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Excel London expansion is historic moment for UK’s events offering

CEO Jeremy Rees says the 25% boost in space and new facilities are already proving popular with organisers and brands, bring prosperity to the capital and Newham and the Royal Docks

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Excel London CEO Jeremy Rees, left, is joined by deputy Mayor Of London for business Howard Dawber, centre, and Humaid Matar Al Dhaheri, chairman of Excel London and managing director and Group CEO of ADNEC Group at the new venue’s first event - image by Excel London
Excel London CEO Jeremy Rees, left, is joined by deputy Mayor Of London for business Howard Dawber, centre, and Humaid Matar Al Dhaheri, chairman of Excel London and managing director and Group CEO of ADNEC Group at the new venue’s first event – image by Excel London

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People of greater seniority, plus time, results in events that do more for those attending and their organisers.

It’s this equation that underpins the expansion of Excel London in Royal Docks and the reason it’s already proving popular with brands from across the world.

Opened earlier this summer, the new facility saw early action hosting Formula E as its debut. 

Built by Canary Wharf-based McLaren Construction, the extra 25,000sq m of space boosts the venue’s overall capacity by 25% to 125,000sq m.

That’s golden acreage for organisers to use, especially with the Elizabeth Line working as a major artery to deliver an ever increasing flow of people to the venue.

Excel London's expansion massively expands the venue to the east - image by Excel London
Excel London’s expansion massively expands the venue to the east – image by Excel London

a crucial transport link

“Since it started running and now everyone’s become familiar with it, visitor numbers have 

risen 20%, dwell time has gone up by 20% and there are substantially more senior people from organisations coming to events here,” said Jeremy Rees, CEO of Excel London. 

“The data is now backing up what we’ve been observing.

“If we’re in the business of connecting people, we’re doing that with an audience that’s a fifth bigger, is more senior and for a period of time that’s 20% longer.

“That multiplier effect is very substantial.”

With such positive figures as a foundation, it’s perhaps little wonder that an enhanced Excel is proving very popular following the introduction of the new facilities.

The extension includes an expanded international convention centre – allowing the venue to compete to host some of the largest congresses in Europe – as well as new exhibition halls, conference spaces and meeting rooms.

It is part of a wider £350million investment programme in London’s business and tourism economy by venue owner ADNEC Group.

The new facility includes outdoor terrace spaces - image by Excel London
The new facility includes outdoor terrace spaces – image by Excel London

a transformational expansion

“Our customers are saying the extension transforms the way they can use Excel,” said Jeremy.

“There are 37 rooms, you can have 7,000-8,000 delegates in the new space alone in a very cost-effective and efficient way.

“By using its external terraces, organisers can also create more of an emotional impact.

“Around 60% of our corporate market now is coming out of the USA – large tech, pharma and life sciences events.

“It’s exactly for them that we have built this facility.

“The encouraging trend is that they like it, they’re booking it and they’re going to be bringing tens of thousands of people to London for the first time.

“The market is speaking, everyone is moving forward with intent and the space is already getting booked up.

“It will be fascinating to see what happens over the coming months.

“Our owners in Abu Dhabi are wholeheartedly committed to investing in the experience economy in London.

“They’re extraordinarily proud of what’s been achieved so far.

“Opening the extension was definitely a history-making moment.”

Excel recently hosted Formula E - image by Excel London
Excel recently hosted Formula E – image by Excel London

Excel London: creating a halo effect

There’s a wider story here, however.

While greater provision of facilities at the venue is good news for Excel, its owners and their clients, the benefits extend well beyond its walls.

“The new facility is a very substantive step forward in terms of regular employment and profile for the area and I think the halo effect will continue to ripple through the estate and further afield into Newham and the surrounding boroughs,” said Jeremy.

“It’s an increasingly attractive proposition to invest in hospitality and the experience economy in and around Excel. 

“When you look at Canary Wharf and London City Airport, the wealth building agenda in Newham and beyond with the GLA, there is a really coherent strategy to maximise the experience for visitors and the returns of investors and investees in London.

“There’s a real sweet spot at the moment and there are big players investing heavily in infrastructure – we’re one of those – to make sure as a city we stay ahead of the game compared to our European competitors.

“We’re already leading Europe and, globally, with this new facility, we are very much in the top percentile of venues that have everything to offer – exhibition and convention space, amazing transportation as well as fantastic hospitality offerings.

“My sense is that, until the next venue is completed in a tier one city, Excel is the place to come to.

“It’s fashionable, practical and commercially resonant for everyone that uses it.

“This new extension allows us to present a new kind of space that’s not existed in London before – it’s genuinely transformational for the city.”

 Excel, of course, isn’t standing still.

Future plans include investment in its digital infrastructure, its hospitality offering and outside areas.

This will build on the success of Immerse LDN, a series of spaces of chapters on the edge of the dock that have been generating a steady stream of visitors to immersive attractions celebrating the likes of Formula 1, Egyptian history, Friends and Squid Game

“There are regularly around 6,000 people a day visiting these and they’re here for a very different purpose than those coming to events at Excel,” said Jeremy.

“They are coming to be entertained, for fun, for enjoyment and they’re bringing their families.

“It means bars and restaurants can build really quite compelling business cases to locate here with consistent trade flowing though on a daily and weekly basis. 

“It’s not just Monday-Friday, it’s also the weekends and it extends into the evenings too. In terms of driving a more vibrant estate, it brings life to these spaces on a consistent basis.

“I believe London has deserved more substantive, more modern and flexible infrastructure and it now has that.

“We all need to work very closely together to attract more inbound business, which ultimately creates a substantial effect throughout the visitor economy, advantaging so many of our businesses and organisations.”

key details: Excel London

Full venue details for those interested in hosting events at Excel London can be found on its website alongside extensive listings detailing what’s on in Royal Docks.

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Riverscape amenities, location and connectivity attracting buyers

Ballymore and Oxley’s Royal Docks development offers homes close to the Thames and the open spaces of Lyle Park in Silvertown

Ballymore and Oxley's Riverscape scheme is located in Royal Docks next to Lyle Park - image supplied by Ballymore
Ballymore and Oxley’s Riverscape scheme is located in Royal Docks next to Lyle Park – image supplied by Ballymore

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The attractions and pull of Riverscape are myriad.

Ballymore and Oxley’s 749-home scheme on the western edge of Royal Wharf overlooks Lyle Park and offers residents direct access to central London via the Uber Boat By Thames Clippers river bus service that stops at a dedicated pier on the development’s doorstop. 

Then there are the connections to the east and south-east of the capital via the DLR, the on-site amenities including cafes, restaurants, a pub, a nursery, a primary school and a host of independent stores. 

That’s before we even talk about the residents’ access to the Royal Wharf Clubhouse with its 25m swimming pool, sauna, jacuzzi and gym, the 24-hour concierge service and the 16th-floor Sky Lounge overlooking the Thames.

For publication designer, visual journalist, expressive and therapeutic arts practitioner and recent Riverscape buyer, Deborah Withey, however, the first thing she noticed was the scheme’s brand colour.


