South-East London Archives

October 31, 2025October 31, 2025

The Pear Tree to expand to Canada Water with a third venue

The Village Tree is set to open on the ground floor of The Founding – British Land’s flagship residential building right outside the station

An artist's impression of The Village Tree, which is set to open in Canada Water - image by Black Ivy Design — An artist’s impression of The Village Tree, which is set to open in Canada Water – image by Black Ivy Design

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Chefs Matt Lloyd and Tze-May Ng first met at the Shangri-La hotel in Sydney.

“I was working downstairs in the brasserie at the time and she was cooking at Altitude restaurant on the 36th floor,” said Matt.

“Their chefs would come down and steal all our equipment.

“It was pretty annoying until I also moved up to Altitude and then, somehow, it was fine.”

Having forged a bond at a venue overlooking Sydney Harbour and the billowing white sails of the city’s opera house, the couple resolved to move to London in 2007.

“It was all about the food,” said Matt.

“If you look back at that time it was the place to be. You had The Fat Duck and Gordon Ramsay still in the kitchen.

“If you wanted to learn about food, it was where you needed to go.”

Food has been something of a constant in Matt’s life. Born in Queensland, he spent his teenage years in Brisbane before winding up in Sydney.

“I always enjoyed cooking from a very young age and knew it was something I wanted to do,” he said.

“School wasn’t so good for me – I left at quite a young age, having arranged with the local council to do my apprenticeship and then it was straight into the kitchen.

“I was 21 when we moved to London and I worked in various restaurants around the city.”

Spells with the likes of Gary Rhodes and Michael Wignall followed, with both Matt and Tze-May cooking at the latter’s Michelin-starred Latymer in Pennyhill Park.

Matt then went on to join ETM Group, known at the time for its food-focused gastropubs, where he worked in a number of venues including running the kitchen at The Botanist in Sloane Square.

Chef Matt Lloyd - image by Jon Massey / Wharf Life — Chef Matt Lloyd – image by Jon Massey / Wharf Life

opening The Pear Tree

“A lot of chefs who have spent their time cooking eventually want to have their own place and I was the same,” said Matt.

“My dad had his own business when I was growing up – it was the main grocery store in the town.”

Having moved to the area around 2010, the couple saw an opportunity to bring a bit of Australia to south-east London.

“There were high street options like some good little cafés locally, but there were no all-day brunch restaurants, so I knew the area needed something,” said Matt.

“First we looked around Canada Water station, but the rents were a bit outrageous.

“I’d met the landowner of Greenland Place a few years earlier – we got along well and I liked her vision for the development.

“Then we had to decide what we wanted to open and, in 2016, the result was The Pear Tree.

“I really liked the idea of an Australian-inspired venue because nothing is out of place on the menu.

“We didn’t want to get stuck just doing modern British.

“Instead, we can have nice classic French dishes, Italian pasta or flavours from Polynesia or Asia.

“It’s a nice approach for a restaurant, where people can come for a full-on breakfast or a pastry with coffee or a juice.

“We’re quite lucky to have a varied audience here – some people come down with their laptops to do work.

“Younger mums visit throughout the day to socialise.

“We offer a very approachable all-day brunch menu and a wine list put together by our friends at Davy’s.

“We always have different things happening including wine nights and steak nights as well as a really popular Sunday roast.

“Then, at the front, we have a deli where we try to support smaller producers and stock a great selection of wines.”

Steak at The Pear Tree - image by A Dash And A Splash — Steak at The Pear Tree – image by A Dash And A Splash

expanding to Surrey Docks Farm

Over the pandemic the couple also started operating a venue at Surrey Docks Farm, initially as a deli and grocery and then as a full-blown café.

“If you go down to The Barn, you’ll find toasted foccacia sandwiches, which we make at The Pear Tree and deliver fresh every morning,” said Matt.

““Then there are lots of cakes, brownies and sausage rolls.

“We do many different specials throughout the week there too, depending on what’s in season.”

Now the story is set to continue, with Matt and Tze-May expanding once more to a new site.

The Village Tree is expected to open in early 2026 at the base of British Land’s flagship residential tower, The Founding.

The building is in the vanguard of the developer’s extensive regeneration of the wider Canada Water area and is located just outside the station.

“I guess you could say The Village Tree will be a mash up between our other two venues,” said Matt.

“We’re trying to give it its own identity, although visitors will find amazing fresh sandwiches, cakes and coffee, and other home-baked goods.

“We’re still working on a few different ideas for the food menu itself. We won’t have a full hot kitchen there, but we will be offering a very good selection.

“It’s not certain yet, but one of our ideas is to have pancakes or possibly waffles.

“We recently had a great trip to Belgium and we think nobody has brought that quality of waffle over here yet, so it would be wonderful to do that.”

The new venue at Canada Water will take elements from both The Pear Tree and The Barn - image by Black Ivy Design — The new venue at Canada Water will take elements from both The Pear Tree and The Barn – image by Black Ivy Design

a varied menu

What’s clear, when talking to Matt for any length of time, is that the passion he developed for food as a youngster is still the thing that drives him.

The Pear Tree’s menu is diverse, with potent dishes like Kimchi Eggs, Nasi Goreng and Dan Dan Noodles sitting next to roast grouse, smashed avocado on sourdough and steak with peppercorn sauce.

“Personally, I love the breakfast pancakes we serve until 5pm,” said Matt.

“They are my favourites, especially the top three options – Blueberry And Bacon with maple syrup, blueberry compote and fresh blueberries.

“Then there’s the Fried Chicken option with maple syrup or a really nice autumnal option with Apple And Walnut, which comes with a salted caramel sauce and a cinnamon crumble.”

Apple And Walnut pancakes with a salted caramel sauce and a cinnamon crumble - image by A Dash And A Splash

key details: The Pear Tree, The Barn and The Village Tree

Matt and Tze-May currently run The Pear Tree at Greenland Place in Yeoman Street and The Barn at Surrey Docks Farm.

The Village Tree is set to open in early 2026 at The Founding in Canada Water.

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October 19, 2025October 19, 2025

Olivia Black celebrates connection with Serendipity collection

Bermondsey-based designer’s recent show during London Fashion Week takes inspiration from magpies and honours her Nana’s influence

Model Sian Hedger walks in Olivia Black's Serendipity show - image by Francesca Stuart-Jones / @francesca_sj — Model Sian Hedger walks in Olivia Black’s Serendipity show – image by Francesca Stuart-Jones / @francesca_sj

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BY JESS MADDISON

Serendipity is the title of Olivia Black’s new collection.

