Docklands Archives - Page 12 of 30

June 14, 2023July 10, 2023

Canary Wharf: How Mallow is bringing plant-based food to Wood Wharf

Borough Market-based Mildreds offshoot expands to east London with zero waste Park Drive eatery

Pulled Mushroom Biryani with plum tomato shorba, cucumber coconut sambol, cardamom raita and spiced almonds, £19 at Mallow

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“I want people to feel joyful, satisfied and surprised when they come to eat at Mallow,” said Sarah Wasserman.

“My favourite thing is when someone tells me they’ve brought a non-vegetarian person to the restaurant and that they couldn’t believe how much they enjoyed the food.”

As if Patty & Bun, Feels Like June, Dishoom, MMy, Hawksmoor and Emilia’s Crafted Pasta weren’t enough, Canary Wharf is set to get two new openings at Wood Wharf, just across the road from one another.

Roberto Costa’s Fish Game is coming at the end of the month, but it’s plant-based Mallow, which is taking bookings from Friday, June 26, 2023.

As head development chef for Mildreds restaurants, and its sustainability focused offshoot Mallow, it’s Sarah’s responsibility – alongside partner in crime Alessandra Malacarne – to create dishes that will feed and delight the growing brands’ guests.

“I started out as an art school kid and spent seven years studying at places like St Martin’s and Goldsmiths,” said Sarah.

“I realised during that time that I wasn’t going to make any money as an artist so I started working in food places.

“As a vegan, that included travelling round the States working in places where you grind your own flour and make your own hemp sandals – all of that stuff.

“I started out doing some shifts as a student when I was at the Royal Academy Schools and eventually became a manager in the original Mildreds restaurant.

Head development chef for Mildreds and Mallow, Sarah Wasserman

“After that I ran the salad bar, worked as head pastry chef and then as head of central kitchen.

“From there I co-authored three cook books and eventually became the development chef.

“Then I was allowed to bring in Ally to help me, so that officially makes me head of development for Mildreds and Mallow because there are two of us.

“I’ve worked there for 17 years now, on and off.”

For those who don’t know, Mildreds is a Soho institution, founded by Jane Muir and Diane Thomas in the late 1980s.

“They wanted to eat in a more compassionate, sustainable way but thought the whole vegetarian scene was so uncool, with wall hangings and things like that” said Sarah.

“They wanted to eat in a great, contemporary place that just happened to have good vegetarian food.

“That’s the vibe – and to this day, nothing goes on the menu unless it tastes great.

“I didn’t even know it was vegetarian when I walked in – this was back in the time when you could just turn up with your CV and get a job – it just looked like a cool little place.

“All the big production houses and music offices were there, so lots of people from those places would come and it was pretty cool to just pop in.”

An artist’s impression of how Mallow will look in Wood Wharf

As time has passed, Mildreds has expanded to five locations in the capital and in 2021 decided to try something new.

It opened Mallow in a fine red brick building right across the road from Southwark Cathedral, right on the edge of the hustle and bustle of Borough Market.

It’s this brand that is set to arrive in Canary Wharf this month – but what is it?

“When the original site in Southwark became available, we knew it had to be something special,” said Sarah.

“Borough Market is where all the fruit and veg for London would have been coming and the basement of the building we have has been used as the banana store for the whole city.

“With Mildreds we already had something plant-based and internationally inspired and with Mallow we were really trying to expand on the potential of its location and the nearby suppliers – to do that with as little waste as possible.

“We took the name because it’s a plant you can use from the root to the leaves. Marshmallows also get their name from it because when you cook down the root you get a gelatinous substance that, before gelatin, was used to set jellies and sweets.

Burnt Aubergine Muhammara Borek served with green tabbouleh, baba ganoush cream and ezme, £18 at Mallow

“That’s a tradition that had been lost and I think it’s great to bring back a seasonal ingredient like this.

“It’s a tweak we apply to everything – we try to use as much as possible of the produce we’re working with in the most interesting way we can.”

The plan with Mallow has always been to simply take seasonal produce and then create something fun and delicious with it, while also operating as close to zero waste as is practical.

Visitors to the forthcoming Wood Wharf venue can expect more of the same, with an expanded menu and the odd special event drawing inspiration from across the globe.

Working tirelessly alongside Sarah in that mission is fellow development chef Alessandra.

“Originally I wanted to be a doctor, but cooking has always been my passion,” she said. “I would always relax by cooking for myself.