A show home interior at Riverscape - image supplied by Ballymore
A show home interior at Riverscape – image supplied by Ballymore

finding a home at Riverscape

“Orange is my favourite colour so you had me at orange, seriously,” said the founder of arts education studio, Henry H Art Academy.

“I saw it on Instagram and I thought the presentation was really smart – it had a bit of soul to it, so every time it came up I found myself not swiping it away.

“Eventually, I went to the website.

“Riverscape was only the second place we looked at.

“I felt immediately at home – odd, because I had never spent any time in the Silvertown area before.

“The apartments appeared to be thoughtful in design and materials. 

“I loved the close proximity to the Thames, the incredible views, and in particular the garden design. 

“Green space is important to all of us and I felt Riverscape was designed with attention to that, along with a respect for the Docklands.

“For example, putting the memorial of those killed in the 1917 Silvertown explosion in a prominent place on the grounds, making Lyle Park more beautiful, and preserving the Harland And Wolff signs there. 

“It’s important to pay homage to what went before.”

One, two and three-bedroom apartments are available at Riverscape - image supplied by Ballymore
One, two and three-bedroom apartments are available at Riverscape – image supplied by Ballymore

living close to the Thames

Designed by Howells architects, Riverscape offers one, two and three-bedroom homes – the latter designed with families in mind.

The scheme boasts 5,500sq m of landscaped open space including a communal children’s play area and sandpit.

For Deborah, though, chief attractions came via proximity to the river and the chance to put her stamp on a new home.

“My son just graduated from UCL and he is in Docker Building in a one-bed, with a beautiful west-facing view right above Lyle Park,” she said. 

“Earlier this year, I sold our home in Wales and decided to use the funds to purchase something for my future life.

“It’s a one-bedroom on the top floor of the Steamer Building.

“I am very excited about sourcing pieces for it and filling it with art, both my own and works by others. 

“I lived in the centre of Detroit along the river for many years and it reminds me of that.

“I am a visual journalist and designer who decided to pursue a new path with creativity and wellbeing at its heart. 

“In 2018 I opened Henry H Art Academy an expressive arts education studio where the creative and therapeutic process of art making is employed to enhance the psychological and social wellbeing of individuals of all ages, learning needs and health conditions. 

“Let’s say I love helping others find their own form of creative expression – their ‘secret sauce’.

“Having the Thames Clippers pier was a big factor in my decision. 

“I think the local area and community have great potential as long as it stays green and I’m most excited about taking the boat everywhere on the Thames as well as walking our whippet, Ricky, in Greenwich along the Thames Path.

“I’m also looking forward to being involved in charity and community art projects in the Docklands and within Newham.

“I feel very fortunate to live at Riverscape and cannot wait to make the apartment a creative haven and visual jewel.

“My style is mid-century, which I liked way before it was everywhere – eclectic, smart and interesting.”

Facilities at the communal residents' Sky Lounge at Riverscape - image supplied by Ballymore
Facilities at the communal residents’ Sky Lounge at Riverscape – image supplied by Ballymore

key details: homes at Riverscape

Prices for the final apartments available at Riverscape start at £459,000 for a one-bedroom home. 

Find out more about living at the development and the facilities on offer on the scheme’s website.

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Cody Dock set to host Lighting Up The Lea event this September

Event on Saturday, September 20, 2025, will see visitors welcomed to the ecological regeneration project for art, workshops, exhibitions, performances and live music

Artist Zhiyan Cai will unveil her Cabinet Of Curiosity at Cody Dock's Lighting Up The Lea event - image by Jon Massey / Wharf Life
Artist Zhiyan Cai will unveil her Cabinet Of Curiosity at Cody Dock’s Lighting Up The Lea event – image by Jon Massey / Wharf Life

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Cody Dock is getting ready to host Lighting Up The Lea later this month.

The event, which will take place on Saturday, September 20, 2025, features workshops, exhibitions, performances, a plant sale, food stalls, live music and more as the ecological regeneration project throws wide its gates to the community.

The event is officially part of three festivals – Open House, Totally Thames and Newham Heritage Month – and will also see the unveiling of Cody Dock’s second Cabinet Of Curiosity.

Commissioned as part of the project’s National Lottery Heritage Fund grant, artist Zhiyan Cai has been asked to explore the pre-industrial history of the River Lea for the installation.

“I started off studying architecture and then worked in that industry for a year, but while it was an interesting thing to study, the work was boring,” she said. 

“However, I did learn about structures, rendering animations.

“I started off making digital art for myself, but people liked what I created and so I thought it could be a pathway for me.

“I’m from China originally and I first came to the UK to study in Glasgow. I decided to move to London because of the opportunities to practise art here.”

Zhiyan, who has just completed a four-month residency at Arebyte Gallery in London City Island, responded to Cody Dock’s open call to create the next in its series of cabinets and won the commission.

Zhiyan's prototype lightbox for her Cabinet Of Curiosity project - image by Jon Massey / Wharf Life
Zhiyan’s prototype lightbox for her Cabinet Of Curiosity project – image by Jon Massey / Wharf Life

a portal to the past at Cody Dock

“I really wanted to make something 3D but, of course, everything we have from that time is either documents or 2D paintings,” she said.

“What I’m doing is using structures within the cabinet that will look three dimensional when viewed from the front. 

“It will be like a portal people can feel like they’d pass through – like a magical door from Dr Who. It’s a great idea to bring a history from the abstract into real life.

“I also work with projector mapping so there will be animation involved.

“The piece I’ve created will be in the middle of the cabinet and I’ve worked with children in workshops at Cody Dock to help them build lightboxes inspired by the area’s history.

“The idea is to combine all these different angles on the past – from me, from local kids – and, that way, to build connection.”

Angles is the right word. Zhiyan’s light boxes use optical illusion to create a sense of depth and movement as the viewer literally changes the perspective in her creations by moving their heads.

She hopes her work will encourage visitors to take a fresh look at their surroundings with the content she has created – all inspired by the research she has done alongside Cody Dock’s Julia Briscoe into the area’s past.

“We visited archives and found out about the design of Stratford Langthorne Abbey, which was located near here and founded in 1135,” said Zhiyan.

“I’ve used that information to create a kind of gallery as a framing device – it’s like a memory hall, so people can see this area at different periods in time.

“It’s about the wetlands with the plants waving in the wind, the Vikings and the abbey itself.  I live in Canning Town myself and it’s really interesting to find out about the history of the land along the river.

“I was surprised to learn about the life of the abbey and the farming that happened around it as well as the fact local people simply took the bricks after it was demolished after the dissolution of the monasteries by Henry VIII.

“They used the stone to make new buildings.

“Things were always changing here – some of those materials may still exist in buildings in this areas and I hope my work helps to illustrate these things.”

A lightbox by one of Zhiyan's young workshop participants - image by Zhiyan Cai
A lightbox by one of Zhiyan’s young workshop participants – image by Zhiyan Cai

Lighting Up The Lea

In addition to seeing the new Cabinet Of Curiosity, visitors to Lighting Up The Lea will also be able to enjoy Dock Tours, try beeswax candle rolling, purchase Cody Dock honey, and see the site’s singular rolling bridge turn over.

