Canary Wharf: How Canary Wharf Group’s Junior Board works to shape estate’s future

Initiative provides a forum for idea generation, communication across the business and mentoring

Canary Wharf Group's Junior Board
Canary Wharf Group’s Junior Board

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Canary Wharf has been in a constant state of evolution since it was created.

The mix of companies on the estate has changed with financial services and media giants joined by technology firms and an increasing number of organisations working in healthcare and life sciences.

It’s become a place to live too, with homes made available for both private sale and to rent at Wood Wharf and more residential expected at North Quay, Canary Wharf Group’s next major phase of development adjacent to its east London heartland.

Alongside these changes, the company that oversees the estate is also embracing the future, increasingly looking to younger staff to ensure it’s heading in the right direction.

Given the timescales involved in development, it makes sense to consult the people those future phases of regeneration are aimed at and to make certain the existing estate is on point to attract people of all ages.

To that end, Canary Wharf Group appointed a Junior Board in January to generate ideas, serve as a sounding board for the company’s leaders and help shape the future of the business.

Originally 13 – now 11 due to a couple of departures – for nearly eight months, it’s been doing just that, so I sat down with recently elected chair Julie Dang and board member Dan Pereira to find out more. 

Canary Wharf Group Junior Board chair Julie Dang

who are you, what do you do?

Julie: I work in the corporate social responsibility department as a programme coordinator and I’ve been in the company for about five years. I work to engage with our stakeholders, with young people and schools, to help them with their career aspirations and future employment.

We’ve run job fairs, insight days, where we invite people into the business and get our staff volunteers involved, to tell the young people what their jobs are, how they got to where they are now and what they actually do.

Dan: I work in the IT department as an infrastructure supervisor, helping look after Wi-fi, satellite, phones and TV across the estate, for the tenants in the buildings, the restaurants and the retailers. 

I used to be an electrician here working day and night shifts – a different world to 8am-5pm.

That means I can help people understand that you can come from that background to a role like this. My background benefits me because I can collaborate with people on the ground.

why apply for the junior board?

Dan: When I was working shifts, I kept coming up with all these ideas, but had no-one to share them with.

I’d see things in the malls, listen to people’s conversations and wonder what I could do with them.

That’s why I applied – I thought it would be good to have someone on it from a maintenance background. 

I didn’t tell a soul because I was scared what people might think of somebody in my position applying for something like that. It’s turned out pretty well.

Julie: I was the opposite, I wasn’t going to apply at all because I thought I wasn’t good enough, but I talked to one of my mentors who thought I was.

So I applied because my role is all about raising others’ confidence and trying to improve the lives of stakeholders and employees.

what are the board’s ambitions?

Julie: After many discussions, we decided to focus on three main areas – pay and progression, how to improve internal culture and collaboration in the business and how to change external perceptions of Canary Wharf and Canary Wharf Group, which is very important to us. 

Within those areas there are different projects, such as the introduction of ‘coffee roulette’ where two people working for the business meet for half an hour and get to know each other. 

Dan: I’ve been on a couple already with people from the legal and construction departments and it’s amazing – a chance to understand what people do in different areas of the business.

Julie: Building relationships is so important for an organisation and this aligns with one of the company’s values, which is cooperation.

I met someone from the residential sales team and went on a tour of One Park Drive in Wood Wharf, which I hadn’t seen before. Half an hour wasn’t enough so we’ve put another date in the diary.

Canary Wharf Group Junior Board member Dan Pereira
Canary Wharf Group Junior Board member Dan Pereira

what’s the benefit to the business?

Julie: I think the biggest thing is the culture change. Not a lot of companies have a junior board but it means that decisions are not just top-down.

The management board come and ask us if they’re doing things in the right way. 

It’s being taken seriously. We’re each paired with a member of the board and reverse-mentor them on a regular basis.

Dan: We rotate after six sessions, which means we get someone different and that means new opportunities to learn.