Shown during London Fashion Week at The Dixon in Southwark, the Bermondsey-based designer’s latest creations take their inspiration from classic tailoring and the contrasting colours in a magpie’s wing.

But the name of her Spring/Summer 2026 offering speaks to something deeper – the chance meetings and influences that are woven through the story of her eponymous brand, all neatly held together by a safety pin motif.

“I’m from Salford in Manchester originally and I’m a twin,” said Olivia.

“Our Nana – my dad’s mum – was a main inspiration for both me and my brother.

“We were both creative growing up – always into crafts and anything art-related from a very young age.

“Nana was a bit of an artist, and had a crystal shop in Afflecks, an indoor market in the city, but she was also a seamstress and had lived and worked in London when she was younger.

“She was part of the reason I chose to study textiles at GCSE level in school.

“I fell in love with it on my own accord, but also chose it in a bid to feel closer to her, because she’d passed away when I was nine.

“My brother also kept the creativity going and has become a graphic designer.

“It’s funny how such a short period of our lives has impacted what we’ve done as adults.”

Designer Olivia Black - image by Jon Massey / Wharf Life — Designer Olivia Black – image by Jon Massey / Wharf Life

from making clothes to designing them

Olivia’s passion for making clothes saw her buying patterns from the likes of Abakhan, enjoying the “meditative process of building something from scratch”.

She went on to study Fashion Design at De Montfort University in Leicester, before moving to London for a Masters at the Jimmy Choo Academy in Mayfair in Entrepreneurship With Business Innovation And Fashion.

“I was in a class of only six students, so we got a lot of attention and that was an incredible experience,” said Olivia

“They asked questions like: ‘Where do we want to be in the market? Who do we want to be as designers? What is it that you really believe in?’.

“For me, the answer lay in sustainability and gender fluidity – all these kind of activist political statements are very much a part of who I am.

“At the end of the course you graduate with a six-piece collection, which is intended to act as the launch of your brand.

“Mine was all about textile waste and reducing what gets thrown away.

“There was lots of hand painting and use of deadstock fabrics – it was very messy and rural-feeling.

“Growing up working class and shopping in charity shops I’d always enjoyed the process of finding something old and bringing it back to life.

“We always sort of treated it like a game when we did it – who could find the best thing, the designer piece that nobody’s realised is designer.

“One of my best finds ever was a Vivienne Westwood necklace.

“It was £10, they didn’t realise it was real and I have it to this day.

“I don’t wear it because it’s too good, it’s just a nice statement piece on my jewellery stand.

“So finding fabric in that way felt natural to me at university too.

“I had all these projects using bedsheets or curtains – materials that already exist – then mixed and matched them all up.”

An image from Olivia Black's Serendipity lookbook - image supplied by Olivia Black — An image from Olivia Black’s Serendipity lookbook – image – image by Francesca Stuart-Jones / @francesca_sj

Olivia Black, building a brand

After graduation, Olivia got a job at the Jimmy Choo Academy in the marketing team before moving on to lecture at The London College Of Contemporary Arts (LCCA), all while saving money to fund her own brand.

Keen to keep the momentum going, she decided to take her collection from six pieces to 20, sticking with the same theme and adding new pieces every couple of months over two years, finding as many ways to exhibit them as possible.

“I did a lot of shows including Wimbledon Sustainable Fashion Week, I Love Fashion, a few small, local London shows,” said Olivia.

“I was offered a sponsored spot on the Fashion Life Tour where I got to show all 20 of the looks, which was incredible.

“That got people’s attention and then I had a few people ask me to make pieces for them for special occasions.

“I dressed one guest at London Fashion Week then made the same client an outfit for the premiere of Mufasa: The Lion King.

“That did really well online and I got more red carpet requests from other customers.

“Then I kept doing high profile events on the regular.

“I actually used those pieces from my original collection so many times, which was great and that allowed me to show them on different bodies in various sizes, styled in multiple ways.

The proceeds and Olivia’s work in education enabled her to fund the creation of her latest collection, Serendipity.

“It had to be called that, because it’s dedicated to all the people who helped me stay on the right path,” she said.

“There were so many times when I thought: ‘It’s over, it’s never going to happen’.

“Then someone would offer their services as a makeup artist, turn out to own a factory I could use or tell me about somewhere I could get deadstock in London.

“That’s how the entire show came together.

“Everything has been collaborative. Obviously, there was a lot that needed to be paid for as well, but there was so much help from friends.

“It’s natural my brand has become about keeping the community together.

“That’s where the safety pin comes in. It’s symbolic of connecting people and keeping them together.”

Model Sienna Daniels walks in Olivia's Serendipity show - image by Francesca Stuart-Jones / @francesca_sj — Model Sienna Daniels walks in Olivia’s Serendipity show – image by Francesca Stuart-Jones / @francesca_sj

echoing down the generations

With the motif also celebrating the way her Nana’s creativity has echoed down the generations, Serendipity also brings Olivia’s varied influences together such as the silhouette of traditional dress and blazer shapes, all given a twist.

“The reason I went for an all black and white palette is because, for me, it symbolised the idea of starting fresh,” she said.

“I made my last collection last for two years, which was great but it was a graduate collection.

“It wasn’t really what I would say is my brand. I wanted to start with the clarity of black and white, to say: ‘This is who I am’.

“Also, I’ve always been inspired by birds and for this collection I looked at magpies a lot because they like to find shiny things and that related a lot to the theme of serendipity.

“Their feathers inspired the ruffles and glossy nature of the materials used in some of the pieces.

“For me, one of the highlights is the signature Maglen Dress with the Gildpin Belt featuring wool suiting and silk machine embroidery to create a pinstripe from my brand’s logo. You only see it when you look really closely.

“That was inspired by ideas of camouflage that also came from birds and the way their feathers enable them to blend in.

“Pinstripe is also very traditional and I thought: ‘What would my twist on that be?’.”

Also wrapped into the theme of serendipity, was the way Olivia connected with the factory in Stratford where her clothes are made.