Also on the agenda will be the chance to meet artist-in-residence Remiiya Badru who is working at Cody Dock over the course of a year to explore the area’s relationship with the textile calico and pigment Prussian Blue.

She will be inviting visitors to share their stories, inspired by items in the collection at V&A East Storehouse with the aim of producing an artwork related to her research.

Those interested in participating should sign up in advance for one of three Common Threads workshops to be held on the day.

The link can be found via linktr.ee/codydock.

The children's work will form part of the finished cabinet at Cody Dock - image by Zhiyan Cai
The children’s work will form part of the finished cabinet at Cody Dock – image by Zhiyan Cai

key details: Lighting Up The Lea

Lighting Up The Lea is set to take place at Cody Dock on Saturday, September 20, 2025, from 11am-6pm.

Entry is free and all are welcome. 

Find out more details here

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Ensemble Festival returns to Royal Docks with free shows for 2025

Clive Lyttle’s Certain Blacks is curating a weekend programme of acrobatics aimed at delighting, entertaining and educating visitors

Hydropunk - image by Helen Newall
Hydropunk – image by Helen Newall

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Certain Blacks’ Ensemble Festival is set to return to Royal Docks for two days of “excitement, entertainment and a bit of education” over the last weekend in July.

“Right now it’s quite hectic,” said Clive Lyttle, artistic director at Royal Docks-based Certain Blacks, which curates the event.

“We’ve got two new directors on board and we’re training staff to work on the festival. 

“We’ve got 10 young people who we recruit locally for the event – we try not to use volunteers because we know those living in the East End don’t necessarily have the ability to say they’ll do it for free and we want to give as many people as possible a bit of experience working in the arts.”

That focus on diversity is at the core of Ensemble Festival. Returning for a sixth time, the event is an outdoor celebration of circus, dance, physical theatre and street art – free at the point of delivery and as accessible possible.

Clive Lyttle, artistic director of Certain Blacks - image by Jon Massey
Clive Lyttle, artistic director of Certain Blacks – image by Jon Massey

entertainment and education

“The festival represents everything we’re about at Certain Blacks,” said Clive.

“There’s education alongside the shows and hopefully visitors will find out some new things and they’ll be mesmerised and entertained while that happens.

“Everyone needs a bit of a smile with everything that’s going on at the moment, and we hope they’ll get out and enjoy the wider area as well.

“This year, we’re working in partnership with the Royal Docks Team, which will be launching its free Summer Splash lido on the Sunday.

“The festival itself is going to have a bigger footprint too including performances outside City Hall on the greens so we’re growing it. We’ve got some really fantastic shows and I’m very excited about it.”

Certain Blacks is part of a network called Without Walls, a national consortium of more than 35 organisations presenting arts outdoors to people in towns and cities across England.

It works to commission and develop new work each year that can then tour the country and is supported by the Arts Council, where Clive worked for many years with a special focus on Newham.

He’s also a local resident, living opposite Excel in the Flying Angel, a former seaman’s hospital for more than a century before its conversion to apartments.

Holy Dirt - image by The Clay Connection
Holy Dirt – image by The Clay Connection

how Ensemble Festival draws visitors to the docks

“While we’re a festival for locals, we also attract people from across London – that’s one of our big aims,” said Clive.

“We always try to book the best, diverse artists available.

“The biggest show will be Tell Me, a whole programme from Without Walls about the experience of being diagnosed with HIV and living with that.

“It features circus artists and really large red cubes – the acrobatics are spectacular.

“It’s presented by the Sadiq Ali Company and features breathtaking Chinese pole work.

“We also have Waiting Song from Mish Weaver, where two trapeze artists perform to live music.

“The two artists ask the audience what they are waiting for in the workplace and they chat to each other.”

The latter, billed as a “lyrical exploration of how anticipation shapes our emotions and actions” as the acrobats engage mid-air in “a melodic conversation about their hopes for the future” exemplifies the physical nature of many of the shows.

Other highlights include Hug by Levantes Dance Theatre, with an artist soaring about the docks on a sway pole, Holy Dirt by Vidya Productions and David Glass, which blends live percussion and Indian performance styles with modern physical theatre and NoMo by Tiago Fonseca – a clown show about addiction to screens featuring juggling and body language.

Palais De Dance - image by Big Feast / Malcolm Hart
Palais De Dance – image by Big Feast / Malcolm Hart

a sense of fun

Ensemble Festival is often about radical movement then, but also a bit of a laugh.

“When the Mayor Of London moved in, they were a bit cautious about having shows right outside City Hall,” said Clive.

“But we’re working with the Royal Docks Team, which is based inside and this time we’ve got a great water installation that’s going to take place on the grass right next to the beach area.

“If the weather’s as hot as it has been recently, it’s going to be really amazing summer entertainment.”

Artizani and Tenderfoot Theatre’s Hydropunk promises a chance for the public to get up close to the wet stuff as a “chaotic, yet playful water machine cranks into motion”. 

The show is intended as a metaphor where everyone participating must work together to recycle the liquid and keep the fun flowing.

“We’ve also got quirkier acts, such as Palais De Dance,” said Clive.

“This show looks back to the Festival Of Britain, the 1950s and the whole dancehall culture, which we hope will speak to more of our older audiences.”

Presented by Olivier Award-winning live artist Miss High Leg Kick, aka Francesca Baglione, the spectacle promises a multi-sensory flashback with a twist to an era of celebrity appeal and the excitement of teenage nights out both then and now.

Other shows presented include The Hide, by Tilly Ingram, an installation and audio experience led by the artist that takes inspiration from birdwatching and reflects on hidden disabilities and Roots To Rise, a combination of poetry, movement and music that represents a call to ecological action from Nandita Shankardass.

Then, rounding things off, there’s Truth from Ramshacklicious and Hijinx, which will only be performed on the Sunday.

This “joyful street revolution” features a mixed cast of disabled and non-disabled performers and promises a riotous show that combines clowning with physical theatre and original music in an interactive, partly improvised happening with a message of hope.

Tell Me - image by Primo Video Productions
Tell Me – image by Primo Video Productions

key details: Ensemble Festival 2025

Ensemble Festival is set to take place from noon-8pm on July 26 and 27, 2025 at Royal Victoria Dock.

All performances and activities are free to attend and no booking is required. 

Precise times and locations will be available online prior to the festival and event stewards will be on site to guide visitors.

Find out more about the festival here

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NASSA set to focus on fundraising as Newham charity turns 20

Newham All Star Sports Academy marks two decades as it continues to use sport to fight knife crime and support young people in east London

NASSA founder and CEO, Natasha Hart
NASSA founder and CEO, Natasha Hart

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“I’m still so passionate about it, 20 years after we started,” said Natasha Hart. “NASSA is one big family – once you set foot in there, you don’t want to come out.

“We have volunteers who started with us when their children were small – they’ve grown up and left, but their parents are still helping out.

“The young people who have been through our hands stay in touch, even two decades later.”

This year will mark the 20th anniversary of the day Natasha took her two sons to Balaam Park in east London to teach them basketball, offering to make it a weekly treat. 

They invited their friends, word got round and soon she was coaching groups of more than 30 kids.

