up locally and formed Squeeze across the river in Deptford, he’s seen Canary Wharf emerge and grow and he’s a fan.

“Some people say that, years ago – when there was nothing there – it was really great,” he said.

“But I say what the great gurus say, which is that it’s now that’s the moment

“If you have a room with all those great people in it and great food too, then now is its pinnacle – paradise is now – and now is the time to go.

“When Canary Wharf was first built it was a big thing.

“You’d look over from Greenwich and you’d see it towering above everything else, but now everything’s around it – there’s a whole world here.

“When they said the piazza in Covent Garden was a great place after it was first built, others said they’d preferred it as a mediaeval village.

“The great thing about Canary Wharf is that it’s been very well built.

“Then with the live music you have here now at Boisdale it becomes a place.

“You’ve got to give places like the Wharf a chance sometimes, rather than saying it was better in the past or it will be better in the future.

“Now is the time that it’s actually good.”

Son of Muddy Waters, Mud Morganfield on stage at the awards

a burger for preference

While on duty Jools prefers a clear head and stomach, so he’ll be waiting until after the presenting is done to enjoy Boisdale’s hospitality on September 18, 2024.

But his dish of choice at the venue perhaps harks back to another memory from his personal relationship with Canary Wharf.

“Their cheeseburger is a delicious thing,” he said. “The food is always very consistent – you feel as though you’ve had a proper night out when you eat there.

“They have a great wine list there, and I quite like wine.

“You could take your aged aunt there and she’d think it was fantastic, or you could take some teenagers and they’d have a fantastic time.

“It has that personal touch, it’s not like a corporate chain, but it has the contents of Ranald’s brain all around the room and it’s a very nice brain to have a look at.

“I remember, back when One Canada Square was first built, I used to take my children through the Blackwall Tunnel and we’d pretend we’d driven all the way to the USA.

“There was an American diner at the foot of the tower serving burgers and that was great.

“There’s a lot more than that here today.”

Emerging artist Emily Capell performs at Boisdale Of Canary Wharf after receiving an award

key details: Boisdale-Xejoff Music Awards 2024

The Boisdale-Xerjoff Music Awards 2024, hosted by Jools Holland, are set to take place on September 18, 2024, with ticket prices starting at £149.

The evening starts at 6pm with a Champagne and cocktail reception followed by a three-course dinner.

The awards will then be presented by Jools Holland and YolanDa Brown alongside performances from the winners.

The party will go on until 1am.

Find out more about the awards here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 26, 2024August 26, 2024

Artist Ed J Bucknall teams up with The Space Bar to show works

Visitors to the arts centre can now view and buy paintings and prints by the Wapping-based creative

Image shows a painting of The Space arts centre, a converted church made of yellow bricks with a red door by Ed J Bucknall — Ed J Bucknall’s painting of The Space in Westferry Road

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Serendipity played a part in bringing Ed J Bucknall’s art into The Space Bar.

Specialising in capturing views of east London, his native Wapping and especially the Thames, he’d painted The Grapes pub for co-owner Sir Ian McKellen, a work that now hangs in the actor’s riverside watering hole.

That same image caught the eye of Andrew Finnegan, bar board chair at The Space Bar, who saw it on Ed’s stall at Wapping Docklands Market next to Shadwell Basin and decided it would make the perfect present for a friend.

“He drinks regularly in The Grapes and he’s a keen cyclist,” said Andrew. “The painting had a bike outside the pub, so it was the ideal gift.”

Having made the connection and, keen to forge local partnerships for mutual benefit, Ed was duly invited to exhibit some of his work at The Space Bar – the hospitality arm of the Westferry Road arts centre on the Isle Of Dogs.

Completely coincidentally, its patron is Sir Ian.

Image shows Ed J Bucknall sketching in The Space Bar – a man in a red T-shirt with grey hair — Ed is often to be found sketching around Docklands

an amazing building

“It’s an exciting venture for me because The Space is such an amazing building and one that’s not particularly well-known outside the area,” said Ed.

“The bar now has some of my original works on the wall as well as prints that are available, framed or unframed.

“People are buying about one a week at the moment.

“With this collaboration, what I’ve tried to do is capture the local area – pubs, the historic cranes, Millwall, the dock and the Docklands Sailing And Watersports Centre as well as other locations along the Thames.

“My watercolour of The Space itself has already sold and prints have gone off round the world.

“I’ve got loads more pictures in the pipeline and – working in this area, I’ve been introduced to other buildings and other pubs – so this is the start of something that I hope will continue to be a real success.”

Image shows Ed's painting of Millwall Outer Dock with Canary Wharf's towers in the background — Detail from Ed’s image of Millwall Outer Dock

from architecture to painting

Originally an architect, Ed found the increasing digitisation of the profession less than satisfying and began selling his paintings at Wapping Docklands Market in 2021.

He also trades at its sister markets in Canada Water and Tower Hill and sells his paintings through Skylark Galleries on the South Bank, working full time as an artist.

“My work appeals to different people – locals who have lived in the area for many years, people moving into the area, those moving out and tourists visiting,” he said.

“Commissions are a big part of my income too.

“Only this morning, I was talking to a boat-owner about doing a painting of their boat, which is fantastic.

I also recently delivered a big order to Tower Bridge’s gift shop, which is their fourth in the last couple of years, so it’s all going really well

“Thanks to social media I’m now selling work internationally, which I never thought would happen. I’m always out drawing and painting with my sketchbook.

“It’s like when you’re out walking a dog, people come and talk to you and you get a lot of feedback that way.

“I’m planning to do more panoramic views of the Thames which are popular and have already painted the oldest pub on the Isle Of Dogs – The Ferry House – and places like Burrells Wharf, which is where Brunel’s ship The Great Eastern was built and launched from.

“That sold within 24 hours of going up at The Space.”

Ed’s signed prints start at £50, with original paintings available from £295.

These can be purchased at The Space Bar or online via Ed’s website.

