East London Archives - Page 2 of 46

October 3, 2025October 3, 2025

Amazing Grace brings live music, food and drink to Canary Wharf

K&G Hospitality set to open brand’s second on the lower levels of 12 Bank Street on Eden Dock

12 Bank Street in Canary Wharf will soon be home to Amazing Grace - image by K&G Hospitality — 12 Bank Street in Canary Wharf will soon be home to Amazing Grace – image by K&G Hospitality

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When K&G Hospitality co-founders Vineet Kalra and Ricardo Guimaraes looked at the empty space on the ground floor of 12 Bank Street in Canary Wharf, they saw possibility.

Having found success with Amazing Grace – a 17th century church a few doors down from London Bridge station that they’ve transformed into a thriving live music venue, bar and restaurant – the pair were on the lookout for a place that could be the next iteration of that brand.

Inside Japanese architect Jun Aoki’s rippling silver pavilion on Eden Dock, they found it and, on October 24, 2025, will open as one of three new offerings set to bring the building to life.

Its top floors will be taken by opulent hotel brand House Of Gods, while Broadwick’s Landing Canary Wharf will offer serious square footage and flexibility for events.

But the ground floor will be something altogether different – a powerful blend of free live performances, Asian flavours and cocktails.

An artist's impression of the venue's covered terrace - image by K&G Hospitality — An artist’s impression of the venue’s covered terrace – image by K&G Hospitality

“Guests will enter Amazing Grace Canary Wharf via the middle of the three entrances to 12 Bank Street,” said Ricardo, who cut his teeth in hospitality during a spell at massive hotels in New York, eventually meeting Vineet when they both worked at co-living startup, The Collective.

“Inside we’ve taken some inspiration from the church – we’ll have arches behind the stages. The walls will be blue and cream with lots of photographs of artists who have played at Amazing Grace.

“There will also be a DJ booth and guests can watch the show at ground level or from the mezzanine. We also have a covered terrace for people to enjoy year-round.

“For the food, we have our executive chef Lucien Green, who’s been working with us for the past two years and was responsible for training the chefs at Jamie Oliver’s Fifteen project.

“The menu will be Asian-influenced, but we’ll also be offering bar food including burgers and wings. We tend to get a lot of larger groups so we’ll also have big platters to share.

“At the bar we’ll have a classic cocktail list with some more fun modern creations and we’ll stock about 20 or 30 wines from all over the world.

“We’ll have Prosecco, of course, because everybody loves it, as well as English sparking wine and Champagne. For parties and events we can also offer canapés.”

K&G co-founder Ricardo Guimaraes always wanted to own his own live music venue - image by Jon Massey / Wharf Life — K&G co-founder Ricardo Guimaraes always wanted to own his own live music venue – image by Jon Massey / Wharf Life

free live music at Amazing Grace

Central to Amazing Grace’s proposition, however, is its rolling programme of free live entertainment – a first for the Wharf in terms of regularity and diversity of programming.

“Each day will be different,” said Vineet, who worked in accountancy before making the move into hospitality, overseeing hotels in Europe.

“On Monday we’ll have acoustic acts, Tuesdays will be cabaret night, Wednesdays will be live band karaoke – so guests can go on stage and sing with the band.

“That’s become super-popular at London Bridge.

“Then on Thursday, Friday and Saturday, we’ll have more acoustic acts, party bands and DJs into the early hours.

“We have a late licence until 3am and, while we might not be open that long when we start out, we’re hoping to get there.

“We just want people to think of Amazing Grace in Canary Wharf as a fun place to be. Opening here will be a proud moment for both of us and this is a flagship location.”

The venue will also be offering The F*cking Fabulous Brunch, which promises “wild energy and unforgettable vibes” from 2pm-6pm on Saturdays.

Diners can expect two courses and 90 minutes of bottomless drinks for £65 per person with dancing, live entertainers, musicians and DJs.

An artist's impression of the main stage at Amazing Grace in Canary Wharf - image by K&G Hospitality — An artist’s impression of the main stage at Amazing Grace in Canary Wharf – image by K&G Hospitality

different things to different people

The design of the new venue, which has a total capacity of 450 people, has flexibility hard-wired into its structure.

The mezzanine level boasts a separate kitchen so it can operate as a standalone events space without conflicting with normal service.

The main space tapers away toward the back creating quieter areas for dining and catch-ups and the terrace directly overlooking the dock promises further sanctuary or the possibility of pop-up semi-outdoor performances.

There’s a sense Amazing Grace could be many different things to different people all at the same time or a single blockbuster space depending on what’s happening on its stage.

“Very early in my career, I did an internship at The Sheraton in New York – the hotel had 1,700 bedrooms, five bars and more than 100,000sq ft of event space,” said Ricardo.

“Simon and Garfunkel were doing gigs downstairs – there were always different things going on the whole time.

“I love music – I used to go to Ronnie Scott’s when I was young, and to the Blue Note in New York – I always wanted to have my own venue, something similar to those places but with its own identity and that’s Amazing Grace.”

K&G co-founder Vineet Kalra - image by Jon Massey / Wharf Life — K&G co-founder Vineet Kalra – image by Jon Massey / Wharf Life

entertainment at Amazing Grace

Vineet added: “We really started as a live music venue and then worked out what was popular.

“With Friday or Saturday nights, we programme something internally and work with third parties to run the other nights for us.

“Essentially, we’re a multifunctional space that’s very flexible.

“People might come for the food and stay for the music, or the other way around.

“We’ve become known for our projections behind the acts and we’ll definitely be bringing those to Canary Wharf.”

K&G is also working on another project within one stop of the estate.

Vineet and Ricardo have teamed up with Meantime to open a new taproom on Greenwich Peninsula in the spaces once occupied by Craft restaurant.

Following its takeover by Asahi, The Dial aims to give the brand a fresh presence in its birth borough following the closure of its original brewery.

“It’s going to be a taproom, micro brewery and a sports bar and event space,” said Vineet. “Split over three floors, it’s right outside North Greenwich station.”

key details: Amazing Grace Canary Wharf

Amazing Grace’s Canary Wharf live music bar and restaurant is set to officially open its doors on October 24, 2025, at 12 Bank Street.

