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Canary Wharf: How Oysteria is serving up fresh seafood beside South Dock

Co-founder Jamie Topkaya on opening a restaurant with award-winning head chef Tacim Yetis

Jamie Topkaya of Oysteria

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Seafood in Canary Wharf often plays second fiddle.

With the possible exception of sushi and black cod at Roka and Nova Soctian lobster at Big Easy, few venues spring to mind as places to find dishes with fish and crustaceans as the main ingredient.

This might be a bit of a disservice to Boisdale, although despite the smoked salmon and shellfish platters it’s always seemed a restaurant that’s more turf than surf at heart.

Those who enjoy eating the fruits of the sea can rejoice, however, because the estate now has two places that put them front and centre.

There’s Fish Game, recently opened on Wood Wharf, with former head chef at The Gun Matt Colk overseeing its charcoal grills.

And then there’s Oysteria, which popped up next to the  Canary Wharf end of South Quay Bridge earlier this year.

Oysteria’s interior features sea foam green upholstery and bubble lights

While Fish Game has found talent in a cook formerly working at a Blackwall venue, Oysteria represents a wholesale move for a family well-known on the Isle Of Dogs.

The Topkayas – father Mustafa and his children Jamie and Felicity – ran Italian spot Capeesh on the ground floor of Pan Peninsula next to South Quay DLR for seven years.

Having identified a vacant unit in Canary Wharf during the pandemic, they’ve now crossed the dock with Oysteria the core focus, having recently sold Capeesh as a going concern.

Jamie, who is spearheading the new venue, said: “We’d seen this place as a completely vacant unit but initially we weren’t going to take it on.

“Then we saw a gap in the market.

“Oysteria was really a good opportunity that came out of Covid.

“We spoke with Canary Wharf Group and they did a survey, which found there was a lack of seafood restaurants in the area and that they would really like to change that.

“We knew from running Capeesh that people locally really like their seafood – we’d been there a while and we thought it was time to jump over the water and onto the estate. 

“I’ve always been a fan of oysters and we’ve managed to find an award-winning head chef to make the magic happen in the kitchen.”

Oysteria head chef Tacim Yetis

Before guests taste anything however, it’s worth taking note of a few things.

Astonishingly, Oysteria is the first restaurant in the Wharf’s history to face out over West India South Dock.

This strip of quay boasts a chunky colonnade to the rear of Bank Street, gets the sun pretty much all day and benefits from views down the dock. 

Oysteria has tables right beside, sheltered from above, as well as a glass all-weather seating area for when things inevitably get a bit chillier.

Inside, the restaurant boasts minimal decor aimed at subtly recalling the deep.

“We’ve tried to remind diners of the sea,” said Jamie.

“There’s wooden cladding that’s similar to the deck of a boat, lighting like bubbles in the water and a light green colour scheme.

“It’s a bit like the restaurant under the sea. 

Prawn risotto at Oysteria

“Outside, of course, guests can enjoy seafood right next to the water and we have heaters for colder weather.

“At Oysteria, people will find a good atmosphere, good food and good service – we’re very focused on looking after our customers.

“We want to put a smile on everyone’s faces.”

Key to that will be the food. The menu is about 70% seafood with burgers and steaks available for those who prefer land-based flavours. 

The dishes are mainly Italian with influences from other parts of the Mediterranean – all overseen by head chef Tacim Yetis.

Named best chef in the UK at the 2022 Kebab Awards, he mostly does his talking on the plate, but did let slip that his personal recommendations were for the tuna with pistachio, salad and soy sauce, the monkfish with saffron gel, crusted polenta and spinach or pan-fried scallops with wild mushrooms, celeriac puree and salmon roe.

“On the drinks side, we are focusing on cocktails, including some that come with an oyster,” said Jamie.

“We have a Gin Martini and a Bloody Oysteria, which both come with one – the former features an oyster liqueur.

Fresh oysters – what else – at Oysteria

“The latter is a Bloody Mary-style drink, which goes perfectly with the shellfish thanks to the Tabasco sauce.

“We source much of our seafood from Billingsgate, which is only a stone’s throw from us, with some oysters coming from Jersey and Poole as well.

“It’s been an amazing learning process, discovering how to tell if they are fresh by tapping them, 

“We serve them very fresh and there’s nothing better.

“If I was personally ordering a meal, I’d always start with a dozen and then follow it with the tuna.

“With the Italian influence, we offer a lot of pasta and risotto dishes too and those are always tempting. 

“Then we have a fantastic pistachio tiramisu for dessert, which is perfect with a Limoncello.

“We’ve been getting busier and busier as we’ve built it up – taking on a unit that was just an empty shell at the beginning and turning it into a restaurant.

“We’re planning to introduce a two-for-one cocktail offer soon as well as a happy hour.”

  • In the meantime, Wharfers looking for a deal can get lunch for £11.90 for a main pasta or risotto and a soft drink or £14.90 with a house wine or beer on weekdays from noon-3pm.

“We pride ourselves on delivering quick service,” said Jamie.

“At lunchtime we know people want to be able to sit down, eat and leave within 30 minutes and this is already proving popular.”

Oysteria has tables by the water and also in a weatherproof section outside its premises

Read More: Why there’s only weeks left to see Punchdrunk’s The Burnt city

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Woolwich: How Punchdrunk creates immersive shows to delight audiences

As The Burnt City enters its final months, we catch up with founder and artistic director Felix Barrett

The Burnt City has been seen by more than 200,000 people in Woolwich

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Scroll down for Part One, if you prefer.

>> PART TWO <<

If you’ve started reading here, welcome. There is no right or wrong way to experience this article.

Just your eyes, these images and words and, perhaps, a sense of bewilderment when you reach the end at a place of your choosing.

Feel free to leave at any time. Or not.

Time, it turns out, is short. Punchdrunk has announced that it will welcome its final audience for The Burnt City on September 24, 2023.

Tickets for the final performance (at the time of writing) were selling fast and cost £145 per person.

Other shows in the remaining three months had availability from £45. VIP and premium option are also available.

There are a limited number of tickets for Royal Borough Of Greenwich residents priced at £25. These are released on the last Friday of each month, for performances in the month ahead.

Now all of that tiresome admin is out of the way, why don’t we have Felix (see Part One) tell us what impact he hopes the show will have on those who see it?

He said: “I would like people to feel that childlike awe and wonder that you get as kid when you go and explore your grandfather’s attic.

“You’re told you’re not allowed, but you know that serious wonders lie up there and you brave it anyway.

“You’re by yourself, you open the door, it’s very dark and full of clutter. There’s something in the far corner and you venture over there.

“It’s thrilling, terrifying, exhilarating and it’s full of magic. That’s our aim.

“As adults, much of the magic has been removed from life because of our responsibilities. We’re trying to give that back to our audiences.”

Read Part Three for a bit of history and a smattering of inspiration

Punchdrunk founder and artistic director Felix Barrett

START READING HERE

>> PART ONE <<

This isn’t exactly a typical article structure.

But then its subject matter isn’t a typical show.