She said: “When I was teaching at LCCA, one of my students turned out to be a manufacturer who owned a facility in east London.

“Even though he was already very successful, he’d been determined to return to education to get his degree.

“One of the reasons Olivia Black is a luxury brand is that we make everything in the UK. The price point is higher, but what matters to me is that my seamstresses get paid a very fair wage.

“For me, the most exciting part of being a designer is seeing my work go from a flat sketch that started life in my head to an actual physical piece. That’s the magic.”

Model Dash walks in Olivia's show - image by image by Francesca Stuart-Jones / @francesca_sj — Model Dash walks in Olivia’s show – image by Francesca Stuart-Jones / @francesca_sj

inspiration in the skyline

Olivia works from her studio in an 11th floor flat in Bermondsey that she shares with her partner, taking inspiration from its views.

The couple had their first date in Greenwich Park before setting up home in Maze Hill.

“When we moved to Bermondsey, we wanted to find somewhere with similar views,” said Olivia.

“We overlooked Canary Wharf and the Isle Of Dogs and, when we’ve had low points, because we’re at the start of our careers, we’ve been able to look out over London and realise there’s so much out there.

“It gives you faith that something is going to come, that we’ll get the jobs we need, that we’ll meet the person we need to connect with and that we’ll stay optimistic.

“We’ve found having that skyline has really kept us both going – it’s a privilege to be able to look out over it and think: ‘It’s all out there, I just need to find it’.”

Model Sian Hedger wears Olivia's signature Maglen Dress with the Gildpin Belt - image by Francesca Stuart-Jones / @francesca_sj — Model Sian Hedger wears Olivia’s signature Maglen Dress with the Gildpin Belt – image by Francesca Stuart-Jones / @francesca_sj

key details: Olivia Black

Olivia Black’s pieces are available to buy online.

To find out more about the brand or to place an order, visit the designer’s website here.

Model Nico Suarez of Vauhaus Agency wears denim in the show - image by Francesca Stuart-Jones / @francesca_sj — Model Nico Suarez of Vauhaus Agency wears denim in the show – image by Francesca Stuart-Jones / @francesca_sj

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October 19, 2025October 19, 2025

NHG Homes’ Kidbrooke Square delivers on access and value

Shared ownership properties present buyers with a way to step onto the housing ladder for less with a station in the doorstep in south-east London

An artist's impression of the Kidbrooke Square scheme in south-east London - image by NHG Homes — An artist’s impression of the Kidbrooke Square scheme in south-east London – image by NHG Homes

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Price is a major driver when buyers are deciding to make a property purchase and one that is central to the appeal of shared ownership properties.

The scheme, which allows owners to acquire a portion of a home while paying rent on the rest significantly lowers one of the key bars to getting on the first rung of the ladder.

That’s because buyers may only need to raise a deposit of 5% of a quarter of the property’s total value.

In the case of an apartment worth £400,000, a typical deposit might be £20,000 for private sale as opposed to £5,000 for shared ownership.

But value is also about what you’re buying as well as getting a good deal on entering the market.

Housing association NHG Homes is currently marketing shared ownership homes at its Kidbrooke Square development in south-east London.

A show home interior at Kidbrooke Square - image by NHG Homes — A show home interior at Kidbrooke Square – image by NHG Homes

connected to the capital

Located next to Kidbrooke station in Zone 3, the scheme is well connected with direct services to the likes of Lewisham, Cannon Street, Victoria and Charing Cross.

For Wharfers, the area is easily accessible via DLR and rail links in around 30 minutes.

However, prices at the development are significantly below what buyers may expect given the development’s position in the capital.

Property portal Rightmove says the average price of an apartment in Zone 3 currently stands at £631,064 based on sold prices over the last 12 months.

The entry level one-bed and two-bed homes at Kidbrooke Square are priced at £355,000 and £457,500 respectively.

NHG says buyers could expect subsidised monthly rents starting at £1,071 and £1,547 for these assuming a 25% share is owned.

This decreases if buyers increase their share through a process known as staircasing.

Mortgage payments and service charges would be on top of this, however, paying for a shared ownership property is typically less expensive than renting a similar home locally.

Newly built, the apartments come with open-plan design, wood-effect flooring, grey fitted kitchens with Zanussi appliances and private balconies with outdoor lighting.

The development is pet-friendly, with residents’ facilities including a concierge service and a gym.

The scheme is set around a central square with shops and regular markets.

It’s also close to significant regeneration just across the railway tracks as well as the open spaces of Cator Park and Sutcliffe Park.

To be eligible to purchase a shared ownership property in London, buyers must have a household income of less than £90,000 and cannot afford all of the deposit and mortgage payments when purchasing a home that meets their needs.

Other criteria apply, although it’s worth noting that those purchasing do not necessarily have to be first-time buyers.

key details: Kidbrooke Square

Shared ownership apartments at Kidbrooke Square start at £88,750 for a 25% share of a one-bed. Two-beds start at £114,375.

Find out more about the properties here

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October 5, 2025October 4, 2025

Southmere second phase proves popular with Thamesmead buyers

Joint venture by Peabody New Homes and Lovell in south-east London has seen more than half the apartments in its second phase sold

An artist's impression of Southmere's second phase in Thamesmead - image supplied by Peabody — An artist’s impression of Southmere’s second phase in Thamesmead – image supplied by Peabody

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There are reasons that more than half of the homes for private sale in the second phase of the Southmere development have sold in a little over three months.

Peabody New Homes and Lovell’s joint venture in Thamesmead is proving popular as the area takes regenerative steps on a path that’s forecast to see 100,000 people move in by 2050.

“Providing lakeside living with Zone 2 convenience, we are excited to be selling our new phase of highly anticipated homes at Southmere,” said Raquel Soares, assistant director of sales strategy, intelligence and compliance at Peabody.

“Located at the heart of Thamesmead’s vibrant regeneration, Lakeshore and Skyline are set to the backdrop of gorgeous green and blue spaces, exciting new amenities and exceptional transport links.

“With properties in regeneration areas typically seeing an additional annual sale price performance of 4.3%, Southmere is inviting buyers to invest in a growing community.

“Now available to reserve, those hoping to find their place in this up-and-coming destination can contact us via the website now and take advantage of the Stamp Duty contribution of up to £22,000.”

