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Olivia Black celebrates connection with Serendipity collection

Bermondsey-based designer’s recent show during London Fashion Week takes inspiration from magpies and honours her Nana’s influence

Model Sian Hedger walks in Olivia Black's Serendipity show - image by Francesca Stuart-Jones / @francesca_sj 
Model Sian Hedger walks in Olivia Black’s Serendipity show – image by Francesca Stuart-Jones / @francesca_sj 

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BY JESS MADDISON

Serendipity is the title of Olivia Black’s new collection.

Shown during London Fashion Week at The Dixon in Southwark, the Bermondsey-based designer’s latest creations take their inspiration from classic tailoring and the contrasting colours in a magpie’s wing.

But the name of her Spring/Summer 2026 offering speaks to something deeper – the chance meetings and influences that are woven through the story of her eponymous brand, all neatly held together by a safety pin motif.

“I’m from Salford in Manchester originally and I’m a twin,” said Olivia.

“Our Nana – my dad’s mum – was a main inspiration for both me and my brother.

“We were both creative growing up – always into crafts and anything art-related from a very young age.

“Nana was a bit of an artist, and had a crystal shop in Afflecks, an indoor market in the city, but she was also a seamstress and had lived and worked in London when she was younger. 

“She was part of the reason I chose to study textiles at GCSE level in school.

“I fell in love with it on my own accord, but also chose it in a bid to feel closer to her, because she’d passed away when I was nine.

“My brother also kept the creativity going and has become a graphic designer.

“It’s funny how such a short period of our lives has impacted what we’ve done as adults.” 

Designer Olivia Black - image by Jon Massey / Wharf Life
Designer Olivia Black – image by Jon Massey / Wharf Life

from making clothes to designing them

Olivia’s passion for making clothes saw her buying patterns from the likes of Abakhan, enjoying the “meditative process of building something from scratch”.

She went on to study Fashion Design at De Montfort University in Leicester, before moving to London for a Masters at the Jimmy Choo Academy in Mayfair in Entrepreneurship With Business Innovation And Fashion.

“I was in a class of only six students, so we got a lot of attention and that was an incredible experience,” said Olivia 

“They asked questions like: ‘Where do we want to be in the market? Who do we want to be as designers? What is it that you really believe in?’. 

“For me, the answer lay in sustainability and gender fluidity – all these kind of activist political statements are very much a part of who I am.

“At the end of the course you graduate with a six-piece collection, which is intended to act as the launch of your brand. 

“Mine was all about textile waste and reducing what gets thrown away.

“There was lots of hand painting and use of deadstock fabrics – it was very messy and rural-feeling. 

“Growing up working class and shopping in charity shops I’d always enjoyed the process of finding something old and bringing it back to life.

“We always sort of treated it like a game when we did it – who could find the best thing, the designer piece that nobody’s realised is designer.

“One of my best finds ever was a Vivienne Westwood necklace.

“It was £10, they didn’t realise it was real and I have it to this day.

“I don’t wear it because it’s too good, it’s just a nice statement piece on my jewellery stand. 

“So finding fabric in that way felt natural to me at university too.

“I had all these projects using bedsheets or curtains – materials that already exist – then mixed and matched them all up.”

An image from Olivia Black's Serendipity lookbook - image supplied by Olivia Black
An image from Olivia Black’s Serendipity lookbook – image – image by Francesca Stuart-Jones / @francesca_sj 

Olivia Black, building a brand

After graduation, Olivia got a job at the Jimmy Choo Academy in the marketing team before moving on to lecture at The London College Of Contemporary Arts (LCCA), all while saving money to fund her own brand. 

Keen to keep the momentum going, she decided to take her collection from six pieces to 20, sticking with the same theme and adding new pieces every couple of months over two years, finding as many ways to exhibit them as possible. 

“I did a lot of shows including Wimbledon Sustainable Fashion Week, I Love Fashion, a few small, local London shows,” said Olivia.

“I was offered a sponsored spot on the Fashion Life Tour where I got to show all 20 of the looks, which was incredible.

“That got people’s attention and then I had a few people ask me to make pieces for them for special occasions.

“I dressed one guest at London Fashion Week then made the same client an outfit for the premiere of Mufasa: The Lion King

“That did really well online and I got more red carpet requests from other customers.

“Then I kept doing high profile events on the regular.

“I actually used those pieces from my original collection so many times, which was great and that allowed me to show them on different bodies in various sizes, styled in multiple ways. 

