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Made By Many Collective pop-up shop to open in Hackney Wick

Fish Island store at The Trampery is the creation of Nazlı Yuceloglu and Louise Nornes as they build on the seasonal success of the Fishmas Shop

Louise Nornes, left, and Nazli Yuceloglu, founders of the Made By Many Collective - image by Jon Massey / Wharf Life
Louise Nornes, left, and Nazli Yuceloglu, founders of the Made By Many Collective – image by Jon Massey / Wharf Life

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There’s no question that Nazlı Yuceloglu and Louise Nornes make a formidable team.

While the former has experience in the petrol industry, banking, life coaching, dog walking, publishing and textiles, the latter is variously a marketeer, a singer, a vocal coach, a bandleader a songwriter and a jeweller with a degree in fashion design.

Having met at The Trampery Fish Island in Hackney Wick and participated in a summer market together, the pair teamed up to create The Fishmas Shop – a festive winter pop-up in December 2025.

“We found that the summer market was fun and we wanted to do it again – we’d got the bug,” said Louise, originally from Norway but now living in Forest Gate .

“We asked The Trampery for a space because they have many studios here and occupiers rotate, so there was potential.”

Naz, originally from Turkey and a proud native of Hackney Wick, added: “Right before Christmas they told us we could have one, so we contacted a lot of creators and ran the show.

“It turned out really well because it was local.

“People in this area know one another and want to support each other.”

The pop-up was a success and it sparked a desire in the duo to go further.

“At Fishmas, lots of people discovered studios and makers that they didn’t know were here,” said Louise.

“We had almost no budget to put it on – we were using it as a test case and found that people had an appetite for it.

“As we’re creative people ourselves, we know it’s difficult to get exposure for your products in a low-risk way.

“Lots of people buy mass-produced items but we know makers really want to engage with their customers.

“Creativity, culture and community go together but they also help support people locally.”

Naz added: “After Christmas we sat down and found it had been fun and that it had worked. We wondered if we could take it one step further.

“Neighbours and creatives who were involved kept asking us what we were doing next.

“That was encouraging and everybody had left the shop very happy and had enjoyed the experience.

“We thought that trying again in summer would be nice, so we approached The Trampery again – who have been very generous – and they gave us the green light for a space from July 1 until August 8, 2026.

“This time we’ve expanded what we’re doing.

“The creatives and small businesses will still be there, with an affordable way to show their wares, but this time we’ll have more room including a dedicated space for workshops.

“It will also be a place for networking, for meeting your neighbours.”

Studio Delabrousse's Outils Collection - image supplied by Made By Many Collective
Studio Delabrousse’s Outils Collection – image supplied by Made By Many Collective

from Fishmas to the Made By Many Collective

Hosted at The Trampery Fish Island’s Studio 82, the pop-up has also had a re-brand.

“Fishmas was a very nice Christmassy name but no good for all-year-round,” said Naz.

“We’re hosting this as the Made By Many Collective – everything is made by people, so it works and we want to grow as well.”

Louise added: “We have two floors this time, which is very exciting.

“People will walk in to the shop and then upstairs on the mezzanine there will be workshops.

“For sale there will be pottery in different styles from people working at a local studio, jewellery featuring lots of silver and gems and products from a wide variety of other makers using all sorts of techniques.

“There will also be fashion and art to buy.

“It’s important to us that this is a retail space rather than a market so the price level customers have in mind isn’t limited and reflects the many hours creatives put into their pieces.”

Part of the motivation for organising the pop-up shop for Naz and Louise is to help support local makers, so their talents aren’t lost in the inevitable march of change and regeneration.

“It’s great that people are coming into this area and many of the existing buildings are not in the condition they should be,” said Louise.

“But with regeneration, some of the studio space that is here is not being replaced and that means some creatives are being priced out.

“It’s important to protect the heritage we have here and to bring the community into that.

“A lot of people agree that a line should be drawn before the big corporations move in because that doesn’t benefit the people who are here.

“If you’re a maker, we want to lower the barriers that often prevent emerging brands and independent creatives from accessing retail opportunities to help them build businesses through community, collaboration and visibility.”

Naz added: “Most people want to support local businesses. Customers don’t mind paying 50p more for a coffee because they want to help their neighbour. 

“We want people around us to be successful and there’s a feeling of safety in that too.”

As for the future, Naz and Louise are already thinking about more events and the possibility of a permanent space.

“World domination is the ultimate goal,” said Naz. “But first, the next step will be another pop-up and then, hopefully, a retail space for new businesses and small producers.

“We’re also hoping to get some support from Tower Hamlets Council.”

Louise added: “We have very big ambitions, which all started with us selling together at a market.”

Re-construction Collection Grid Lock Earrings by June Yoo - image supplied by Made By Many Collective
Re-construction Collection Grid Lock Earrings by June Yoo – image supplied by Made By Many Collective

made locally, sold locally

Over the five weeks in the summer, visitors to Made By Many Collective will be able to browse products from Cone 8 ceramicists and Hone Studios jewellers as well as collaborations with local cheese shop Brie Yourself.

“We’ll be working with local businesses to deliver a programme of workshops during the pop-up and details of these will be made available via Instagram,” said Naz.

“One of the aims of the pop-up is also is to build a network of makers, artists and independent creatives.

“If you’re working alone, you’re the CEO and the janitor in your company and that can be hard.”

Louise added: “It can be especially challenging if you’re not in your home country or you’re from a minority background, so bringing people together is important. 

“In the future, we want to bring experts in to offer help and guidance so that our programmes will ultimately be developed by the people we work with and to be useful to them.”

key details: Made By Many Collective

The Made By Many Collective pop-up is set to run at Studio 82 at The Trampery Fish Island from July 1 until August 8, 2026. 

You can find out more via the collective’s Instagram here

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Barge East unveils Hackney Wick canalside party offering

With two boats, a garden, a terrace bistro and outdoor party space, the venue offers flexible spaces for summer celebrations in east London

Barge East is located at Sweetwater Mooring on the edge of the Queen Elizabeth Olympic Park - image by Barge East
Barge East is located at Sweetwater Mooring on the edge of the Queen Elizabeth Olympic Park – image by Barge East

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Venues that offer events organisers true variety are rare.

But Barge East in Hackney Wick is a complex of vessels and facilities that presents a wealth of possibilities. 

Located at Sweetwater Mooring on the edge of the Queen Elizabeth Olympic Park, it boasts a fine dining floating restaurant, a riverside terrace, a garden, a sister ship that sells drinks and gelato and plenty of space to stretch out alongside the River Lee Navigation canal.

It even offers paddleboard, kayak and canoe hire and that’s before you even mention the connections to DJs, live music and entertainers.