“I was living in Pisa and looking for a job to make some money to get an apartment and that’s when I started in hospitality.

“It was everything I like – the food and the kitchen. I realised I didn’t want to live with my head in a book.

“I had no experience so I worked my way up – learning from a Michelin-starred chef. In one hotel I worked my way up from cleaning fridges.

“I’d never really felt at home in Italy but I loved London – I’d always dreamed about moving here.

“My best friend shared that dream and so we did it.

“After a couple of years working in restaurants I joined Mildreds because I wanted to be vegan.

“The thing for Mallow’s menu is that we don’t just stick with something we already know, we always like to change it up and that can be quite a challenge.

“We like to go from country to country and pull things together.”

“We have quite a bit of fun with it,” added Sarah.

“We’re pretty irreverent – Mallow is much more fusion than Mildreds, more playful.

“For example we’ll be doing marinaded corn ribs cut through the centre so when you bite them they’re really juicy and flavourful.

“What we want is a good balance of international influences so there’s a nice flow of flavours from different places.

“There’s a nice sort of symmetry to the new site because the first restaurant is where much of the fruit and veg in London was sold.

“The docks would have been where it was coming into the city.

“As the first purely plant-based restaurant in Wood Wharf, we’re appropriate, because today Canary Wharf has a huge amount of people from all over the world working and living there and we try to cater for a very diverse range of tastes.

“Mallow in Wood Wharf will also feature some new dishes, an expanded wine list and some new cocktails. “

Mallow is located in Wood Wharf’s 12 Park Drive and is set to open at 8am on weekdays and at 9am on weekends.

You can find out more here.

Shitake Miso Croquettes with pickled shimeji, shiso and yuzu mayo, £9 at Mallow

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

June 1, 2023June 1, 2023

Canary Wharf: How Padium is bringing padel tennis to Bank Street

Indoor club will feature seven indoor courts, an outdoor court plus a pro shop and changing facilities

Padium is under construction at 10 Bank Street

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Just what are those vast metallic arches that have sprung up on the flat patch of ground between Morgan Stanley and Societe Generale?

Well, the three-peaked structure is set to shelter Houman Ashrafzadeh’s latest dream.

The serial entrepreneur, together with two friends, already has a presence at 35 Bank Street, having launched new wave salad bar Urban Greens in September 2021.

This summer he’s set to do something completely different with the launch of Padium, a little further west on the estate.

“I grew up in Sweden and I’ve lived in London for nearly 16 years but, whenever I’d go back to visit, I’d see this new sport emerging,” he said.

“My brother and his friends played it and so I tried it and got completely hooked.”

That sport was padel tennis – popular across Europe and especially so in Houman’s old home town of Helsingborg with an unusually high number of courts for a place with a population a little over 100,000 people.

“When I discovered it, I felt it was something very different – so much fun, but with a social aspect,” he said.

“You have four players on a smaller court, a lot of banter going on, and it’s intense, because you’re in a more confined space than on a tennis court.

“It’s relatively easy to pick up – after two or three sessions you get the basics and you can have a decent game even with someone who is better than you.

Entrepreneur Houman Ashrazadeh is behind plans for Padium

“I was fascinated, because it was so much fun, and I went back to London, super-excited to play a game with my friends – but there was nowhere to buy Padel rackets, except online.

“Eventually I managed to convince a few friends to play and tried to book a court, but there were hardly any.

“Back then, there was one in Regent’s Park and one in Hyde Park, but they were outdoors – when it rains, you can’t really play.

“The frustration grew because I wanted to play in London. I played every time I went back to Sweden, but that was not frequently.

“I just couldn’t get over how strange it was that it hadn’t caught on in the UK. Squash was big, so why not padel?”

Initially Houman’s idea was to try to replicate the sorts of facilities he’d used in Sweden – unmanned courts in warehouses accessed by a code.

However, a dinner with Spotify co-founder Martin Lorentzon – an investor in Houman’s successful Coffydoor venture – took things up a notch.

Canary Wharf Group CEO Shobi Khan takes on Houman in an exhibition match to mark the official unveiling of Padium

“One of the topics that came up was padel tennis,” said Houman.

“Martin loves it and plays five or six times a week – it’s a passion for him and he’s very good at it.

“ I told him I was looking to start a Padel club in London as then there were none.

“At that time, Stockholm had hundreds of courts, but I only knew of two outdoor courts in the whole of London and he couldn’t believe it.