The proceeds and Olivia’s work in education enabled her to fund the creation of her latest collection, Serendipity.

“It had to be called that, because it’s dedicated to all the people who helped me stay on the right path,” she said.

“There were so many times when I thought: ‘It’s over, it’s never going to happen’. 

“Then someone would offer their services as a makeup artist, turn out to own a factory I could use or tell me about somewhere I could get deadstock in London.

“That’s how the entire show came together.

“Everything has been collaborative. Obviously, there was a lot that needed to be paid for as well, but there was so much help from friends.

“It’s natural my brand has become about keeping the community together.

“That’s where the safety pin comes in. It’s symbolic of connecting people and keeping them together.”

Model Sienna Daniels walks in Olivia's Serendipity show - image by Francesca Stuart-Jones / @francesca_sj 
Model Sienna Daniels walks in Olivia’s Serendipity show – image by Francesca Stuart-Jones / @francesca_sj 

echoing down the generations

With the motif also celebrating the way her Nana’s creativity has echoed down the generations, Serendipity also brings Olivia’s varied influences together such as the silhouette of traditional dress and blazer shapes, all given a twist. 

“The reason I went for an all black and white palette is because, for me, it symbolised the idea of starting fresh,” she said. 

“I made my last collection last for two years, which was great but it was a graduate collection. 

“It wasn’t really what I would say is my brand. I wanted to start with the clarity of black and white, to say: ‘This is who I am’. 

“Also, I’ve always been inspired by birds and for this collection I looked at magpies a lot because they like to find shiny things and that related a lot to the theme of serendipity.

“Their feathers inspired the ruffles and glossy nature of the materials used in some of the pieces.

“For me, one of the highlights is the signature Maglen Dress with the Gildpin Belt featuring wool suiting and silk machine embroidery to create a pinstripe from my brand’s logo. You only see it when you look really closely. 

“That was inspired by ideas of camouflage that also came from birds and the way their feathers enable them to blend in.

“Pinstripe is also very traditional and I thought: ‘What would my twist on that be?’.”

Also wrapped into the theme of serendipity, was the way Olivia connected with the factory in Stratford where her clothes are made.

She said: “When I was teaching at LCCA, one of my students turned out to be a manufacturer who owned a facility in east London.

“Even though he was already very successful, he’d been determined to return to education to get his degree.

“One of the reasons Olivia Black is a luxury brand is that we make everything in the UK. The price point is higher, but what matters to me is that my seamstresses get paid a very fair wage. 

“For me, the most exciting part of being a designer is seeing my work go from a flat sketch that started life in my head to an actual physical piece. That’s the magic.”

Model Dash walks in Olivia's show - image by  image by Francesca Stuart-Jones / @francesca_sj 
Model Dash walks in Olivia’s show – image by Francesca Stuart-Jones / @francesca_sj 

inspiration in the skyline

Olivia works from her studio in an 11th floor flat in Bermondsey that she shares with her partner, taking inspiration from its views.

The couple had their first date in Greenwich Park before setting up home in Maze Hill.

“When we moved to Bermondsey, we wanted to find somewhere with similar views,” said Olivia.

“We overlooked Canary Wharf and the Isle Of Dogs and, when we’ve had low points, because we’re at the start of our careers, we’ve been able to look out over London and realise there’s so much out there.

“It gives you faith that something is going to come, that we’ll get the jobs we need, that we’ll meet the person we need to connect with and that we’ll stay optimistic.

“We’ve found having that skyline has really kept us both going – it’s a privilege to be able to look out over it and think: ‘It’s all out there, I just need to find it’.”

Model Sian Hedger wears Olivia's signature Maglen Dress with the Gildpin Belt - image by Francesca Stuart-Jones / @francesca_sj 
Model Sian Hedger wears Olivia’s signature Maglen Dress with the Gildpin Belt – image by Francesca Stuart-Jones / @francesca_sj 

key details: Olivia Black

Olivia Black’s pieces are available to buy online.

To find out more about the brand or to place an order, visit the designer’s website here.