Find out more about the venue here

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September 23, 2025September 21, 2025

David Bowie Centre delivers astonishing archive to the public

With 90,000 objects in its collection, the V&A Storehouse-based facility makes the granular detail of Ziggy Stardust, The Thin White Duke and so many more available to view for free

The David Bowie Centre at V&A East Storehouse - image by David Parry / PA Media Assignments — The David Bowie Centre at V&A East Storehouse – image by David Parry / PA Media Assignments

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“This archive, which has 90,000 items in it, shows David Bowie as an interdisciplinary artist, musician and cultural icon – an advocate for self-expression and reinvention,” said Dr Madeleine Haddon, curator at V&A East.

“The David Bowie Centre makes this collection accessible to everyone.”

As she speaks at the launch of the dedicated, permanent exhibition space, a huge video wall plays clips from the artist’s long and storied career.

There’s a flavour of worship about the place, perhaps even deification.

Madeleine speaks of Bowie’s wide and far-ranging impact on other artists, his varied creative processes and his willingness to experiment and collaborate with others in a reverent fashion as we gaze up into the mismatched eyes of the Thin White Duke, Ziggy Stardust and the rest.

In many ways, it’s not an unreasonable response. One of Bowie’s singular drives, it seems, was a desire to constantly archive and catalogue his endeavours.

This is evidenced by the artist’s numerous yellow post-its suggesting classification and categories that adorn much of the material.

Thus the David Bowie Centre at V&A Storehouse in the Queen Elizabeth Olympic Park’s Here East campus might, in some senses, be viewed as the one true repository of the icon’s relics.

A visitor considers exhibits on show at the new centre - image by David Parry / PA Media Assignments — A visitor considers exhibits on show at the new centre – image by David Parry / PA Media Assignments

the exhibits on show at the David Bowie Centre

“Behind me is a two-hour long film that traces Bowie’s live performances, music videos arranged chronologically, so you can see his evolution as a performer,” said Madeleine.

“We also have in here 200 objects from the archive that are on display, that trace his life and career, his creative processes arranged in these nine bays that look at his transformative creativity as a musician, a visual artist, a writer, designer and actor.

“Six will be on display for two years while the objects in the other three will rotate every six months in dialogue with contemporary issues we are exploring across V&A East.”

These are diverse altars of public worship, with costumes, notes and slices of his life.

Nile Rogers – who produced Bowie’s biggest-selling hit, Let’s Dance – has guest curated one, while another features Omikron: The Nomad Soul, a video game from 1999 that David did the music for, as an example of his futurism.

There’s lots to inspire and divert here, but really these displays are just a nod to the real function of the centre, one only made possible by its subject’s near fanatical amassing of his own story and its artefacts.

This is the astonishingly rare opportunity to really delve deeply into the granular residue of his creativity.

The centre includes a dedicated study room where anyone – not just academics and researchers – can, for free, order any item in the archive to view by appointment.

This is an extension of a service that’s available throughout the V&A’s massive collections.

Due to the depth of the Bowie archive, however, this presents a tantalising prospect for enthusiasts.

Of the 90k objects in the archive, 70k are pieces of paper that David and his team had already organised to some extent.

There are hand-written song lyrics, annotated scripts and sketches of ideas, costumes and props for various projects.

Their existence means that, for much of Bowie’s extensive output, there’s background material available to the public – concepts that never made it, comments from the time of creation and thoughts on the future.

Costume designed by Mark Ravitz and David Bowie, worn by David Bowie, to perform Man Who Sold the World, on Saturday Night Live in 1979 - image courtesy of the V&A — Costume designed by Mark Ravitz and David Bowie, worn by David Bowie, to perform Man Who Sold the World, on Saturday Night Live in 1979 – image courtesy of the V&A

the chance to dive deep

At the centre’s launch event, for example, I’m shown a series of designs for clothing and puppets to be used on Bowie’s 1979 appearance on Saturday Night Live with Klaus Nomi and Joey Arias as backing singers.

It’s the one where he sang The Man Who Sold The World.

There really is a thrill in seeing simple sketches by someone who achieved such success in their lifetime juxtaposed with the kind of doubtful notes we all might make on a pad of paper.

The crossings-out are a light reminder that Bowie was human, after all.

But the centre offers more than this.

Also in the study room when I visit is the actual costume Bowie wore for the show.

Modelled after Nomi’s aesthetic, the angular tux prevented David from walking, so he had to be placed before the mic by his artistic accomplices at the start of the performance.

This is the magic. The opportunity to see one-to-one designs springing so vibrantly off the page and into reality.

There’s a feeling visitors could, with a bit of research, replicate this with so many of the objects in Bowie’s archive, discovering the origin story of each piece.

A V&A Collections Access Officer handles a life mask by William Forsche of David Bowie’s face painted to resemble his makeup from Aladdin Sane – image by David Parry for the V&A

archiving himself

“Bowie saved everything from scribbled notes to elaborate sketches and is a powerful reminder that no idea is too small and that the creative process is worth documenting at every stage,” said Madeline.

“You get to see that behind the scenes here at the David Bowie Centre.

“This approach is one that is a rich legacy for all artists in all disciplines and all backgrounds who we hope will come and visit us here.”

It’s worth noting, perhaps, that while the Bowie archive does lend itself to detailed exploration, those visiting Storehouse who simply wish to drop in will still be rewarded.

The centre works on many levels. There are easily accessible copies of some of the archive’s popular documents on show and the bays of exhibits to enjoy.

There’s also the seemingly endless barrage of images from the video screen and an especially curated soundtrack of Bowie’s songs. But most of all, visitors will be left with the unmistakeable impression of complexity.

As an artist known for his constant reinvention, seeing the working behind the illusion only impresses at the sheer relentless energy it must have taken to achieve so much.

Asymmetric catsuit David Bowie wore as Ziggy Stardust, designed by Kansai Yamamoto in 1973 - image courtesy of the Victoria And Albert Museum — Asymmetric catsuit David Bowie wore as Ziggy Stardust, designed by Kansai Yamamoto in 1973 – image courtesy of the Victoria And Albert Museum

key details: David Bowie Centre

Entry to V&A Storehouse at Here East in the Queen Elizabeth Olympic Park is free and includes access to the David Bowie Centre.

The museum is open from 10am daily and usually closes at 6pm except on Thursdays and Saturdays when it’s open until 10pm.