Image shows Ed's painting of The Ferry House pub on the Isle Of Dogs, available to buy at The Space — Detail from Ed J Bucknall’s painting of The Ferry House pub on the Isle Of Dogs

key details: Ed J Bucknall at The Space Bar

You can find out more about Ed’s work here and more about The Space Bar, which incidentally does the most incredible chicken burgers, here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 26, 2024August 26, 2024

How 3equals1 Design specialises in timeless commercial interiors

Founded by Maz Mahmoudi, the studio relocated to Cannon Workshops near Canary Wharf in 2023

Image shows 3equals1 Design founder and director Maz Mahmoudi, a woman wearing a gold necklace with red hair in front of a yellow brick wall — 3equals1 Design founder and director Maz Mahmoudi

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Next time you’re in an office or a workspace of any kind, just stop for a minute and take time to notice its design.

The colours, the furniture and even the layout will have likely been chosen and combined by someone like Maz Mahmoudi, founder and director of 3equals1 Design.

The company moved its clutch of creatives to Cannon Workshops, adjacent to Canary Wharf, a year ago, relocating from Waterloo to build on nearly a decade and a half in business.

“We were based at an old city farm in Waterloo for seven years before moving here, but developers got their hands on it,” said Maz.

“I looked around and was trying to think what the good transport links would be.

“Selfishly, I wanted somewhere I could get to my home in Kidbrooke from, as I have a baby.

“We looked at a place in Mile End, but it was a bit sketchy and then noticed a ‘To Let’ notice as we were going past Cannon Workshops. We saw this unit and loved it.

“The move allowed us to reimagine our own workspace.

“We did the flooring, all the painting, the wiring and the electrics.

“I like that it’s on two levels and we love the community aspect of being here too.

“I had no idea this whole world even existed – the dock, the nice little pubs and London Museum Docklands.

“This was the first time I’d signed a five-year lease, which felt very grown up – we need to keep the business going for at least that long.”

Image shows the brick buildings of Cannon Workshops under a blue sky with white clouds — 3equals1 Design is now based at Cannon Workshops next to Canary Wharf

a history in design

Maz is energetic, interested and interesting, suggesting that another few years won’t be much trouble to achieve.

Having originally trained as a furniture designer, she initially embarked on a career as a maker and found herself the only woman on the workshop floor.

“I had a great time,” she said. “But furniture making is physical.

“By 30 a lot of the guys were having back problems and I found myself at a crossroads trying to decide what I wanted to do.

“I did a bit of set building for movies and some art direction, before going on to work at a furniture dealership.

“I’ve always loved furniture. People identify with it.

“There’s comfort and longevity there – history and craftsmanship too.

“A dining table might be used for Christmas dinners or summer parties, but it’s also where the kids do their drawing.

“Dealers curate pieces for architects and it was mostly workplace stuff.

“I was made redundant in the 2008 credit crunch and then went on to work for a design-and-build architecture firm, learnt a lot about that sector and was then made redundant again.”

Image shows an interior by 3equals1 Design for a show room in Clerkenwell. Features include orange and dark grey walls — The company has taken on a diverse range of projects in its 14 years

founding 3equals1 Design

While dreaming of relocating to New York, but with limited visa prospects, Maz decided to start her own design business with two friends.

Her partners went on to pastures new, but she stuck with 3equals1, evolving the company as new work came in.

“I started it in London at my kitchen table and it’s really changed,” she said.

“Initially my customer base was all furniture dealers.

“I’d get floor plans and made sure furniture fitted the spaces.

“Then I’d get work from design-and-build companies that didn’t have their own in-house designers.

“There wasn’t any huge strategy, just a lot of interest – going out, networking and speaking to the right people.

“I’d meet clients who would ask me to come back and do more work and now we work with a few asset managers when they are trying to get tenants into their buildings.

“After Covid, nobody wanted to be in a workspace with desks and boardrooms, everybody wanted to feel places were personalised – a home away from home.

“Then there’s sustainability to consider.

“We really have grown organically.

“Today we are predominantly commercial interior designers for workplaces, hospitality venues and some residential properties for developers.”

Image shows a CGI of an office interior by 3equasl1 Design — Maz’s firm always aims to design a space for the people who wil use it

interrogating the space

Whatever the project, understanding how a space will be used by those inhabiting it is crucial to Maz and her team’s process.

“I couldn’t do any of this without the people around me – having different designers with their own ideas is what keeps us varied as a business,” she said.

“Each of us challenging each other is what makes design really exciting and organic and prevents it from becoming stale.

“It’s especially important when we’re designing an environment for lots of people not to be a lone ranger – you need different voices to make sure you’re catering for the different people you’re designing for.

“When a client comes to us with a space, we try to understand the demographic of the people working in the company.

“How do they dress? Are they in suits, smart casual or jeans?

“We need to create an environment where they will feel at home.

“ Everyone says that most of our lives are spent in work – so to have a comfortable space allows people to be productive.

“We look at everything, from the flooring to the architecture of the building we’re working with and we try to give a nod to that.”

Image shows the exterior of Fleurie wine bar in south-east London, designed by 3equals1 Design — 3equals1 Design recently designed Fleurie wine bar in Bermondsey Street

a sustainable approach

“We also look at longevity – we typically don’t want to do overly fashionable design that’s cool for a year and then everyone would feel deflated.

“For me, a big part of sustainability is how long the materials you put in will last.

“It’s about getting the right stuff in – timeless design that doesn’t shout.

“It’s also about speaking to people. But it’s not about what I or the team want for their office.

“It’s about what the client wants. They have to be happy where they are.”

3equals1 Design is eager to collaborate with more companies in Canary Wharf and east London and there’s one particular project on Maz’s wish list.

“I really want to design a pub,” she said.

“It would be great to really rethink what the space could be. I have this idea that it could be a co-working space during the day and then turn back into a drinking den in the evening.”

Image shows the interior of Fleurie in Bermondsey Street, a warmly lit wine bar with white walls — The wine bar’s warmly-lit interior

key details: 3equals1 Design

3equals1 Design is a workplace interior design company based at Cannon Workshops near West India Quay.

Maz and her team offer a range of services to transform and refresh spaces for all kinds of organisations and businesses.

Find out more about the business here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 26, 2024August 26, 2024

Royal Albert Wharf shared ownership, a first-time buyer case study

How history teacher Farhana Mallick put down roots in east London at NHG Homes’ development

Image shows first-time buyer Farhana Mallick, pictured in a white kitchen at her home. She is wearing a grey top and black trousers and has long black hair — Fahana Mallick, pictured in her apartment at NHG Homes’ Royal Albert Wharf

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“I would still be renting or living with my parents if it wasn’t for shared ownership – it gives you a lifeline, especially in your 20s or 30s,” said Farhana Mallick.