Since it opened in March 2022, more than 200,000 people have seen theatre company Punchdrunk’s latest offering – its first at Woolwich Works, the organisation’s permanent global home.

The Burnt City is a sprawling creation.

Masked audience members are free to explore around 100,000sq ft of warehouse space, transformed for the production into an enormous, intricately detailed set in which the show’s multitude of performers appear and disappear.

Founder and artistic director of Punchdrunk, Felix Barrett said: “The show is based on the fable of the fall of Troy and the collapse of that mythical metropolis.

“It’s a future noir sci-fi thriller, told across 120 rooms, which audience members are free to explore in their own time.

“It’s part haunted museum, part real world living movie and part adult adventure playground.”

Audience members wear masks immediately marking them out from the performers who go about their business without acknowledging the watchers.

Audiences are free to explore the show in whatever order they choose

“Most of our performers are contemporary dancers and there’s a big soundtrack, so it’s like you’re inside a movie,” said Felix.

“It’s a gestural, physical language, rather than the intellectual side of your brain having to process it, so it transcends language.

“It takes at least 200 people to run a performance.

“There’s a big cast, a big group of front-of-house stewards, the stage management team, all the backstage departments – design, costume, lighting and sound.

“It takes a village, that’s for sure, but that’s what’s necessary to create single moments for the audience members.

“Different people in the same building will have different experiences.

“I want people to treat the show like a gallery or a museum but one where everything has come alive at night.

“It can have a clear story if you follow a single character but there are myriad narratives to uncover.

“We don’t want to prescribe a certain way to do it, and there’s no right or wrong way to watch the show.

“The reason why you enter through the bar is important, because that’s your safe space, so, if it all gets too much, you can go back, have a nice drink and watch the band.”

Read Part Two to find out why booking sooner rather than later would be wise

The Burnt City features an enormous cast of contemporary dancers

>> PART THREE <<

“At The Globe theatre in Elizabethan times, if you didn’t like the show, you could throw a cabbage at the performers and leave – I thought that was empowering,” said Felix. 

“I created Punchdrunk in 2000 because although I’m a theatre buff and I love it, I was a bit disillusioned with the stuff I was seeing.

“So I asked how we might give the audience control and tried to set out to create something where they were the epicentre of the work.

“Ideally I wanted to create something which could bring the hairs up on the back of the neck.

“What I’m interested in is trying to flip audience expectations and to give audiences a night out which they wouldn’t easily get elsewhere.

“I always want to break the rules of conventional theatre – to try to make sure that there are secrets to unlock.”

For Felix, that process is rooted in the bricks and mortar of the places Punchdrunk performs.

“The company’s shows have called disused warehouses, private houses, an old school and tunnels underneath Waterloo Station home.

“It has made work in locations as far flung as Shanghai and New York.

“A theatre is a blank canvas, but a building is already quite detailed, so we look at all the architectural detail and how we can harness that power, accentuate it and make it stronger for the audience,” said Felix.

“First of all I walk the building, let myself be guided by it and then chalk out the safest place and the most threatening part.

“You’re left with a beautiful, existential tour of a space, and then we start to put a story across it, with the source material.

“Then you start to dream about the environments and the worlds.

“We definitely do world building before we do narrative arc – we’re closer to a video game than a play.

“The word ‘immersive’ came from that genre of entertainment originally.”

Read Part Five for a look into the future

The Burnt City is based on the fable of the fall of Troy

>> PART FIVE <<

“We’ve been nomadic for 23 years, and although we’ve got buildings we can settle into in New York and Shanghai, we’ve never had that in London, where we’re from,” said Felix. 

“To have a home base is extraordinary, so I’m excited about us starting to break new ground, asking questions about the future of the theatre – how we surprise our audience so that we can create something nobody has seen before – that’s our main objective.

“We’re going to start playing with and experimenting with new projects. In a computer game, you can often take your character and go anywhere you want in a world.

“I think the future is taking that empowerment and applying it to real live shows.

“It took us six or seven years to get into our home in Woolwich and open our first show.

“Now it’s almost hard to imagine us not being in Woolwich – we absolutely love it. 

“We’re hungry to make more work. This really is a new dawn for Punchdrunk” 

No. There was no Part Four

  • Find out more about Punchdrunk’s The Burnt City via this link
Punchdrunk’s permanent home is at Woolwich Works in Woolwich

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Festival14 will take over the whole estate with five days of events

Theatre, comedy, dance, wellness and live music make up a packed programme over six venues

Festival14 is set to return to Canary Wharf from July 26-30,2023

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Where to even start with Festival14?

Having taken the decision to focus much of its summer arts and events programme into four days last year, Canary Wharf Group (CWG) has extended the 2023 iteration by a day, packing the calendar for July 26-30.

“We’ve really built on our programme from 2022,” said Camilla McGregor of CWG’s arts and events team.

“In addition to Winter Lights in January, Festival14 is an anchor event in our season.

“It’s trying to combine all the things that we do, like outdoor theatre, classical music concerts and dance so that people can come down and experience them on a single visit or over a few days.

“The amazing thing about the format is that everything is happening on the Canary Wharf estate within walking distance.

“Someone coming down might see some Shakespeare, take part in a workshop at the Fandangoe Discoteca then see a performance in Canada Square Park.

“Most of the festival is free because it’s important to make it accessible to the local community and as wide and audience as possible.

“We are charging for some events where there is limited space but the tickets are very reasonably priced.

“In planning the programme it’s also been important for us to create an inclusive festival with artists and acts from a diverse cross section of society in London.

“Whichever genre – theatre, comedy or music, for example – everyone should be represented.”

Buskers will be performing in Jubilee Park throughout the festival

With events and performances taking place from 11am or noon each day, there will be big name acts alongside less well-known attractions spread across six main venues.

“We’re incredibly excited to have Soul II Soul to headline Friday night in Canada Square Park because they are world famous and we’ve wanted to host them for a long time,” said Camilla. 

“On the comedy side we have performers like Mark Watson, Lou Sanders and Shaparak Khorsandi at The Monty Tent in Montgomery Square.

The Comedy Club will run in it for four nights with comedy for kids on the Sunday.

“Personally I’m looking forward to Big Fish, Little Fish Family Rave – a two-hour party designed for parents and kids to celebrate life with bubbles and balloons.

“Then on the main stage there are sets from Craig Charles and Norman Jay who are both household names and have been on the London circuit for years – they’re both amazing.

“Over the years our summer concerts have appealed to the community and we have a strong returning audience so for Festival14 we wanted to create a line-up suitable for our loyal fans and new audiences alike.

Westferry Circus will host a number of plays

“That’s why we have chosen jazz, soul and r’n’b.

“For example, we will have Ronnie Scott’s Jazz Orchestra  who are very well established and more contemporary sounds from Laura Misch, both on the Sunday.

“Canary Wharf has a long tradition of engaging with the local community too so we will have theatre programmed by The Space on the Isle Of Dogs and a performance from the Docklands Sinfonia in the mix too as well as artists who grew up in east London.

“There will be loads for kids and families to do too with the Crossrail Place Roof Garden the venue for many of these kinds of events.”