The demand was there. 

With £20 in the bank she registered Newham All Start Sports Academy (NASSA) as a charity and never looked back.

In 2008, her son, Anthony Okereafor, launched NASSA’s Carry A Basketball Not A Blade campaign in response to the fatal stabbings of two of his friends within weeks of each other.

Its work, tackling knife crime and gang culture, while breaking down barriers between youngsters and the Metropolitan Police, has seen more than 100,000 young people aged 10-18 attend its sessions.

 In that time NASSA’s teams have also won league titles, its initiatives have been recognised with a multitude of awards and Natasha has received an MBE as its CEO. 

But the demand for the charity’s blend of sports and education is unrelenting.

The pandemic and cost of living crisis have taken their toll and its work is sorely needed because it’s ultimately about more than a child learning the discipline of sport – it’s in the business of creating community.

NASSA is celebrating 20 years of work in Newham in 2025
NASSA is celebrating 20 years of work in Newham in 2025

addressing a need

“NASSA is always attracting young people,” said Natasha.

“Some want to meet new friends, some want to play sports, some want to be away from something and others want to progress and develop.

“We are always learning from them because it’s not only about the child.

“They’re a brother, a sister, a son or a daughter.

“Once the young person trusts us we find the whole family joins in.

“From a single session they get involved and the ball starts rolling – we’ll be asking how are they doing in school, what life is like – then after a few weeks you build that trust.”

Those relationships allow the charity to help address a wide range of issues facing those living locally.

It works to tackle domestic violence, addiction and unhealthy peer pressure and knife crime through a blend of mentoring, coaching, support and education. 

“If we can find a solution to a problem then we will, or we can refer people on to specialists who can help,” said Natasha.

“We always want to be growing as a charity, to reach more people and embrace new ideas. For example, when we first started our workshops with the police, the relationship with young people was poor. 

“Now each year we play a friendly game with serving officers and that builds trust – the young people can see they are human and that they play basketball, which is so important because they are the people you need to call when you’re in trouble.”

The charity addresses a wide range of issues through its programmes
The charity addresses a wide range of issues through its programmes

NASSA: creating community

Over its first two decades NASSA has been successful in securing support from the likes of Excel, Tate And Lyle, UEL, Sport England, L&Q, London City Airport, the Mayor Of London, Newham Council, the Royal Docks Team and Basketball England. 

“We’ve been very lucky with the supporters we have, the volunteers, the coaches and the sponsors who all enable us to deliver,” said Natasha.

“We have a rich history with what we’ve done in this community and a great track record in helping change and save the lives of people in this part of London.

“That we are able to do this is very satisfying for all those involved with the charity whether it’s our sponsors, our staff or me.”

To mark its 20th year, NASSA is planning a renewed focus on generating funds for its activities, with an ambition to roll out its mission to other parts of the capital. 

A fundraising event is set to be held in June at Brick Lane Music Hall in Royal Docks as a celebration of the charity’s anniversary to help spread the word about the work its doing and offer businesses and individuals new ways to get involved in its activities. 

“We want the event to help us reach new supporters and a new audience and for them to be able to come together with our existing sponsors,” said Natasha.

“It’s an opportunity for us to showcase what we have done over the past 20 years and what we are going to do in the future. 

“We know we have expertise and I would love us to be able to roll that out to the surrounding boroughs. 

“With knife crime the way it is in London, our work is needed more and more and I believe this is a model that could work across the city, helping to save more young people’s lives.” 


Aspirational: NASSA uses the discipline of sport to effect change in young lives
Aspirational: NASSA uses the discipline of sport to effect change in young lives

key details: NASSA

NASSA, based in Royal Docks, is always looking for support from volunteers, businesses and organisations to help deliver its sport and education programmes. 

Full details of NASSA’s fundraising event in June will be published in due course. 

If you or your company think you could help in any way by providing resources or funding, you can contact the charity here

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The Social Art Of Braided Hair is set to arrive at Art In The Docks

Exhibition forms part of Newham Black History Month with a focus on African and Caribbean culture

Image shows a woman with braided hair in a denim jacket
The Social Art Of Braided Hair will be on show from October 18-20 and 26-27

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BY LAURA ENFIELD

The practice of combining strands of hair has been around for thousands of years. But it is about much more than creating a neat appearance.

Exhibition The Social Art of Braided Hair will showcase it as an art form and the people who design it as artists. 

The show has been produced by Royal Docks collective Art In The Docks with Stratford-based social enterprise Nurture Academy.

It will be open to the public on October 18-20 and 26-27 as part of Newham Black History Month.

Matilda Russell from Art In The Docks tells us more about the people and ideas behind it.

what can visitors expect?

The Social Art of Braided Hair is a photo essay positioning the cultural and social importance of braided hair.

All of the work being shown in the exhibition is contemporary to Newham Black History Month.

Rather than images of professional models with carefully manicured hair shot in soft focus, this show centres entirely on local east Londoners, shown as they really are.

the meaning behind it?

As well as portraying braided hair as an art form and the people who wear it as living artworks, the exhibition will show the powerful social impact of braided hair.

The time spent between a mother and child braiding hair is a deeply bonding moment.

The legacy hair design remains as a visual reminder of a time spent together. 

what is Art In The Docks?

We are an artist-led social enterprise in east London, committed to making art and culture accessible to people who might otherwise feel excluded. 

Regular events, activities and workshops are delivered to the local communities, as well as exhibitions, dance and theatre performances. These are free and open to everyone. 

what is Nurture Academy?

It’s also a social enterprise based in east London working with individuals of all ages to promote and understand the significance of braided hair. 

The organisation nurtures, mentors and teaches individuals lifelong skills while unlocking confidence. 

As well as working with families and young children, Nurture Academy shines a pathway into new career directions for ex-offenders and the long term unemployed.

Image shows the back of a woman's head with braided hair in place
Art In The Docks has worked with Nurture Academy to create the exhibition

how have you worked together?

Nurture Academy promotes the understanding of braided hair, its cultural significance and the techniques used.

While braiding skills are often handed down from one generation to another and practised between siblings and friends, Nurture Academy teaches people how to optimise these techniques in workshop environments.

The exhibition will include images of these workshops, and the teaching methods used. Several of these workshops will accompany the exhibition on Saturday, October 19, 2024, and will be totally free to access.

what inspired the exhibition?

This project came about as the result of shared values between both Art In The Docks and Nurture Academy.

Both are committed to showing how the capacity for creativity fundamentally defines who we are as a civilisation.

The title of the exhibition reflects these values and highlights the importance of societal reference points.

why is it important?

Much has been said about braided hair and cultural appropriation. In the same way that tattoos are ‘not just for sailors’, exclusive title to the of art braided hair cannot today be claimed by any one section of society.

However, there is no doubt that it is deeply rooted in black African and black Caribbean culture and we have chosen this as the central theme to this exhibition.

This visual human story will be told in 22 frames, each the same size and dimension. It will centre on the people we see around us every day and invite us to stop and look, maybe to learn.

key details: The Social Art Of Braided Hair

The event runs October 18-20 and 26-27 at Art In The Docks in Royal Albert Dock, a short walk from Gallions Reach DLR station. 