The history teacher turned to affordable housing provider NHG Homes when she began looking to put down roots in her home city.

Having been raised in east London, she’d spent her early 20s living in this part of the city and so initially looked at properties in Tower Hamlets and Ilford.

However, it was Royal Docks that ultimately turned her head, opting to purchase a quarter of a three-bedroom apartment in 2021.

“I decided I was done losing my money on rent,” said Farhana, who now teaches at a school in Barking And Dagenham.

“I wanted to invest in a property, and have a home I could make my own.

“Shared ownership really appealed to me because it meant I required a much smaller deposit than if I was buying privately.”

Image shows a show home living area including a balcony with a view of the Thames — More shared ownership homes are set to become available at Royal Albert Wharf

a deposit, a mortgage and rent

Farhana, then aged 25, used a £13,250 deposit to buy her share of a property at NHG Homes’s Royal Albert Wharf scheme, taking out a mortgage to cover the remainder of the £132,500 cost.

The apartment, which was then valued at £530,000, costs her £1,391 per month which breaks down as £606 on the loan, £497 in rent and £288 in service charge.

“As a first-time buyer, NHG Homes really helped me to understand the process, and what the steps were,” said Farhana.

“I think many people aren’t aware of what shared ownership is or its benefits, but NHG Homes was so transparent and happy to answer all of my questions – the whole purchase was smooth and enjoyable, with wraparound care from the team.

“As a young person, living in this city, this home gives me great flexibility to either increase my share or sell it based on the market – I could definitely see myself raising a family here.

“With shared ownership making my home more affordable, I’ve now got a spare bedroom and a great community on my doorstep.

“If I was to move homes, I think my next purchase would also be with shared ownership – I can’t recommend it enough.”

Image shows Royal Albert Wharf at sunrise with the Royal Albert Docks impounding station in view. The buildings are brick-clad and around six storeys high — The development is located at the end of Royal Albert Dock and is on the banks of the Thames

selecting Royal Albert Wharf

NHG Homes and other affordable housing providers offer multiple locations where buyers can purchase shared ownership homes, so what made Royal Albert Wharf stand out?

“I’ve stuck to my roots as I grew up in east London and the Royal Albert Wharf community has got a really modern and stylish twist to it,” said Farhana, who has now lived in the area for more than two years.

“I do travel into central London, but often I feel like I don’t really need to, because I’ve got so many things on my doorstep.

“If I am going into town, then I’ll take the DLR as it has so many connections.

“I shop locally a lot, including at Gallions Reach Shopping Park and also Beckton Triangle Retail Park, both of which are very close.”

The development is well connected, with Gallions Reach DLR station less than 10 minutes’ walk offering connections across east London including to the Elizabeth Line at Custom House.

From there, Canary Wharf is three minutes’ away, while Liverpool Street is nine minutes.

Royal Docks itself, which is currently undergoing billions of pounds of regeneration, offers multiple amenities including watersports, events at Excel, restaurants, bars and a new strip of attractions at Immerse LDN – find out more here about The Friends Experience: The One In London, which recently opened there.

More locally, Royal Albert Wharf is home to exhibition space Art In The Docks, Cyrus Todiwala’s Cafe Spice Namaste and The Well Bean Co.

Image shows Royal Albert Dock at night with lights reflected in the waters of the dock — Royal Albert Dock is an established community

fitting into a community

Farhana said: “Residents have created a great community here and that’s really rare to find, especially as a young person.

“We have our own group, which is great as you can get to know other people living here.

“When I have friends or family visit, there is so much to do on the doorstep – from brunch to Yoga classes and a regular food market on Fridays as well as events happening in Royal Docks.

“There’s a children’s playground being built at the moment as well, and there’s a gym planned – I feel like it’s constantly evolving.

“I’m trying to get into my fitness these days and living here has helped that because it makes me want to get outside.

“It’s so rare to see open water like this in the city. It’s a lovely area to be in.”

As a location to buy, Royal Docks makes a solid case. With much regeneration taking place locally and further transport links proposed, demand for homes is only likely to grow.

Image shows Farhana sitting in a wood-lined cafe enjoying a cup of coffee from The Well Bean Co — Farhana enjoys a coffee at The Well Bean Co, her local cafe

key details: Royal Albert Wharf

NHG Homes is set to launch a fresh collection of shared ownership properties at Royal Albert Wharf in September.

A new show home is set to launch at the scheme on August 31, 2024.

Apartments are also available for private sale at the east London development with prices for one, two and three-bedroom homes starting at £375,000, £494,995 and £660,000 respectively.

Call 020 3733 3571 to register your interest or find out more here

Read Wharf Life’s e-edition here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 25, 2024August 26, 2024

Docklands Sinfonia lines up concerts in aid of St Anne’s Limehouse

Orchestra founder Spencer Down talks learning brass from his granddad and preparing to conduct Handel’s Water Music at the nautical venue

Image shows Spencer Down conducting the string section of the Docklands Sinfonia with a keyboard player and harpist in the background — Spencer Down conducting the Docklands Sinfonia

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St Anne’s Church in Limehouse is set to host a programme of events to help raise £3.6million towards the restoration and transformation of the building.

These include the Lonely World Youth Festival (August 31), a performance by the multicultural east London-based Grand Union Orchestra (September 7) and the Thames Festival: Sail Out (September 21) where young people will celebrate the building’s proud Docklands history.

We’re forward planners at Wharf Life, however, and so are looking even further ahead to an evening with St Anne’s resident orchestra, the Docklands Sinfonia on September 28, 2024.

“It’s our home – it’s where we rehearse and it’s been really important for us over the past 15 years,” said Spencer Down, the orchestra’s founder and musical director.

“After our first concert in 2009, we got a call from the BBC to ask if we’d do a programme for them and we ended up playing in the Royal Albert Hall.

“Then loads of things started to happen – we played for the Queen at Buckingham Palace, we did a concert with Katie Melua at the London Coliseum and performed at the Barbican, but it is really important that we remain grounded in this community.”

That’s something especially close to the conductor’s heart, given his journey into music.

Image shows Spencer Down, a man in a white t-shirt and grey coat wiht close cropped mousy hair — Spencer was introduced to playing music by his granddad who worked as a shipwright in Docklands

from generation to generation

“That was through my granddad – he was a shipwright in the docks and then would play in the working men’s clubs at night,” said Spencer.