Model Nico Suarez of Vauhaus Agency wears denim in the show - image by Francesca Stuart-Jones / @francesca_sj
Model Nico Suarez of Vauhaus Agency wears denim in the show – image by Francesca Stuart-Jones / @francesca_sj 

Read more: Crate opens bar and pizzeria at Wood Wharf as brand expands beyond Hackney Wick

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Viola’s Room review: Packed full of fairytale wonderment and joy

How Punchdrunk’s latest show uses sound and sets to delight audiences at its Woolwich Works home

Viola's Room is Punchdrunk's latest show in Woolwich
Viola’s Room is Punchdrunk’s latest show in Woolwich

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BY JESS MADDISON

Preparations to enter Punchdrunk’s newest immersive theatre show at Woolwich WorksViola’s Room – are not without moments of apprehension. 

First there’s a visit to the cloakroom where all coats and bags – yes, even the small ones – are surrendered. 

Clutching my phone with the precious QR code ticket, I move on to the next stage where I am guided into a dimly-lit waiting area, with an array of tables, each with six chairs. 

I sit down with my companion and the other chairs are slowly taken by strangers.

We exchange the odd nervous smile or titter while we are told a little about the experience.

Shoes and socks must be removed, there will be no speaking to each other but also no jump scares. 

We then progress to the final stage where shoes are removed and headphones donned and our party waits nervously for the red light to turn on – an invitation to enter the experience. 

Through the door we enter a small room with six chairs gathered around a pendant light. 

We sit and a voice in my headphones tells me there will be periods of total darkness as we make our way through Viola’s Room

Audiences explore Viola's Room on foot
Audiences explore Viola’s Room on foot

To test our resilience, the light goes out. It’s pitch black and my body’s reaction is primal as my other senses and imagination attempt to fill the void. 

The hairs on the back of the neck stand up, confirming the stereotype.

The bulb comes back on and we’re told to make our way into the experience, to follow the light. 

What happens next is like stepping into a fairytale.

The story – narrated by Helena Bonham Carter – plays out in front me as I wander through a series of different scenes. 

The world is surreal and wondrous and while the plot isn’t complicated, it’s interesting enough emotionally to engage me. 

This lack of complexity is especially welcome on the occasions when I’m awed by what’s happening around me and miss a couple of sentences.

The set itself is huge. I find myself at the head of our group, wandering through the labyrinth of walls made of sheets, waiting for lights to appear and guide me to the next location. 

Sometimes I am too quick and hover at a crossroads in darkness, waiting for illumination. 

At one point, I imagine this is how Lucy must have felt, pushing her way through fur coats in a wardrobe, then fir trees beyond as she entered the land of Narnia.

The darkness provides both a slightly unnerving atmosphere and serves to exaggerate the tingling feelings and emotions created by the story and the startling sets. 

The lack of shoes, similarly, creates a certain vulnerability while giving another dimension to the experience. 

When, even in the context of immersive theatre, do you ever reach down and touch the floor?

What’s fun about Viola’s Room is that while I know, logically that I am in a warehouse in Woolwich, part of my brain thinks I really have stepped into another world. I know I’m basically enjoying theatre performance, but it feels like I’m in a ghost story. 

The experience lasts about an hour but feels much shorter time. I emerge, blinking, back into normal life and grinning at my companions.

It’s been a bonding experience, though no-one has said a word. Conveniently, Punchdrunk’s bar  – The Prop Room – is right there for debriefs and cocktails.

It’s a halfway point to linger just a little longer in the fantasy before rejoining the real world. Who wouldn’t want that? 

5/5

Viola's Room: A Christmas Tale is booking now until December 23
Viola’s Room: A Christmas Tale is booking now until December 23

key details: Viola’s Room

Viola’s Room: A Christmas Tale, which features an updated festive soundtrack alongside the original plot and narration, is set to run from until December 23, 2024.

Tickets for either show at Woolwich Works start at £28.50 per person.

Find out more about the show here

Read more: Will you take on the Santa Stair Climb in Canary Wharf?

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How a Jovena Face Stim treatment delivers a lift at Third Space Spa

The treatment uses radio frequencies and electrical stimulation to exercise facial muscles with the aim of creating a more youthful appearance

The treatment uses Jovena’s machine to stimulate facial muscles

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There’s a new beauty treatment in town. Third Space Spa in Canary Wharf’s Canada Square recently added Jovena Face Stim to its extensive range of aesthetic and wellbeing services.

While the largest luxury health club in Europe has plenty of ways to train the body’s muscles, the spa’s new machine offers a way to work out facial muscles with the aim of tightening and toning the skin to give clients a healthier and younger appearance. 

The treatment, which costs £250 per session, promises visible results after the first application, with a course of six recommended.