Find out more about the new centre here

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September 22, 2025September 19, 2025

Third Space Canary Wharf launches Hyrox Training Space

Dedicated studio created along with five discipline-focused classes to help members train for the popular fitness events

The Hyrox Training Space at Third Space Canary Wharf has facilities for members to train all the challenges they will face in a full race - image by John Payne — The Hyrox Training Space at Third Space Canary Wharf has facilities for members to train all the challenges they will face in a full race – image by John Payne

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Hyrox is a juggernaut.

When the German-founded fitness race first took place at Excel London in 2021 – its UK debut – just 613 people took part.

In 2023, that was 24,000 and, for this year’s December event, the number of athletes competing is expected to be around 40,000.

For the first time, contestants will use a 1km indoor course at the Royal Docks venue, running a total of 8km while completing eight fitness challenges between the laps.

It’s a discipline that’s caught the minds of gym-goers and, with its finger on the pulse, an opportunity for Third Space Canary Wharf.

Europe’s largest luxury health club recently unveiled its Hyrox Training Space, a studio facility specifically tailored to those following the discipline, complete with a six-lane sled track, SkiErgs, rowing machines, treadmills, and a full suite of functional equipment.

As an official training partner, the club’s timetable has seen five classes brought in for members aimed at honing different aspects of fitness for those preparing for events or working their way to taking part in future.

Third Space sport and performance master trainer, Chris Stanton - image by Jon Massey / Wharf Life — Third Space sport and performance master trainer, Chris Stanton – image by Jon Massey / Wharf Life

bringing Hyrox to Third Space Canary Wharf

“We saw that people training in the gym were increasingly adhering to Hyrox protocols,” said Chris Stanton, sport and performance master trainer at Third Space.

“We wanted to provide the best environment for those individuals to train, all together in one space.

“We know people want to be part of something as it grows and it’s great we’re able to stay at the forefront of innovation and trends for our members at Third Space.

“Everyone leading the business is immersed in fitness and wellbeing and that allows us to rapidly make decisions to put in new facilities in response to what’s happening – responding to member feedback.

“With Hyrox, we were one of the first affiliate clubs.

“That gives us access to their courses for our coaches and the partnership is very strong.

“They’ve already expressed an interest in filming in the studio and some of their staff have come down to visit.

“It’s a thriving collaboration and they see us as an organic part of their event.

“It allows us to tap into what they’re doing and to get early access codes for our members who want to attend their events to compete.”

The partnership is about more than sexy neon lights.

Third Space’s suite of classes is laser-focused on resulting in a positive performance.

That’s something that taps into Chris’ own hybrid career.

While sporty as a youngster, his other passion led to a career in acting and musical theatre (his mum was a big Gene Kelly fan), which included spells on stage in the likes of High Society and three years in the cast of Legally Blonde.

“A little over 10 years ago, I did my first triathlon and was involved in health and fitness alongside my theatre and film work,” he said.

“In 2019, when my son was two, I made a conscious decision to pursue a fitness career – I felt I was just missing out on the more routine parts of being a dad.

“In 2020, I was offered this role and I find real satisfaction in it – I’m leading classes, I’m involved with education for our trainers and our creative programming.

“There’s a skillset that comes across from the discipline and adaptability of an actor and I see that when other performers come into the industry too – they have the ability to present and to keep the show going.”

As Hyrox is a relatively new discipline and a sport that’s still very much growing and evolving globally, the question of how to train for the events is also a developing field.

However, Chris and the team, in partnership with Hyrox, are delivering a programme that’s aimed at putting Third Space members on the cutting edge of the contest.

The dedicated studio includes six sled lanes - image by Jamie McGregor Smith — The dedicated studio includes six sled lanes – image by Jamie McGregor Smith

enjoyable and challenging

“The first time I did an event, I thoroughly enjoyed it, even if it was extremely challenging in certain areas,” said Chris.

“From the moment you cross the start line and run 100m, you’re really on your own despite all the other people.

“You might recognise one or two faces on your way but you quickly get immersed in the challenges.

“Then, when you come to the finishing line you just feel phenomenal.

“My first event was tough, but I also realised, from a sporting perspective, it was something you could train for and potentially make big gains.

“How can you find an extra 2cm in a jump? How can you get a bit of extra speed?

“How do you boost your anaerobic strength, power and endurance, your aerobic ability and then find consistency?

“We have five different class concepts within Hyrox to help members try and answer some of those questions.

“Hyrox Run tackles the biggest part of the race – it’s 50% of the event, so you need to be effective.

“Hyrox Power is about 75% cardio-focused, with 25% spent on movement and skill with a high metabolic output.

“Hyrox Power is a combination of endurance and making sure participants can dominate the various stations.

“Hyrox Train is a 12-week progressive programme aimed at developing functional fitness to get race ready.

“Finally, Hyrox 90 is our most popular option – 90 minutes is an average time for people to complete a race and the class is about participants understanding how they can get past an hour of work.

“It’s not necessarily a simulation of a race but is structured around working blocks with a desired outcome.”

Third Space Canary Wharf offers members five classes specifically aimed at preparing them for Hyrox - image by John Payne — Third Space Canary Wharf offers members five classes specifically aimed at preparing them for Hyrox – image by John Payne

crossover benefits

The Hyrox classes can, of course, also be an end in themselves.

The physical and mental gains have a great deal of crossover with other sports and can simply be enjoyed in isolation as part of a wider fitness programme.

Chris said: “There’s a direct correlation, for example, between training for Hyrox and triathlon.

“Developing an engine is a true aerobic ability and applies to many different sports.

“The most enjoyable aspect of coaching for me is when I connect with an individual and see them change and realise their goal. That I helped facilitate this is amazing. It’s about challenging people, giving them choices and making it fun.

“Not everyone will reach the highest levels of performance but health-wise, Hyrox is about efficiency and discovering different ways to do things – everyone will get from A to B in varying ways.

“As for the event itself, the fact Hyrox takes place indoors in a closed environment is so special.

“There’s a lovely moment when you’re doing an event where it feels as though you’re interacting directly with spectators because you’re so close to them – you’re not in an arena.

“It’s amazing for them too because they can see everything that’s happening.”

Hyrox races see participants run 8km, undertaking a fitness challenge after every 1,000m - image by John Payne — Hyrox races see participants run 8km, undertaking a fitness challenge after every 1,000m – image by John Payne

key details: Third Space Canary Wharf

Membership at Third Space Canary Wharf costs £245 per month inclusive of all classes including Hyrox-focused sessions and all fitness facilities.