The scheme's second phase comprises 192 one, two and three-bedroom apartments - image supplied by Peabody — The scheme’s second phase comprises 192 one, two and three-bedroom apartments – image supplied by Peabody

on the edge of the water

The scheme’s second phase comprises a pair of red-brick buildings on the edge of Southmere Lake – Lakeshore and Skyline.

Together these house a collection of 192 one, two and three-bedroom apartments and duplexes available for private sale.

All properties come with outdoor space (including some with multiple balconies) in addition to features such as Silestone worktops in the fully fitted kitchens alongside blue and green units – a theme that carries over into the homes’ bathrooms in a scheme intended to reflect the blocks’ surroundings.

Southmere sits in 590 acres of green space and is part of a £2.5million regeneration project of land around the lake.

The development is part of a 2.5million regeneration project - image supplied by Peabody — The development is part of a 2.5million regeneration project – image supplied by Peabody

amenities at Southmere

The scheme includes a newly created public plaza – Cygnet Square – as well as amenities such as The Nest Library And Community Space, a Co-Op, an Anytime Fitness gym, a health centre and a dentist.

Also local, the Thamesmead Arts And Culture Office provides spaces for a wide range of arts events, as well as hosting a coffee shop, bakery and deli and The Lakeside Centre contains 38 artists studios, a creche and a cafe.

Perhaps the most compelling reason for moving to Thamesmead, however, is the Elizabeth Line, connecting the area via its Abbey Wood station across the capital like never before.

Canary Wharf is 13 minutes away with the City just 20 minutes direct.

What buyers who make those journeys will find at Thamesmead is plentiful open space and waterside living.

The wider regeneration project’s aim, in addition to providing housing and amenities, is also to safeguard and enhance the area’s natural beauty including nature reserve, Tump 53, the ancient trees of Lesnes Abbey Woods and 18km of riverside walks and 7km of canals.

Together, these all add up to give Southmere residents access to more than double the amount of green space than the London average.

Simon Ginsburg, head of sales at Lovell said: “We’re really excited for Southmere Phase 2 on the beautiful lake front in Thamesmead.

“Our vision is to create amazing places where people want to live and a lakeside view in London on the balcony is truly a rare find.”

The properties overlook Southmere Lake - image supplied by Peabody — The properties overlook Southmere Lake – image supplied by Peabody

key details: Southmere

Prices for apartments at Southmere start at £350,000.

Shared ownership properties for the second phase of the development are set to launch in 2026.

Find out more about the development here

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October 2, 2025

Diwali Greenwich Peninsula celebrations to focus on dance

Festival of lights set to bring movement, workshops, food, drink and music to south-east London

Visitors are encouraged to participate in a Group Traditional Dance to mark Diwali - image supplied by Knight Dragon — Visitors are encouraged to participate in a Group Traditional Dance to mark Diwali – image supplied by Knight Dragon

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“Diwali is a celebration of light, joy and togetherness – and this year’s programme brings that spirit to life in a new format,” said Laura Flanagan, director at Greenwich Peninsula.

“We’ve worked closely with independent traders, artists and performers to create a day that honours South Asian heritage and showcases the richness of its traditions.

“This vibrant celebration reflects our diverse community, and we welcome people from all over London to join in and spend the afternoon eating, dancing and creating.”

Greenwich Peninsula’s forthcoming Diwali celebrations are set to take place on October 18, 2025, from 2pm to 7pm.

Free and family-friendly, the day will feature a range of activities including a group dance by Garba performers and Dhol drummers.

Visitors and local residents are invited to Peninsula Square, Design District and Barton Yard to help celebrate the festival of light.

Here’s what’s happening:

Lantern Making Workshop

Sales And Lettings Suite, Peninsula Square – 2pm-3.20pm

Join this drop-in, hands-on workshop to design your own mini triangular lantern using willow sticks, tissue paper and yarn.

Led by professional lantern artists, the session offers a fun and creative experience for all ages, with all materials provided.

Under 16s must be accompanied by an adult.

In 15–20 minutes, participants can craft a personalised lantern to take home or add to the festive display in Peninsula Square.

No booking required.

The celebrations will include a vibrant procession with Dhol drummers - image supplied by Knight Dragon — The celebrations will include a vibrant procession with Dhol drummers – image supplied by Knight Dragon

Dance Rehearsals

Canteen Courtyard – 2.30pm-3.30pm and 4.30pm and 5.30pm

Join expert dancers to learn the joyful steps of Garba and the playful rhythms of Dandiya Raas in open rehearsals designed for all abilities.

These are suitable for ages 10+ and under 16s must be accompanied by an adult

These sessions celebrate the rich and diverse audiences of Greenwich Peninsula, inviting everyone to take part in the evening’s group dance.

No experience is required – participants just need to bring their energy and get involved.

Dandiya Stick Decorating

Sales And Lettings Suite, Peninsula Square – 4pm-5.50pm

Get hands-on with a pair of Dandiya sticks – short, decorated bamboo poles used in traditional Gujarati folk dances.

Embellish your own set with colourful trims and festive flair, ready to join the group dance or take home as a joyful keepsake.

No booking is required for this drop-in session.

Group Traditional Dance

Starts Peninsula Square, ends Barton Yard – 6pm-7.15pm

Join a vibrant procession led by illuminated rickshaws, Dhol drummers and Garba dancers in traditional costume as it winds through the Design District.

Under a canopy of light, take part in a group dance that unfolds in three parts – Dandiya Raas, Garba and open free dancing, the heart of the celebration.

The event will also feature a South Asian street food market from noon-8pm in Peninsula Square and Bollywood beats and desi DJs from 4pm-9pm at Canteen Food Hall And Bar to keep the party moving.

DJs will perform at Design District's Canteen Food Hall - image supplied by Knight Dragon — DJs will perform at Design District’s Canteen Food Hall – image supplied by Knight Dragon

key details: Diwali at Greenwich Peninsula

Diwali celebrations on Greenwich Peninsula are set to take place on Saturday, October 18, 2025, from 2pm until 7pm.

All workshops and performances are free to attend.