At the moment I meet the CEO – Shobi Khan – once a month. He’s kept every appointment and we discuss things that need improving and I give him my opinion.

We go on walks, which means everyone knows who I am now, and he gets a different understanding from me. 

I try to be completely honest – if he says something I don’t agree with I’ll say so and there are things I mention to him that he won’t have heard about before.

For example, I took him down to my old mess room underground and he’s looking at relocating those facilities so managers and engineers can work more easily together.

That’s given me a sense of confidence that I can talk to anybody. Being able to spend an hour with the CEO and feel comfortable puts you in a good position.

Before joining the board I hardly spoke to anybody and kept myself to myself.

Julie: For me it’s been a chance to learn about other areas of the company, understand the issues they face and what could be done differently.

I’m paired with Alastair Mullens who is head of Canary Wharf’s build-to-rent business Vertus and he’s a  very inspiring person.

how do you want to change the perception of Canary Wharf?

Dan: We want to make sure people know it’s available for everybody, not just those in suits.

We want families and tourists to visit, for it to be seen as a great place to come, with so much to do. You don’t have to spend money here – you can come here with nothing and still have a great day out. 

There are parks and great views.My favourite thing is to watch the sunset at Canary Riverside. I take my camera and it’s great.

We want people to feel they’re welcome. I recently spoke to some school kids, and I asked them if they could see themselves working at Canary Wharf, and they said they would need a degree – but I was able to tell them that’s not true, it’s not the route I took.

Julie: We want to emphasise that there are lots of arts and events here that are free. We’ve got the largest public art collection in the UK.

One of my favourite places is Crossrail Place Roof Garden, which is really cool in the summer – you can relax and enjoy the scenery.

As members of the Junior Board we can contribute to how this place develops.

For me, there are two areas we should focus on – ensuring Canary Wharf is inclusive, that there are people working here and visiting from different backgrounds and I think we are already well on our way there.

I also want to see more competitive socialising in the retail element of the estate.

Dan: I think Canary Wharf Group needs to keep doing what it’s doing at the moment – adding more things to make the estate better.

We have lots of open green spaces and now there’s the option to go open water swimming in Middle Dock too.

Read more: Discover newly-opened M restaurant in Canary Wharf

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: How Festival14’s packed programme is a whole new approach

Event running July 21-24 promises more than 50 performances to help people discover the Wharf


Festival14 will run from July 21-24, 2022 across Canary Wharf
Festival14 will run from July 21-24, 2022 across Canary Wharf

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Grandmaster Flash. Live, in Canada Square Park. For free.

Those words alone are testament to the fact that Festival14 is something new for Canary Wharf.

The DJ and hip hop pioneer –responsible for the first expression of scratching ever released on a record – is set to mix among the towers as the headline act on the main stage on July 21, 2022. And that’s just the first night.

Running Thursday-Sunday, Festival14 is set to fill the estate with more than 50 performances encompassing comedy, theatre, dance, family activities and, of course, music.

our MUSIC picks for FESTIVAL14
- July 21 - Grandmaster Flash
8.15pm, free, Canada Square Park
- July 22 - House Gospel Choir
8.30pm, free, Canada Square Park
- July 23 - Ronnie Scotts Jazz Orchestra
time TBC, free, Canada Square Park
- July 24 - Sona
time TBC, free, Canada Square Park

The mostly free events will run daily between noon and 10pm at a diverse selection of venues designed specifically to encourage visitors to explore Canary Wharf.

“We’d seen the success of events like our Winter Lights festival, which takes place across lots of different parts of the estate and the amazing buzz people feel when they arrive for that,” said senior arts and events manager at Canary Wharf Group, Pippa Dale.

“So we wanted to create a similar feeling for Festival14 so that it’s very obvious when people get here that there’s something really exciting and new happening.

“People in Canary Wharf are often quite set on the places they know – the places they go to lunch, for example – so we’re hoping this will help them explore and discover different areas.”