The Wharf membership also covers full access to Third Space Wood Wharf.

Recently Third Space also launched Recovery and Recovery Plus memberships for those seeking to regularly access its Red Light, Cryotherapy and Vibroacoustic Bed facilities, all available at its Canary Wharf Recovery Spa.

These start at £115 per month.

Find our more about the new training space here

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September 21, 2025September 19, 2025

Excel London expansion is historic moment for UK’s events offering

CEO Jeremy Rees says the 25% boost in space and new facilities are already proving popular with organisers and brands, bring prosperity to the capital and Newham and the Royal Docks

This image has an empty alt attribute; its file name is 2.-L-R-Jeremy-Rees-Howard-Dawber-and-Humaid-Matar-Al-DhaheriWEB.webp
Excel London CEO Jeremy Rees, left, is joined by deputy Mayor Of London for business Howard Dawber, centre, and Humaid Matar Al Dhaheri, chairman of Excel London and managing director and Group CEO of ADNEC Group at the new venue’s first event - image by Excel London — Excel London CEO Jeremy Rees, left, is joined by deputy Mayor Of London for business Howard Dawber, centre, and Humaid Matar Al Dhaheri, chairman of Excel London and managing director and Group CEO of ADNEC Group at the new venue’s first event – image by Excel London

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People of greater seniority, plus time, results in events that do more for those attending and their organisers.

It’s this equation that underpins the expansion of Excel London in Royal Docks and the reason it’s already proving popular with brands from across the world.

Opened earlier this summer, the new facility saw early action hosting Formula E as its debut.

Built by Canary Wharf-based McLaren Construction, the extra 25,000sq m of space boosts the venue’s overall capacity by 25% to 125,000sq m.

That’s golden acreage for organisers to use, especially with the Elizabeth Line working as a major artery to deliver an ever increasing flow of people to the venue.

Excel London's expansion massively expands the venue to the east - image by Excel London — Excel London’s expansion massively expands the venue to the east – image by Excel London

a crucial transport link

“Since it started running and now everyone’s become familiar with it, visitor numbers have

risen 20%, dwell time has gone up by 20% and there are substantially more senior people from organisations coming to events here,” said Jeremy Rees, CEO of Excel London.

“The data is now backing up what we’ve been observing.

“If we’re in the business of connecting people, we’re doing that with an audience that’s a fifth bigger, is more senior and for a period of time that’s 20% longer.

“That multiplier effect is very substantial.”

With such positive figures as a foundation, it’s perhaps little wonder that an enhanced Excel is proving very popular following the introduction of the new facilities.

The extension includes an expanded international convention centre – allowing the venue to compete to host some of the largest congresses in Europe – as well as new exhibition halls, conference spaces and meeting rooms.

It is part of a wider £350million investment programme in London’s business and tourism economy by venue owner ADNEC Group.

The new facility includes outdoor terrace spaces - image by Excel London — The new facility includes outdoor terrace spaces – image by Excel London

a transformational expansion

“Our customers are saying the extension transforms the way they can use Excel,” said Jeremy.

“There are 37 rooms, you can have 7,000-8,000 delegates in the new space alone in a very cost-effective and efficient way.

“By using its external terraces, organisers can also create more of an emotional impact.

“Around 60% of our corporate market now is coming out of the USA – large tech, pharma and life sciences events.

“It’s exactly for them that we have built this facility.

“The encouraging trend is that they like it, they’re booking it and they’re going to be bringing tens of thousands of people to London for the first time.

“The market is speaking, everyone is moving forward with intent and the space is already getting booked up.

“It will be fascinating to see what happens over the coming months.

“Our owners in Abu Dhabi are wholeheartedly committed to investing in the experience economy in London.

“They’re extraordinarily proud of what’s been achieved so far.

“Opening the extension was definitely a history-making moment.”

Excel recently hosted Formula E - image by Excel London — Excel recently hosted Formula E – image by Excel London

Excel London: creating a halo effect

There’s a wider story here, however.

While greater provision of facilities at the venue is good news for Excel, its owners and their clients, the benefits extend well beyond its walls.

“The new facility is a very substantive step forward in terms of regular employment and profile for the area and I think the halo effect will continue to ripple through the estate and further afield into Newham and the surrounding boroughs,” said Jeremy.

“It’s an increasingly attractive proposition to invest in hospitality and the experience economy in and around Excel.

“When you look at Canary Wharf and London City Airport, the wealth building agenda in Newham and beyond with the GLA, there is a really coherent strategy to maximise the experience for visitors and the returns of investors and investees in London.

“There’s a real sweet spot at the moment and there are big players investing heavily in infrastructure – we’re one of those – to make sure as a city we stay ahead of the game compared to our European competitors.

“We’re already leading Europe and, globally, with this new facility, we are very much in the top percentile of venues that have everything to offer – exhibition and convention space, amazing transportation as well as fantastic hospitality offerings.

“My sense is that, until the next venue is completed in a tier one city, Excel is the place to come to.

“It’s fashionable, practical and commercially resonant for everyone that uses it.

“This new extension allows us to present a new kind of space that’s not existed in London before – it’s genuinely transformational for the city.”

Excel, of course, isn’t standing still.

Future plans include investment in its digital infrastructure, its hospitality offering and outside areas.

This will build on the success of Immerse LDN, a series of spaces of chapters on the edge of the dock that have been generating a steady stream of visitors to immersive attractions celebrating the likes of Formula 1, Egyptian history, Friends and Squid Game.

“There are regularly around 6,000 people a day visiting these and they’re here for a very different purpose than those coming to events at Excel,” said Jeremy.

“They are coming to be entertained, for fun, for enjoyment and they’re bringing their families.

“It means bars and restaurants can build really quite compelling business cases to locate here with consistent trade flowing though on a daily and weekly basis.

“It’s not just Monday-Friday, it’s also the weekends and it extends into the evenings too. In terms of driving a more vibrant estate, it brings life to these spaces on a consistent basis.

“I believe London has deserved more substantive, more modern and flexible infrastructure and it now has that.