Find out more about the celebrations here

Read Wharf Life’s e-edition here

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August 20, 2025August 20, 2025

Two revival set to turn Greenwich Theatre bar into 1980s boozer

Kellie Shirley and Peter Caulfield will take on seven roles each as they present Jim Cartwright’s play in an immersive south-east London setting

Kellie Shirley and Peter Caulfield star in Two at Greenwich Theatre - image by Jon Massey / Wharf Life — Kellie Shirley and Peter Caulfield star in Two at Greenwich Theatre – image by Jon Massey / Wharf Life

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The name of Jim Carwright’s play, set for its latest revival at Greenwich Theatre, is Two.

But for the pair of actors tasked with telling its stories, it’s a bigger job than that.

Kellie Shirley and Peter Caulfield are taking on seven roles each at the venue as they lead audiences through a night in a working class boozer.

“We want them to feel like they’re actually in a pub, that it’s as real as possible,” said Peter.

“They will be meeting characters, not caricatures. Everybody watching will relate to somebody in the play.”

To assist in the illusion, the play will take place in the theatre’s bar with a capacity of around 50 seats and a production design that puts the audience right at the heart of the action.

“The show isn’t in a huge amphitheatre, so everyone who comes will be in the piece – they’re literally in the pub with us,” said Peter.

“Sat at tables, we’ll be talking to them – chatting away.

“It’s a small and intimate performance and, while it’s a cliché that every show on a stage is different, this will be that multiplied by 100.

“We’ll be pulling pints and smashing glasses.

“We might have hecklers because some of the characters are not particularly nice, so you could even see someone getting told to ‘do one’.”

Kellie plays the landlady and six other parts in the play - image by Jon Massey / Wharf Life — Kellie plays the landlady and six other parts in the play – image by Jon Massey / Wharf Life

walking into the pub

The show opens with Kellie and Peter in the roles of landlady and landlord of the pub and continues from there.

“We’ve arranged to practise at my local, the Blythe Hill Tavern in south-east London,” said Kellie.

“Terry, who runs it, does the best Guinness in London and we’ll be there in preparation because we’ll be pulling pints on the night.”

The actor, known for her portrayal of Carly Wicks in EastEnders among many other roles on stage and screen, is no stranger to Greenwich Theatre, having starred in its production of Parlour Song by Jez Butterworth earlier this year.

She said: “Artistic director James Haddrell asked me if I fancied doing Two and I was a bit scared at first but I really wanted to work with him as a director again.

“Living just up the road and working here is great because I have three kids and this gives me that balance.

“The main thing for me though was the writing.

“Jim Cartwright is a bit of a legend and the decision to stage it in a bar, done up as a 1980s pub, makes it an immersive show – it hasn’t been presented like that before.”

Cartwright – known for The Rise And Fall Of Little Voice and Road – wrote Two at a time when pubs were still the social and cultural heart of Britain before long term decline set in from the late 1980s.

Audiences at Greenwich Theatre’s show are invited to step back in time by taking a seat at the Clock And Compass, buy a pint and play pub games before the show takes over.

Peter and Kellie first met while performing at the National Theatre - image by Jon Massey / Wharf Life — Peter and Kellie first met while performing at the National Theatre – image by Jon Massey / Wharf Life

audiences will literally be in the pub for Two

“The play starts behind the bar with the landlord and landlady, but other characters will be sitting at tables with the audience,” said Peter.

“The play is about a variety of different couples. Each character has a story that’s connected to somebody else – that’s why it’s called Two – whether they’re dead or alive.

“It could be a difficult relationship or a co-dependent relationship, and each one is different and complex.

“For us, the costume changes are really quick, but the way Jim has written it means there are little fillers to allow characters just enough time to do a quick change and then go straight back in.

“It’s a marathon but it’s going to be really great fun – it’s a show I’d really like to see.”

Audiences can expect to meet the likes of an old woman whose only respite from caring for her bed-bound husband is a nightly drink at the pub as well as Maudie and her philandering boyfriend Moth, who can’t resist chatting up everyone else in sight when the Clock And Compass opens its doors.

It’s apt, perhaps, that Greenwich Theatre is staging Two in this fashion – a celebration of spaces that bring people together in one that has long served as an inspiration for those who visit.

Kellie herself said it was going to pantos in theatres that first drew her to become an actor.

the power of panto

She said: “Watching those shows at Christmas was the catalyst. I couldn’t believe you could get paid for performing on stage.

“I went to the Brit School in Croydon and then became a jobbing actor, building things up, doing TV and getting to know people.

“Peter and I have been friends ever since we worked at the National Theatre together.”

Peter, known for stage roles at the Almeida and the Old Vic, also took to performing from a young age.

He said: “As a kid I was part of the choir at my school and, when I was eight, I was given the solo at a Christmas carol service.

“All eyes were on me and I got that taste for performance.

“It was an amazing feeling and I just wanted to keep doing it.

“I was in the chorus of Oliver when it came to Nottingham and then did all kinds of plays aged 12-17 before moving to London.

“I think Kellie and I have both been lucky doing lots of different things – TV, musicals and plays.

“Personally, I would rather do a challenging show than one that pays really well but where I’m just in the background.

“So when Kellie came to me with this I thought: ‘Wow, this is the biggest challenge’, because the characters I play are aged eight to 80, which is insane.”

key details: Two at Greenwich Theatre

Two is set to run at Greenwich Theatre for four weeks from August 21-September 12, 2025.

Performance times vary during the run and tickets cost £24, which includes a drink.

>> For selected dates during its revival of Two, Greenwich Theatre has partnered up with Greenwich Gin to offer audiences tutored tastings.

Taking place on Wednesday nights during the run, the add-on includes a welcome G&T, a short talk on the history of the spirit and a guided sampling of four award-winning gins.

The Greenwich Gin masterclass experiences, which should be booked via the venue’s website cost £37.50 – £13.50 on top of a standard ticket to the show.

Find out more here

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August 8, 2025August 6, 2025

Brassworks 2025 to deliver free music at Woolwich Works

Festival and carnival of horns will see the south-east London arts venue host a day of gigs in September

Brassworks is set to return to Woolwich Works in September - image by Woolwich Works — Brassworks is set to return to Woolwich Works in September – image supplied by Woolwich Works

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what’s all this?

This is Brassworks 2025, a day-long “festival and carnival of horns” that’s coming to south-east London next month.

blowing its trumpet?

I see what you did there. We are. The event is set to feature a diverse selection of brass collectives performing outdoors and the best thing is, it’s free to attend.

where’s this happening?