So, diaries out – the festival is only two weeks away but there’s still plenty of time to plan those must-sees.

Don’t forget the street food from Karnival in Montgomery Square, daily from noon, either. 

Click here for the full Festival14 programme

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Royal Docks: How Royal Wharf Clinic offers a medical approach to aesthetic procedures

Founder Dr Shaan Mahmood on how a holistic approach to clients can yield desired results

Royal Wharf Clinic founder Dr Shaan Mahmood

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“I‘m aware that there aesthetic clinics where people are in it to make money, but I’m involved in this field because I want to improve people’s mental and medical health,” said Dr Shaan Mahmood.

The founder of Royal Wharf Clinic created the business  – based in Cunningham Avenue near Pontoon Dock DLR station – with two clear aims in mind.

“I’d noticed that, because of things like social media, people are much more concerned about their image than they used to be,” he said.

“I wanted to offer individuals a holistic approach to aesthetic issues but also with their wider health.

“The idea was born out of frustration at not being able to provide the care for people that I wanted through my role as an NHS doctor working in a hospital.”

Initially Dr Shaan spent time pursuing medical research, gaining a masters from the University Of East Anglia’s Norwich Medical School before realising he preferred interacting with patients on a more personal level.

“I remain very interested in the science of medicine, but I like to have human contact as well,” he said.

“I prefer speaking to people to get information from them.

“There’s a lot of data inside our heads that can’t be measured, so you have to talk to people to access it. 

“That’s why I moved on to doing hospital work, graduated and then, eight months later, the Covid pandemic arrived which was very tough to start with.

“Normally, as a junior doctor, you are assured that your senior colleagues are there for you and that your job is to absorb the experience and the protocols rather than to make serious decisions.

“In the pandemic, many of the older doctors were shielding and so the juniors had to step up.

“That experience accelerated my development as a doctor because it taught me to quickly clarify my thought processes, made me better as a worker and a member of a team and showed me that regardless of how you feel, the work needs to be done – so you crack on and do it.

“It was a really tough period and the burn-out rate among colleagues was high – but it resulted in me becoming a far better doctor than I might otherwise have become in that time.

“However, it also highlighted a lot of problems in the system. I love the NHS – having healthcare that is free at the point of delivery is very important and that’s why I continue to work for it.

“But what I didn’t enjoy was saying to patients that they would get an outpatients’ appointment in two weeks and then getting a call from them two months later when that hadn’t even been scheduled.

“I found I couldn’t guarantee what I was saying to people.

“That’s what Royal Wharf Clinic is about. When I say to people who come here that we can do something, then we can.

“If someone has an issue that we can’t address ourselves, then we will know someone who can help.”

Royal Wharf Clinic is located on Cunningham Avenue

On the face of it, Royal Wharf Clinic is divided into two areas of service – medical and aesthetic.

But as we talk, it becomes obvious Dr Shaan sees them as feeding into a single mission – how to help someone feel better, both physically and mentally. 

To that end the clinic is fully equipped with a variety of consultation and treatment rooms and is currently constructing an on-site lab to bring wait times for test results down to a minimum. 

“On the medical side, we do a lot of investigations that are primarily preventative,” said Dr Shaan.

“We offer blood tests, scans and consultations about nutrition and lifestyle – such as sleep, work and stress levels – and we try to pinpoint what a person’s goals are in life for their health and wellbeing.

“It’s not up to me to decide what will make someone better. It’s for me to ask what that is and then create a strategy to help people get there.

“A client might want to feel more energetic, for example, to reduce their stress levels, lose weight or gain some muscle. 

“Of course, we can treat people if there is a medical problem or refer them to a specialist if necessary, but I’m a big proponent of preventative blood work to identify any deficiencies in the body.

“We have created a number of bespoke tests to address common complaints – tiredness for example.

“Our test will screen for certain conditions and 95% of time it’s likely to be one of those that is responsible. 

“Another is iron deficiency – a person’s levels will be low three or four months before they develop anaemia but they may feel fine.

“If we identify that early then we can improve a person’s levels to head off any problems.

“My job is really to keep people out of hospital – to be their guardian angel. People can tell me what they want and we’ll give them advice on how to get there.”

Dr Shaan’s approach when it comes to aesthetic treatments is similar, following Royal Wharf Clinic’s tagline of “beauty carefully considered”.

The clinic’s Styku scanning room plus Emsculpt Neo

“The background knowledge I have from doing complex surgery contributes to the level of service we are able to offer clients,” he said.

“Overall there’s an emphasis on a more natural look in the field of aesthetics now.

“For example, many people prefer skin boosters rather than changing the shape of the body.

“People’s reasons for seeking aesthetic treatments are deeply personal but they always stem from a perception that there’s a problem to be fixed.

“There are two types of aesthetic treatment – preventative, such as washing and moisturising, and reactive where we’re trying to correct something.

“We will never look at a client and tell them what we think they should have done. It’s always up to the client to tell us what they think the problem is.

“For example, they might think they dislike the size of their nose or certain skin blemishes.

“Then I will make an assessment because some people suffer from dysmorphia and see a completely different person when they look in the mirror.

“As a doctor, it is my responsibility to look after their health so I’m not obliged to agree with a client’s assessment if treatment is unnecessary or might be detrimental to their health. 

“This is something we take very seriously – because of social media we’re constantly exposed to images of others and can easily make unfavourable comparisons, which is more to do with a person’s mental health than their physical appearance.

“However, there are, of course, genuine deficiencies such as scarring, dry skin or areas damaged by acne that are causing misery and that we can get sorted.

“Then there are anti-ageing treatments. You can’t stop Father Time, but you can definitely slow him down.”

In addition to the medical services it offers, Royal Wharf Clinic boasts an extensive range of options to improve the appearance of or remove the likes of warts and verrucas, body hair, visible blood vessels and scars.

It also offers Emsculpt Neo treatments to help eliminate stubborn fat deposits.

You can find out more about Royal Wharf Clinic via this link

A treatment room at the clinic complete with 3Juve Laser

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Isle Of Dogs: How you can learn to sail on the waters of Millwall Outer Dock

Docklands Sailing And Watersports Centre instructor Leila Moore on teaching adults and kids

Docklands Sailing And Watersports Centre instructor Leila Moore

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“Anyone can come here – it’s an amazing place to go out on the water whether you’re an adult or a kid,” said Leila Moore, sailing instructor at the Docklands Sailing And Watersports Centre (DSWC) on the Isle Of Dogs. 

“I grew up on the Island and was nine when I first tried out sailing, windsurfing and kayaking at the centre – I’m 22 now and I’m still here.”

Leila remains a part-time instructor at the centre while studying for a degree in ocean science and marine conservation at the University Of Plymouth.

“I love the water and I always wanted to be a marine biologist, so sailing has given me a chance to be out on the dock and ocean a lot,” she said.

“I think the DSWC is something not many people expect to find in London and it’s a great facility.

“I really enjoyed all the watersports I tried when I was a kid, but then the weather started to get colder so I stuck with sailing, which was on the water rather than in it.

“By the following summer I was racing and I loved it.