Most of the performances at Festival14 will be free
Most of the performances at Festival14 will be free

In addition to the dozens of performances and activities, there will also be a street food market every day in Montgomery Square and special offers from some bars, restaurants and cafes for the duration.

Canary Wharf Group director of arts and events Lucie Moore said: “Moving forward, we’re looking at putting on larger scale events over shorter periods of time to bring as many people as possible to the estate but also to change perceptions about the area.

“Events and cultural activities have always been really important to Canary Wharf in terms of placemaking and, since Covid, they’re something people are looking at and talking about even more.

our COMEDY picks for FESTIVAL14
- July 21 - Milton Jones, Jessica Fostekew
7.15pm, £11, Westferry Circus Roundabout
- July 22 - Reginald D Hunter, Jo Caulfield
6pm, £11, Westferry Circus Roundabout
-l July 23 - Paul Sinha, Felicity Ward
6pm, £11, Westferry Circus Roundabout
Follow this link for bookings

“These events are a real team effort and we couldn’t be able to do them without the work of so many people across Canary Wharf Group’s teams. 

“The estate is now busy and buzzy and with the arrival of the Elizabeth Line, there’s the potential for even more people to visit.

“That’s an opportunity for us, in terms of events, because there are people who will come in from other areas who may not have done in the past.

“For Festival14 it will be really interesting to see what numbers we get in comparison to things like Winter Lights in past years.”

Events will take place from noon over the four days
Events will take place from noon over the four days

The full programme for Festival14 – a name inspired by Canary Wharf’s postcode, E14 – is still being finalised, with all updates expected online by July.  

Pippa said: “In contrast to previous years with our Tuesday night music concerts, we’ve booked some bigger acts.

“It’s a packed programme and, especially at the weekends, people will be able to listen from noon right through until 9pm or 10pm at night.

“Grandmaster Flash is our opening headliner and we think he will appeal to the audience that’s already here – a bit of nostalgia after a day in the office and a bit of a party.

our THEATRE picks for FESTIVAL14
- July 21 - 440 Theatre, Hamlet
1pm, free, Westferry Circus Roundabout
-l July 22 - The Canary Cabaret

7.30pm, free (ticketed), Crossrail Place Roof Garden
- July 23 - Mischief And Mayhem

5pm, free (ticketed), Crossrail Place Roof Garden
- July 24 - The Handlebards Romeo & Juliet
1pm, free, Westferry Circus Roundabout
Follow this link for bookings

“I’m really excited about having House Gospel Choir – they’re a group I’ve admired for a long time and we’ve been waiting for the right event to book them.

“They’re pretty local too, as is Hackney Colliery Band. We’re also really pleased to be able to host Sona on the Sunday, during her UK tour.

“The outdoor comedy at Westferry Circus also features some big names, so that’s ticketed because we have limited space and we’re expecting it to be very popular.

“We’ll be having open air theatre at that venue too with the return of The Handlebards who are fantastic and 440 Theatre who do Shakespeare plays in 40 minutes.”

The Handlebards are set to return to Westferry Circus
The Handlebards are set to return to Westferry Circus

There will also be a series of theatre performances at Crossrail Place Roof Garden – ticketed but free due to the capacity of the venue.

“Whenever we do anything we try to include the local community and local businesses and organisations around the estate,” said Lucie.

“We’re very fortunate to work where we are but we’re aware there are areas around us that need supporting.

“The Space has been operating up in the Roof Garden for years now and they were an obvious choice for us as a partner for part of Festival14 because they know that venue, we know what they do and they’ve put together a whole programme for us there.”

A range of kids activities will take place on the Saturday and Sunday, including dance music party Big Fish Little Fish Family Rave at Westferry Circus and puppetry in the form of Bus King Theatre: Marvelo’s Circus at Montgomery Square.  

“We’re really hoping, especially for families, that they will come and spend the whole day with us – do a workshop, have lunch and listen to some music,” said Lucie.