Brassworks will take place in the courtyard at Woolwich Works following a parade from General Gordon Square.

For those who’d like to dance their way through the town, the promenade performance starts at noon.

then what happens

Once the march through Royal Arsenal Riverside to Woolwich Works is done the festivities kick off with a DJ set at 12.30pm.

Then it’s a succession of live bands from 1pm.

Bollywood Brass are set to play the parade and festival - image by Woolwich Works — Bollywood Brass are set to play the parade and festival – image supplied by Woolwich Works

who’s on the bill?

Kicking off the live sets at 1pm will be the Crystal Palace Brass Band.

Founded in 1901, this historic ensemble brings more than a century of tradition to the stage with everything from classical arrangements to film scores in their repertoire.

a strong start…

And there’s more to come. Bollywood Brass will combine powerful horns with dhol drumming to get the audience moving from 2pm.

This will be followed by Blow And Blast, a performance where audience members are encouraged to dust off their instruments, fill their lungs and participate.

what then?

From 4pm, Brassic Parp will perform a set of DJ-style pop medleys dressed as characters from Jurassic Park (for some reason).

Expect plenty of John Williams themes.

and rounding things off…

Then it’s up to the London Afrobeat Collective to finish things off with a headline set starting at 6.30pm.

Expect a heady blend of afrobeat, funk, jazz and Latin sounds with a performance that promises “raucous energy and danceable grooves”.

The eight-strong multinational ensemble has a solid following in the capital and has toured across Europe.

London Afrobeat Collective will headline Brassworks 2025 - image supplied by Woolwich Works — London Afrobeat Collective will headline Brassworks 2025 – image supplied by Woolwich Works

they say

“Brassworks celebrates the power, heritage and future of brass music in London,” said Liat Rosenthal, head of creative programming at Woolwich Works.

“We’re thrilled to present an inclusive line-up spanning cultures and genres, alongside opportunities for everyone to get involved.

“Last year’s inaugural event was a fantastic day and we hope to build on that success this year.”

Blow And Blast will give anyone with a horn the chance to perform on the Brassworks stage - image supplied by Woolwich Works — Blow And Blast will give anyone with a horn the chance to perform on the Brassworks stage – image supplied by Woolwich Works

anything else I should know?

Yes, since you ask. You know the Blow And Blast performance at 3pm?

Well there’s a bit more to say about that.

The project is aimed at reuniting players with their brass instruments that perhaps have lain untouched for some time.

To that end, players of all levels are invited to attend a rehearsal session from 1pm-2.30pm at Woolwich Works before having the chance to play the Brassworks stage shortly afterwards.

Those interested can simply show up or find out more about the communal blow via email to rosie.gilbertson@woolwick.works

key details: Brassworks

Brassworks 2025 starts at noon on September 6, 2025, in General Gordon Square with performances at Woolwich Works from 12.30pm.

All are free to watch with full timings available online here

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August 7, 2025August 6, 2025

WeSwim seeks volunteers for Canada Water Leisure Centre club

Charity supports disabled people into swimming, pairing them up with volunteers to help them get in the pool and enjoy their time in the water

WeSwim is set to launch a club at Canada Water Leisure Centre - image by WeSwim — WeSwim is set to launch a club at Canada Water Leisure Centre – image by WeSwim

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“What our volunteers always talk about is the sense of community and supporting people they perhaps wouldn’t normally meet,” said Rosie Farrer, operations manager at WeSwim.

“There’s also networking with other volunteers and participants, but really it’s just the happiness and joy they feel that keeps them coming back.”

WeSwim is coming to south-east London.

The charity supports disabled people into swimming, pairing them up with volunteers to help them get in the pool and enjoy their time in the water.

Founded six years ago, it’s grown to five clubs and will open two more this year.

One of those will be at the newly minted Canada Water Leisure Centre, part of British Land’s extensive project to regenerate and develop the area, operated by Southwark Council

The facility is set to open in early September 2025, with WeSwim sessions expected to start shortly afterwards.

Consequently the charity is looking for volunteers to help run the sessions.

The charity's operations manager, Rosie Farrer - image by Jon Massey / Wharf Life — The charity’s operations manager, Rosie Farrer – image by Jon Massey / Wharf Life

becoming a WeSwim volunteer

“We ask people to commit to coming twice a month, especially when first starting out,” said Rosie.

“The sessions lend themselves well to a creative mindset because it’s about supporting the person in front of you and problem solving together.

“For example, I was swimming with a guy who had limited mobility on one side of his body and we were figuring out how he could use a float because he couldn’t grip it with his hand. It was fun and collaborative.

“Some participants have particular goals they’re working on, but we have people engaged in a huge variety of activities in every session.

“For some, it might just be about getting in the water.

“People can turn up really fearing the pool and so the work is about just helping them take those first steps.

“Then it might be putting their face in the water and learning to just float on their back.

“There are lots of benefits to being in the water.

“Often the feeling of weightlessness and the support it gives them is really helpful.

“Alternatively, a participant may be recovering from a stroke and the session might be useful for rehabilitation.

“For lots of participants and volunteers alike, attending is also about the social side.

“We often focus on the exercise, but for many these sessions are a highlight in their week – getting out and seeing friends.

“The participants and volunteers are a very diverse group – we’re a big melting pot.”

For Rosie, getting involved with WeSwim brought together her passion for working for and with charities as well as her love of the water.

Volunteers assist and support disabled people in the pool during sessions - image by WeSwim — Volunteers assist and support disabled people in the pool during sessions – image by WeSwim

from charity work to the benefits of swimming

She said: “I have lots of experience of working with charity startups and bodies that fund projects.

“I’m also a coach and a facilitator who supports people that are perhaps a bit stuck in their lives and help them decide what they want to do next.

“I run women’s retreats too, many of which involve outdoor swimming and walking and I’m an outdoor swim coach too.

“I love the water and so the job at WeSwim has been great.

“I’ve been working with the charity for about 12 months to help it grow.

“Personally, I love the sessions. Getting in the water with WeSwim is just so joyful.

“You can have had a rubbish day at work, maybe it’s a cold January evening and then you find yourself supporting someone who wouldn’t normally be able to swim.

“It puts the rest of your life in perspective.