Fine dining is available on board - image by Jon Massey / Wharf Life
Fine dining is available on board – image by Jon Massey / Wharf Life

flexible options for all kinds of function

“We’ve got space at Barge East for almost any type of function, from weddings to corporate away-days and festival-style summer parties,” said Stuart ‘Tommo’ Thomson, one of the three founders of the business.

“We’ve got restaurants, with outdoor menus and terrace menus, with Parisian bistro-style, and our street food menus with amazing burgers.

We’ve got food across different price points, and all of it is sustainably sourced, using responsible suppliers.

“There’s our 125-year-old Dutch barge and the Milk Float, a more modern wide beam vessel with a beautiful sun deck that overlooks the London Stadium.”

Executive chef Kayla Dimmick and her team hard at work in the venue's kitchen - image by Jon Massey / Wharf Life
Executive chef Kayla Dimmick and her team hard at work in the venue’s kitchen – image by Jon Massey / Wharf Life

In addition to adding this new ship to the fleet, Barge East is also now operating the Moo Canoes hire business, allowing people to explore east London’s waterways via stand up paddleboard, canoe or kayak.

“We can offer all sorts of activities and events at Barge East for groups of any size.

“We can organise garden games, entertainers and live music outside and we’re happy to signpost Bola Beach Tennis next to us and work alongside them in collaboration.

“Companies are welcome to use Barge East for a whole day or use us as a base to explore the area.

“There’s so much going on around the Queen Elizabeth Olympic Park and Hackney Wick.

“We’ve even introduced a litter-picking day every month where groups go out on the boats, help clear the waterways and then swap the bag of rubbish they’ve collected for a beer.”

Barge East offers bistro style dining on the canalside - image by Barge East
Barge East offers bistro style dining on the canalside – image by Barge East

space for summer parties

Barge East is located a short walk from Hackney Wick station and can also be easily accessed from Stratford.

The boat itself can handle standing receptions for up to 80, while its Terrace and Gardens can take up to 150 and 300 respectively.

The Milk Float is suitable for standing parties of up to 80 and all of the venue’s spaces can be booked in combination.

Barge East offers a wide range of party packages starting at £15 per head.

Executive chef Kayla Dimmick oversees all the food on-site including dishes created with ingredients from the venue’s edible garden.

Those seeking a deal can visit Barge East’s Terrace on weekdays from noon-4pm to indulge in its £10 lunch offer and enjoy a Chicken Burger or Mushroom Burger with a drink for a tenner.

The Milk Float has joined the Barge East fleet - image by Barge East
The Milk Float has joined the Barge East fleet – image by Barge East

key details: Barge East

Barge East, the Milk Float and Moo Canoes are located at Sweetwater mooring.

Full details of all the spaces available and opening hours can be found here

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Barge East expands fleet as Kayla Dimmick takes over kitchen

Floating restaurant and canalside hospitality venue brings Milk Float into its orbit as spring menu, kayak hire and more arrives beside Hackney Wick

Barge East executive chef Kayla Dimmick and her team, hard at work in the floating venue's kitchen - image by Jon Massey / Wharf Life
Barge East executive chef Kayla Dimmick and her team, hard at work in the floating venue’s kitchen – image by Jon Massey / Wharf Life

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Spring is a season of renewal and the team at Barge East are looking forward to the warmer months.

With Easter out of the way, the floating restaurant and canalside destination has a lot lined up over the coming weeks, with a new menu and a fresh offering on land and water.

Kayla Dimmick has officially taken the tiller in the kitchen as Barge East’s newly appointed executive chef, setting the course of all food on board and by the towpath.

Originally from California, she trained at Le Cordon Bleu and cut her teeth at the Water Grill in Los Angeles before embarking on a career in high-end catering, cooking for the likes of Jennifer Lopez, Pharrell, Maroon Five and Reese Witherspoon.

She said: “I think my grandma has a huge impact on me because we were always in the kitchen.

“I’m half Japanese and she taught me how to bake dishes from Japan. The other influence was watching the food networks.

“Going to do my diploma at 19 was great because it gave me a really good grounding in the science of cooking.

“When you’re baking, for example, you need that knowledge, because everything has to be so precise and there are so many variables. 

“It’s not just following the recipes, it’s about knowing how to adjust them to the humidity of the kitchen, for example.

“I really wanted to work in London – a move to a different country was getting me out of my comfort zone – and I was sponsored to do that by Barge East’s former executive chef, Stefano Camplone.

“I started off as sous-chef three years ago and I really liked the ethos of the restaurant – the food has always been very seasonal and sustainable.”

Stracciatella (the creamy bit in a burrata) served with a lush garnish of peas, broad beans, cucumber, thai basil and broccoli flowers (£11.50) - image by Jon Massey / Wharf Life
Stracciatella (the creamy bit in a burrata) served with a lush garnish of peas, broad beans, cucumber, thai basil and broccoli flowers (£11.50) – image by Jon Massey / Wharf Life

a taste of spring

Promoted to head chef and now executive chef, Kayla recently unveiled her first menu in her new role, ably assisted by fellow cook Solomon Aveyard.

“Our dishes always start with the ingredients – that’s where the inspiration comes from,” said Kayla.

“We bring in our suppliers, look at their sample boxes, taste them and then base our plans on what we will be growing in our waterside garden.

“It’s amazing to have that just next to the boat and it means we have fresh ingredients we can use every day.”

Kayla’s spring menu features snacks, small plates, large plates and sides as well as a choice of three desserts.

Highlights include Wildfarmed Foccacia with foraged wild garlic butter that boasts a substantial, meaty texture (£2.50), Lamb Belly Skewers with gooseberries from the garden (£9.90) and Stracciatella (the creamy bit in a burrata) served with a lush garnish of peas, broad beans, cucumber, thai basil and broccoli flowers (£11.50). 

A top large plate choice is Beef Rump, rich red and juicy with a turnip cake, a chunky halved courgette and a bordelaise sauce (£32).

There’s a relentless focus on quality, spare, elegant presentation and freshness.

Kayla started at Barge East as sous chef and is now in charge of all of the venue's food - image by Jon Massey / Wharf Life
Kayla started at Barge East as sous chef and is now in charge of all of the venue’s food – image by Jon Massey / Wharf Life

sweet flavours at Barge East

“My favourite dish is actually one of the desserts,” said Kayla.

“When I was training, people used to call me Betty Crocker because of how well my baking turned out.

“I like measuring everything, there’s an exactness about it.

“Instead of a traditional rum baba, we’re serving a version with fermented Japanese plum wine – it’s potent, very citrussy and flavourful, which fits perfectly with forced rhubarb and a diplomat – a combination of crème anglaise and whipped cream.

“It’s rich and then you have that sharpness – it’s delicious.”

Barge East has been awarded two AA rosettes for the past three years running and will continue its fine dining offering aboard the Dutch vessel.

However, its presence on land is growing and changing.