“He was a trumpeter and he’d take me and my brother along to the local brass band at Tilbury Docks – they gave us free instruments and got us going.

“I played the trombone and euphonium and my brother the trumpet.

“I started at seven and my granddad and members of the band taught us.

“We made great mates and that’s what kept us going back each week – not just the music, but the social side.

“It was multi-generational. On Sunday nights we would go with my mum and sister and everyone would spend the evening together.

“That ethos was very important when I was setting up the Docklands Sinfonia.

“Until he died, when I was 19, my granddad took us to so many concerts and rehearsals. I think he would be immensely proud.

“If he was here now he’d have been able to sit back, listen and enjoy himself.”

Image shows the Docklands Sinfonia on stage mid-performance — The orchestra, which is based at St Anne’s has performed in all sorts of places

from brass to the baton

After cutting his teeth as a brass musician, Spencer went on to study at the Guildhall School Of Music And Drama in the City.

He eventually specialised in conducting, before embarking on a career at the music college’s junior department that has seen him take charge of various ensembles and co-ordinate its brass operation for the past 25 years.

“I was born in Grays, so it’s always been east London for me,” he said.

“At the time I was thinking about starting the Docklands Sinfonia, I was living on the Isle Of Dogs – a vibrant area that didn’t have an orchestra.

“Setting one up was always a dream and finding St Anne’s was actually down to my wife, Kirsty Walker.

“After our first child was born, we were out walking and went past the church.

“She popped in and came out saying she’d found the place for the orchestra.

“Then, along with her mum, she helped me set it up.

“We met with the vicar and he was very helpful, telling us that they were coincidentally doing work to clear the altar, which would allow us to fit an orchestra in there.

“It was a bit like fate.”

Image shows St Anne's church in Limehouse, a white building surrounded by green lawns — Proceeds from the concert will go towards supporting the restoration of St Anne’s

creating the Docklands Sinfonia

“Putting it together was great. I got loads of mates involved – professional musicians and students from Guildhall and Trinity,” added Spencer.

“Over the years we’ve put on all sorts of concerts that have attracted lots of different crowds with film music, sitar concertos and Cuban pieces.

“We were the first British orchestra to do a whole programme of Persian music,

“It’s about playing and understanding music from different cultures.

“Across London there’s a lot of different communities, so it was important for us not to just perform classical pieces that everyone knows.

“Music’s a great way to bring people together – a language we can all understand and enjoy.

“We also want to bring people into St Anne’s so we can help raise the money and make it an even more amazing place.”

To that end, the orchestra will perform Oceans Of Sound: A Nautical Night At The Proms next month.

Spencer said: “The concert is part of the Thames Festival and so we’ll be playing Handel’s Water Music.

“It was written for King George I and was actually played as he went up and down the river on his barge in 1717.

“There was another barge filled with musicians and the story is the Thames was covered in boats with everyone listening to the music.

“The king went from Whitehall Palace up to Chelsea and then back again and is said to have been so pleased with it, the musicians had to play it a further three times.

“We won’t be doing that at St Anne’s.

“There will be other pieces too including Fantasia On British Sea Songs arranged by Henry Wood in 1905 to mark the centenary of the Battle Of Trafalgar.

“It starts off with bugle calls and ends with Rule Britannia.

“There will also be some lighter music including the theme from Pirates Of The Caribbean. It all fits because the church has such strong naval connections.”

key details: Docklands Sinfonia at St Anne’s

Oceans Of Sound: A Nautical Night At The Proms is set to take place on September 28, 2024, from 7.30pm.

Early bird tickets cost £18, rising to £25 for general release. Children’s tickets cost £12.

Docklands Sinfonia will also perform a candelit concert in aid of St Anne’s on October 24 at 7.30pm.

You can also find out more about the Hawksmoor 300 campaign and its efforts to restore St Anne’s and its gardens for the people of Limehouse via this website.

Find out more about the orchestra here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 24, 2024August 24, 2024

Black Eats Fest returns to Woolwich Works with weekend of flavour

South-east London venue set to host street food and shopping event on September 14 and 15

Image shows Black Eats founder Jackson Mclarty at Woolwich Works, a man with a full beard and tightly cropped dark hair — Black Eats founder Jackson Mclarty at Woolwich Works

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Black Eats was born from a hobby.

Working at a marketing agency, Jackson Mclarty enjoyed lunches and dinners with clients.

Outside office hours, he liked visiting restaurants, bars and cafes – posting his favourites to social media as many do.

But that changed in 2020.

“During the pandemic, we had the George Floyd incident in the US and the Black Lives Matter movement that emerged,” said Jackson.

“I was trying to support local, black-owned businesses as much as I could with my own personal spending.

“But I thought that, if I could encourage other people, then that would have a greater impact.

“So that’s why I created Black Eats as a directory – a place to educate and share information with people on where to go.

“I wanted them to know that they didn’t have to order online, that they could just go down the road and get food from a local supplier.

“We started with 100 restaurants in August 2020 – it seems such a long time ago now.

“At the time the Government’s Eat Out To Help Out scheme was offering 50% off and we launched a marketing campaign for the 45 businesses listed on Black Eats that were participating.

“That provided an incentive for people to visit those restaurants – we were saying: ‘Go on, try something new, get out of the house’.

“There was no financial benefit for me, I wasn’t gaining anything – it was just about educating people, which is the first step for anything.”

Image shows a man in a hood cooking food at Black Eats Fest — Black Eats was formed to support black-owned businesses

so what then for Black Eats?

The next step – building on the directory – was telling more people about it. Jackson increasingly used social media to promote black-owned hospitality businesses and generate an audience.

Today that stands at more than 70,000 followers and a directory of just over 500 restaurants.

However, the online presence was not an end in itself. Jackson had added a second string to Black Eats’ bow in 2021 by entering the world of live events.

“With the first Black Eats Fest in Hackney, I was going into unknown territory, I’d never run anything like that before,” he said.

“I hadn’t even put up a gazebo. All I had was an audience – customers – and a concept.

“It was a massive risk, but I had a vision of what I wanted to execute and I was going to find out how to do it.

“At that first event, we had something like 25 traders and 2,000 ticket registrations across the weekend.