“So I showed him the Excel spreadsheet I’d been working on and he said he’d be interested in partnering up and investing.

“Having him on board gave me the ability to do something on a bigger scale than I’d been considering.

“My experience of Padel in the UK was that it was often very basic.

“It was embarrassing to bring friends from Sweden to these places, because the facilities were poor.

“Courts would not be maintained properly, with broken plaster on the walls and would often be too close to one another, so balls would be flying in from other games, or there would be no changing facilities or showers.”

An artist’s impression of how Padium will look

So Houman went back to the drawing board to create something he thought would be capable of “revolutionising” the game in the UK.

“I realised the club needed to be in a flagship location – a place that could attract a lot of people who had never played before,” he said.

“It should be an educator, to get a lot of people involved, including kids and schools so they too can enjoy this amazing game.

“I was told by some companies that I could just put up some courts and not spend much money because the demand was so high that they would be packed anyway.

“But I didn’t want to do that, I wanted to create an experience and an environment where you could build a community.

“I want young people involved, corporate clients and really good players too – the full 360-degrees like I was used to in Sweden.

“With Martin involved, I didn’t want to replicate any of the experiences I’d had in the UK, I wanted to raise the bar and have something much better to revolutionise the sport here.”

Padium will house seven indoor glass courts

The result is Houman’s plans for Padium.

The facility will be home to seven indoor panoramic glass courts under a 10-metre high ceiling including a centre court.

There will also be an outdoor court, a pro shop and a nutritional drinks bar.

The store will stock clothing from tennis legend Björn Borg and a selection of rackets from Babolat.

It will also have changing and shower facilities with a towel service and a club lounge on a mezzanine floor where players can hang out before and after games.

“Right now I play at other clubs, but I have to devote half a day for one hour of padel, because I have to travel for an hour, play, return home to shower, then continue my day,” said Houman.

“That’s a lot of time to spend when the whole thing could just take 90 minutes.

“I want the emphasis to be on good service at Padium with my staff being really knowledgeable and friendly – to create an environment for everyone where it’s welcoming and everybody feels included.

“This goes back to my Swedish roots, where padel is open to everyone.

“We don’t have fancy clubs over there where you have to be a member and it takes you 20 years to get on the list. It’s possible to create a premium product and to have that inclusivity where all are welcome.”

The proposed lounge area on the structure’s mezzanine

Extensive work to strengthen the foundations under 10 Bank Street have been undertaken to support the concrete slab on which Padium will sit.

Located on the site of a mooted 32-storey office block, the club will bring fresh life to a patch of ground that had become a popular sun trap before the winds of Storm Eunice tore up its astroturf.

Open daily from 6am-11pm, courts will be bookable in advance for four players with slots of 60, 90 or 120 minutes available with no membership required to play.

“One of the seven indoor courts is a centre court, which will cost a bit more, but we’ll be incorporating court camera technology on that one, which reads the game and gives you statistics,” said Houman.

“One is a recording camera which records the game and the other is AI-based, to give you statistics about your game, which is really cool.

“This will help people who want to improve their game and so coaches can assess their performance.

“If it’s popular, then we’ll look at rolling it out to other courts too.

“For me, padel is the perfect combination of squash and tennis. It takes the best of both and combines them into one game.

“It’s easy to learn, but hard to master. Because the courts are smaller, the actual amount of time you spend playing is greater than tennis – rallies can often go on for minutes rather than being over quickly.

Padium will include a pro shop and nutritional drinks bar

“Also, tennis can be a lonely sport. With padel you play with four people, so it’s super social.

“You have a ranking, sign up and play with players of a similar level you don’t know, so it’s a great way to meet people.

“One of our responsibilities will be to help nurture the grass roots of this amazing sport.

“We want schools and people from the local community to come and discover the game because they will be the players of the future.

“We need players to convince councils and other organisations that it’s worth approving these facilities – that the investment will be worth it – so we can grow the sport.

“Ultimately the aim is for it to become an Olympic sport.

“There’s a federation and there are professional players making a living from the game now, which is great.

“The Lawn Tennis Association is also involved now and we’re looking forward to working with them too.”

As for Houman, Urban Greens remains a strong focus and, come the opening of Padium there will certainly be some crossover between the two brands.

“Padel and salad go well together and Urban Greens will certainly be catering for events we put on,” he said.