Barge East will continue to serve up fine dining on board with an expanded canalside offering this summer - image by Jon Massey / Wharf Life
Barge East will continue to serve up fine dining on board with an expanded canalside offering this summer – image by Jon Massey / Wharf Life

expanding Barge East outside

“Outside we have huge plans for the spring and summer,” said Kayla.

“We’ll soon be launching an area called The Terrace, which ties in with the food on the boat but in a bistro style.

“It will be outdoor table service with a Parisian vibe, serving snacks, steak frites and a plat du jour.

“Then we’ll be moving our street food offering to the garden.”

That shift comes as Barge East has added to its fleet, taking over neighbouring vessel the Milk Float, which will serve a selection of drinks as well as chilled treats from east London’s La Gelatiera.

This will also provide a base for canoe, kayak and paddleboard hire on the canal.

It’s a significant expansion for a business that started with three friends – Ryan, Blandy and Tommo – sailing Dutch Barge De Hoop over from Holland with the aim of turning it into a restaurant.

Beef Rump, rich red and juicy with a turnip cake, a chunky halved courgette and a bordelaise sauce (£32) - image by Jon Massey / Wharf Life
Beef Rump, rich red and juicy with a turnip cake, a chunky halved courgette and a bordelaise sauce (£32) – image by Jon Massey / Wharf Life

on the water for the summer

“We’re planning to open the Milk Float from April 30, 2026, with the aim of turning it into more of a cafe, floating bar and an events space,” said Stuart ‘Tommo’ Thomson, who also runs Skuna Boats in Canary Wharf.

“It’s going to have the best gelato I’ve ever tasted – selecting them from a choice of 60 was one of the best things I’ve done since we started the restaurant.

“We’re really excited about the summer – Hackney Wick always feels like a festival when the weather is warmer because there’s so much going on.

“We’re also looking at the mooring on the other side of us to see what we might be able to do on the water with that – we’re always looking to make things more vibrant on the water.”

In the more immediate future, Barge East also has plans in the works for a brunch offering, aimed at attracting weekend diners earlier in the day.

“I’m really excited about this,” said Kayla.

“I want to create a menu of really good brunch staples so we can add that to the offering. 

“Everything is still to be confirmed, but I’d love to do a take on a salt beef bagel with hot mustard.

“Sometimes the meat can be quite dry, but I want to make one that’s really juicy on a really good quality bagel that we can source locally.”

Baba with Japanese plum wine and forced rhubarb at Barge East - image by Jon Massey / Wharf Life
Baba with Japanese plum wine and forced rhubarb at Barge East – image by Jon Massey / Wharf Life

key details: Barge East

Barge East is located in the Queen Elizabeth Olympic Park opposite Hackney Wick at Sweetwater Mooring.

The venue is set to be open seven days a week from April 30, 2026.

You can find out more here

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Crate opens second branch with bar and pizzeria at Wood Wharf

Hackney Wick brand expands to Canary Wharf by launching a new meeting point filled with craft beer, pizza and music opposite a sculpture of a whale

Crate Bar And Pizzeria has opened at Wood Wharf - image by Jon Massey / Wharf Life
Crate Bar And Pizzeria has opened at Wood Wharf – image by Jon Massey / Wharf Life

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For 13 years, the beer, buzz, beats and pizza on paper at the White Building have shaped the heart of Hackney Wick in east London.

Now, the ripples of Crate have made their way down the canal from that neighbourhood to find a new space to reverberate through, opposite the whale at Wood Wharf.

The company has opened its second site, a new bar and pizzeria, in the unit formerly known as Fish Game – a lamented closure given the strength of its cooking under Matt Colk, but perhaps a foregone conclusion due to the owner’s insistent focus on serving primarily beasts whipped from the water or blasted in the hedgerows. 

Since then, a rapid miracle has been pulled off, with the old restaurant’s maximalist fripperies stripped out to leave a spare industrial aesthetic more in keeping with Crate’s warehouse home in the Wick.

That’s not to say, however, the place that opened earlier this month isn’t warm. On the contrary, the simple design is merely a frame for its core functions.

Crate co-founder Tom Seaton - image by Jon Massey / Wharf Life
Crate co-founder Tom Seaton – image by Jon Massey / Wharf Life

from Hackney Wick to the Wharf..

“What we’re trying to create here is a translated version of what Crate is in Hackney Wick – a meeting point close to a station,” said Tom Seaton, who co-founded the business with his sister, Jess Seaton, and their friend, Neil Hinchley.

“It’s a place where people can call in on their way home or on their way out – somewhere where everyone knows what they’re letting themselves in for.

“It’s not very expensive or exclusive – it’s for everyone.

“Bring your friends – 30 if you like. We’re not going to turn you away.

“If you can get through the door, you’re welcome.

“We want people to make friends and perhaps find their life partner – that happens a lot. There’s at least 20 marriages we know of.

“One couple, who had their first date at Crate in Hackney Wick flew our customer service guru Jerome to Scotland for their wedding because he’d made that evening so special for them.

“That’s what it’s all about – people coming together.

“At Wood Wharf we want people to stop by and choose to have a drink with us as part of their plans.”

Crate’s story began when siblings Tom and Jess opened The Counter Cafe in Hackney Wick in 2008.

Having grown up in New Zealand amid a scene that was embracing decent coffee and brunch, they decided to start a business in an abandoned warehouse during a financial crisis, but made a go of things amid the economic turmoil.

Having created that foundation, they went on to team up with BBC radio producer Neil – who’d just completed a brewing course – one day after agreeing to take on the White Building as part of the delivery of the 2012 Olympics just across the canal.

Opening initially as a microbrewery, bar and pizzeria, Crate expanded in Hackney Wick and “a huge amount of things happened”.

First the business opened a proper brewery next door to give it sufficient tank space to keep up with demand.

Then there was the kombucha business and a nightclub.

With increasing competition in the market and tiny margins, by 2020 the brewing business had become unsustainable, however, and Crate had some tough decisions to make.

“It was a horrible thing to have to go through but we realised that the only way we were going to put ourselves back in a secure position was to close everything besides the White Building,” said Tom.

“We had to protect the root stock. Since then, Jess, Neil and I have taken on more operational roles and we have a managing director who looks after the corporate stuff.

“That allows us to get on with getting stuff done on the ground.”

The venue's extensive bar has been built from reclaimed railway sleepers - image by Jon Massey / Wharf Life
The venue’s extensive bar has been built from reclaimed railway sleepers – image by Jon Massey / Wharf Life

the offering at Crate

Crate now makes its beers at Purity Brewing close to Birmingham with its range also stocked at its bars.

Wharfers can expect a pale ale, a lager, a session IPA, and IPA and a cider alongside guest beverages.

The expansion to Wood Wharf feels a little like the start of a new chapter.