“At the centre, kids have the option to become volunteers if they are doing well at the age of 14 and can start shadowing instructors on courses.

“That’s what I did, which was quite interesting as sometimes you’re teaching adults while still a teenager.

“At 16 I did my instructor’s course, which then gave me a job that I really enjoyed and gave me even more opportunities to be out on the water.”

Leila now works at the centre whenever her studies allow, helping children and adults discover sailing and develop their skills.

The centre is located on Westferry Road on the Isle Of Dogs

“The minimum age is eight for our sessions and we run a youth club on Monday evenings and Sunday mornings as well as sessions in the holidays and over half terms,” she said.

“The kids learn how to sail from scratch – the parts of the boat and how it works.

“We teach them all the way from Royal Yachting Association stage one to stage four, which covers everything from the very beginning to starting to race. 

“The RYA certificates are recognised globally and are evidence of how much sailing a person can do.

“For adults we do something similar with levels one to three available, although most people only do up to level two, which is what’s generally necessary to hire a boat.

“If someone has done level one with us then we’re happy for them to go out sailing on our boats – then we have open sessions all day, every day apart from when we’re hosting private events.

“Anyone with an RYA Level Two, or equivalent experience can go out sailing without instructors.

“Annual membership is £150 for adults and only £30 for children so it’s very good value.

“There’s also family membership for £300, which includes two adults and four children. 

“Of course, anyone can come and hire a sit-on kayak or a stand-up paddleboard for an hour so long as they are water confident. 

“We get all kinds of people who come to try things out – passers-by who didn’t know we were here, locals who want to get out on the water, tourists who have found us online and workers who regularly travel to this part of London for work.

Watersports take place on Millwall Outer Dock

“We believe in safety all day, every day and we always have instructors on or watching the water.

“Our safety boats are always rigged and ready to go so we can get from one end of the dock to the other in under a minute if we need to, although it’s very rare for kids or adults get into a situation that they can’t sort out themselves.

“Everybody wears a buoyancy aid and there are no exceptions to that rule apart from the open water swimmers who are also based here.

“The water itself is very clean – we check it regularly and I can confirm I’ve been in and out of the water since the age of nine and have managed to survive. 

“For me it’s close to home, of course, but the reason I keep coming back is that the people are really lovely – it’s a great environment.

“Some of our adult racers have been coming for many years too – I was racing against them when I was a kid – it’s just such a nice place to be.

“We’re very reasonably priced and, compared to similar places nearby, we have the greatest variety of boats and offer the most sessions on the water.”

While an injury at 16 curtailed Leila’s solo career she has since moved on to sailing racing yachts as part of a team.

In addition to competition and recreation, her experience with boats has also opened doors for her academically.

“As an ocean scientist, the sailing has helped me a lot,” she said.

“I spent all of January and most of February on a yacht in Turkey doing some research and I only got that opportunity because of my skills as a sailor. 

“The project was for people doing PhDs, but they needed somebody who could handle a boat and there have been a few things like that.

“A surprising number of people who study the ocean don’t have sailing skills, so it’s been really useful.”

It costs £15 for non members to hire sit-on kayaks at the centre for an hour

Leila has started taking her nieces and nephews out at the centre too in the hope that they might follow in her footsteps, admitting that her siblings are not water people.

However, while there are all kinds of craft piled high in its yard, DWSC is about more than the activities on the dock itself.

“We have a bar upstairs that’s usually open from 5pm on weekdays and from 1pm at weekends as well as a Tiki Bar downstairs, which is very exciting,” she said.

“We also have a space that can be hired for weddings and birthdays or any kind of party along with the bar.

“We do corporate events too such as team building, where companies can hire the whole site – we do activities such as dragon boat racing, which is a great thing to do with colleagues paddling together.”

Sit-on kayaks and paddleboards can be hired for £15 for non-members and £5 for members.

A full list of activities and prices can be found on the centre’s website alongside booking links.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Fish Game serves up something different in Wood Wharf

Restaurateur Roberto Costa has engaged head chef Matt Colk to run his seasonal venue in Water Street

Fish Game head chef Matt Colk, formerly of The Gun

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There’s something a little bit radical about Fish Game that sets it apart from the carefully crafted interiors and presentation of its neighbours.

Dishoom has a delicately written founding myth about a rogue banker that informs its entire design.

Mallow has earthy colours with golden accents.

In contrast, Fish Game is the rock dropped into the serene waters of Wood Wharf.

Here there’s a giant artwork of a man apparently eating credit cards with his head wrapped in cling film, tree stumps supporting glass tables, colourful fishing floats and flailing squid hanging from the ceiling and a private dining room decorated with images of Mafia bosses.

The restaurant, which recently opened its doors is the latest creation of Roberto Costa – the man behind Macellaio RC, a chain of six establishments named in honour of the Italian word for butcher plus his initials.

These feature butchery as theatre and plenty of Italian produce and dishes as befits a son of Genoa.

Fish Game, however, is different again – a bamboozling, hedonistic sort of a place that nevertheless rests firmly on four pillars – bread, veg, fish and, naturally, game.

To ensure those pillars are well founded, Roberto has turned to head chef Matt Colk – who returns to E14 having previously spent eight years cooking at The Gun (a little further to the east and right on the Thames) before a brief flirtation with Soho and then Fish Game.

It’s some distance from his start in hospitality.

“I began cooking when I was 14 in a little chip shop in North Lincolnshire,” he said. “I went on to do graphic design at college but my part-time job in the kitchen was much more fun.

“When I was 18 I came to London and first of all worked at Christopher’s Restaurant And Martini bar in Covent Garden before moving on to Roast in Borough Market.

“Then I worked at the RAC Club in Pall Mall, winning Worshipful Company Of Cooks’ Young Chef Of the Year in 2013 before joining The Gun in 2015.”

Rabbit Croquettes with marjoram and lime zest mayonnaise at Fish Game

The approach at Fish Game, however, strikes a contrast with his previous roles.

Having impressed with two dishes he served Roberto during a cook-off, he got the job and then discovered things in his new restaurant would be quite different.

“Roberto wants everything rustic, a bit more rock ‘n’ roll – everything natural,” said Matt.

“He wants to change people’s idea of what food is – to try all the good bits that people normally get rid of.

“In the beginning it took time because I was making dishes the way I used to, but Roberto didn’t care for recipes or classics. Everything had to be different.

“That took a bit of time to get used to but I sought inspiration and had a few ideas.

“We’ve broken the menu down into four sections with bread, veg, seafood and meat. If you need advice the waiter or storyteller will come and advise you what to have.

“It can all come together or separately – that’s how people enjoy eating.

“They can share and there’s never any rush.

“Diners can have small plates or big plates, whatever they want, and then order more if they are still hungry.

“It’s simple food cooked well. Roberto loves the diversity of England’s produce and wants to showcase that.”

Early signs seem to indicate that’s something customers are eager to experience.

While only open a short time, bookings have been strong with Matt and his team of chefs working furiously to satisfy full services.

Roman Tigella bread withe rabbit and offal at Fish Game

The menu is certainly a singular creation with ingredients cooked primarily on the ash and charcoal of Fish Game’s bank of grills.