“We’ve really tried to cover a lot of areas and there will be one or two unexpected events too, such as a van that serves up takeaway poetry. We’re not finished yet.”

Here’s a little Grandmaster Flash to get you in the mood…

Read more: The O2 celebrates 15 years of gigs, events and performances

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Canary Wharf: Exhibition at Crossrail Place celebrates Black Culture in Britian

Association Of Photographers and Canary Wharf Group display winning images in the Roof Garden

Kanika Carr from John Ferguson’s Black Suffolk series

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Nestled in the foliage of Crossrail Place Roof Garden, Wharfers can find a selection of images displayed to mark Black History Month.

The month-long exhibition is the result of an open contest by Canary Wharf Arts And Events and the Association Of Photographers for snappers to submit pictures that display the creativity, beauty and strength of the black community in Britain.

The best images have been selected and form the Black Culture In Britain photography exhibition now in place at Canary Wharf.

AOP communications coordinator Suzanne McDougall said: “When you have an amazing topic like this you have myriad possibilities – when you look at the work that’s been submitted you have so many experiences, so many voices coming together to tell very different stories that form part of a whole.

“The space is great for really looking at the boards displaying the work – seeing images at that scale is always very impactful.

“When you start to learn a little more about the person who has been photographed it’s very rewarding and I think revealing of how photography offers so many different routes to come at a particular topic.

“The images are beautifully positioned so you can take some time, walk through the roof garden, appreciate the work and be struck by the talent and diversity on display.

“It’s important to show photographs in spaces like this because people should have access to images. 

“It’s a reminder that the cities we live in are made up of people of lots of different cultures and backgrounds – having that exposure to different voices is always a really good thing. It stops people.”

Black Culture In Britain will be on display in Canary Wharf until October 31.

WINNER’S WORDS

Leroy Logan by Mark Harrison

Run as a competition, Black Culture In Britain comprises the gold and silver winners, selected from more than 200 entries by AOP For All, a group that strives to increase awareness of photographers of colour by making both them and their work more visible within the industry. It also includes work by six runners up.

Taking the top prize was Mark Harrison’s image of former Met Police officer and author Leroy Logan – recently the subject of one of Steve McQueen’s Small Axe films for the BBC.

Mark said: “I’ve been a photographer my whole life – shooting professionally for 32 years. I started working on the premise that I wanted to avoid a job that involved the same commute every day and that I probably couldn’t do anything else.

“In that time it’s gone from film to digital – from transparency, which was very difficult to use, to negative, which was easier and now digital, which is even easier – the biggest change has been in the element of professionalism. 

“That was because most people wouldn’t have had a clue how to shoot slide film whereas now everybody can shoot digitally because it does a lot of it for you.

“We can all produce good results, a few can produce brilliant results, but in the olden days nobody could produce anything unless they were a professional. The whole game has changed massively.”

Detail from Latoya Okuneye’s silver winning image

If you do something well you get asked to do more of it and I’ve always taken pictures of authors,” said Mark, who is based in Tunbridge Wells and has a varied career working for print publications as well as capturing images for TV shows and corporate clients. 

“The shot of Leroy I submitted was taken at the same shoot I did for his book cover.

“What happened was, I completed what they asked me to do and he had this incredible suit on, and I just wanted to do something separately for me.

“He had such an amazing presence – my assistant, who didn’t really know who he was, said: ‘My God that man has something’. 

“I asked him to stay an extra half hour, changed the lighting and tried to capture that intensity.

“He really liked it – I sent it to him afterwards, but it never got used and I kept it as my memento from that shoot. Everybody in the room talked about him for ages afterwards.

“He had extraordinary stories and the Small Axe film had just come out so his whole life had just been put on screen.

“We’ve stayed in touch ever since and I just think he’s quite something. He represents a lot about London, about changing times and how race has changed in my lifetime. To me he’s a symbol of lots of things. 

“In my game, anything to do with the AOP is hugely important – their contests are the gold standard of achievement. I submitted this image because this topic came up and I thought: ‘This is perfect’. I was absolutely staggered to have my image named the gold winner.