Fresh pints pulled and placed on newly hewn wooden tables ready to fuel talk of ideas and future adventures.

Tom said: “The White Building is going strong and we’re in a simpler and clearer situation. We’re now looking at how we grow the business.

“We’ve always wanted to expand, to open more Crate experiences, but we needed to find somewhere we could put our stamp on.

“The test is whether we can make a place feel like we, our friends and our family are in Crate. Wood Wharf feels great.

“We’ve only just opened, but there are encouraging early signs.

“We don’t really do big shouty launches – we’re going to be here for a long time and, for the moment, it’s just nice to have people come in and discover us. 

“Canary Wharf has a really nice community and we’ve had a couple of launch nights where we’ve been able to see people at every table which is awesome – the space is just how we imagined it with guests laughing, smiling and talking to each other.

“The music element is also really important for us.

“We run a festival called Flamingo Pier in New Zealand and we’ll be having DJs at Wood Wharf on busier days just as we do in Hackney Wick.

“It’ll probably be more a listening bar than a rowdy day rave, but there will be the same kind of music and feeling.

“We just want to play stuff that makes people smile and chat – if you’re after dark techno you’ll probably have to go elsewhere.”

What Wharfers can expect from the new venue is plenty of pizza, stone baked and served on sheets of paper.

Flavours include a classic Margherita, Spicy Salami, Sage And Truffle, Sweet Potato With Stilton And Walnut and Middle Eastern Lamb. 

In addition to Crate’s own beers, the bar will be serving guest brews, wines and its range of canned cocktails.

Expect to pay around £7 a pint for a beer and about £13 for a pizza, although cheaper options are available. 

key details: Crate at Wood Wharf

Crate is now open at the junction of Water Street and Park Drive in Canary Wharf’s Wood Wharf.

The bar and pizzeria is open from noon until 11pm Sunday to Thursday and from noon until 1am on Fridays and Saturdays.

Find out more about the new opening here

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David Bowie Centre delivers astonishing archive to the public

With 90,000 objects in its collection, the V&A Storehouse-based facility makes the granular detail of Ziggy Stardust, The Thin White Duke and so many more available to view for free

The David Bowie Centre at V&A East Storehouse - image by David Parry / PA Media Assignments
The David Bowie Centre at V&A East Storehouse – image by David Parry / PA Media Assignments

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“This archive, which has 90,000 items in it, shows David Bowie as an interdisciplinary artist, musician and cultural icon – an advocate for self-expression and reinvention,” said Dr Madeleine Haddon, curator at V&A East.

“The David Bowie Centre makes this collection accessible to everyone.”

As she speaks at the launch of the dedicated, permanent exhibition space, a huge video wall plays clips from the artist’s long and storied career.

There’s a flavour of worship about the place, perhaps even deification.

Madeleine speaks of Bowie’s wide and far-ranging impact on other artists, his varied creative processes and his willingness to experiment and collaborate with others in a reverent fashion as we gaze up into the mismatched eyes of the Thin White Duke, Ziggy Stardust and the rest. 

In many ways, it’s not an unreasonable response. One of Bowie’s singular drives, it seems, was a desire to constantly archive and catalogue his endeavours.

This is evidenced by the artist’s numerous yellow post-its suggesting classification and categories that adorn much of the material. 

Thus the David Bowie Centre at V&A Storehouse in the Queen Elizabeth Olympic Park’s Here East campus might, in some senses, be viewed as the one true repository of the icon’s relics. 

A visitor considers exhibits on show at the new centre - image by David Parry / PA Media Assignments
A visitor considers exhibits on show at the new centre – image by David Parry / PA Media Assignments

the exhibits on show at the David Bowie Centre

“Behind me is a two-hour long film that traces Bowie’s live performances, music videos arranged chronologically, so you can see his evolution as a performer,” said Madeleine. 

“We also have in here 200 objects from the archive that are on display, that trace his life and career, his creative processes arranged in these nine bays that look at his transformative creativity as a musician, a visual artist, a writer, designer and actor.

“Six will be on display for two years while the objects in the other three will rotate every six months in dialogue with contemporary issues we are exploring across V&A East.”

These are diverse altars of public worship, with costumes, notes and slices of his life.

Nile Rogers – who produced Bowie’s biggest-selling hit, Let’s Dance – has guest curated one, while another features Omikron: The Nomad Soul, a video game from 1999 that David did the music for, as an example of his futurism.

There’s lots to inspire and divert here, but really these displays are just a nod to the real function of the centre, one only made possible by its subject’s near fanatical amassing of his own story and its artefacts. 

This is the astonishingly rare opportunity to really delve deeply into the granular residue of his creativity. 

The centre includes a dedicated study room where anyone – not just academics and researchers – can, for free, order any item in the archive to view by appointment.

This is an extension of a service that’s available throughout the V&A’s massive collections.

Due to the depth of the Bowie archive, however, this presents a tantalising prospect for enthusiasts. 

Of the 90k objects in the archive, 70k are pieces of paper that David and his team had already organised to some extent.

There are hand-written song lyrics, annotated scripts and sketches of ideas, costumes and props for various projects.

Their existence means that, for much of Bowie’s extensive output, there’s background material available to the public – concepts that never made it, comments from the time of creation and thoughts on the future.

Costume designed by Mark Ravitz and David Bowie, worn by David Bowie, to perform Man Who Sold the World, on Saturday Night Live in 1979 - image courtesy of the V&A
Costume designed by Mark Ravitz and David Bowie, worn by David Bowie, to perform Man Who Sold the World, on Saturday Night Live in 1979 – image courtesy of the V&A

the chance to dive deep

At the centre’s launch event, for example, I’m shown a series of designs for clothing and puppets to be used on Bowie’s 1979 appearance on Saturday Night Live with Klaus Nomi and Joey Arias as backing singers.

It’s the one where he sang The Man Who Sold The World

There really is a thrill in seeing simple sketches by someone who achieved such success in their lifetime juxtaposed with the kind of doubtful notes we all might make on a pad of paper.

The crossings-out are a light reminder that Bowie was human, after all. 

But the centre offers more than this.

Also in the study room when I visit is the actual costume Bowie wore for the show.

Modelled after Nomi’s aesthetic, the angular tux prevented David from walking, so he had to be placed before the mic by his artistic accomplices at the start of the performance.

This is the magic. The opportunity to see one-to-one designs springing so vibrantly off the page and into reality.

There’s a feeling visitors could, with a bit of research, replicate this with so many of the objects in Bowie’s archive, discovering the origin story of each piece.

A V&A Collections Access Officer handles a life mask by William Forsche of David Bowie’s face painted to resemble his makeup from Aladdin Sane – image by David Parry for the V&A
A V&A Collections Access Officer handles a life mask by William Forsche of David Bowie’s face painted to resemble his makeup from Aladdin Sane – image by David Parry for the V&A

archiving himself

“Bowie saved everything from scribbled notes to elaborate sketches and is a powerful reminder that no idea is too small and that the creative process is worth documenting at every stage,” said Madeline.