“We’re in the middle of four really good restaurants here, but I love that this isn’t a chain,” said Matt.

“The feedback has been really good so far and people are getting used to the food. 

“There are dishes on the menu that have taken two months to create, but the one everyone loves is something that took me five seconds to whip up.

“Roberto turned to me and said he wanted a squid dish on the menu – I asked when, and he said: ‘Now’. So I looked in the fridge, found a few ingredients and made the one that’s on there now.

“It’s charcoaled squid served with fermented chilli and fried cavolo nero – it just works. There’s a little bit of sugar and salt in there against that chilli sauce.”

Chilli is a big ingredient for Fish Game. In fact the restaurant is certainly the only place in Canary Wharf that boasts a tasting menu dedicated to the plant’s spicy fruit. 

This offers diners the opportunity to taste peppers from Italian farm Vivi Piccante ranging in heat from a prickly 100,000 to 2.3million units on the Scoville Scale.

For contrast, a supermarket Jalapeno is around 2,500 units.

While Matt isn’t afraid of some spice, his dishes are designed to delight rather than melt guests, often focusing on less frequently used ingredients.

“I’m proud of the ox heart, which is marinated for 12 hours in garlic and chilli plus olive oil, that we source from near Roberto’s home in Italy,” said Matt.

“Then it’s seared on the charcoal and served with a crunchy carrot salad, with red onion, salt, pepper and lemon juice.”

Sea bream at Fish Game

Other offerings include a gamey take on an Italian classic in hare arancini, a dish of smoked duck breast and duck leg, a venison tartare with bone marrow and rump of mutton with fresh mint and mustard.

Game dishes range from £6.50 to £52 for a beef ribeye off the bone with bone marrow.

On the aquatic side, there are oysters (£6 for two), langoustines with samphire, mussels with venison nduja and monkfish with rosemary, lime and sea salt.

Dishes range in price from £6 to £50 for a butterfly sea bream served with olive oil, cherry tomatoes, pine nuts and basil.

“If I was ordering, I’d start with the Tigella bread from Rome (£9), which is served with rabbit and offal cooked over ash and finished with parsley, fresh garlic and lemon juice,” said Matt.

“Then, of course, I’d have the squid (£9). Sometimes the people are right.

“They even rave about the potatoes we serve but they’re just crispy new potatoes with chilli, garlic, chives and lime.”

In addition to the skill of the chef – after all Matt used to write a recipe column for Wharf Life when he was at The Gun and we don’t let just anyone do that – key to the success of a restaurant is the produce it has to work with.

Fish Game promises to regularly change its menu to fit in with what’s in season, whether that’s meat, fish or vegetables.

“It’s a little early for game season at the moment, but come August 12 we will have grouse on the menu and we also plan to feature partridge, pheasant and quail at the right time,” said Matt.

“We’ll be sourcing our game from the Windsor Park Estate, which is pretty local to us.

“In fact, if they turn the menu over, diners will be able to see where we get all of the fish, meat and game that we use within the UK, which is a nice touch.

“For Roberto it’s important that we serve things that stand out.

“That includes the fact we only offer two desserts – a tiramisu that’s made at the table and a lemon tart with seasonal fruit.

“We’ve also got an ice cream machine that we’re going to use to make a gelato with olive oil and sea salt. It sounds ridiculous, but it’s really good.

“I’ve been here two months, but as for the future I’d love to win a Michelin star and then perhaps see if we can expand to another site or two.”

Venue owner Roberto Costa with Matt

So there you have it, the Wharf’s latest arrival packed with unusual produce, dishes, decor and verve. 

Fish Game is, Matt tells me, currently looking for talented chefs – who wouldn’t want to chance their arm at a project that aims to stand out and get noticed?

Oh, and before I forget to mention it, as if potent art, a chilli menu and plenty of food isn’t enough, the Water Street restaurant also distinguishes itself by offering drinks served from its extensive Agave Bar.

Specialising in Tequila, Raicilla and Mezcal (with a single Sotol on the list too) this promises to add a potent note to any dinner.

And there certainly isn’t time to go into a cocktail list that’s classified by a system of chess pieces.

You’ll just have to head down to Wood Wharf, bag a table and work your way through them, by which time the whole enterprise might make some kind of sense.

Find out more about Fish Game via this link

Read More: How Leo Weisz Therapy offers rapid, in-depth help

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Bethnal Green: How Leo Weisz Therapy offers rapid, in-depth help to clients

Founding director Janos Verebes-Weisz on creating a flexible service for those with hectic schedules

Leo Weisz Therapy founding director Janos Verebes-Weisz

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“If people really want to change, then there is hope,” said Janos Verebes-Weisz. “I strongly believe in that.

“Anybody who is fed up can benefit from thinking through what is between them and change – that process on its own is part of changing.”

There’s a warmth, kindness and curiosity to Janos. It’s in the timbre of his voice, the rhythm of his speech and the way he gently turns topics over in his mind to examine and explore them as we talk. 

That’s unsurprising. The founding director of Leo Weisz Therapy has spent his life helping people – initially working as a paramedic and intensive care nurse in Hungary before moving to the UK in 2004. 

As a person in therapy himself, he determined to train as a psychotherapist and found a place working in the NHS with offenders in a medium secure unit in Hackney.

There he spent seven years using group sessions to help those with personality disorders.

Since then he’s worked in the NHS in east London as well as in private practice and has spent time as a visiting lecturer, teaching the next generation of therapists at Queen Mary University and Greenwich University.

He founded community interest company the Community Psychotherapy Network (CPN) in Bethnal Green to offer accessible and affordable group therapy.

“Traditionally psychotherapy has a very strict structure – clients have a time when they must turn up,” said Janos.

“It’s usually a requirement. Through our work with CPN, even before the pandemic, we realised that there was a group of people who need a little bit more flexibility.

“They can afford therapy but, because they are working like mad, they cannot always get to the sessions. 

“That’s why we created Leo Weisz. We specialise in long-term, in-depth therapy and that’s what we offer to people with speed and flexibility.

“When Covid came, it overwrote much of what we thought about what’s needed to do psychotherapy work effectively.

“This means if you have someone who is leading a business and struggling with an eating disorder, for example – a person whose hectic lifestyle makes it very difficult to attend sessions – we can still help them.

“When the pandemic came and we had to put everything online – life shows you that you can adapt.”

Thus Leo Weisz Therapy was created, with Janos teaming up with therapists Sarah Clark, Ivor McKay, Mayer Lindner and Adelaide O’Mahony to offer group and one-to-one sessions to both individuals and businesses.

The organisation is based in Bethnal Green, with access to premises in Canary Wharf in the pipeline.

Leo Weisz Therapy provides services to individuals and companies keen to look after their employees’ mental health

“My background is in dealing with personality disorders, which we see as a developmental illness,” said Janos.

“Some people say it’s untreatable, but we know that’s absolutely not the case. 

“With maturation and development, things can be much better – but it takes time and that’s why we work with clients long-term.