“That’s quite small compared to where we are now, but it felt impressive.”

Solid growth and success then saw two things happen.

Firstly, Jackson was able to leave his day job and focus full-time on Black Eats and, secondly, crowds of up to 15,000 people meant the live events needed to expand beyond Bohemia Market’s capacity to accommodate the footfall.

Image shows a tray of ribs from a recent festival in Woolwich — A tray of ribs at a recent festival

the right location

“For what we do, we had to look for a very particular space,” said Jackson.

“For us, having food of the correct quality means having an outdoor space so dishes can be cooked fresh.

“When you come to Black Eats Fest, you’re going to see the barbecues, the jerk pans and the fryers – all these different delights from different countries made right there.

“Woolwich Works is perfect because we have the courtyard, but there’s also indoor seating just in case we get attacked by rain.

“We never push the venue to full capacity, because we want the festival to be a place people can move around easily, so that they can try four or five different things over the four hours.

“There is real warmth in a carnival atmosphere where people are shoulder to shoulder, but this is a food festival and we want guests to be able to get around more easily than that.

“There’s so much to try.

“Back in June we had a Zimbabwean barbecue, a couple of jerk chicken vendors, a couple of Nigerian vendors, Guadelupean cuisine, Ethiopian cuisine and so much more.

“There are bars serving cocktails, one stall was doing drinks in pineapples and the cane juice was flowing.

“However Black Eats Fest also goes beyond food – there’s a whole cultural celebration.

“We have black-owned businesses selling everything from skincare to clothing, art, educational books and sunglasses.

“We try to be as diverse as possible, because we don’t want our visitors to see 10 of the same thing and the brands don’t want to be competing.

“It’s about people interacting with their customers – that’s what we really love.

“The whole point is to not be like a typical market or event where people come and it’s just transactional – a financial relationship.

“We want people to come here and feel fulfilled. Right now, those coming to Black Eats Fest will find around 15 food vendors and plenty of other businesses.

“It’s about coming and having an experience.”

Image show women enjoying drinks at Black Eats Fest at Woolwich Works' Fireworks Factory venue — Woolwich Works has space to eat indoors and out making it weatherproof for traders

expansion and growth

While the popularity of Black Eats Fest itself seems assured, its parent organisation is also in fine fettle.

Black Eats – alongside championing the businesses in its directory – has also diversified into supplying traders for events and this year sent businesses to some 10 festivals in two weeks, including the likes of Wireless and UK Black Pride.

“Running events around the UK would be the next step – we could do my home town of Bristol, Manchester, Birmingham, Leeds and Sheffield,” said Jackson, who has relocated to Woolwich from north London.

“We need to find the right spaces and balance of traders, but that would be great.

“Then we’d love to look at major European cities like Paris, Amsterdam and Berlin.”

From there, who knows…

Image shows Every Fish Bar, serving up food at a Woolwich event — A wide range of traders feature at Black Eats’ events

key details: Black Eats Fest

Black Eats Fest returns to Woolwich Works from September 14-15. Each day features two sessions – from noon-4pm for families and from 5pm-9pm for over 18s.

Tickets cost £16.50 and are available on Black Eats website.

Previous events have sold out, so stay sharp.

Find out more about the event here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 22, 2024August 22, 2024

Friends The Experience: The One In London opens at Excel

Exhibition and conference centre’s kilometre-long waterside entertainment district, Immerse LDN, welcomes its first attraction

Three people sit on the orange Friends sofa in front of a fountain at Friends The Experience: The One In London — Friends The Experience: The One In London has opened its doors in east London

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“It’s comforting, welcoming and inviting – many people watch Friends again and again and have told us it’s the last thing they see before going to bed,” said Kathleen Wallis, vice president of global themed entertainment at Warner Bros. Discovery and one of two people heading up the creation of a new attraction in east London.

Together with Stacy Moscatelli, CEO of OGX Productions, the pair have taken a space at Excel’s newly minted Immerse LDN waterfront strip and conjured forth a little bit of sitcom magic.

The Friends Experience: The One In London opened its doors this month (August, 2024), offering visitors the chance to pose and snap away in a series of painstakingly recreated sets from the show.

Not only that, there’s a chance to enjoy themed refreshments in a New York-style space after exploring the attraction and a gift shop.

That this experience should be launching some two decades after the final episode aired, is testament to the comedy’s enduring popularity – the fact it has found fresh fans as younger audiences fall for the trials and tribulations of Rachel, Ross, Monica, Phoebe, Chandler and Joey.

Image shows three people posing at a table in Monica's apartment at The Friends Experience — A series of Friends sets have been painstakingly recreated at Immerse LDN

the mass appeal of Friends

“It’s got universal themes and many people use the show to learn how to speak English,” said Stacy.

“Everyone growing up experiences first love, room mates, navigating apartments, jobs, choosing careers, falling out – it’s just very relatable.

“The show was really well done and has held up – it’s still very enjoyable to watch.”

The attraction at Immerse LDN – which will house a number of visitor experiences as well as a food hall at the east London conference and exhibition centre – has its roots in a New York pop-up.

“We were talking around the studio about the 25th anniversary of Friends, so we decided to do something like a pop-up in New York City for 30 days in Soho,” said Kathleen.

“That was in 2019 and it was massively successful. I think everyone is a Friends fan on some level.

“We’ve been creating these live experiences in different locations for a few years now, so we see the emotional reaction people have when they come into the spaces.

“The novelty of that never wears off – watching people being in the space, their reactions and where they take their pictures.

“With this one, we started off by thinking about what a fan would be disappointed by if we didn’t have it in a location like this – what should be in London?”

Image shows three people posing with mugs on the Friends sofa at Central Perk — Visitors can relax on the sofa at Central Perk

£20 entry to Friends The Experience

Visitors who pay the £20 ticket price will find a selection of sets such as the fountain from the title sequence, the characters’ apartments and a faithful recreation of coffee shop and sometime gig venue, Central Perk.

What’s fresh for this edition of the experience, however, are some significant nods to London including a tribute to Joey getting lost with his camcorder and Emily and Ross’ wedding.

“This is more than a pop-up, it’s a flagship creation here in London, where we bring to life all of the iconic sets and some of the fun from some of the episodes that people loved the most,” said Stacy.

“They get to immerse themselves in those places and relive what they loved about the show.”