“You get to see that behind the scenes here at the David Bowie Centre.

“This approach is one that is a rich legacy for all artists in all disciplines and all backgrounds who we hope will come and visit us here.”

It’s worth noting, perhaps, that while the Bowie archive does lend itself to detailed exploration, those visiting Storehouse who simply wish to drop in will still be rewarded. 

The centre works on many levels. There are easily accessible copies of some of the archive’s popular documents on show and the bays of exhibits to enjoy.

There’s also the seemingly endless barrage of images from the video screen and an especially curated soundtrack of Bowie’s songs. But most of all, visitors will be left with the unmistakeable impression of complexity. 

As an artist known for his constant reinvention, seeing the working behind the illusion only impresses at the sheer relentless energy it must have taken to achieve so much. 

Asymmetric catsuit David Bowie wore as Ziggy Stardust, designed by Kansai Yamamoto in 1973 - image courtesy of the Victoria And Albert Museum
Asymmetric catsuit David Bowie wore as Ziggy Stardust, designed by Kansai Yamamoto in 1973 – image courtesy of the Victoria And Albert Museum

key details: David Bowie Centre

Entry to V&A Storehouse at Here East in the Queen Elizabeth Olympic Park is free and includes access to the David Bowie Centre. 

The museum is open from 10am daily and usually closes at 6pm except on Thursdays and Saturdays when it’s open until 10pm.

Find out more about the new centre here

Read more: Cody Dock becomes a keeper of the River Lea’s stories

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The Island Studio opens to offer Reformer Pilates in Canary Wharf

Founded by Sol Bouille in Hackney Wick, the Tower Hamlets fitness business has expanded to Brannan Street in Wood Wharf and offers group sessions


The Island Studio offers small group Reformer Pilates sessions - image by The Island Studio
The Island Studio offers small group Reformer Pilates sessions – image by The Island Studio

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Sol Bouille’s Pilates journey began with injury.

The Argentinian dancer and dance teacher suffered a slipped disc and turned to the exercise system to help her recover and strengthen her body.

“I’ve always been interested in movement and I have a degree in musical theatre, jazz dancing, singing and acting and I trained in New York at the Broadway Dance Centre,” said Sol.

“I’ve been working as a dance teacher since I was 21 and living in London for 12 years now.

“It was when I started to do Pilates after that injury that I discovered it was wonderful, not just for me but for everyone.

“As a dancer, I train very intensively, but I don’t like the anxiety that comes with training hard in the gym.

“I found Pilates very calming and mindful – you’re connected and you train very directly in every way.

“It’s not just about being strong.

“It helps you to walk, to stand, to be flexible, to be mobile.

“It doesn’t matter what age you are, or what your fitness level is, there’s always an option for you in a class.”

Founder Sol Bouille - image by The Island Studio
Founder Sol Bouille – image by The Island Studio

founding The Island Studio

After qualifying as a Pilates instructor, Sol built up her class load until she was full time.

Then after a number of years working in studios she realised she was dispensing advice to other instructors and started thinking about starting her own business.

“I wanted to have better ambience, better music and a better space in general,” she said.

The result was The Island Studio, a space in Hackney Wick with classes built around Reformer Pilates beds, which use the resistance of springs to support or challenge the body when exercising.

“Initially, I wasn’t a hundred per cent sure about opening my own studio, but a space became available, right next to where I live,” said Sol.

“It was spacious and airy, with beautiful natural light and, when I walked in, I knew it was for me.

“Many studios in London are underground or don’t have many windows, so I was lucky to find this place.

“It was perfect, so I started with just nine beds for Reformer Pilates.

“The classes are small and there’s so much you can work on. It’s an intimate experience, so I now have a lot more friends.”

Classes feature dynamic movements based on the classical Pilates system - image by The Island Studio
Classes feature dynamic movements based on the classical Pilates system – image by The Island Studio

growing the business

Opened in November 2022, Sol started as the only instructor, carefully building up the business, discovering the appetite for Reformer was strong in the predominantly residential community at Hackney Wick.

After hiring more instructors, her attentions turned to the future and growing the business.

While pregnant, a walk round Wood Wharf inspired her to get in touch with Canary Wharf Group, which was seeking Tower Hamlets-based companies to expand their operations in its newest neighbourhood.

Having also expanded to Kentish Town, Sol’s third studio has opened at Brannan Street, close to Union Square, this month.

“I’ve done all that and had a baby five months ago,” she said. “But I’ve always been creative beyond dancing – with colours, design and choreography.

“I’m doing everything at The Island Studio, I’ve created the role I always wanted.

“In Canary Wharf, just as at our other branches, we are offering small group Reformer Pilates classes.

“These are dynamic, following the principles of classical Pilates but with a modern approach. 

“Each class is a full body workout based on flexibility, strength and mobility.

“We plan the classes in such a way that everyone is welcome, so you don’t have to be strong or flexible, you just have to be there.

“You can train at the level you want.

“The advantage of training in a small group is that the instructors can personalise exercises and modifications to your needs – similar to what would happen in a private one-to-one session, but more affordable.” 

what to expect at The Island Studio

Reformer Pilates is unquestionably having a moment with studios opening across London and group classes at gyms consistently fully booked.

The Island Studio offers Wharfers a range of ways to experience its services.

“We have packages and memberships – the more you buy, the cheaper it is,” said Sol.

“When clients enter the space they will be greeted by an instructor.

“Then they take their shoes off and find their machine – the space is very clean and airy. 

“People can buy grip socks from us or use their own.

“Then it’s simple, you don’t have to remember anything – the instructor will tell clients everything they need to perform every exercise and offer modifications where needed.

“There’s nothing to worry about.”

key details: The Island Studio

The Island Studio is now open in Wood Wharf’s Brannan Street.

A three-class intro offer is available for £48.

Full details of classes and packaged can be found online.

Book your first class via this link

Read more: Boisdale Of Canary Wharf launches Tropical Garden Terrace as the venue celebrates 15 years serving east London

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How The Body People brings fitness to Eastwick And Sweetwater

Muti-purpose venue near Stratford and Hackney Wick is Chloe Redmond’s first movement studio

Chloe Redmond, entrepreneur and owner of The Body People – a young woman with long dreadlocks in a black top in front of a green, gold, black and white geometric wax print fabric
Chloe Redmond, entrepreneur and owner of The Body People

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“The Body People is my baby,” said Chloe Redmond.

“She’s my first experience of owning a studio – a place where I could bring all forms of movement together, fitness, aerial disciplines and dance.