Find full details of the exhibition here

Image shows traders at a Black Pound Market
Black Pound Markets are set to take place on October 12 and 19

more to do during Black History Month

Newham Black History Month is here offering free talks, workshops, markets, and musical performances.

The programme runs from October 4 to November 4, 2024, with the theme Reclaiming Narratives, dedicated to addressing historical inaccuracies and seizing control of stories, allegories, and histories.

It has been organised by Newham Council as part of its 15-year Building Newham’s Creative Future Cultural Strategy, launched in March 2022.

Mayor Of Newham, Rokhsana Fiaz said: “Black History Month provides a crucial opportunity for us to recognise and celebrate the immense contributions of black African and Caribbean communities to our borough and beyond. 

“This celebration is not only a reflection on the past, but also a source of empowerment for our present and future.”

Councillor Rohit Dasgupta, deputy cabinet member for equalities, social justice and culture said: “Through this celebration, we aim to challenge ignorance, prejudice, and racial hatred, and to build a more inclusive and harmonious society.”

Black Pound Markets

A celebration of Newham’s black businesses and entrepreneurs featuring music and entertainment for the whole family.

Saturday, October 12, 9am to 3pm at Woodgrange Market

Saturday, October 19, from noon to 4pm at Rathbone Market

My Story Is Of Healing

Two workshops produced by East London-based mixed-media artist Marilyn J Fontaine.

The first is Rewriting the Health Narrative Of Black Women on Tuesday October, 15. It will explore the link between emotional healing, black women’s activism and care provided for black women, referencing Dr Angela Davis and Dr Melba Wilson. 

Participants will create an “emotional genogram” using coloured pens, fabric and self-portraits followed by reflections and discussions.

The second is Women’s Rest is Resilience on Thursday, October 17. It will be an exploration of language around black women (sacrifice, resilience, endurance) and community organisations in the 1980s and 1990s in Newham who delivered art workshops for the black community to support mental wellbeing.

Creative activities will be used to craft a new narrative to reflect the relationship between self-care, community empowerment and wellbeing. Participants are required to bring a picture of themselves.

October 15 and 17, 6-8.30pm, Applecart Arts, The Passmore Edwards Library, 207 Plashet Grove, E6 1BX

Improving Black Health

An event focused on enhancing the health and well-being of Londoners within the black community. 

It will include discussions on various health topics affecting the Black population. 

The aim is to hear and understand the health experiences of individuals from black communities in order to initiate a discussion on addressing long-standing health and wellbeing inequities, explore culturally appropriate public health strategies for combating chronic conditions such as obesity, heart disease and diabetes and discuss and develop strategies to improve health outcomes for patients from the black community at a local level.

Friday, October 18, 6-7.30pm, City Hall, Kamal Chunchie Way, E16 1ZE

Art Workshop Inspired By Professor Sonia Boyce

Part of a series of events to reclaim narratives by exploring the political innovations, artistic achievements and cuisine of black residents and how they have contributed to life in Newham and further afield. 

This event will focus on the trail-blazing career of Dame Sonia Boyce. The British Afro-Caribbean artist and educator is a Professor of Black Art and Design at University of the Arts London. She explores art as a social practice and has been closely collaborating with other artists since 1990.

In 2016, she became the first black female to be elected to the Royal Academy Of Arts in London.

Wednesday, October 23 (time TBC), Custom House Bookshop, 3 Freemasons Road, E16 3AR

Finale: From Beats to Legacy – 30 Years of Black British Influence

A showcase of grime music, film, poetry and a special guest Q&A. More details TBC.

Saturday, October 26, 6-9pm, Stratford Old Town Hall

Find full details of Newham Black History Month here

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Riverscape’s proximity to amenities is of big benefit to buyers

Ballymore’s James Boyce explores the advantages of moving to Royal Docks, an area where regeneration is already well underway

Canary Wharf, as seen through a window at Riverscape. Window is gold framed
Canary Wharf, as seen through a window at Riverscape

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In many ways, simply visiting Riverscape in Royal Docks is enough to understand its appeal.

Located on a strip of land between Royal Wharf and Lyle Park – running between the Thames and North Woolwich Road – Ballymore’s development is essentially a grand final phase in the story of its neighbour.

“It’s worth looking back to when Ballymore was master-planning Royal Wharf,” said James Boyce, the developer’s associate regional sales director.

“At the time, in 2013, there was nothing in this area – no amenities or services.

“That meant the original development had to be self sufficient.

“Now it is a destination that people in Royal Docks come to.

“The wider development is essentially a town in its own right.

“There’s a doctor’s surgery, a dentist, a pharmacy, a primary school, a nail salon, a beauty parlour and a hairdresser.

“Then there are two estate agencies, a selection of restaurants, a pub and a Sainsbury’s Local – one of the most well-used in London.

“We’re really fortunate to have established one of the most complete, new neighbourhoods of any large new-build project in the capital.”

Those moving into Riverscape, which recently launched a collection of homes in The Pearsall building, can take advantage of these benefits immediately.

This is in contrast to big regeneration schemes, where early arrivals sometimes have to wait years for amenities to arrive locally.

Image shows Ballymore associate regional sales director James Boyce, a man with grey hair, blue eyes and a grey jacket over a white shirt
Ballymore associate regional sales director James Boyce

Riverscape: the right design

“We had real confidence to build Riverscape, with Royal Wharf selling off-plan in five years,” said James.

“We knew the demand was there.

“It was being designed and delivered during the pandemic, however, and there was a lot of uncertainty.

“We postponed the launch of the development, went back to the drawing board and looked at all of the best things from our projects.

“We also looked at how the way people were using their homes had changed.

“Residents were demanding a lot more from the spaces they were living in.

“So we created day rooms – internal spaces that are segregated from the rest of the apartment by acoustic screens.

“They can be used as dining rooms, offices or even as a kid’s playroom.

“We also created workspaces in most of the apartments we have available, so buyers have flexibility.

“Where we could, we maximised the living spaces too.

“Initially we were a bit concerned about the number of three-bedroom homes that we were building, but they’ve turned out to be our most popular properties.

“A few years after Covid – and with businesses requiring people to come into the office more often – there’s been a move into London.

“A development like Riverscape affords people the quality of life that they might have become accustomed to in a less urban area – it’s not high density and there’s a lot of green space.”

Image shows Ballymore's Riverscape development right beside Lyle Park with Greenwich Peninsula and Canary Wharf in the distance
Ballymore’s Riverscape development is right beside Lyle Park

fully opened up

This is a key point regarding the development’s appeal.

It’s right next to Lyle Park, with Thames Barrier Park a short walk away on the other side of Royal Wharf to the east.

“Then there’s the kilometre of land that borders the Thames stretching between the two,” said James.

“We built the Royal Wharf pier in 2019 – the longest in the river – and the Uber Boat By Thames Clippers service will get you to North Greenwich in two minutes and to Canary Wharf in 19 minutes.

“Often with riverside developments, it can feel like there’s a barrier of housing on the water. 

“But Ballymore’s master plan has taken a different approach.