Volunteer Jack Cunningham, left, assist Eddie at a WeSwim session. Jack will be managing the Canada Water club - image by WeSwim — Volunteer Jack Cunningham, left, assist Eddie at a WeSwim session. Jack will be managing the Canada Water club – image by WeSwim

“Going to a session and seeing people’s faces always brightens up my day. It feels like the work we do as a charity has a real impact.

“All you need to do to be able to volunteer is to get in the water yourself and be confident swimming.

“Sometimes people think we are looking for swimming teachers and that’s not really it at all.

“Sometimes participants want to improve their strokes and we offer training to support that, but it’s definitely not a requirement.

“Potential volunteers might be worried about whether they will know what to do – what disabilities they may be faced with.

“Again, we provide training and we also have a strong core of volunteers that operate each club.

“They’ve been working with the charity for many years and they are very confident and able to support others in the water if there are specific issues as well as providing hints, tips and tricks to help improve participants’ experiences.

“There’s always support. You won’t be expected to get someone out of a wheelchair and into the water on your own, for example.

“For each session there’s always a safeguarding lead who knows exactly what participants’ disabilities are and will be on hand to assist if necessary.

“One of the things that’s important for us, however, is that we don’t want to lead with a participant’s disability.

“At the sessions, they explain what they can and can’t do themselves – it’s never about the disability really, it’s about the person.

“Our volunteers are wonderful people. They are mostly young professionals who are doing this after work to bring a bit of joy to their day.

“Some want to support people with disabilities and others are keen swimmers and are passionate about making sure people can access the water.”

The newly built pool at Canada Water Leisure Centre - image by Jon Massey / Wharf Life — The newly built pool at Canada Water Leisure Centre – image by Jon Massey / Wharf Life

key details: WeSwim at Canada Water

WeSwim is set to launch its Canada Water Leisure Centre club in early September 2025.

Sessions will take place on Tuesday nights from 6.45pm-8pm, priced £2 for disabled participants.

The charity is currently looking for volunteers to help run them.

Neither participants nor volunteers need to be members at the centre.

Find out more about the charity here

CANADA WATER LEISURE CENTRE

Canada Water Leisure Centre is set to open its doors on September 1, 2025, and includes an extensive gym and swimming pool facilities.

As an intro offer, membership costs £20.25 for the first three months and then £43.99 per month which includes access to all Southwark Leisure sites

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July 28, 2025July 28, 2025

Greenwich + Docklands International Festival unveils 2025 shows

This year’s programme celebrated 30 years of performances in Greenwich and its surrounding boroughs with the theme of Above And Beyond

Above And Beyond will open GDIF 2025 - image by Kristina Makeeva — Above And Beyond will open GDIF 2025 – image by Kristina Makeeva

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A giant zoetrope of skeletons punting across the Styx, a vast chandelier with jazz musicians for candles swinging from a crane, huge trebuchet-like bells swinging too and fro, a slick of multicoloured foam, acrobats, dancers, performers, weird installations and cups of tea.

These are just a tiny fraction of the things the Greenwich + Docklands International Festival has brought to east and south-east London, almost all free to watch and thrillingly vibrant.

But don’t take my word for it.

To mark the 30 years organisers have been pulling this remarkable annual event together, large format coffee table book Above And Beyond by Fiona Hughes is set to go on sale to coincide with the launch of this year’s festival.

Frankly, I don’t envy the author.

Even with 160 pages to play with, boiling down the sheer quantity of shows performed over three decades must have been a tough assignment.

The team members behind GDIF, led by festival founder and artistic director Bradley Hemmings since the event’s inception, are not strangers to tricky issues, of course.

Yet somehow on a yearly basis they pull off a powerful programme of shows, finding funding, commissioning artists and emerging victorious over the organisational bothers.

Epiphytes features aerial performers - image by Claude Esselen — Epiphytes features aerial performers – image by Claude Esselen

a mirror: the Greenwich + Docklands International Festival

“It’s been very interesting and sometimes challenging, but the festival is in some way a mirror of people’s social and cultural lives over the last 30 years,” said Bradley.

“If you think back to the 1990s, you’d be hard-pressed to find a place where you could have a meal on the street or in a public space outside.

“There has been such an explosion of alfresco cultural experiences and there’s now a real appetite for doing things together in the open air.

“If you think of spaces around London, like Canary Wharf, they’re now designed for outdoor conviviality.

“That’s the journey we’ve gone on in a very distinctive way and we’ve thought a lot about that during our time producing the festival.

“For what we do it’s about informality – people can come and see GDIF, meet up with friends and relax.

“It’s completely accessible. It’s something you can have a conversation about, not something where you have to sit in silence in a row.

“Above And Beyond contains gorgeous photographs and very interesting storytelling by Fiona to highlight some of the companies and people who have worked with us over the years.

“I’m so proud of them all.”

Turning Worlds will take place on Greenwich Peninsula - image by Frank Emmers — Turning Worlds will take place on Greenwich Peninsula – image by Frank Emmers

GDIF 2025: Above And Beyond

“Above And Beyond” is also the theme for GDIF 2025, which kicks off on August 22, 2025, with a performance of the same name at 6.45pm in Woolwich’s Beresford Square.

We are living in anxious times, so the idea of ‘Above And Beyond’ is that there are no boundaries or walls to define outdoor arts,” said Bradley.

“There’s a continuity and it can happen anywhere – an inn, a park, a town centre, next to a dock, on a roof, or even, as this year, up in the sky.

“The opening night will feature a specially commissioned production with eight French performers from Lézards Bleus who will create an incredible, heart-stopping Parkour presentation that will take over landmark buildings in Woolwich.

“The climax will feature a collaboration with the Greenwich-based Citizens Of The World Choir made up of sanctuary-seeking people, who’ve done all sorts of exciting things including performing at Glastonbury and recording with Ed Sheeran.”

Weight(less) will be performed as part of Greenwich Fair - image by Lina Johansson — Weight(less) will be performed as part of Greenwich Fair – image by Lina Johansson

evolution and a return to Greenwich Fair

GDIF has consistently changed and evolved over the years, taking root in all kinds of locations depending on availability and funding.

For its 2025 iteration, performances are in the main split over five chunks – one in Greenwich, one on Greenwich Peninsula (home to Bradley and the organisational team) one in Woolwich, one in Thamesmead and the last in Stratford.

First up, Greenwich Park is set to host Greenwich Fair from August 23-24 with performances at various times in the area across the two days.