“But I also wanted it to be a space where you can mix and blend – focus on spoken word, photography exhibitions or rehearsals, for example – a place that would be multi-faceted.”

And The Body People in East Wick And Sweetwater – a residential development on the western edge of the Queen Elizabeth Olympic Park – is just that. 

Pale green silks hang neatly braided from the ceiling, squares of wax print fabric in green, gold, white and black hide exercise bikes from view and golden poles run floor-to-ceiling in readiness for forthcoming acrobatics.

Everywhere there’s wood, splashes of colour and foliage.

For studio owner Chloe, it’s a dream made real – the culmination of 14 years working as a dance and fitness instructor in and around her native Walthamstow.

Chloe Redmond, wearing a khaki tracksuit with a crop top raises her hands in a fitness studio while participants practise Pilates movements on the mat
Chloe teaching Pilates at her studio in east London

starting to move

“I’ve always moved,” she said.

“I’m dyslexic and have certain processing disorders that meant I was classed as a dumb person at school. But I was strong and fast.

“I was really fortunate to be supported by my parents and to be able to do everything from gymnastics to athletics and dance.

“I graduated as a filmmaker, but I decided teaching people dance and fitness was what made me feel alive – it took me to another level.

“When I came back from university, I thought I ought to do some dance classes.

“When I couldn’t afford my gym membership any more – they said that they’d heard I taught and that, if I were to teach classes, I’d get access for free.

“So I retrained. I just love seeing people’s eyes come alive when they feel good and experience that confidence.

“Also, you get applause at the end – you don’t get that in every job.”

A woman tries out aerial silks at The Body People. She is wearing a purple top and grasping two lengths of green silk suspended from the roof
The Body People offers a wide range of classes including aerial silks

finding a spot for The Body People

“When you’re just a teacher on your own, running around to other gyms, you’re limited in what you can do,” said Chloe. 

“That’s why I started looking for a space.

“I knew I wanted somewhere I could pull communities together, somewhere I could put my unique black woman’s touch on – a place I could make beautiful the way I wanted it. 

“But I struggled to find somewhere – I had so many offers rejected in Walthamstow.

“Then this place came up and it made sense, being in the middle of Stratford and Hackney Wick.

“You’ve got the old and the new here, which is important to me – those born to the sound of Bow Bells and people who have moved out of the City.

“It’s really nice to be a part of creating this new community. 

“We’ve had a lovely reaction from the local residents who live above and around us.”

A woman practices pole dancing on a brass pole hanging upside down with her hear loose
Pole dancing is available at the Eastwick And Sweetwater venue near Stratford

interior vibes at Eastwick And Sweetwater

Since opening the doors in November, Chloe has unquestionably put her stamp on the place, creating a backdrop packed with personality.

“It’s important to me that people come in and see a well-seasoned place – we have hot sauce in the fridge,” she said.

“I didn’t want it to be bland, sterile or stagnant because that has been my experience in some places.

“It was a concrete shell, and I wanted to keep something of that in the studio.

“But It was also important to me to get my Africa-print fabric from a Nigerian woman in Liverpool Street and to include items such as masks and fans that have been in my family from Ghana or Kenya for years.

“My background is also English and Irish and I wanted a place where people could walk in and feel a black woman’s touch.

“That’s in the textures of the plants and the things I’ve put in here.

“We’ve got boxes and baskets for people’s belongings while they train instead of lockers, to create a woody, earthy feel. 

“Then there are bolsters for Yoga made by my mum, Jo Redmond.

“One thing I do know is that when other black women come here there is this connection – a moment of things looking familiar to them.” 

A group of people participate in a spin class on exercise bikes at The Body People
The class timetable also includes spin sessions for cardiovascular fitness

building The Body People timetable

At the core of The Body People’s offering is its class timetable, with a wide range of sessions on offer.

“You can be up on the ceiling, down on the floor, on a bike, working out on a mat or moving to music,” said Chloe. 

“What you want to do depends on their interests and background.

“Some people may come in and say they’re bored with the gym – that they want something exciting and different and want to do it with a group of people led by an instructor.

“For them, we might recommend the more exotic classes like aerial silks or pole dancing. 

“Then there are people who are pregnant or who have just had a baby and want pre or postnatal classes, which we also offer.

“Some people have become die-hards and this studio is now their second home.

“Others just fancy a nice mixture of things like a step class, which is much more dance-like than it was back in the day – a lot less robotic.

“We also offer dancehall and commercial dance for those who want that variety.

“When designing the timetable, I wanted a full spectrum, imagining someone who would be able to come to a class every day and do something different.”

A group of people participate in a step fitness class wearing workout gear and trainers
Step classes are on offer at the venue

living the dream in east London

“I am a very sensitive and emotional person and I feel it’s important to champion more women who are business owners and in touch with a full range of emotions,” said Chloe.

“I’ve had moments where I’ve been in tears – happy and sad – times feeling really chuffed with myself or frustrated with the little things.

vBut I have to keep going – life isn’t perfect.

“There have been some really lovely moments where I’m teaching a Pilates class and thinking that, 14 years ago I started this kind of movement, knew I wanted my own place and now I’m in it and it’s beautiful and lovely.

“For the most part it’s a really happy experience.

“Every morning I walk in and say hello to my baby – the studio – and she speaks back to me when the music plays.

“Everyone who comes in feels they have come into a tranquil space – it just feels safe and inclusive.

“While I don’t have a favourite class – that would change daily – I have had some very special moments teaching Pilates when it’s felt like things have come full circle.

“I remember feeling nervous and anxious in the earliest days of teaching Pilates at my mum’s health practice in Walthamstow, but also that I loved it – supporting others.

“I knew then that I wanted my own place, not just for Pilates, but for dance and fitness too. 

“I’d always kept my eye out for spots which were coming up, and teaching here – 14 years later – means I’m getting my dream.

“Now I just want to keep doing what I’m doing.”

An image of The Body People studio which has a brown wooden floor and concrete walls with silks hanging from the ceiling and foliage down the walls
The Body People is a multi-purpose studio space between Stratford and Hackney Wick

need to know – The Body People

The Body People is located in Copper Street at East Wick And Sweetwater and operates a varied timetable over seven days.

Standard single session prices start at £13.

Memberships start at £146 per month, with full gold membership covering all classes in both E20 and Walthamstow is £162 per month.

Find out more about the studio here

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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Fish Island: How Wolf Rayet makes clothes for wild festival dancing and gym workouts

Laura-Louise Erasmus’ side hustle is a tour de force of catsuits, colour and creativity in Hackney Wick

Wolf Rayet’s Circus Wave Catsuit, £105

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“Anyone and everyone can wear Lycra,” said Laura-Louise Erasmus, founder of Wolf Rayet.