“We’ll also be offering companies corporate sponsorships for the courts where businesses can have their name and logo on the booking app and on the courts themselves, with playing time for their staff and whole-club takeover events.”

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

June 1, 2023June 1, 2023

Wapping: How Toby Carr went from paddling in Shadwell to European seas

Moderate Becoming Good Later chronicles the late architect’s effort to sea kayak the Shipping Forecast

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While Toby Carr’s story is one that stretches as far north as Iceland and south to Spain, it’s one that is steeped in the waters of Shadwell Basin and the Thames.

It was in 2011 that the then Hackney resident and architect first encountered the Tower Hamlets Canoe Club – a catalyst for his decision to later embark on a great adventure.

“We’d been to see our uncle and aunt in Jersey after our dad died in 2010,” said Toby’s sister, Katie.

“The club had a connection with the island and they gave Toby a helmet to take back to east London that had been left behind.

“He’d had a bit of a try at kayaking in Jersey and had enjoyed it, so I think that when he walked into the club and the people were nice, then that was it.

“He got involved and would sweep out of London most weekends to go paddling in some really beautiful places with these wonderful people.

“The youngest members are around 20, and the oldest around 70.

“They all just get on with it – practising in London on Tuesday nights and then going all around the country.

“Before that, he was very land-based and had been on some cycling adventures through France and Norway but hadn’t spent a lot of time on the water since we were kids.

“Back then we’d had a boat. It certainly wasn’t a posh yacht – my dad called it a floating caravan and I remember it as being cold, wet and windy, sailing out of the River Orwell on the east coast.

“I remember having cold water thrown in my face and having to inch forward to change the sail because the sea was too rough, and coming back completely soaked.

“I also remember the Shipping Forecast was so important, with Radio 4 constantly on in the background.”

Toby training at the Lee Valley White Water Centre

Toby wasn’t expecting to live much past 30.

Born with Fanconi Anaemia – a rare genetic disorder that affects the immune system and increases an individual’s chance of getting cancer – doctors told him at the age of 12 that he would be unlikely to survive beyond three decades.

So when his brother, Marcus, who had the same condition, died in 2015, Toby decided to embark on a journey.

Having spent four years honing his skills on the water with the canoe club, he decided that he wanted to attempt to sea-kayak in all the areas mentioned by the Shipping Forecast.

Armed with a grant from the Churchill Foundation and his kayak, he took a sabbatical from work and set out.

“For the first summer he went to the northern parts of the shipping forecast – South-East Iceland and Faroes then to North Utsire, South Utsire, Fisher, German Bight and Humber.

“Then he did some during the winter in the UK and then the following summer he went down to Biscay off France and Fitzroy and Trafalgar off northern Spain and Portugal.”

By the following summer, in 2020, Toby was suffering from liver cancer but still managed to kayak around the coast of Cornwall having moved there to be closer to the sea and to lecture at Falmouth University.

A formal diagnosis came in 2021 and Toby died in 2022. He was 40.

Toby with fellow sea kayaking enthusiasts

However, the story doesn’t end there. Toby had kept detailed notes and voice recordings as well as blogging, all chronicling the trips that had seen him kayak in 17 of the forecast’s 31 distinct areas.

Before his death, he’d successfully pitched them as a book about his journey to publisher Summersdale in 2021 with a summary of the chapters and three that he’d written.

While unable to finish it himself, his sister Katie – an author and artist living and working in Barcelona – decided to step in and make good on his intentions.

Katie said: “After Toby died, I was going though his stuff and found all his notes.

“He’d kept a blog and been very active on Instagram – he’d really recorded his journey and there was a lot that had never been published – details of what he saw, how he felt and how he’d set things up each day.

“I thought that I could write it for him, so I sat down and started.”

The result is Moderate Becoming Good Later by Toby Carr and Katie Carr – set for its official launch on June 6 at Shadwell Basin Outdoor Activity Centre, the base of operations for Tower Hamlets Canoe Club.

Written in the first person in Toby’s voice, the book follows his journey to immerse himself in nature, to connect with countries around the UK across the seas and to deal with the death of his and Katie’s brother.

Sometimes the trips he makes are with friends and sometimes alone, taking in seas choppy and calm as he paddles the ever-present sea.

Toby’s sister Katie Carr, who wrote Moderate Becoming Good Later in his voice

“I wrote the book, but the aim is that it doesn’t sound like that,” said Katie.

“It was a hard thing to do. My brother had just passed away and I had to sort through his stuff.