Bradley said: “It’s a fantastic event but quite hard for us to resource so we had to take a break last year.

“However, we’re delighted to be working with Royal Parks and Greenwich Park, to bring it back to its original home.

“The location is where the 19th century Greenwich Fair used to happen and we’ll be bringing together a programme of street art, dance, circus and installations, with a very family-friendly character at the top of the park in celebration.”

Following on, Greenwich Peninsula will host Turning Worlds on August 30 and 31.

“We’ve moved our offices here, in the Design District and it’s a really invigorating place to work,” said Bradley.

“There are wonderful businesses and phenomenal architecture here, and there are great public spaces too.

“For Turning Worlds we’ve taken ideas of performance and engineering and it will feature a giant metal spiral, a device that enables a performer to walk on a wall and a show that involves exchanges between an acrobat and a giant robotic arm. Robopole, especially, is a phenomenal creation.”

Robopole will be performed on Greenwich Peninsula for 2025 - image by GDIF — Robopole will be performed on Greenwich Peninsula for 2025 – image by GDIF

heading to Woolwich

On September 4, it’s Woolwich’s turn with Fragments Of Us and Go Grandad Go set to both be performed twice in General Gordon Square.

“The former is a piece we’ve co-commissioned with Talawa from dance company Fubunation and director Sonia Hughes.

“It’s going to be very inspiring and thought-provoking, which will invite people into the lives of a cast of black performers who are creating and presenting the work.

“It’s a piece that will challenge traditional assumptions about black masculinity and reveal beautiful moments of poetry, and the brotherhood and connections between the people in the show.

“Then, Go Grandad Go is commission from fantastic dancer and choreographer Dani Harris-Walters. It’s hip-hop – very family-friendly and feel-good – and takes audiences into this world of relationships across the generations.

“It’s really fun and very relatable and engaging.”

The Weight Of Water is set for shows in Thamesmead - image by Campagnefoto — The Weight Of Water is set for shows in Thamesmead – image by Campagnefoto

tilting in Thamesmead

Completing this year’s series of spectacles in south-east London will be The Weight Of Water, a giant tipping staircase of a stage where six performers will dance while battling gravity as their floating performance space.

“It’s from a Dutch company, who have created a wonderful piece of ingenious engineering, that involves a floating stage which can actually tip and change position in response to the movements of the acrobats and dancers on it.

“The show is very much urging us to be aware of the climate crisis and the impact of political indecision.

“There’s live music, dance and circus. It’s nail-biting and an incredibly surprising show which has toured widely across Europe.

“We’re thrilled we’re able to bring it to Thamesmead on September 6 and 7.”

Also taking place that weekend will be Dancing City, an extensive programme of performances on the Saturday held in various locations for the second time in Stratford.

We’ll preview this event more extensively in due course.

Greenwich + Docklands International Festival founder and artistic director, Bradley Hemmings - image by Matt Grayson — Greenwich + Docklands International Festival founder and artistic director, Bradley Hemmings – image by Matt Grayson

key details: Greenwich + Docklands International Festival

Greenwich + Docklands International Festival 2025 is set to run from August 22 until September 6 at various locations in south-east and east London.

Full listings are available online.

Above And Beyond, published by Unicorn, will be released on August 22 and is available to purchase at GDIF 2025 events and in selected bookstores

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July 13, 2025July 13, 2025

Neptune Wharf offers discounts to tempt buyers to Deptford

Galliard Homes development offers homes for private sale or rental in south-east London as regeneration of wider area continues

A show home at Neptune Wharf in Deptford - image by Galliard Homes — A show home at Neptune Wharf in Deptford – image by Galliard Homes

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“We are delighted to have completed Neptune Wharf and to be able to deliver highly specified new apartments in Deptford,” said Eli Dias, executive chairman and CEO of Galliard Homes.

“We are thrilled to be launching this exceptional collection of homes for private sale in such a dynamic area.”

Located on Grinstead Road, with Deptford Park to the north and Folkestone Gardens to the south, the scheme connects the two open spaces via a newly constructed public square, while providing more than 170 apartments spread over six buildings.

Currently on the market are 37 apartments for private sale, with Galliard recently unveiling a host of incentives for prospective buyers.

Four properties have been significantly discounted with price reductions of up to £135,000.

First-time buyers can look forward to having their Stamp Duty bills covered, while contributions to legal costs are also available for those using solicitors from a preferred panel to handle conveyancing.

There are also 100% mortgage deals available for those who meet the criteria, meaning even those who haven’t saved up a deposit could potentially purchase a home.

As for the apartments available for sale themselves, one and two-bedroom properties are available with some of the larger units laid out as duplexes.

The Galliard Homes development is located in Deptford - image by Galliard Homes — The Galliard Homes development is located in Deptford – image by Galliard Homes

going inside: Neptune Wharf

Buyers can expect full height glazing with homes on upper levels offering direct views of Canary Wharf, the City and the surrounding open spaces.

Inside oak-style flooring, light grey walls and steel hardware present a neutral base with open-plan living areas and private balconies for all apartments.

Kitchens feature integrated Smeg appliances, navy base units and oak-style wall cupboards over stone worktops.

The homes come with a wealth of tech including LED lighting, in-built radio, TV and Sky-Q ports and kitchen taps that deliver hot, cold or boiling water on demand.

Main bedrooms boast built-in wardrobes, while bathrooms are tiled in porcelain and come with white sanitaryware, thermostatic showers and heated towel rails.

A total of 37 apartments are available for private sale at the scheme - image by Galliard Homes — A total of 37 apartments are available for private sale at the scheme – image by Galliard Homes

The homes all achieve an Energy Performance Certificate rating of B and include central heating systems based on flat-panel white radiators.

Some apartments are available fully furnished.

Neptune Wharf is located around a 16-minute brisk stroll from three stations – Deptford, South Bermondsey and Surrey Quays – offering rail and Overground connections into central and east London.

It’s located about 15 minutes from Canary Wharf via bus and Tube.

The development is in an area that is set to see major regeneration over the coming years as schemes at nearby Canada Water and New Bermondsey, both bringing thousands of incoming residents, businesses and new infrastructure to this part of south-east London.

As an increasingly attractive part of the city, it’s therefore likely to bode well for those seeking capital appreciation as well as an interesting place to live.