“I’m personally really thrilled – I’ve never won anything with the AOP before.

“One of the reasons I thought Leroy to be interesting as a submission was because I guessed most people would represent younger black culture. He’s had an incredible life, experienced terrible racism and he’s done so much.

“I’ve photographed many people of significance and I’ve never forgotten him – he’s very cool.”

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Canary Wharf: Pergola On The Wharf opens its doors at Crossrail Place Roof Garden

New venue by Incipio Group will reflect its lush surroundings with plenty of greenery all around

Incipio Group’s Rory Graham at Crossrail Place Roof Garden – image Matt Grayson

“Unfortunately it’s a building site at the moment, so we can’t go inside yet,” said Incipio Group’s head of creative development, Rory Graham. It was less than two weeks before Pergola On The Wharf opened and we’d met to chat about the venue that will see the vast unit at the eastern edge of Crossrail Place Roof Garden transformed following the demise of the company that ran Giant Robot.

Rory’s calm exterior hid what must have been a feverish level of activity in the run-up to its launch on Friday, May 28.

“The best way to describe this venue is what we leant on for its design – the roof garden it sits beside,” said Rory. “It’s an incredible pocket of calm in the middle of the metropolis that is Canary Wharf and we wanted to continue that look and feel throughout Pergola. 

“We’ve created a 12ft by 8ft flower wall planted entrance, a whole foliage ceiling and made a bar out of trees. It all plays into our airy, green, crisp style.

“The venue’s 10,000sq ft with two bars, one big open theatre kitchen and private dining space. Then we’ve got a 200-capacity wrap-around terrace looking over the Wharf – we’re incredibly lucky to get this location. In total we have capacity for 700 people.”

An artist’s impression of Pergola’s interior

Pergola started life under railway arches in Goldhawk Road, Shepherd’s Bush, gaining its name from the popularity of bookings to sit under the tiny outdoor structure its founders had built.

“We launched in White City in 2016, and on the back of that we opened Pergola Paddington and then we had Pergola On The Roof, which was the original concept – this is the fourth venue within that brand,” said Rory.

“It’s informal, good fun, accessible and there for everyone, whether a large group or a couple coming for dinner and drinks. It might be the after-work crowd, which we’re obviously keen to engage with in Canary Wharf.

Another artist’s impression of Pergola’s interior

“People can expect relaxed DJs, good music and good food. In terms of the food, our executive chef Nick Wyborn, who trained at the Langham Hotel, and recently came over from Mac And Wild, has used land, sea and earth as the narrative for the menu.

“All the dishes relate to that, as does our drinks menu, which has fresh beers, cocktails and coffees during the day and there’s a low and no alcohol section as well.

“On weekdays we’re open from noon-11pm and earlier for brunch at the weekends as well as later into the night.

“We’ll be serving everything from really good burgers to brilliant sharers, small plates and dishes that are great for quick lunches.” 

And a final artist’s impression of Pergola’s interior

Opening in Canary Wharf was an easy decision for Incipio, with a healthy local market and the prospect of Crossrail trains starting to arrive into the building in the not too distant future.

Rory said: “First and foremost, you only have to look at the other operators here to realise how serious an area this is now.

“You’ve got The Alchemist, The Ivy In The Park, an Everyman Cinema and Darwin And Wallace’s No 35 Mackenzie Walk, so it was a very attractive place to come to.

“Not only that, but it’s starting to see a lot of weekend traffic as well, which we’re keen to tap into. Alongside that, the venue and the location are incredible.

“If you marry all that up together, it really was an opportunity we couldn’t turn down. We’re very fortunate to get this unit and very excited to be here.

“As restrictions have eased, the response from the public has been incredible across the group. In our first four weeks we’ve had more than half a million bookings for the summer at our venues, which is really exciting.

“We’ve had great success in west London and we know a lot of our customers live in east London so this is us bringing one of our sites to them.”

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