Kathleen added: “While it’s a show that everyone has watched at some point, people haven’t stepped inside the physical spaces before.

“We start with the opening credits, the fountain, the music and then all the things you would expect.

“But we also fly visitors to London and we’ve got the interior of the chapel where visitors can recreate Ross’ wedding.”

While the altar isn’t real – you have to hop on the DLR to Shadwell to visit St John’s Church in Wapping, which was used for the location shoots in the series, for that – the romance certainly is.

“My favourite thing about these experiences we’ve created is the proposals,” said Kathleen. “We’ve had 270 across all our locations so far, which is amazing.

“I think it shows the emotional connection people have with the series, that it makes sense for them to do that in our sets.”

Image shows two people posing at an altar in a church from Friends — Locations from scenes in London have also been recreated

emotional scenes

Stacy added: “I’ve seen the doors open and people just break down crying because it’s so emotional for them to be here on a set.

“We really hope that people have a joyful experience.

“As you walk through, we have a lot of episodes playing and you can’t help watching, laughing and smiling.

“We’ve been around the world, and we still stop and laugh.

“We’re both Friends fans – my favourite episode is when Ross has trouble with his leather pants.

“We know we can’t disappoint people who love the show, so we created the sets with a forensic level of detail – we have to get it right, because the fans know – and we’ve worked really closely with Warner to make that happen.”

All this means that when you open the fridge in Monica’s apartment, Rachel’s traditional English trifle is right there lurking.

Jam, good. Custard, good. Beef, gooooood…

Image shows two women stood in Central Park at Friends The Experience at Excel London — Kathleen Wallis, left, and Stacy Moscatelli of Warner and OGX

key details: Friends The Experience: The One In London

The Friends Experience: The One In London is now open, with bookings for dates all the way into February, 2025, available.

Tickets start at £20. VIP packages (including professional photography, which is typically extra) cost £65.

Find out more about the attraction here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 13, 2024August 13, 2024

Greenwich + Docklands International Festival ready for ‘all change’

We catch up with artistic director Bradley Hemmings as east and south-east London prepare for a full programme of free performances

Image shows spectacular fireworks being let off for GDIF production Silence — Silence is set to open Greenwich + Docklands International Festival 2024

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Once again areas across south-east and east London are set to be filled with free, often breathtaking performances.

Now in its 29th year, the Greenwich + Docklands International Festival (GDIF) is back for 2024, bringing its traditional blend of awesome spectacle and thought-provoking shows to locations straddling the Thames.

In charge since the very first show, artistic director Bradley Hemmings and his team have put together a series of blockbusters and smaller happenings aimed at delighting residents, local workers and visitors.

We sat down with him to go over a few of the highlights to help you plan your diary.

“We’ve long been associated with very surprising and unusual events that pop-up and happen in locations across Greenwich and east London,” he said.

“This year we’re opening with a phenomenal performance by a French company – Les Commandos Percu.

“The show is called Silence and will take place at 8.30pm on August 23 at the Royal Artillery Barracks in Woolwich.

“This awesome parade ground space will be filled with a fusion of pyrotechnics and percussion.

“With people going though difficult times, having something joyous and uplifting like that will be just the tonic.

“They’re a company we’ve worked with before – way back in 2016 – so we’re very much looking forward to welcoming them back.”

Image shows an artist's impression of a kiosk at Greenwich + Docklands International Festival 2024 — GDIF will feature World Kiosk in Green Street

Greenwich + Docklands International Festival – the small things

“We work across all sorts of different scales, it’s not all about large spectacles,” said Bradley

“For many people who come to the festival, it’s about having transformational experiences that disrupt the rhythm of the everyday.

“This year’s theme is All Change – we’re inspired by Gandhi’s message to be the change you want to see.

“We’re going through seismic times and something that brings people together to reflect, think and have a great time is really important.

“One of the highlights for me will be smaller in scale, but very intimate and considered.

“World Kiosk will be in Green Street from noon-6pm from August 29 to September 1.

“It invites people to take a breath – a moment outside the busyness of life – and provides a window into other people’s lives.

“Visitors are welcomed to the kiosk, which then serves them tea in a very ritualistic and beautiful way.

“Then they listen in to voices from people in other parts of the country who have been through this same process, sharing stories.

“It’s a sublime and beautiful experience, a wonderful reprieve from daily life.”

Image shows a performer on the edge of a 2/5 tonne block of ice suspended from a crane — Thaw takes place on top of a 2.5 tonne block of ice suspended from a crane

melting away

“At the other end of the scale, at Royal Albert Dock, we have an extraordinary spectacle from an Australian company called Legs On The Wall called Thaw,” said Bradley

“This production takes place on a 2.5 tonne block of ice suspended above the dock on a crane.

“Each day it runs for eight hours with a performer on top trying to navigate the changing shape of the block as it starts to melt.

“There’s a sense of jeopardy but also a wonderful soundscape that provides a chance to reflect and think very hard about what’s happening to the planet and the climate emergency.

“I think this will be one of the abiding images of this year’s festival – it runs on August 24 and 25, from 1pm-9pm at the University Of East London’s Royal Docks campus.”

Image shows dancers in tartan kilts, white shirts and blue trousers — Dancing City is set to take place in Stratford this year

miraculous movement

On September 7, from 1pm-6pm, a number of areas in Stratford will be awash with many forms of movement.

“Dancing City is an event that is really dear to my heart,” said Bradley.

“We set it up at Canary Wharf in 2003 and people have come to really love that event.

“This year it will take place at East Bank, the Queen Elizabeth Olympic Park and in Stratford town centre.

“There’s a phenomenal range of dance companies taking part.

“We’re working very closely with Sadler’s Wells East and East London Dance as well as other partners including Stratford Cross, UCL and the London College Of Fashion.

“What will be wonderful about it is that it will be taking place in the midst of the Paralympic Games in Paris.

“I co-directed the London 2012 Paralympic opening ceremony, so there’s a personal history there and we’ll be presenting work led by deaf disabled artists.

“It feels wonderful to be continuing that Olympic legacy 12 years later.

“One of the pieces is called Synergy and has been choreographed by Mark Smith, who worked on the Paralympics with me.”

Image shows a woman with a pram participating in a Parkworks event at Greenwich + Docklands International Festival 2024 — Parkworks is set to bring a day of family fun to Stratford

this year and the future

“One of the things that we will be doing next year is marking our 30th anniversary,” said Bradley.