“Royal Wharf and Riverscape are arranged around a town square with the estate offices located there. 

“That really encourages people out of their homes to access those core amenities and that’s part of the success of the scheme and the community we’ve created.”

Image shows a day room as part of a living area at the development
Apartments at Riverscape include day rooms separated from the rest of the property by glass walls

a wealth of facilities for Riverscape

Richard added: “The Clubhouse was built for Royal Wharf, but it was built in terms of capacity with Riverscape in mind.

“We’ve also recently refurbished it and extended it by 20% to ensure the facilities satisfy the residents.

“There’s a swimming pool, jacuzzi, sauna and spa, a big cardio and weights area and two dedicated studio spaces.

“It’s the biggest residents facility of its kind in east London and it’s been incredibly popular.

“There’s also the Community Dock, which is managed by the residents and is essentially a town hall.

“It has a pretty jam-packed timetable of activities ranging from ballet lessons for kids to language sessions and a table tennis club that’s based there.

“Specifically for Riverscape, we decided to replace a three-bedroom property on the top floor of one of our riverside buildings with a lounge for residents.

“It’s a co-working space but it also has a private dining space so people can host dinner parties up there too with views over the river.”

Image shows a bedroom in an apartment at Ballymore's development
Riverscape properties feature large format glazing to maximise natural light

a broad appeal

One, two and three-bedroom homes are available in the latest launch, featuring interiors designed by Jaki Amos of Amos & Amos. 

These promise brushed brass, fluted glass kitchen cabinets and natural wood finishes inspired by Lyle Park, which celebrates its 100th birthday this year.

But while Riverscape and Royal Wharf have their specific attractions, their appeal is part of something bigger.

James said: “Since the opening of the Elizabeth Line, we’ve seen that it’s unlocked this area for people who would never have considered moving to the Royal Docks before.

“Young professionals are relocating from more central locations because the cost of living crisis is making it harder for them to stay in those areas. 

“What we’ve found is that when they come here, they find they get value for money and that their lifestyle is actually improving.

“They have more space, nearby amenities and the transport is superb.

“We’ve been delighted to see that trend, because it’s something that’s really needed in the capital.

“I think the movement of London to the east started with the 2012 Olympic Games.

“Royal Docks has so much potential.

“For the future, we’re very fortunate to have the site on the other side of Lyle Park too. 

“We’ve opened up the riverside with these developments and eventually further regeneration will bring even more benefits.”

Image shows Riverscape buyer Sophie Gong in her east London apartment, a woman in a blue dress on a beige sofa with a stuffed cat
Riverscape buyer Sophie Gong in her east London apartment

case study: Sophie Gong

As a fan of Royal Docks, Sophie Gong has been living in the area for more than six years and decided to buy a home at Riverscape having previously had apartments at Royal Wharf.

Here’s her perspective:

“I first moved into a one-bedroom apartment in Royal Wharf at end of 2018, hence I know the area and neighbourhood quite well,” said Sophie Gong.

“In 2020, I felt the need to move to a two-bedroom property, as my dad had started staying with me from time to time.

Following the end of the pandemic, I started to actively look for properties and the launch of Riverscape in 2021 came at the perfect time. 

“I had been living in Royal Wharf for about three years and found the area had developed a lot since I moved in.

It became very convenient to live in, with an NHS clinic, a pharmacy, a hairdresser, a couple of grocery stores and a number of restaurants within the development. 

“Additionally, Lyle Park and Thames Barrier Park are within a short walking distance for green space.

The transport around Riverscape is ideal for me to travel into central London, with the Elizabeth Line and DLR the two main options. 

“Even more conveniently, the new 241 bus route goes through the development, linking us to Custom House station and Stratford.

Additionally, the Uber Boat By Thames Clipper stops at Royal Wharf Pier, which makes travelling to central London, as well as The O2 and Greenwich, both easy and exciting.”

key details: Riverscape

Homes in The Pearsall building at Riverscape have recently gone on sale, with prices starting at £471,500.

One, two and three-bedroom homes are all available.

Find out more about the development here

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Greenwich + Docklands International Festival ready for ‘all change’

We catch up with artistic director Bradley Hemmings as east and south-east London prepare for a full programme of free performances

Image shows spectacular fireworks being let off for GDIF production Silence
Silence is set to open Greenwich + Docklands International Festival 2024

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Once again areas across south-east and east London are set to be filled with free, often breathtaking performances.

Now in its 29th year, the Greenwich + Docklands International Festival (GDIF) is back for 2024, bringing its traditional blend of awesome spectacle and thought-provoking shows to locations straddling the Thames.

In charge since the very first show, artistic director Bradley Hemmings and his team have put together a series of blockbusters and smaller happenings aimed at delighting residents, local workers and visitors.

We sat down with him to go over a few of the highlights to help you plan your diary.

“We’ve long been associated with very surprising and unusual events that pop-up and happen in locations across Greenwich and east London,” he said.

“This year we’re opening with a phenomenal performance by a French company – Les Commandos Percu.

“The show is called Silence and will take place at 8.30pm on August 23 at the Royal Artillery Barracks in Woolwich. 

“This awesome parade ground space will be filled with a fusion of pyrotechnics and percussion.

“With people going though difficult times, having something joyous and uplifting like that will be just the tonic.

“They’re a company we’ve worked with before – way back in 2016 – so we’re very much looking forward to welcoming them back.”

Image shows an artist's impression of a kiosk at Greenwich + Docklands International Festival 2024
GDIF will feature World Kiosk in Green Street

Greenwich + Docklands International Festival – the small things

“We work across all sorts of different scales, it’s not all about large spectacles,” said Bradley

“For many people who come to the festival, it’s about having transformational experiences that disrupt the rhythm of the everyday.

 “This year’s theme is All Change – we’re inspired by Gandhi’s message to be the change you want to see.

“We’re going through seismic times and something that brings people together to reflect, think and have a great time is really important.

“One of the highlights for me will be smaller in scale, but very intimate and considered.

World Kiosk will be in Green Street from noon-6pm from August 29 to September 1. 

“It invites people to take a breath – a moment outside the busyness of life – and provides a window into other people’s lives.

“Visitors are welcomed to the kiosk, which then serves them tea in a very ritualistic and beautiful way.

“Then they listen in to voices from people in other parts of the country who have been through this same process, sharing stories.

“It’s a sublime and beautiful experience, a wonderful reprieve from daily life.”

Image shows a performer on the edge of a 2/5 tonne block of ice suspended from a crane
Thaw takes place on top of a 2.5 tonne block of ice suspended from a crane

melting away

“At the other end of the scale, at Royal Albert Dock, we have an extraordinary spectacle from an Australian company called Legs On The Wall called Thaw,” said Bradley

“This production takes place on a 2.5 tonne block of ice suspended above the dock on a crane.

“Each day it runs for eight hours with a performer on top trying to navigate the changing shape of the block as it starts to melt.

“There’s a sense of jeopardy but also a wonderful soundscape that provides a chance to reflect and think very hard about what’s happening to the planet and the climate emergency.

“I think this will be one of the abiding images of this year’s festival – it runs on August 24 and 25, from 1pm-9pm at the University Of East London’s Royal Docks campus.”