“We all need to work very closely together to attract more inbound business, which ultimately creates a substantial effect throughout the visitor economy, advantaging so many of our businesses and organisations.”

key details: Excel London

Full venue details for those interested in hosting events at Excel London can be found on its website alongside extensive listings detailing what’s on in Royal Docks.

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September 20, 2025September 18, 2025

Riverscape amenities, location and connectivity attracting buyers

Ballymore and Oxley’s Royal Docks development offers homes close to the Thames and the open spaces of Lyle Park in Silvertown

Ballymore and Oxley's Riverscape scheme is located in Royal Docks next to Lyle Park - image supplied by Ballymore — Ballymore and Oxley’s Riverscape scheme is located in Royal Docks next to Lyle Park – image supplied by Ballymore

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The attractions and pull of Riverscape are myriad.

Ballymore and Oxley’s 749-home scheme on the western edge of Royal Wharf overlooks Lyle Park and offers residents direct access to central London via the Uber Boat By Thames Clippers river bus service that stops at a dedicated pier on the development’s doorstop.

Then there are the connections to the east and south-east of the capital via the DLR, the on-site amenities including cafes, restaurants, a pub, a nursery, a primary school and a host of independent stores.

That’s before we even talk about the residents’ access to the Royal Wharf Clubhouse with its 25m swimming pool, sauna, jacuzzi and gym, the 24-hour concierge service and the 16th-floor Sky Lounge overlooking the Thames.

For publication designer, visual journalist, expressive and therapeutic arts practitioner and recent Riverscape buyer, Deborah Withey, however, the first thing she noticed was the scheme’s brand colour.

A show home interior at Riverscape - image supplied by Ballymore — A show home interior at Riverscape – image supplied by Ballymore

finding a home at Riverscape

“Orange is my favourite colour so you had me at orange, seriously,” said the founder of arts education studio, Henry H Art Academy.

“I saw it on Instagram and I thought the presentation was really smart – it had a bit of soul to it, so every time it came up I found myself not swiping it away.

“Eventually, I went to the website.

“Riverscape was only the second place we looked at.

“I felt immediately at home – odd, because I had never spent any time in the Silvertown area before.

“The apartments appeared to be thoughtful in design and materials.

“I loved the close proximity to the Thames, the incredible views, and in particular the garden design.

“Green space is important to all of us and I felt Riverscape was designed with attention to that, along with a respect for the Docklands.

“For example, putting the memorial of those killed in the 1917 Silvertown explosion in a prominent place on the grounds, making Lyle Park more beautiful, and preserving the Harland And Wolff signs there.

“It’s important to pay homage to what went before.”

One, two and three-bedroom apartments are available at Riverscape - image supplied by Ballymore — One, two and three-bedroom apartments are available at Riverscape – image supplied by Ballymore

living close to the Thames

Designed by Howells architects, Riverscape offers one, two and three-bedroom homes – the latter designed with families in mind.

The scheme boasts 5,500sq m of landscaped open space including a communal children’s play area and sandpit.

For Deborah, though, chief attractions came via proximity to the river and the chance to put her stamp on a new home.

“My son just graduated from UCL and he is in Docker Building in a one-bed, with a beautiful west-facing view right above Lyle Park,” she said.

“Earlier this year, I sold our home in Wales and decided to use the funds to purchase something for my future life.

“It’s a one-bedroom on the top floor of the Steamer Building.

“I am very excited about sourcing pieces for it and filling it with art, both my own and works by others.

“I lived in the centre of Detroit along the river for many years and it reminds me of that.

“I am a visual journalist and designer who decided to pursue a new path with creativity and wellbeing at its heart.

“In 2018 I opened Henry H Art Academy an expressive arts education studio where the creative and therapeutic process of art making is employed to enhance the psychological and social wellbeing of individuals of all ages, learning needs and health conditions.

“Let’s say I love helping others find their own form of creative expression – their ‘secret sauce’.

“Having the Thames Clippers pier was a big factor in my decision.

“I think the local area and community have great potential as long as it stays green and I’m most excited about taking the boat everywhere on the Thames as well as walking our whippet, Ricky, in Greenwich along the Thames Path.

“I’m also looking forward to being involved in charity and community art projects in the Docklands and within Newham.

“I feel very fortunate to live at Riverscape and cannot wait to make the apartment a creative haven and visual jewel.

“My style is mid-century, which I liked way before it was everywhere – eclectic, smart and interesting.”

Facilities at the communal residents' Sky Lounge at Riverscape - image supplied by Ballymore — Facilities at the communal residents’ Sky Lounge at Riverscape – image supplied by Ballymore

key details: homes at Riverscape

Prices for the final apartments available at Riverscape start at £459,000 for a one-bedroom home.

Find out more about living at the development and the facilities on offer on the scheme’s website.

Read Wharf Life’s e-edition here

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September 18, 2025September 18, 2025

Landing Canary Wharf to offer flexible space at 12 Bank Street

Broadwick’s latest east London events venue will be at the core of the soon-to-launch building

The finishing touches are currently underway at 12 Bank Street, set to open this autumn - image by Jon Massey / Wharf Life — The finishing touches are currently underway at 12 Bank Street, set to open this autumn – image by Jon Massey / Wharf Life

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At the heart of Canary Wharf sits a building like no other.

The rippling sheen of 12 Bank Street’s cladding sets it apart – a finish created by Japanese architect Jun Aoki as a response to the waters of Eden Dock on which it sits.

It’s a structure cloaked in intrigue, its terraces and windows partially concealed by its own design.

Soon, however, 12 Bank Street will come to life.

The building’s lower level will house bar restaurant and live music venue, Amazing Grace, as it expands east – riding the success of its converted church in London Bridge.

The building’s upper levels will be taken by maximalist hotel chain House Of Gods as it branches out from Scotland.

But perhaps the most intriguing component will be the filling in the sandwich – newly minted events venue, Landing Canary Wharf.

The space has been taken by Wood Wharf-based Broadwick, which also operates The Pelligon and Broadwick Studio on the estate.

While both of these offer almost completely blank canvases to organisers, Landing Canary Wharf will serve a different need.

Broadwick CEO, Simon Tracey - image by Jon Massey / Wharf Life — Broadwick CEO, Simon Tracey – image by Jon Massey / Wharf Life

inspired by success in the City

“We’ve named it to reflect the success of our Landing Forty Two venue at The Leadenhall Building in the City,” said Simon Tracey, CEO of Broadwick.