She creates catsuits, swimsuits, leggings, meggins (for gents), Yoga shorts, playsuits and sports tops – manufacturing the garments from her workshop at The Trampery Fish Island Village in Hackney Wick.

“I make super-jazzy festival wear which also can also be worn for the gym,” she said.

“These clothes are something to be silly in – to dance around in, have a great time and look incredible.

“Anyone can wear these clothes.

“I’ve taken them to hen parties, and made everyone put them on – whatever their size – and, at the end of the night, everyone just loves them.”

She also designs a new print each year in time for Christmas, and makes pieces for her entire family to wear, ready for a festive walk through the countryside.

Laura-Louise Erasmus, founder of Wolf Rayet in her workshop – image Jon Massey

“My parents are my biggest fans – they live in Blakeney and, when they go out walking in Wolf Rayet, other people in North Norfolk people are like: ‘Why aren’t you wearing normal clothes?’,” said Laura-Louise.

“But my designs are like costumes – they completely change people’s personalities in a really nice way.

“That’s especially true for people who would never normally wear this kind of thing – they put a catsuit on and feel great.

“I’ve been going to festivals since I was 16 – I love it, especially the dressing up. I think it’s a British thing. 

“I’ve been to festivals in other countries where I’ve been really dressed up and no-one else is. 

“Clothes make you feel more confident – basically I make big elastic bands that people can dance, have a lot of fun and be free in.

“After a few drinks you can usually get people into some Lycra.”

Laura-Louise first came to London as a student to study fashion at Central Saint Martins but, following a mugging and a series of negative experiences decided to transfer to Bristol to study instead.

She then returned to the capital as an intern in the fashion industry, quickly falling out of love with the idea after spending a year unpaid, while making ends meet by working in a bar at night. 

“We were treated really badly and I didn’t want to be part of that, so I thought I would make my own way and do my own thing,” she said.

“That’s when I started doing screen-printing, then I tried jewellery with a grant from The Prince’s Trust.

“From those experiences I realised I had a love of print design, catsuits and jazzy festival outfits.

“At the time there were not many people making these, so I decided to create my own, outfits that people could go crazy in.

“That’s where it all started – officially in 2016.

“Friends started wearing them and then more and more people.

“Covid completely changed my business, because people were online all the time and they wanted to look cool on their Zoom calls, so my sales went from normal to crazy.

“With the pandemic receding I started doing gym wear as well.”

In addition to selling her pieces online, Laura-Louise has a stall at Wilderness Festival and is hoping to be at Glastonbury this year.

Having originally made her pieces from her warehouse home in Hackney Wick, she also recently took the plunge and moved into a unit at The Trampery in anticipation of further growth, sharing the space with other local makers. 

She also plans to use the sizeable space for her main profession – a separate creative endeavour.

“Wolf Rayet has always been a side hustle for me – the main thing I’ve done in recent years has been set design for TV, film, advertising and live events,” she said.

“I’ve lived in Hackney Wick for 12 years – in warehouses – and many of the people here are musicians, often making music videos, so I got involved.

“Although fashion is creative, set design is even more so because you get to build so many wild things. 

Glitch and Pink Animal Catsuits, £105 each

“Say you want some giant soup bowl to sit in with a load of life-size noodles – that’s the type of challenge that I want to do.

“From doing that kind of thing – making all these weird and wonderful pieces – I started assisting people and getting more work.

“With Covid, I got a lucky break – a few people knew I did sets, so they gave me their entire projects to design and that’s now my main job.

“It’s an amazing thing to do, really exciting and every day is different.

“I worked as the art director on a film called In Too Deep, for example, looking after every aspect of the set on a boat in Cornwall and making sure that every single thing is in the right place.

“I get quite seasick on boats, so it was quite challenging.

“But it’s fun, it’s creative and I love being able to do Wolf Rayet as well.”

Inspiration for her prints comes from all around with Animal, for instance, actually based on the iron casting on top of a storm drain in London.

“I started by seeing the water and the ripples, then put loads of colour in to completely change it from the original,” said Laura-Louise.

“I draw out the design, bring it into Photoshop or Illustrator and then send it to be printed at a factory in Manchester.

“I use two different fabrics that are like Lycra, but made from recycled bottle tops and plastic waste.”

Wolf Rayet is named for a kind of massive star that burns brighter than our sun – a little like Laura-Louise’s clients in their catsuits on the dance floor.

But make no mistake – her brand is not about making throwaway clothes for a single moment of radiance.

Black Confetti Leggings, £62 and Sports Top, £40

Fiercely environmentally conscious, her pieces are high-quality hand-made garments for repeated wear, designed to stand up to the rigours of dance and exercise.

“I want to be as sustainable as possible,” she said.

“I try to make everything to order, so there’s very little waste and the offcuts are kept and turned into bum bags, bikinis and so on.

“I do make some stock for the shops at festivals, also so people can come and see pieces in Hackney Wick and try them on. Having this space is great.

“But if people don’t feel they fit in my size range, they can easily give me their measurements so we can make a custom order.

“People can also have any of the prints mixed and matched – whatever they want.”

Future plans include looser fitting pieces featuring Wolf Rayet prints and the steady growth of the business, as Laura-Louise continues making clothes and building sets in east London.

Block Melt Catsuits, £105 each from Wolf Rayet

Read more: Discover the work of fashion businesses Fabrika and Vavi Studio

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Hackney Wick: How Rainbow Snake: Adventures In Love tells a magical story

Written by Christabelle Lomas, with drawings by Samuel Miller, the book can be purchased online

Christabelle Lomas and Samuel Miller at the launch of their book in Canary Wharf
Christabelle Lomas and Samuel Miller at the launch of their book in Canary Wharf – image Jon Massey

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This is a love story.

Around about the start of the first Covid-19 lockdown in 2020, Christabelle Lomas found herself trapped in India having just finished training as a Yoga teacher.

Short on funds from various attempts to leave the country, she approached a group of strangers at the airport for help.

With international flights cancelled, they suggested she take an internal connection with the aim of heading to eco-resort Bhakti Kutir in South Goa as a refuge from the ravages of the pandemic.

One of the group had a friend staying there – Jules – and gave Christabelle her details.

As the world shut down, Christabelle began receiving calls from concerned friends, one also knew Jules and gave her another contact at the resort, a man called Samuel Miller.

She reached out to him midway through a tortuous journey to get to the resort and he was there to greet her.

However, with the threat of disease at the forefront of everyone’s minds, she isolated for two weeks before eventually joining the group properly. 

“When I first arrived there I was in this jungle hut and Sam was bringing me my meals and water,” said Christabelle.

“I was really grateful and I meditated a lot, practised Yoga and found myself surrounded by inspiration.

“It was at some point during that period that I started writing what would become Rainbow Snake: Adventures In Love.

“Then I came out, we hung out. It was all lovely and then they started sending rescue flights, but I wasn’t quite ready to be rescued.”