Third Space is currently offering customers £50 off their first treatment. Those booking five sessions will get a sixth for free.

what do you get for your money?

Each session lasts approximately one hour, which includes cleansing, radio frequency therapy and muscle stimulation. 

tell us more

“It’s a two-part facial, although you can also have them done in isolation,” said Third Space Spa therapist, Samelia Connor.

“The Jovena Face Stim treatment begins with a radio frequency procedure, which tightens the skin and boosts collagen production.

then what happens? 

“The second part is the facial stimulation,” said Samelia. “It causes contractions in the face, so it’s working the muscles to create a lifting effect for the skin.

“We can target the right muscles to achieve the effect. In combination, you get tightening and lifting, which works with your existing skin regime.” 

what are the benefits?

“From what I’ve seen with my clients, it gives them a more youthful appearance and I feel like that’s something everyone is looking for,” said Samelia, who has been a therapist for more than seven years, relocating to the UK from the Caribbean following a hurricane.

“Even if, like me, you’re in your 20s, you still want to look fresh.”

how does it feel?

“It’s quite relaxing,” said Samelia. “When someone invests in their skin, I feel like they know the procedure will benefit them and when you see the instant results, you feel like you’re getting your money’s worth. 

“For longer lasting results, I would recommend the full course of six. It’s for men and women.

“Before there was a stigma about men getting treatments but now it’s seen as self care.

“Whoever you are, if you’re doing a presentation or appearing at an event, you want to look your very best.”

THE DETAILS

Jovena Face Stim, Third Space Spa

  • The cost per treatment is normally £250 per session
  • Third Space Spa’s introductory offer is £50 off a first treatment
  • Therapists recommend a course of six treatments for longer-lasting results. The spa offers six for the price of five
  • The two-stage procedure takes around an hour to complete
  • Instantly visible results are promised after one session
  • Third Space Spa is accessible to members and non-members at Third Space in Canada Square. A first Jovena Face Stim costs £200.

Find out more about Jovena Face Stim at Third Space Spa here

Third Space Spa thearapist Samelia Connor

TRIED AND TESTED

By Jess Maddison

I am – in some ways – the ideal candidate to experience this treatment for a review.

My body has been blessed with many things, but prominent bone structure is not one of them.

I am therefore a good guinea pig to road test a treatment that claims to produce results of lifting, sculpting and tightening after only the first session. 

Before my appointment at Third Space Spa for the Jovena Face Stim, I’ve also accidentally gone out every night for a week and my skin is definitely a bit dull and dehydrated.

The treatment is meant to promote a refreshed appearance, so I’m giving the technology a serious challenge. 

To start things off, my face is cleansed. Then it all gets a bit unusual.

Conductive gel is applied and a little, warm device is moved over one half of my face. It’s like a small, friendly koala is massaging me with his tiny fingers.

This is the radio frequency treatment – the part that stimulates collagen production and, once I got used to the sensation, it was quite relaxing. 

Then comes the next step and things get even more unusual.

This is the part where the therapist stimulates the muscles in your face like a mini gym work out.

It’s done with the same wand, but the koala has gone on his break. 

The first jolt is definitely a shock – it’s like nothing I’ve ever felt before. Is it an electric pulse? Suction? It feels a little bit like an epilator. 

It pulses all over one half of my face and this is where my therapist Samelia’s professionalism comes into play.

While the first few applications are a bit alarming her soft, hushed tones are there and she makes me laugh. 

It’s not the most comfortable I have been in my life, but by the time we get round to doing the other half of my face I’ve gotten so used to things I’ve zoned out and am thinking about something else entirely. 

The treatment begins with facial cleansing

The session ends with the removal of the conductive gel and a soothing application of moisturiser.

The results? In the mirror there stands before me someone who’s apparently had seven nights of blissful eight-hour sleep and green tea before bed. 

The puffiness under my eyes is gone and it’s the same for my cheeks.

My skin is glowing, hydrated, smooth and tight. But that isn’t all.

The changes are subtle, but definitely there.

There is, without doubt, a small part of my chin that has been sucked up into my jaw.

The sides of my face are straighter and – what’s this? I can actually see an ever-so-small curve of a cheekbone. 

Days later my skin feels just as smooth.

I’m amazed the results are still there when I wake up.

This is definitely not a typical facial but, with effects like these, bring on more koala massage and face pulsing.

Read more: How Level39-based WyzePay offers discounts at MMy Wood Wharf

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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