“It’s enormously satisfying to see that GDIF is still there thanks to our partners.

“It seems to me that this will be a moment where we should be taking stock and thinking about what the next three decades will look like.

“Back to this year and we have A Ballad Of Thamesmead on September 6 and 7 at 8.30pm.

“It typifies what we aim to do – to create something miraculous and wonderful that reveals the story of this emerging part of London.

“Dante Or Die have created a piece around a clock tower, which originally sat in Deptford before the GLC transported it by barge down the Thames and rebuilt it as the centrepiece of Thamesead town centre.

“An 18th century structure improbably located in the middle of the 1980s development.

“Then my final highlight is festival of family fun – Parkworks, which takes place on August 25 and 26 from 1pm-6pm in Stratford Park.

“There will be a giant interactive climbing frame built from bamboo and parents with prams choreographed with headsets.”

key details: Greenwich + Docklands International Festival

The Greenwich + Docklands International Festival runs from August 23 to September 8, 2024.

All events are free to attend. These highlights are the tip of the iceberg.

Find full listings for the festival here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 12, 2024August 12, 2024

W’air Sneaker Laundry offers sustainable cleaning in Canary Wharf

Brand has expanded its east London operation using air, tapwater and detergent to get stains and muck off fabric trainers

A W’air device is used to clean fabric trainers at the Canary Wharf branch

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The world increasingly lives in trainers.

Rewind 20 years and a typical Tube train on a weekday would be filled with commuters in smart leather shoes.

This was the boom time for cobblers and manufacturers of shoe polish.

But the world turns. The pandemic accelerated a process that was already well underway.

A more casual attitude to clothing in many workplaces has now found its feet – for comfort, for style and for simple economic reasons, the trainer has won out.

The logic of having a completely separate wardrobe for work and play, when so many industries no longer demand it is faltering.

But that also leaves us with a problem.

While a brush and a pot of polish were enough to refresh a pair of brogues, sneakers come in a much wider variety of styles and materials, providing a greater challenge when it comes to cleaning.

One might spend a painstaking evening with an old toothbrush, purchase an esoteric collection of products for the purpose or chuck them in a washing machine in a pillowcase – the latter not great for either the footwear or the appliance.

But there are other options. Recently opened in Canary Wharf, W’air Sneaker Laundry offers services specifically tailored to shoes featuring fabrics in their design – elements that are especially prone to staining.

It all started with a machine developed to clean clothes.

W'air Sneaker Laundry in Canary Wharf, with two men working behind the counter — W’air Sneaker Laundry is located under One Canada Square in Canary Wharf

the origin: W’air Sneaker Laundry

“The device started life at Unilever, where it was designed before being picked up by Pilot Lite Ventures, which launched it as the world’s first eco-friendly handheld fabric care device,” said Kate Rixon, retail lead at W’air Sneaker Laundry.

“It uses cold tapwater and air with a bit of detergent, so it got its name as a blend of water and air.

“I’d spent 30 years working for retail giant Arcadia until it went into administration in 2021 and joined Pilot Lite as a consultant.”

Initially, Kate sold the W’air services into retail businesses such as Tommy Hilfiger and Calvin Klein, using it to spot clean stains and refresh garments in their stores.

“The whole ethos of W’air is sustainability,” said Kate.

“Garments in shops can get stained from children’s sticky fingers, make-up and even blood.

“Historically, those might be sent to landfill if they weren’t cleaned. W’air is about preventing that and also about reducing water use.

“Often garments don’t need washing, the stain just needs to be removed.

“The W’air device only uses cold water and air plus a mild detergent which gives clothes a fresh smell so you’re saving on water and electricity.”

Adding another string to the company’s bow, the decision was made to target trainers with a consumer-facing venture.

Image shows W'air Sneaker Laundry operations manager Oliver Grout, a man with long brown hair and a moustache in a blue top — W’air Sneaker Laundry operations manager Oliver Grout

dipping a toe in

“We decided to diversify into sneaker cleaning and opened a kiosk at Westfield Stratford City to test the market,” said Kate. “Now we’re in Canary Wharf too.

“People are wearing trainers a lot more now, so that’s one reason we went down this route alongside our garment cleaning business.

“The W’air device is a pressure pump and it works a bit like a steam cleaner only with cold water. It flushes out stains on fabric like oil, make-up, red wine and soy sauce.

“Then you just need to let whatever you’re washing dry overnight and it’s ready to go.

“Because there’s a slight fragrance with the detergent, it also refreshes clothes and sneakers, removing any odours without using chemicals like Febreze.”

As operations manager, Oliver Grout is the man charged with running the Canary Wharf and Stratford sites.

Now aged 21, he embarked on a retail career with Waitrose before swapping the supermarket for W’air.

“After training, we started off in Westfield and had a really good year before deciding it would be worth dipping our toes in Canary Wharf,” he said.

“The W’air device is part of our cleaning toolkit – it’s not a magic machine that can get rid of everything.

“But it does an amazing job on fabric trainers including suede and canvas, where the dirt can be embedded.

“It’s a targeted cleaner, and works very well with old stains which might otherwise be difficult to remove with your normal equipment. That’s where it really shines.

“It’s also good at removing excess dirt.

“If you’ve been out in fields with your shoes caked in mud, using a brush can just embed the dirt more deeply in the fabric.”

blasting away

“With the W’air device, you aim it at the dirt and it blasts it up and away from the shoe, rather than smudging it in further,” added Oliver.

“In addition to cleaning, we also offer deoxidisation.

“For example, white soles on trainers can start to bleach from exposure to direct sunlight, so we have machines which will reverse that process and restore the shoes back to their proper colour.

“Having had staff members with connections to Canary Wharf, we thought it would be a good area for our services.

“You get a lot of people passing through the malls whether they live here, work here or are just visiting.

“It’s hard to pinpoint our typical customer, but we see a lot of lifestyle sneakers because they get taken out and worn so much.

“People do bring in shoes that have been lying there for ages or hidden away in cupboards for anything up to a year.

“We won’t always be able to make shoes look like new, but we can smarten them up so they can be worn again.”

W’air recommends purely leather trainers are best taken to the cobbler, as its technology is much more geared towards cleaning fabric.

To that end, the firm also offers spot cleaning for garments and handbags at its sites.