“The benefit of our approach is that we are not working to change habits – we’re promoting in-depth change.

“That’s the most difficult thing – there is often a lot between a person and the change they want to make.

“We have to ask how we can understand the resistance to it and then go towards the desired outcome of a client’s therapy.

“In that sense, more often than not, we find trauma inevitably comes up.

“Things that people have gone through will, one way or another, have influenced their development.

“As a result they suffer with different symptoms.

“Those might include anxiety, depression, an eating disorder, self harm, addiction or complex destructive or risky behaviour.

“Here we’re not working only to address those symptoms – it’s about what they are communicating.

“The phrase we like to use is ‘immature defence structure’.

“Often people are at a particular age or stage in their life and they didn’t get the right amount of support at a particular time.

“They may also have been directly traumatised. 

“Then their development arrested and we try to pick up at that point and support them into a direction they would like to go.”

Leo Weisz Therapy is in the process of opening a facility in Canary Wharf

To that end, Janos and his colleagues aim to offer services that will fit in with a client’s life, while also working to address the issues they are experiencing.

“I think what’s unusual in this field is that we offer flexibility,” said Janos.

“Needless to say, of course, we’re also extremely confidential.

“One-to-one sessions will work for some people, while group therapy is also highly effective, because it puts people into context.

“It works as an analogue for the wider community.

“While many people experience fear when they wonder whether they will be getting time for their issues in this setting, it is actually training for the ego where we can place our problems beside those of others.

“People start finding words for their feelings when they experience commonality in a group.

“These words become a common experience and language that enables group participants to express themselves much faster than they would if they were on their own.

“Being in a group can be extremely freeing – they understand that they are not alone. 

“In a group there are often people at different stages.

“Imagine, for example, someone who is suffering with bulimic attacks and then they’re sitting with someone who already left this kind of behaviour behind after years of therapy.

“Then they start talking about it – why they do it, what it means for them and how they can find words that express those things.

“Then we start to realise these are universal experiences and that we don’t have to act out these behaviours – we can verbalise them instead.”

Leo Weisz Therapy also stands ready to help businesses with an approach that aims to offer practical, beneficial results for their employees.

“In the corporate world you often have people working under enormous pressure and they need a release,” said Janos.

“We are always learning from our clients but we absolutely take a practical approach.

“For example, there will be elements of behavioural therapy that come up in group sessions.

“It’s a repetitive process. We talk about these developmental cycles and we identify symptoms, but it’s easy for people to regress too.

“Then we keep doing the work and change happens over time.

“It’s mind-blowing what can happen. I haven’t seen anyone change for the better in as little as three months – that’s because to do it, you have to reshape internal constructs, to tackle internal defence structures.

“People can be very fragile inside but they can be like medieval knights covered in very rigid armour that rejects closeness and flexibility. 

“You can’t just remove the armour, you have to work to put muscles on the arms and legs so the person can gradually take it off piece by piece.

“Then, underneath they will be strong enough not to collapse without it.

“I’m always very moved when that happens – people come to us and make themselves vulnerable.

“It’s a privilege to work with them.”

Find out more about Leo Weisz Therapy’s services via this link

Read more: How artist Mark Taylor is capturing Canary Wharf and Docklands

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Woolwich: How a council project is brightening up bare walls with murals

Woolwich Mural Trail features work by south-east London artist Ellen Strachan at local Jobcentre Plus

Artist Ellen Strachan with her work and the Woolwich Mural Trail map

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Walk down the side of Woolwich’s Jobcentre Plus and you’ll find a recently installed mural decorating a once bare brick wall.

Ellen Strachan’s Work In Woolwich mural is one of five artworks commissioned by the council to brighten up the area and showcase its heritage.

“My piece looks at the past, present and future of work locally,” said Ellen, a former physics teacher who lives in Abbey Wood and decided to pursue art full time after the birth of her daughter three years ago.

“There are three large panels that have those themes and two others that were created based on the stories and creations of local residents who participated in workshops about that theme while I was developing the work.

“Some told me about their lives, while others created their own paper cut outs for inclusion in the piece.

“I hope my mural makes viewers think a little bit about the people around them – how we are reliant on each other and that everyone’s work helps us as a community.

“I’d like them to think a little bit about the past and all the people who have contributed to where we are now, the future and where we are going.

“It’s a time of such change, with more technology coming and jobs changing quite a lot and it was interesting to look into that. 

“Environmental considerations are also very important – since we’re going to need to make a huge change in how our economy works with regard to everything from transport to heating. 

“If people look at the mural, I hope they wonder why I’ve chosen the things that are featured and ask themselves what they would choose if they were creating a piece.”

Welcome To Woolwich by The Collective Makers on Powis Street

Ellen’s work in this instance comes as printed vinyl, although she usually works in lino cut or using cut-out paper collage, which was the basis for the mural before it was digitally scanned.

“I like those techniques – I’ve always used a pair of scissors,” she said.

“Both make you think about the positive and the negative – where something is either printed or it’s not.

“The artwork for this mural has been created using paper, which  makes me simplify what I’m doing and create something quite bold.

“It feels really good to have the piece finally unveiled.”

The council commissioned the piece as part of its Woolwich Mural Trail – a series of works by local artists created with local residents, schools and community organisations.

It joins Welcome To Woolwich by The Collective Makers on Powis Street, Your Woolwich in Beresford Square by Paige Denham and Foxfield Primary School, Woolwich Scenes in Myrtle Alley by Marc Drostle and Area Of Prosperity in Barnards Close by Haffeera Cader Saul and Nightingale Primary School, to complete the trail.

Area Of Prosperity in Barnards Close by Haffeera Cader Saul and Nightingale Primary School

“These stunning murals tell the personal stories and aspirations of our community, bringing creativity and colour to Woolwich town centre,” said Greenwich Council cabinet member for equality, culture and communities, Cllr Adel Khaireh.

“It’s fantastic to see how proud the artists and the school pupils are of their artwork, and to see Woolwich’s rich history brought to life.

“On behalf of the council, I’d like to thank all the different artists, community groups, schools and people who got involved and shared their memories and ideas. I hope they will all be enjoyed for many years to come.”

For Ellen, the commission was just the latest stage in her journey as an emerging artist, having gone from designing prints to selling her work through the Greenwich Co-operative Development Agency’s Made In Greenwich shop in Creek Road and Deptford Does Art in Deptford High Street under her Pigeon Loft Prints brand.

“I actually found out about the mural trail through Made In Greenwich’s May Jane Baxter,” said Ellen.

“Working with them has been really great. Initially when I gave up teaching, I was very isolated as an artist until I went to Made In Greenwich – they’ve really made me feel like I’m part of a community.

“I started by doing surface pattern designs using lino cut prints.

“I’d take them and turn them into textile designs for products, which I’d sell through the shop.

“Then I got the chance to design the Christmas windows for Made In Greenwich, which turned out to be quite important.

Work In Woolwich by Ellen Strachan in Calderwood Street

“Greenwich Council held an open call for artists to do the Woolwich Mural Trail and so I had that as an example of working at a large scale.