Image shows dancers in tartan kilts, white shirts and blue trousers
Dancing City is set to take place in Stratford this year

miraculous movement

On September 7, from 1pm-6pm, a number of areas in Stratford will be awash with many forms of movement.

Dancing City is an event that is really dear to my heart,” said Bradley.

“We set it up at Canary Wharf in 2003 and people have come to really love that event.

“This year it will take place at East Bank, the Queen Elizabeth Olympic Park and in Stratford town centre.

“There’s a phenomenal range of dance companies taking part.

 We’re working very closely with Sadler’s Wells East and East London Dance as well as other partners including Stratford Cross, UCL and the London College Of Fashion. 

“What will be wonderful about it is that it will be taking place in the midst of the Paralympic Games in Paris.

“I co-directed the London 2012 Paralympic opening ceremony, so there’s a personal history there and we’ll be presenting work led by deaf disabled artists.

“It feels wonderful to be continuing that Olympic legacy 12 years later.

“One of the pieces is called Synergy and has been choreographed by Mark Smith, who worked on the Paralympics with me.”

Image shows a woman with a pram participating in a Parkworks event at Greenwich + Docklands International Festival 2024
Parkworks is set to bring a day of family fun to Stratford

this year and the future

“One of the things that we will be doing next year is marking our 30th anniversary,” said Bradley.

“It’s enormously satisfying to see that GDIF is still there thanks to our partners.

“It seems to me that this will be a moment where we should be taking stock and thinking about what the next three decades will look like.

“Back to this year and we have A Ballad Of Thamesmead on September 6 and 7 at 8.30pm.

“It typifies what we aim to do – to create something miraculous and wonderful that reveals the story of this emerging part of London.

“Dante Or Die have created a piece around a clock tower, which originally sat in Deptford before the GLC transported it by barge down the Thames and rebuilt it as the centrepiece of Thamesead town centre.

“An 18th century structure improbably located in the middle of the 1980s development.

“Then my final highlight is festival of family funParkworks, which takes place on August 25 and 26 from 1pm-6pm in Stratford Park.

“There will be a giant interactive climbing frame built from bamboo and parents with prams choreographed with headsets.”

key details: Greenwich + Docklands International Festival

The Greenwich + Docklands International Festival runs from August 23 to September 8, 2024.

All events are free to attend. These highlights are the tip of the iceberg.

Find full listings for the festival here

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William College opens in Stratford with two law degree courses

We talk to former barrister and Planet Education Networks director, Professor Cedric Bell, about the group’s new east London operation

Image shows Planet Education Networks director Professor Cedric Bell, a man with white hair and glasses wearing a blue suit
Planet Education Networks director Professor Cedric Bell

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William College is set to open its doors in Stratford, welcoming students on its first two courses in September, 2024.

The campus will initially offer an LLB in law over three years plus a business and management (law) course with a foundation year over four.

Both will be accredited by a leading university.

The launch is the latest from Isle Of Dogs-based Planet Education Networks (PEN), which now operates a total of seven organisations including the Elizabeth School Of London and the Victoria College Of Arts And Design.

PEN director, Professor Cedric Bell, said: “William College will be where we have our law, criminal law, policing and criminology courses to complement what we’re doing with business and management at the Elizabeth School Of London.

“There is a real synergy between business and law and the latter is very popular with our student constituency.

“We don’t tend to have traditional university students – ours are often older, in their mid-to-late 20s or early 30s, and have domestic caring responsibilities.

“A lot of them are interested in studying law, whether to become solicitors in their own right or because they want to provide support for people in their communities on human rights or immigration issues. 

“Having been a lawyer myself at one stage, I see it as a good qualification.

“It opens up a range of great career opportunities.”

Image shows the exterior of William College in Stratford, an office block with yellow window frames
William College in Stratford is set to open in September 2024

reaching full potential

PEN’s philosophy is very much about providing opportunities for “lifelong learning” as an agent of societal advancement – an ethos common across its operations and one that especially resonates with Cedric.

“I have a sympathy with people who may not have attained their full potential as yet,” he said.

“When I was younger, I struggled academically – I couldn’t read until I was seven – and the teachers at the school I attended in Belfast were not keen to encourage me because they felt I wasn’t up to it.

“I did better at A Level than I was expecting and, as a result, felt studying law was more realistic and attainable.

“I decided to take my future into my own hands and went to university.

“Personally, I don’t think you can judge a person by what they’ve achieved in their teens or when they were younger.

“That’s why we’re keen on widening access to give people a genuine opportunity to fulfil their dreams.

“By and large the students we have take a conscious decision. They don’t rush into it.

“For many who have been away from formal education for a number of years, it’s a huge step of faith to come back into it – but once they find they have the courage to do that and once they realise they’re in a supportive environment, they work very hard, because they’re more conscious of the commitment.

“For this reason we’re comfortable about offering law, because it’s a serious discipline, and it resonates with some of the decision-making of our students.”

Image shows William College's reception area with LED lighting and a silver logo
The college will offer two law-based degree courses when it opens

at the heart of Stratford: William College

The new campus is based on Stratford High Street, a few minutes’ walk from the area’s main station, offering connections to the Elizabeth Line, Jubilee, DLR, Overground and national rail services. 

“The facilities we offer are excellent, William College is very well appointed,” said Cedric.

“We have a large reception area and spaces over a number of floors, which all emphasise that students are in an environment where they can connect with other like-minded people, a place that’s conducive to their needs.

“We’ve put a lot of resources into it, which we’re happy to do, because we’re in it for the long term.

“Choosing Stratford was both historical and an extension of our philosophy at PEN.

“We’ve always been in east London, so our roots are very much here, and we’re very committed to working with those from less fortunate backgrounds. 

“If you look across the group, we’ve positioned our campuses in big cities so the communities we want to serve can access them easily. 

“Stratford is also very good in terms of travel – it’s become a thriving place.”

Image shows Willaiam College's library with shelves, seating and computers for students to use
Facilities at William College will include a library area

aimed at a local audience

“Nearly all our campuses concentrate on attracting students from the UK rather than people from overseas. 

“Increasingly, more and more young people are asking themselves why they should do a degree course.

“What I’ve found is they ask two questions – will this course increase my employability and is it good value for money?

“The two main dynamics are employability and affordability. I’m not saying that a university degree is the best way forward for everyone.

“But I always say to young people: ‘Don’t put a glass ceiling over your head’. If you aspire to do something, you’re more likely to achieve it.

“The majority of people who studied law with me at university expected to practise as solicitors or barristers throughout their careers and I’m sure most have done that.

“But I enjoyed teaching law more than practising as a barrister and I had an opportunity within business and I built up a company, working in Malaysia and Africa.

“I can’t say that I thought while I was at university that my career would take the steps it has done.

“While law will obviously be our flagship course – with policing and criminology an extension from that, forming a group of courses – business and management are natural partners too.

“I work on the principle that you might be a very distinguished and capable musician, but to harness those talents you need to know something about how to run a business. 

“An awful lot of law in practice is dealing with business, so we want to optimise our students’ skills for their post university careers.”