The focus, however, is on trainers and W’air Sneaker Laundry will be popping up outside Waitrose on August 14, 2024, to demonstrate its cleaning powers to Wharfers in more detail.

Alternatively, drop into one of its branches and find out more.

key details: W’air Sneaker Laundry

You can find W’air Sneaker Laundry’s Canary Wharf branch in the mall underneath One Canada Square.

The business is weekdays from 8am-6pm and from 10am on Saturdays and 11am on Sundays with the same closing time.

Standard cleaning services for sneakers start at £30.

The business also has a branch at Westfield Stratford City.

Find out more about the brand here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

August 10, 2024August 10, 2024

Creative Industries Festival set to bring jobs and inspiration to UEL

The University Of East London’s Alison Lowe on founding an event driven by collaboration

Image shows a face with stylised makeup, blue hair and a matching outfit with purple highlights — UEL’s Creative Industries Festival is set to take place in September 2024

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“One of the biggest challenges in the creative industries is not knowing who to connect to – it’s still very much who you know,” said Alison Lowe, director of careers and enterprise at the University Of East London’s School Of Arts And Creative Industries.

“The other main one is confidence.”

Both, however, will be firmly in the crosshairs early next month as UEL’s Creative Industries Festival arrives at the institution’s Royal Docks Centre For Sustainability.

Billed both as a careers fair and a major networking opportunity, the four-day event aims to attract those working in art, architecture, performing arts, fashion, media, advertising, illustration and business as well as those seeking opportunities in those sectors.

“While it was my idea, we have an amazing group of students and interns that have worked on it – it’s really all about their generation,” said Alison.

“Anyone who is creative can come along.

“For students and alumni it will be about getting on the career ladder.

“We’ll have recruiters here and talent scouts looking for the next generation of talent, so it will be a brilliant opportunity.

“Then there will also be lots of workshops, learning and networking.

“It’s tough to get a job in the creative industries and there’s often a gap with graduates not having the right contacts, so we want them to come along and meet people.

“It will also be for people working in the creative industries.

“It’s not always easy to see who’s doing what, so we want lots of big organisations to come along so we can all learn about each other – what are we doing and how we can collaborate.”

Image shows Alison Lowe of UEL, a blonde woman wearing a black dress with an amber necklace — UEL’s Alison Lowe has created the event to bring students and creative professionals together in east London

the Creative Industries Festival, a natural move

It’s an area that Alison is well-placed to operate in, having spent much of her career connecting creative people with employment opportunities and helping brands communicate their stories to customers.

“I started in performing arts at 16 at the Birmingham Rep as an actress,” she said.

“I had no training, went along to an audition and got my first job.

“Working in the performing arts for several years, I discovered I’m also a natural entrepreneur.

“After a few years, I realised that while I could always find work, a lot of people I knew couldn’t, and they were far better actresses and singers than I was.

“So I started helping other people and founded my first business, Chameleon, which was a recruitment consultancy for creative people.

“I’ve had seven businesses, all of them consultancies or recruitment firms.

“My last business, Felicities, ran for 25 years supporting fashion designers, which saw me awarded an MBE for services to the industry.

“Initially I came to UEL to write some new programmes such as an MBA in fashion entrepreneurship and an MA in creative enterprise and came to the director’s role from that.

“The festival will be partly a path to jobs, but also to help build relationships within the creative sector.

“Luckily, with the work I’ve done, I’ve got quite a lot of connections, so I can reach out to people and ask if they’ll be part of it, so it’s building those community links.

“It’s also to get the young people in and ask them what their challenges are – to find out what they are trying to overcome in 2024 when they’re trying to get an interview or an audition.”

Image shows the Royal Docks Centre For Sustainability at UEL, an angular building with a black clad and glass exterior — The Royal Docks Centre For Sustainability at UEL will host the majority of the festival

manifesting a future

“Something that I learnt many years ago when I was starting out was to tell people I was an actress rather than talking about whatever other work I might have been doing to pay the bills,” said Alison.

“The word now is ‘manifesting’.

“I remember going to a party and someone asked me what I did.

“I said I was an actress and felt such a twit saying it, because I’d finished the Birmingham Rep job and there wasn’t another one to follow it.

“But he said: ‘Oh, are you?’, and turned out to be a director, so I worked for him for the next two years.

“The lesson is that if you don’t say what you are, it won’t happen.

“If you are confident about who you are and what you do, other people will believe you.

“I think that’s a real challenge for a lot of our students at UEL. Perhaps they come from more disadvantaged backgrounds and might often be first-generation creatives – they may have relatives asking them when they’re going to get a proper job because they don’t have any experience of these industries.

“Then there’s the challenge of actually getting paid.

“As a young fashion designer, for example, everyone wants you to do everything for free. But getting paid is about valuing yourself and what you do. It’s vital.”

together to collaborate

Partners for the Creative Industries Festival will include Canva, Lego, GLA, East Bank, the Foundation For Future London, Cine Circle, The Developing Room and creativeLDN.

The three-day programme at Royal Docks boasts free workshops, talks, panel discussions, installations, performances, a pop-up shop, hackathons, showcases and a creative talent careers fair.

“We want it to be fun and to have a real creative buzz,” said Alison.

“We’ve invited as many people as possible from the creative industries.

“For the Community Day, we’ll be working with Stratford Originals who will be coming up with a map for people to go around different creative spaces in Stratford.

“We’ll be starting off at St John’s Church Yard, with activities for all the family at the different creative businesses participating.

“It’s really about fostering that community spirit.”

Another key focus for the festival will be how business and creativity interact.

“Entrepreneurs are creative people, so the festival is also about creative thinking in business,” said Alison.

“What we’ve learned over the last few years is that we have to be creative in our business activities to succeed.

“In a nutshell, the festival presents a platform for change, where creative talent, policymakers, academics, entrepreneurs and students will come together to share knowledge, develop collaborations and initiate innovations.

“Come and join us to make positive changes throughout the creative industries.”

key details: Creative Industries Festival

UEL’s Creative Industries Festival takes place over three days at the Royal Docks Centre For Sustainability from September 4-6, 2024. Times vary.

This will be followed by a Community Day at St John’s Church Yard in Stratford, running from 11am-2pm on September 7, 2024.

Tickets for the festival are free.

You can find more details and listings here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com