The book draw's inspiration from the couple's time in India
The book draw’s inspiration from the couple’s time in India

While pulled in different directions, artist Sam ultimately decided to board a flight back to London,

“I came back three months later to London and we reconnected,” said Christabelle.

“I’d written this book and I was looking for someone to do the illustrations – Sam’s a fabulous artist so it made sense to ask him.”

Christabelle’s story follows the journey of Rainbow Snake as he attempts to discover what love is by seeking wisdom from a succession of other creatures he meets along the way.

She and Sam collaborated – he produced 12 paintings for the book – and fell in love as they continued their work together, inspired by their experiences in India.

“There was a little snake in the roof of one of the jungle huts in Goa,” said Sam, who is based on a glass-roofed boat at Hackney Wick.

“Then there were a lot more when the monsoons came. We also found this weird little beetle that turned out to be a scorpion.

“Having read the book, I just wanted to deepen the words and open them out with mysticism, jungle magic and strange things.

“I’d been painting jungles for ages so doing this book was very apt. Normally I would take a lot of time to create a piece, and this task was to do 12, which is a big body of work.

“At first I was worried the paintings were too dark, too melancholic for children, but you have stories like Grimms’ Fairy Tales, which are just awful and this is actually a very sweet story.”

Detail from one of Sam's paintings for Rainbow Snake
Detail from one of Sam’s paintings for Rainbow Snake

“It’s quite hard to bottle up the magic,” added Shoreditch resident Christabelle.

“The book is very enchanting and has a beautiful message. People often ask what age it’s for, but I suppose it touches people of all ages.

“It’s a message about trusting your inner guidance rather than looking outwards, and that was a big theme for the times we went through during the pandemic – it was a time for introspection.

“In the end, love carries you through. Rainbow Snake goes on his quest and everyone he talks to has a different interpretation of what love is. 

“He wonders how it can possibly be all of these things but then comes to his own conclusion. 

“He’s slithering around trying to find answers and is about to give up when he finds what he’s looking for within himself.

“I’m quite a deep thinker, with a creative mindset, and I’m always looking for answers to the meaning of life and love.

“I’ve worked with children quite a lot and they have inspired me, so that’s where this piece of writing came from.

“Although it’s a book that is mostly for children, the artwork and the messages are there for everyone.

“Being in the city, it’s easy to get wrapped up in things, but looking at the stars and all the animals can help you put things into perspective.

Rainbow Snake: Adventures In Love is on sale now for £22.11
Rainbow Snake: Adventures In Love is on sale now for £22.11

“Hopefully, the pictures and the words will expand people’s minds. I write a lot of personal projects, but this is the first piece I’ve put out there.”

Sam has been a painter since he was a child, creating work from his east London base despite the recent winter chill that saw the glass roof of his boat freeze inside and out.

“My canal boat at Hackney Wick is a studio space I’ve built myself – a project I took on when I got back from India,” he said.

“It’s like a Disney palace, a place that’s pretty mad, but it was a lot of fun to do.

“I painted as a kid and just never stopped. Then I went to the Royal Academy Of The West Of England and have continued to work ever since.”

Rainbow Snake: Adventures In Love is published by Christabelle Lomas and Samuel Miller and is currently available online, priced £22.11. 

The couple have promised to donate 1.2% of their profits to the Indian Wildlife Trust.

Read more: How British Land is set to build a new town centre at Canada Water

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Hackney Wick: How The Trampery Fish Island Village aims to foster community

Space and facilities for fashion creatives spread over 10 buildings totalling 50,000sq ft opens

Deputy mayor forfor culture and the creative industries Justine Simons and CEO of The Trampery Charles Armstrong at the launch

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what’s going on?

The Trampery Fish Island Village has officially opened its doors, offering around 50,000sq ft of space for innovative and sustainable fashion businesses in Hackney Wick and Fish Island.

Spread over 10 buildings along the Hertford Union Canal, its facilities include 42 studios ranging in size from 150sq ft to 2,000sq ft, 21 affordable studios and 28 desks for fashion-tech startups in its co-working space.

There’s also a 1,000sq ft sustainable manufacturing facility, a venue to host catwalks, sample sales and speeches, meeting rooms, seminar rooms, a lounge for members and a cafe and bar with a canalside terrace.

Up to 500 people will be working on-site each day with businesses such as Petit Pli, Rewritten, Wear Matter, Dotte Been London and Sabinna already in residence.

The facility was officially opened this month by deputy mayor for culture and the creative industries Justine Simons on behalf of the Mayor Of London. 

how can I find out more? 

The Trampery Fish Island Village offers spaces suitable for one to two people, right up to studios for seven to 12.

Desk membership at The Trampery Village Hall costs £220 per month with studios available from £363 per month starting at £30 per sq ft.

Justine officially opens The Trampery Dish Island Village

she says

Deputy mayor for culture and the creative industries, Justine Simons, officially opened The Trampery Fish Island Village on behalf of the Mayor Of London

She said: “This is a really important moment in the creative life of London. We started talking about this in 2016 and here we are.

“This is a city of makers, doers and dreamers – our city runs on creative energy.

“But forging a creative career in London is not easy. You need grit, determination and perseverance.

“It also requires space and this facility is a brilliant example of what we can achieve when we work together to deliver it at affordable rates.”

The Trampery Fish Island Village operates space across 10 buildings in area

he says

For Charles Armstrong, CEO of The Trampery, the launch of its Fish Island Village is a significant milestone in the social enterprise’s history. 

He said: “This is the largest project The Trampery has ever delivered. It’s been very complicated, so to reach the launch and to celebrate it with all of our partners and friends, was one of the most exciting days of my life. 

“There are two specific things I’m really hoping for from The Trampery Fish Island Village.

“First is that it becomes a new focal point for sustainable fashion in London and that, over the decades, we can help hundreds and hundreds of young labels to advance innovative ideas that reduce waste, improve labour conditions and that make the industry better.

“Secondly, I hope this will be an anchor that will enable the creative community in Hackney Wick and Fish Island to grow.

“I think a lot of people feared that after the Olympics, with the property development that followed it, the creative community would die out.

“The Trampery is really determined that shouldn’t happen, so to provide our largest ever workspace here, supported by the Mayor Of London, the London Legacy Development Corporation and local people, is really important.

“East London has Europe’s greatest concentration of artists and professionals, so I don’t think there is any limit in demand for the kinds of facilities we are providing here.

“Our ambitions aren’t limited to this area and, over the coming years, we’ll be opening facilities more widely, but our soul will always be in east London.”

For more information contact partnerships manager Ahmet Emin Hondor via email at fishislandvillage@thetrampery.com

The spaces provide studios and facilities for fashion-focused businesses

Read more: How British Land is set to build a new town centre at Canada Water

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com
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