“Since then, I’ve had a few more large pieces of work commissioned – I’ve just been working for the past couple of weeks on a mural in Walthamstow for Crate, which is going to open a new food hall in the central shopping centre there.

“My piece will be on the back of one of the kiosks where people enter the space and it will welcome them.

“Working with Made In Greenwich has allowed me to build up my portfolio to apply for this kind of project. 

“For example, I have another temporary mural coming up in Woolwich for the Woolwich Stories Cultural Trail, which is going to be taking place in August with some art installations and performances.

“That mural, entitled Woolwich Treepreciation will be on a disused shop front and will focus on trees – it’s showing an appreciation of the street trees in the area with hand prints and thumb prints making up the leaves.

“Local people’s words about the trees will also feature – lettering being a common feature in a lot of my work.”

Woolwich Scenes in Myrtle Alley by Marc Drostle

THE COUNCIL SAYS

>> “I’m so impressed with these special artworks and how they have instantly brightened up empty spaces in the town centre,” said Cllr Aidan Smith. 

“Alongside wider improvements, which will get under way this summer, they help make Woolwich a more attractive and vibrant place for residents, businesses and shoppers.

“The upcoming works will provide improved facilities for traders in Beresford Street market including fully accessible public toilets, as well as new planting, better seating, lighting and play spaces throughout Beresford Square and Powis Street.”

Read more: How artist Mark Taylor is capturing Canary Wharf and Docklands

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Karapincha is bringing Sri Lankan flavours back to the Wharf

Twin sisters Vasanthini and Dharshini Perumal are set to open a grab and go branch in the Tube station

Karapincha’s freshly made Kothu Roti with lamb

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There’s spice, fire, zest and vigour in the eyes of Karapincha founders Vasanthini and Dharshini Perumal and that’s before we’ve even mentioned the food.

The twin sisters are a force to be reckoned with, boasting CVs that name-check JP Morgan, EY, Nomura, RBS, KPMG, Six Degrees Group and many more.

Accountancy, project management, finance, entrepreneurial verve – it’s all there. So why give up flourishing careers in finance to launch a hospitality business?

 “Ever since we came to the UK from Sri Lanka in 2011, we knew we wanted to create a business,” said Vasanthini.

“Some people think that with Indian or Sri Lankan food that you have to sit down and have a meal, but that’s not necessarily the case – you can convert these cuisines to grab-and-go. 

“We’d been thinking about the idea and had done some test marketing at an evening market in Shoreditch – we cooked up some food with our family and it was really nicely taken up.

“We were able to sell more than 100 portions – people really liked it. 

“Then our mum and dad got sick and we couldn’t concentrate on starting something immediately.

“In the meantime Hoppers, a restaurant in Soho, started up and I thought: ‘Bugger – they’ve got my concept’.”

Undeterred, however, and with a faith that their time was yet to come, the duo bided their time before an introduction in Canary Wharf led them in a fresh direction.

“A colleague at JP Morgan introduced me to The Limehouse – a bar and restaurant run by Fuller’s on Fisherman’s Walk,” said Dharshini.

“They loved the food, but weren’t sure whether to go ahead until suddenly everything became OK and we went to sign the contract. 

“It only gave us three weeks to get going – we didn’t have a name, any staff, crockery a menu or anything in the kitchen. Luckily we work well under pressure.”

Karapincha co-founder Dharshini Perumal

Their determination won through with the twins pulling everything together to open in 2018, bringing their version of Sri Lankan cuisine to Wharfers in a 180-cover restaurant.

“Fuller’s was a really good partner for us – there was so much learning to do,” said Vasanthini.

“We had a really good partnership, learning the hygiene systems and how to organise our operation.

“They rebranded the place to match our colours – they really supported us and helped us to start up.”

The Limehouse, along with its neighbour, The Merchant, didn’t reopen following the pandemic, however, with Fuller’s deciding to leave the Canary Wharf estate.

However, Karapincha survives – running in sites at Mercato Metropolitano in Elephant And Castle and Old Spitalfields Market – and Vasanthini and Dharshini are set to bring the brand back to Canary Wharf – albeit in a different form in the Jubilee line station.

Karapincha is expecting to start trading in mid-July. 

“We’re going to be the first hospitality business to open in a Tube station where the kitchen will actually be cooking food,” said Vasanthini.

“Being in the station, we’re going to take the full opportunity to trade from morning until evening, breakfast, lunch and dinner – it’s a grab-and-go concept.

“We’ll be doing some things that are different here to our other sites because of all the offices nearby so that people will be able to come into work and eat our food.”

What won’t change, however, is the twins’ approach to the core flavours Karapincha champions.

“If you ask me where I would like to dine in London, the answer would be our place, because it’s nice comfort food,” said Dharshini.

“It reminds us of home-cooked food, just like our mother made – that’s what we always wanted.

“We didn’t want complicated, fancy stuff.

“We use a central kitchen to supply our sites, but everything is home-cooked style. We make everything we serve from scratch including the mayonnaise and the ketchup.

Karapincha co-founder Vasanthini Perumal

“It’s about conscientiously, carefully making food that is good for your health – exactly as you would if you had people coming to your house for lunch.

“That’s how we train our staff – they’re a lovely bunch who look after each other like family and a happy kitchen means a happy customer. 

“When they buy it, people should not feel that our food is from a shop.

“We also cook in front of customers so they know they are getting something fresh. 

“For example, the boys will make the paratha in the kitchen every day and we never freeze food or bring anything from elsewhere – it’s all made by us on a daily basis.”

Having had the teaser photos on the previous pages, it’s now time to talk about the food. Karapincha is proud to serve a selection of potent Sri Lankan dishes, all with the twins’ personal twist.

Front and centre is the Kothu Roti – a stir fry made with chopped roti bread, vegetables and eggs, flavoured with Sri Lankan curries and sliced up with energy as it cooks on the griddle.

Vegan, chicken and lamb versions are all available.

Vegan curry with rice from Karapincha

Then there’s the traditional Sri Lankan lunch of rice with curry, or how about a flaky folded paratha to dip in a rich coconut-laced sauce?

Failing that, there’s always the devilled chicken and fried rice or lamb rolls to fall back on – which all pack a punch.

When the twins first opened in Elephant And Castle, they were advised to tone down the spice a bit.

Suffice to say they ignored the advice and quickly built up a line of hungry fans eager to feel their tongues fizz from the pepper.

 “The name of Karapincha comes from the curry leaf used in Sri Lankan cooking,” said Dharshini.

“It’s all about what we like to eat – what we grew up eating and the stuff our mother taught us.

“We use her recipe for curry powder, which contains 12 ingredients in specific quantities and we import them from Sri Lanka and grind it in our kitchen.

“The island is known for the best cinnamon in the world.

“But there are some twists too – if you go to that country, you won’t find our pineapple pickle served at any of the roti street food stalls.”

A fried lamb roll from Karapincha

The twins also promise twists on bacon and egg for breakfast at the Canary Wharf store alongside porridges and even a high tea box to tempt office workers looking for afternoon refreshment. 