“We opened it 10 years ago and it really answered a need for high-end corporate functions, product launches and brand events.

“We think that’s what Landing Canary Wharf will do as well.

“There are a multitude of big organisations based here, many with their own event spaces, so it was important that we designed something to not only match what they have, but eclipse anything they can do in their own buildings.

“The Wharf’s amazing transport infrastructure also means the venue will service a much wider area and we’re expecting to attract corporates and brands from across London and beyond.”

When it launches in November, 2025, the venue will be able to handle events with up to 450 guests in surroundings that will be both adaptable and flush with facilities.

Landing Canary Wharf is currently under construction - image by Jon Massey / Wharf Life — Landing Canary Wharf is currently under construction – image by Jon Massey / Wharf Life

going inside Landing Canary Wharf

“Jun Aoki’s design is really interesting from the outside, but the inside will be even better,” said Simon.

“We know the location well and our interest was in designing spaces that would be very flexible, but with the sort of furnishings you might expect in a hotel.

“The scale of Landing is great and it’s a bit more defined than our other Canary Wharf spaces.

“This will be attractive to clients who want to book off-sites and conferences.

“There are meeting room spaces and pods for privacy as well as the main space and a massive wraparound terrace.

“It’s also going to be very hospitality-led.

How Landing Canary Wharf will look when work is completed - image by Broadwick — How Landing Canary Wharf will look when work is completed – image by Broadwick

“Unusually, for an event space, we’ve decided to create a fully-equipped kitchen so we’ll be able to deliver restaurant or hotel-level catering.

“At lots of venues across London, food is produced off-site and just finished off before serving because space is at a premium.

“But we had the room for full facilities here and we thought this would be an important addition.

“One of the other things that really attracted us as an operator was the other tenants in the building.

“Amazing Grace will bring life to 12 Bank Street, while House Of Gods is a very decadent brand and the Wharf needs more hotel accommodation.

“Having that is going to give us the opportunity to package up events with a place to stay, which is really attractive to lots of event organisers – especially people coming from overseas.

“The building has been designed so that you can arrive, check into your hotel room with easy access straight into the event space and then, after the event, go upstairs again or even to the roof terrace for a drink.

“We’re really excited about the building as a whole.”

An artist's impression of the venue's reception area - image by Broadwick — An artist’s impression of the venue’s reception area – image by Broadwick

Broadwick: a growing business

When it opens the venue will be Broadwick’s 24th in a portfolio that includes the likes of Magazine London, recent acquisition Troxy in Limehouse and 2025 opening Corner Corner in Canada Water.

The latter boasts a vertical farm alongside a live music venue and street food offering.

With three spaces in Canary Wharf, Simon said he also saw scope for the estate to act as a campus for some events.

He said: “We’ve hosted the Future Resilience Forum, for example, at The Pelligon and it’s an event that’s growing, so being able to use the space at Landing Canary Wharf enables us to accommodate that expansion.

“It means larger events can come to the area and make use of its transport links and hotels – it’s secure, it’s clean and there are now so many restaurants, bars and other facilities to attract people.

“I’ve been working in Canary Wharf for more than 20 years and it’s unrecognisable.

“The footfall is now spread throughout the day and weekends are sometimes busier than weekdays. It really is thriving.”

The venue has a capacity of up to 450 guests and includes a huge wraparound terrace - image by Broadwick — The venue has a capacity of up to 450 guests and includes a huge wraparound terrace – image by Broadwick

key details: Landing Canary Wharf

Landing Canary Wharf is set to officially open its doors in November, meaning its facilities will be in place for the busy festive season.

The venue can handle up to 450 guests.

Find out more about the venue here

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September 9, 2025September 9, 2025

Sea Lanes Canary Wharf set to provide floating lido at Eden Dock

Canary Wharf Group and Sea Lanes are seeking feedback on plans to create swimming space in the dock and facilities on land

An artist's impression of Sea Lanes Canary Wharf - image by Canary Wharf Group — An artist’s impression of Sea Lanes Canary Wharf – image by Canary Wharf Group

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Canary Wharf Group (CWG) is currently seeking views on its plans to partner with Sea Lanes to deliver a 50m natural water pool floating in Eden Dock.

Set to open in June 2026 (subject to planning approval), the proposal is for an open water swimming facility open year round and staffed by lifeguards with a constant depth of 1.3m.

Located around the corner from the main stretch of Eden Dock, the east London plans also include an extensive on-land element on vacant land to the north of Newfoundland tower.

This would include changing room and sauna facilities, a clubhouse and flexible events space, a food and beverage offering, a viewing area to watch swimmers in the pool and a base for the hire of paddle boards and kayaks.

Under the current proposal Sea Lanes would be open from 6am-11pm during peak summer dates with reduced hours at other times of the year.

Ross Gilbert, director at Sea Lanes said: “We are excited to be partnering with CWG on proposals for a new National Open Water Swimming Centre in the heart of Canary Wharf, building on the fantastic work already accomplished in the neighbourhood to open up Eden Dock for everyone to enjoy.

“Our vision is to bring people and nature closer together by offering a fully accessible floating freshwater pool, lifeguarded and open year-round, supported by a hub of health, wellbeing and food and beverage businesses.”

Sea Lanes is known for operating the UK’s first National Open Water Swimming Centre in Brighton.

CWG CEO, Shobi Khan, said: “Almost one year on from the opening of Eden Dock, we’re making another bold step forward in the enhancement of our green and blue spaces at Canary Wharf.

“Sea Lanes Canary Wharf will build on the success of Eden Dock as a unique wellness destination, where access to nature, leisure and world-class amenities are seamlessly integrated.”

CWG associate director arts and events, Pippa Dale, added: “We’re excited to enter the public consultation stage of Sea Lanes Canary Wharf.

“Natural water swimming offers proven benefits for both physical and mental wellbeing – from improved circulation and stress reduction to enhanced mood and resilience.

“By creating this dedicated swimming destination, we’re bringing these transformative health benefits directly to our community of residents, workers and visitors.”

The installation will include a floating lido as well as facilities on land - image by Canary Wharf Group — The installation will include a floating lido as well as facilities on land – image by Canary Wharf Group

key details: Sea Lanes Canary Wharf

Those wishing to respond to the Sea Lanes Canary Wharf proposal must do so by September 12, 2025, via this link.