Image shows a meeting room at William College with leather chairs and a blue and white colud design on the ceiling
William College’s degrees will be accredited by a leading university

key details: William College

William College is located in Stratford and is currently offering two degree courses, one in law and one in business and management (law).

Find out more about the courses here

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East Bank director Tamsin Ace on collaboration at Stratford campus

How Sadler’s Wells East, London College Of Fashion, UCL East, BBC Music Studios and V&A East are coming together at the cultural hub

Image shows Tamsin Ace, a woman with curly blonde hair in a black denim jacket in front of buildings at Stratford's East Bank
East Bank director Tamsin Ace

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East Bank is, arguably, the final great piece in Stratford’s Olympic legacy jigsaw.

Comprising significant bases for five totemic institutions, it’s set to be fully open by the end of 2025 – 13 years after the 2012 Games put east London in the global spotlight.    

Building on the successes of the Queen Elizabeth Olympic Park – including all the former sports venues and the extensive residential and commercial regeneration that has taken place locally – East Bank delivers something different for the area.

Even if just one of the London College Of Fashion, the V&A, the BBC, Sadler’s Wells and UCL had chosen to create a new base in Stratford, it would have been seen as a triumph for the architects of the Games.

That all five are committed to the project gives East Bank a kind of cultural and educational heft that hasn’t been seen in the capital for decades.

With four of the organisations sitting proudly overlooking the park on the edge of the River Lea and UCL a short walk away, the concentration of is palpably powerful.

Image shows a sculpture of the Earth hanging inside a large concrete atrium at UCL East on the Queen Elizabeth Olympic Park
UCL East is now fully up and running

greater than the sum: East Bank

There’s a wealth of potential for collaboration and interaction between the five, but the project isn’t leaving things to chance and happenstance.

Tamsin Ace arrived as director of East Bank in September last year – more or less at the same time the London College Of Fashion began welcoming staff, students and visitors to its new campus.

With UCL East also fully open and Sadler’s Wells East set to launch later this year, it’s her job to help maximise interaction between the organisations for the benefit of all – cementing the cultural legacy of the Games.

“My role is to support and enable all these institutions to come together and to make sure they build on each other’s ideas and resources, while also thinking about how they can connect better,” she said.

“It’s a gift, because all of these partners want to be here and to connect.

“They all want to put down roots and have a home in east London, to listen and learn from the amazing heritage and history of the creative communities that have been in this area long before East Bank was even a twinkle in London’s eye.

“To do that I have the full support of the project’s board, which is made up of the principals of the five main partners.

“I’ve got a pass to all of the buildings so I can work from any of them and also understand their programmes and the different ways they work.

“We have creative working groups to discuss opportunities and plans, so my job is to have my ear to the ground, to know what everyone’s thinking and planning.

“It’s also to be out in the community, being really visible, talking to people and hearing what their priorities are so I can help create links.”

Image shows a computer generated picture of the London College Of Fashion, V&A East, BBC Music Studios and Sadler's Well's East at East Bank
An artist’s impression of how East Bank will look when work is finished

cultural programming

Having studied drama at university, Tamsin initially headed for the classroom after realising that acting and “being a Spice Girl” weren’t really for her.

But life as a teacher wasn’t right either and she wound up working for small arts centres instead.

“I was engaging with children and young people and through that found out about this kind of role – developing ways to get different audiences involved and to unlock and learn from their creativity,” she said.

“I love it when the magic comes together and something you hadn’t thought possible is created.”

After more than a decade doing just that at the Southbank Centre – “implementing festival methodology to create the feel of a bustling port city at arts venues by programming around central themes” – and roles at the Museum Of The Home in Shoreditch and at the London College Of Fashion, she’s come to East Bank to help fulfil its 2012 legacy promise.

“All five of our institutions have got public-facing programmes and my job is to connect the dots,” she said.

“We’re all talking all the time. It’s about collaboration, sharing resources and ideas, and it’s also about embedding ourselves in the community.

“It’s also about being open with our priorities and aims, and properly connecting with people who are living and working here.

“Over the last seven years, the organisations have all been building links with key partners such as schools to build programmes that respond to the needs and values of the people locally.

“Ultimately, we want visitors, students and staff to be able to navigate East Bank’s five buildings and understand how they connect to each other.

“In 10 years’ time I would love to see large-scale programming across all of the organisations that builds on their amazing creativity and skills.”

Image shows a curved concrete staircase at the London College Of Fashion in Stratford
Students and staff are already enjoying the London College Of Fashion’s new base

a new hub for creativity

“I think this place can be as successful as the Southbank Centre – there will be enough for everyone here – but I think they are two very different offers,” added Tamsin.

“There’s a magic about coming to this part of the city with its busy, bustling shopping experience at Westfield and then East Bank for culture and creativity.

“I think if we get the local story right and have a programme that is relevant to the community then we’ll get the world right too.

“Tourists will come because they want to feel they are part of events that really do mean something.”

While University College London and the London College Of Fashion are up and running, something of a watershed moment is coming for the project with the opening of Sadler’s Wells East later this year.

“That will be the first of our cultural partners to have an offering as part of the night-time economy and it will be really exciting to see how the evening shows and workshops change this space,” said Tamsin.

“Sadler’s Wells has also got its hip-hop academy opening, so we’ll have 16 to 19-year-olds learning and practising on-site.

“The building has been designed with an outside and inside feel, so we’re hoping people will get the idea of dance tumbling out into the public realm and people will come to see the next generation of dancers performing or warming up.

“I’m really excited about this summer because this is the time we’re really starting to build that  excitement and buzz – that East Bank is a place you can come and bump into amazing art and ideas.

“It’s a bit of a taster of what’s to come as we build and grow towards total opening by the end of 2025.

“It’s exhilarating and I can’t wait to see how it feels when all five organisations are open. 

“You might be walking from UCL over to the Stratford waterfront and know you’ve got a BBC orchestra rehearsing in one of the studios, a big exhibition at V&A East, dancers performing on the community dance floor outside Sadler’s Wells East and a fashion show being cooked up at the London College Of Fashion. 

“I want everyone who comes here to feel that same sense of excitement and pride we all felt around the 2012 Games themselves.”

Image shows a dancer dressed in black interacting with a staircase ahead of Greenwich + Docklands International Festival in Septemeber
Greenwich + Docklands International Festival is set to come to Stratford in 2024

coming up at East Bank

This summer is when things really start to happen at East Bank in 2024.

Activities kick off with the Great Get Together on June 15 – a free community event at the Queen Elizabeth Olympic Park with activities spanning music, dance, arts, sports and, naturally food.

Then, there’s the UCL Festival Of Engineering on July 15, a celebration of 150 years of advancements in technology, problem solving and creating things.

July will also see London College Of Fashion students present their work, with an exhibition at the East Bank campus, while V&A East will unveil its Made In East London commission – artworks that will be displayed on its exterior.

August is all about the hip hop, with breaking sessions at Sadler’s Wells East scheduled for 3, 5-8 and 9-10. 

Then, September 7 sees the Greenwich + Docklands International Festival pitch up at neighbouring Stratford Cross with its Dancing City programme.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

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