But then, perhaps this kind of thing is to be expected from a pair of founders who, upon discovering a local mine was up for sale in Sri Lanka, bought it and turned their hand to exporting silica quartz to Japan and Korea, growing the operation to support 100 employees before selling it to mining giant Nippon seven years later.

“It’s really fulfilling to have started Karapincha,” said Vasanthini.

“We’re really happy. We wanted to do something in the UK, so we put this in motion and it’s been functioning for four years. 

“It’s a journey and now we’re looking to take it to the next level and to operate a franchise model.

“We are slowly growing and we want to get bigger – at first within London. Canary Wharf will be our flagship now that we’re catching up after Covid.

“It’s also about the team – the people who work for us are a family.

“They’re so good, really brilliant and they never give up – and they need something to grow into.”

Chicken curry with paratha from Karapincha

Read more: How artist Mark Taylor is capturing Canary Wharf and Docklands

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Royal Docks: How Certain Blacks’ Ensemble Festival is packed with free entertainment

Artistic director Clive Lyttle on how acts have been commissioned to get audience’s hearts’ beating

Certain Blacks artistic director Clive Lyttle

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Clive Lyttle is smiling and there’s a glint in his eye.

The artistic director of Certain Blacks is relishing the prospect of putting on four days of completely free entertainment in Royal Docks when the organisation’s Ensemble Festival returns. 

Six whistle-whetting performances are set to take place on July 19 and 20, 2023, followed by a further 10 on July 22 and 23, 2023 – all adding up to a brightly coloured spectacle of newly commissioned circus, dance, art and voguing.

The festival’s 2023 programme is its most extensive to date in Certain Blacks’ ongoing mission to bring live performance from the margins to the mainstream.

“I’d spent 17 years working for Arts Council England and I developed Certain Blacks because of the need to support a wide range of diverse artists,” said Clive.

“Our first indoor festival took place in 2015 at Stratford Circus and we continue to showcase work as an arts development organisation.

“At the Arts Council, I was responsible for Newham, so I have deep contacts in the borough – my first job was as a multi-cultural arts officer for the council.”

Having worked extensively in the area, Clive made the move to Royal Docks six years ago and now lives overlooking Excel from the Flying Angel – a former seaman’s hospital for more than a century, converted into residential homes.

Between there and Certain Blacks’ base at The Factory Project in Silvertown, he oversees two annual festivals – Ensemble in E16  and Heroes, last held at Shoreditch’s Rich Mix in February.

While the latter is a platform for artists to explore performances strictly for an adult audience indoors, the former is strictly family friendly and very much out in the open air.

 “Certain Blacks is part of a network called Without Walls,” said Clive, who originally wanted to be a rock star before going on to study jazz guitar in Northumbria and embarking on a career in the arts. 

Out Of The Deep Blue’s puppet performance will be part of the festival

“It’s a national consortium of 36 festivals that work together to commission and develop innovative new work each year that can then tour the country.

“We’ve got seven new commissions including Gorilla Circus – a large scale show with high wire, trapeze and hair hanging that will be the finale of this year’s Ensemble Festival

“We’re lucky to have Arts Council funding, which gives us a little bit of money to get these shows made and then a bit of time to put a programme together.

“I travel to various festivals in the UK and Europe where we meet people – we’re always on the look out for artists.

“The festival is also funded by the Royal Docks Team for some smaller commissions that range from a local music collective to a Chinese dance group, an African psychedelic performance and something we’re putting together called Give And Take, which is about the politics and rights and wrongs of giving.”

These performances will mostly take place in front of Good Hotel off Western Gateway, a few minutes’ walk from Royal Victoria Dock DLR station.

The finale, however, is set to take place beside Building 1000 near Royal Albert Dock DLR on the Saturday and Sunday.

“It’s a spectacular show,” said Clive. “I saw it at the Norfolk And Norwich Festival – one of the partners in Without Walls – in May and it was fantastic.

“Of the consortium, we’re one of the few partners putting that show on.

“It gets your heart really beating – the hair hanging may make a few people wince and the high wire act is one of the best in Europe.

“He doesn’t wear a harness and left me with my heart in my mouth when I saw the show last month.

“As for the rest of the performances, a lot of the programme is an open call to artists – anyone who wants to do outdoor work can apply and that can lead to performances at, say, seven or eight festivals nationwide.

“With Certain Blacks, a lot of it is putting on work and supporting artists that I’d love to see – but also pieces that are unexpected and diverse.

Mughal Miniatures is based on tiny pictures seen in Indian temples

“It has to be fun too. We do a lot of live art, a lot of work which might challenge the audience – but Ensemble is very much PG-rated, even if the shows might make people think.

“We have the Sonia Sabri Company presenting Mughal Miniatures – The Awakening, a piece based on tiny pictures you can see in Indian temples brought to life.

“Then there’s Fussy Foodies: Battle Of The Pans where people can learn a few tricks about being a celebrity chef, play a few games and have a good singalong. 

“Some of the themes we’ll be addressing through the Royal Docks Team commissions are ecology, being eco-friendly and how we live.

“We’ve got an event anyone can take part in called the Bench Invasion.

“People from Belgium are coming over with 10 benches and we’ll have local volunteers helping to put the benches down, and people can sit and talk to them – then at the end there’s a little party and an exchange of stories.

“It’s about slowing life down and listening.

“We’ve also got a big eco-show with the Austin Dance Theatre called Out Of The Deep Blue – it’s a giant puppet that goes around telling stories about conservation.”

One of the few pieces to take place elsewhere will be dotComedy’s News Desk – a live rolling broadcast about events happening on the streets of Royal Docks presented in front of City Hall, delivered by comedian Richard Sharp.

There isn’t even space here to properly mention the interactive pub serving sounds or the rebellious hip hop dance of S.C.R.U.M.

All in all, it adds up to an extensive, diverse and surprising range of work as Royal Docks beds in as a serious cultural destination in London.

Clive said: “The area is getting to be very much part of the wider events ecology of London and we want to take artists from here out into the wider world.

“One of the points about our small commissions is to start artists on that journey, so they could be commissioned by people like Without Walls.”

Find full listings for Ensemble Festival here

THREE HIGHLIGHTS AT ENSEMBLE FESTIVAL

Gorilla Circus is set will be performed over two nights in Royal Docks

GORILLA CIRCUS

July 22-23, 8,30pm

The absolutely unmissable finale to Ensemble Festival – expect hair hanging, high wire and much more from this aerial spectacle outside Building 1000 at Royal Albert Dock.

Catch Ghetto Fabulous at Western Gateway as part of the festival

GHETTO FABULOUS

July 22-23, noon-7pm

Four LGBTQIA+ dancers from Manchester and Liverpool strut their stuff in this family catwalk extravaganza. Audience decides the winner. Find this show at Western Gateway.

Expect foodie facts and storytelling from Fussy Foodies

FUSSY FOODIES

July 22-23, noon-7pm

Just More Productions presents the Battle Of The Pans – a game show themed around Caribbean cooking.

Expect foodie facts, spices and storytelling.  Find this show at Western Gateway.

Read more: How artist Mark Taylor is capturing Canary Wharf and Docklands

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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