Read Wharf Life’s e-edition here

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September 9, 2025September 9, 2025

Idea Store Canary Wharf gets an upgrade for kids and adults

Churchill Place facility is undergoing a £1.45million refurbishment to ensure it caters for locals’ needs

Idea Store Canary Wharf is currently undergoing a full refurbishment - image by Jon Massey / Wharf Life — Idea Store Canary Wharf is currently undergoing a full refurbishment – image by Jon Massey / Wharf Life

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“A long, long time ago, I used to work as a senior coordinator for a nursery school, so this brought back memories,” said Cllr Maium Talukdar.

Tower Hamlets Council’s deputy mayor and cabinet member for education, youth and lifelong learning, recently attended morning Story Time at a temporary pop-up children’s library at Idea Store Canary Wharf.

His visit, aside from lending a pretty decent impression of a bear to proceedings, was aimed at drawing attention to works currently underway to improve the facility.

Canary Wharf Group is spending £1.2million on its refurbishment with a further £250,000 contributed towards the project from the council.

“We’re grateful to Canary Wharf Group – it’s not just us doing this, it’s a partnership – and I’m hoping this will be a very popular facility,” said Cllr Talukdar.

“Lots of families and children will use it and it will make a huge difference to the area.

“I think what’s here is changing – 10 or 15 years ago, Canary Wharf was very different, but I think different communities are coming in now and getting involved.

“They are using the shopping centres and this Idea Store. Lots of people are benefiting from that.

“When this refurbishment is complete, I think this facility will be one of the best in Tower Hamlets – it will have everything.

“This place is for everybody – all ages – and we hope as many people as possible will come and use it.”

A Story Time session at Idea Store Canary Wharf's temporary pop-up - image by Jon Massey / Wharf Life — A Story Time session at Idea Store Canary Wharf’s temporary pop-up – image by Jon Massey / Wharf Life

making the changes at Idea Store Canary Wharf

The refurbishment is being undertaken by contractor Built.

The firm’s commercial lead, Thomas Howe, said: “It’s a full mechanical and electrical upgrade.

“There will be new flooring, new wall configurations, a fresh set of ceilings and it will be a much more user-friendly space.

“We’re increasing the floorspace and installing new joinery that’s more space efficient.

“We’re still awaiting the final layout, but increasing the ceiling height is a big thing for us.

“We’ll have fresh sets of data cabling, with new technology and computers for people to use.

“It’s really important to maximise the space for the kids here so they are able to enjoy stories and bang drums in a nice new environment.”

The fit-out will include new heating, cooling, ventilation and lighting, with completion expected before the end of the year.

A spokesperson for Canary Wharf Group said: “Our involvement in the refurbishment of Idea Store Canary Wharf represents our ongoing dedication to creating an inclusive neighbourhood where learning opportunities are made accessible for all.

“We’re proud to support a facility that combines traditional library services with lifelong learning opportunities in the heart of the Wharf.”

Story Time sessions are already popular on the Wharf, attracting some 10,158 visitors over the past year.

In August alone, 188 people attended Story Time Up On The Roof at Crossrail Place Roof Garden.

Idea Stores are for Tower Hamlets residents of all ages offering a wide range of services including adult learning courses, activities and events.

Full details of these can be found here

Cllr Maium Talukdar, Tower Hamlets Council’s deputy mayor and cabinet member for education, youth and lifelong learning - image by Jon Massey / Wharf Life — Cllr Maium Talukdar, Tower Hamlets Council’s deputy mayor and cabinet member for education, youth and lifelong learning – image by Jon Massey / Wharf Life

key details: Idea Store Canary Wharf

Idea Store Canary Wharf is currently closed for refurbishment with a limited pop-up library operating next door to the site.

Services currently being offered include Story Time for under 5s, which runs from 10.30am-11am, Monday-Saturday. Sessions are free to attend.

The refurbishments works are expected to be completed before the end of the year.

Find out more about the facility here

Read Wharf Life’s e-edition here

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September 9, 2025September 9, 2025

The Islander Festival celebrates Leamouth with final events

How Ballymore’s festival of activities creates community and draws visitors to Goodluck Hope and London City Island

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Part of the skill of development is the ability to turn a flat piece of earth into a place that will attract residents and provide the facilities and conditions capable of generating community.

Ballymore has effected exactly this sort of transformation in Leamouth.

Occupying a patch of land where London’s second largest river, the winding Lea meets the might of the Thames, the company has cleared and reimagined former industrial land as a residential quarter, first with the colourful towers of London City Island and more recently at Goodluck Hope to the south.

The sister schemes, connected to Canning Town station by a vibrant red bridge are a compelling proposition for buyers in an area that’s seen profound regeneration in recent years.

Apartments, lofts and penthouses are still available at Goodluck Hope.

Potential are buyers invited down to join existing residents and those living in surrounding areas for the remaining events of The Islander Festival 2025, an annual celebration of the area’s vibrancy.

These gatherings serve both as a way to introduce people to the area as well as a way to strengthen and enrich the existing community.

still to come from The Islander Festival 2025

Here are the forthcoming dates for your diaries:

September 20 – noon-11pm

The Street Food Collective and The Lockdown Room will be taking over the square at London City Island for a day of feasting and live music.

Visitors can expect plenty of food from a diverse range of vendors plus musicians and DJs.

The event is free to attend, but those planning on heading down can register for line-up info and updates online.

September 25 – 6pm-9pm

For this event The Lockdown Room will be setting up shop at the Goodluck Hope Dry Dock with live music, street food and a cocktail bar for three hours of sunset entertainment.

Thirsty Thursday is set to be repeated on October 23 at the same time.

September 26 – 7am

Head up to residents lounge and viewing deck The Lantern Room at Goodluck Hope for Sunrise Yoga with Hum Wellness.

Expect plenty of poses and breathing exercises high above the Thames.

Sunrise Yoga is also set to be repeated on October 24 at the same time.

October 1 – 4.30pm-5.30pm

Layers Bakery at Goodluck Hope will be running a Cake Decorating Masterclass hosted by co-founder Faye Weatherburn.

Participants will learn to layer, frost and design their creation in a fun, relaxed class for all skill levels.

Booking online is essential to secure a spot, with tickets costing £27.80.

All ingredients and materials are included and those taking part leave with a cake.

October 4 – noon-11pm

The Lockdown Room is also set to take over Hopewell Square at London City Island for Locktoberfest, a celebration of German beers, bratwurst and live oompah tunes.

Entry is free.

Find full festival listings here

key details: homes at Goodluck Hope

Goodluck Hope is located at Leamouth and offers buyers a selection of studios, two-beds, three-beds, loft apartments and penthouses.

Prices start at £405,000.

Find out more about living at Goodluck Hope here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here

September 8, 2025September 8, 2025

Barbarella review: Big Mamma’s Canary Wharf spot is a mixed bag

The recently opened Italian restaurant overlooking Eden Dock goes big on interior design and pottery pooches but underperforms with its mains

Barbarella's first floor dining room, complete with mirrored ceiling - image by Jon Massey / Wharf Life — Barbarella’s first floor dining room, complete with mirrored ceiling – image by Jon Massey / Wharf Life

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At a glance, Barbarella is a lot of fun.

Big Mamma Group, the company behind the chain that recently opened its latest branch in Canary Wharf, knows the power of design.

Its venues across Europe all have different names and aesthetics and, while there’s variance in the menus, there’s also overlap.

It’s smart. Rather than rely on a brand like The Ivy, Strada or Prezzo – good examples, perhaps, of where chains have created the perception of quality watered down as they’ve rolled out – the mission here is to bedazzle with baubles.

Big Mamma, presumably, sits in her parlour; a shadowy figure below stairs counting the pennies.

Walk into the Canary Wharf restaurant, festooned with plants and pots outside and you’ll be greeted by a visual onslaught.

There are glossy pottery dogs, a swirly carpet that may have been deliberately mis-fitted to confuse the eye, warmly glowing chandeliers and upstairs, where we’re shown to a table, a mirrored ceiling and vintage shots of models flashing their buttocks for Italian fashion brand Fiorucci.

There’s a lot of PVC on show, complete with outfits framed to accentuate the high-legged thong-backs of the garments.

Oddly, the mildly risqué is offset by an interior filled with soft furnishings that wouldn’t look out of place in a fine dining room.

There’s linen on some tables and thick heavy curtains to deaden the acoustic, softening every sound.

Further offsetting comes with the decision to have chefs in the open kitchen wear red baseball caps – a jarring dash of MAGA against the more refined performance from the front of house staff.

Crocchette Di Vitello Tonnato, little deep-fried balls of pulled veal with capers (£15) - image by Jon Massey / Wharf Life — Crocchette Di Vitello Tonnato, little deep-fried balls of pulled veal with capers (£15) – image by Jon Massey / Wharf Life

the start of the show

We haven’t booked and the gatekeeper on the door puts in a decent dramatic performance of straining to fit us in – “but just so you know, we need the table back in 90 minutes”.

Nothing says relaxed Italian dining like a ticking clock.

We’re led upstairs to the luxe hall of mirrors, which is completely empty.

It’s no real surprise. It’s 5pm and the place does fill up as time ticks on.

Initially, things start well. The service is pleasant and relaxed, although the demi-armchairs we sit in are challenging to shuffle closer or further away from the table without awkwardly grabbing them from below and bracing with all one’s might.

Our starters arrive – Crocchette Di Vitello Tonnato, little deep-fried balls of pulled veal with capers (£15) and Smoky Stracciatella, the creamy heart of burrata served in a bowl with a leaf of basil and herby oil (£9).

Smoky Stracciatella (£9) - image by Wharf Life / Jon Massey — Smoky Stracciatella (£9) – image by Wharf Life / Jon Massey

Both are surprisingly generous but decent on the tongue.

The five bites of veal feel substantial and the fact one has fallen over and lost its caper, does nothing to lessen the rich, meaty flavour.

The cheese is equally decadent, a lake of gooey loveliness with a dominant hit of smoke in the mouth. A good start.

Raviolone Bicolore (£21) at Barbarella - image by Wharf Life / Jon Massey — Raviolone Bicolore (£21) at Barbarella – image by Wharf Life / Jon Massey

a pizza as dry as a desert

However, things go downhill with the mains. Initially, my Raviolone Bicolore – green and yellow pasta filled with ricotta and spinach in a provola sauce and topped with sage and hazelnuts (£21) – is solid enough.

There’s a creaminess to it with a hint of lemon and plenty of crunch from the fried herbs and nuts.

But as things roll on, the dish sags – the fillings, a tad watery, become less interesting.

This challenge is nothing, however, compared to the task my companion is faced with.

Her Carpaccio Diem “pizza” (£22) comes as a toasted, crispy base topped with a load of beef carpaccio, fresh black truffle, rocket and shavings of Parmigiano Reggiano.

Despite a few dollops of truffle aioli, the slice she shared with me was arid – essentially an undressed salad on a dry flatbread – the only moisture on offer coming from the thinly sliced meat.

My companion, whose family hail from Naples, was frankly appalled.

Despite the obvious quality of the ingredients Thursday’s child on Barbarella’s Weekly Pizza menu was indeed full of woe, even if the box we were given to take it home in did have Pavarotti on it with a claim to be specialists in twerking.

Not the kind to waste decent carpaccio, we scraped off the topping and turned it into a salad the following day, complete with dressing.

The Carpaccio Diem “pizza” (£22) - image by Wharf Life / Jon Massey — The Carpaccio Diem “pizza” (£22) – image by Wharf Life / Jon Massey

Barbarella, all-in-all

Which brings me to the final verdict.

Barbarella is unquestionably fun and for £62.88 per head including wine and tip, it sits its guests in the kind of luxury they might expect when paying twice that.

It feels special and was definitely drawing the date night crowd when we visited.

It has good views over the verdant Eden Dock and there’s enough silliness to charm, even if it does feel a little forced.

But buyer beware. While there’s decent cooking on offer here pick your dishes carefully.

The one thing an Italian chain can’t get away with is poor food and there’s room for improvement if that pizza is any indication of overall quality.

★★★✩✩

key details: Barbarella

Barbarella is located on Mackenzie Walk overlooking Eden Dock in Canary Wharf on the lower ground floor of the YY London building (easily identifiable by the Revolut sign at the top of it).

The restaurant is open daily from noon-10pm.

Find out more about the restaurant here

Read Wharf Life’s e-edition here

Subscribe to our free Wharf Whispers newsletter here