“Opening his notebooks, there was the smell of his house and of him on the pages and that was pretty tough.

“Then I started to listen to all his voice recordings on his phone and on videos.

“But I just kept working on it and the story emerged.

“The Shipping Forecast was a framework so that he could do an adventure with something that was quite specific.

“Toby was really clear that he wanted it to be a book with a story that people wouldn’t be able to put down.

“It’s not a kayaking manual, or list of things he did and places he went to.

“A lot of people come into it, there are new friends, and it’s really a story of the voyage and also the history of the place and the connection across the seas which he managed to find. He was very opposed to Brexit, for example.

“It was a journey that he set out on with one reason, but came away with a lot of other nice things as people often do when they travel.

“There are several themes that come up.

The Carrs’ book is published by Summersdale

“One is the love of nature and the importance of getting outside, whether that’s in a kayak or just walking – taking time to connect with something that’s real – not filtered through AI, or whatever.

“Another is about overcoming limitations. Toby had limitations around how long his life was going to be, other illnesses associated with his condition, and this was a window of health for him.

“One of the things I hope it conveys is that it might be more helpful to think of limitations as a design challenge.

“There’s a lot that might not be possible, but you should think of what is, and ask yourself: ‘What can I do?’.

“The easiest chapter for me to write, although it doesn’t sound like it, is the chapter when Toby gets ill.

“That was because I didn’t have all his notes and I’d lived that a bit.

“It was hard in a way because it’s a difficult subject to broach – the decline and eventual death of someone.

Toby made it to 17 of the 31 areas covered by the Shipping Forecast

“But I’m pleased with the way I’ve tackled it – he never had self-pity, and I think he would like the way that it has come out.”

While Toby made it to 17 areas in the forecast and even had plans to get to the non-coastal areas covered by the forecast, ultimately his health prevented him reaching all 31.

“He didn’t finish the trip and there are nine areas that border land that he didn’t do, so I’m going to try to finish those,” said Katie.

“That’s a bit of a challenge because I wasn’t a sea kayaker, I live in Barcelona, I’ve got two small kids and I’m 10 years older than Toby was when he started his trip.

“But I’ve already sat down with my aunt Nicky to try and figure out how I might fit it in and I’ve started to plan so let’s see how it goes.”

Moderate Becoming Good Later is published by Summersdale and priced at £9.99.

Copies can be ordered via this link.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

May 31, 2023May 31, 2023

Leamouth: Why June 30 is the deadline for Trinity Buoy Wharf Drawing Prize entries

Annual award is appealing to artists to submit their work to be in with a chance of winning £10,000

Submissions are now open for the 2023 prize

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People have been drawing for a long time.

Hand stencils have been found in caves dating back around 64,000 years but the act of making marks on a surface has perhaps never been as widely celebrated as it is today thanks to innumerable social media time lapse videos.

Things were very different in 1994, however, when artist and academic Anita Taylor set about founding a drawing competition.

“I founded it when I was working in higher education at an art school in Gloucestershire because it was hard to teach drawing without showing students contemporary examples,” said Anita, who today is professor at and dean of Duncan Of Jordanstone College Of Art And Design at the University Of Dundee.

“What was then the Rexel Derwent Open Drawing Exhibition was one way of supporting artists who draw by giving them the opportunity to show their work.

“But it was also a great opportunity to give students the chance to see the work of artists who made drawings and were drawing now.

“Contemporary drawings were difficult to see other than in museums up to the 1990s, so the exhibition has grown from there.

“It has become very popular and there has been a very big submission.

“Through that we’ve built a lovely community of artists who want to test their work through the format of an exhibition.

Dean of Duncan Of Jordanstone College Of Art And Design at the University Of Dundee, Professor Anita Taylor

“It also works to further education in terms of being able to share drawings and discourse about them with schools, colleges, universities, researchers and the public, of course.”

The competition has been through several iterations since it was founded, including some 16 years as the Jerwood Drawing Prize with funding from the Jerwood Charitable Foundation.

Today the Trinity Buoy Wharf Drawing Prize has been in east London for the past six years – supported by Eric Reynolds and the team at Urban Space Management in Leamouth.

Attracting more than 3,000 submissions, it culminates in an exhibition of some 65 works, which starts off in east London before touring the country.

A panel of selectors is responsible for choosing the shortlisted entries and awarding four prizes – first and second place for £8,000 and £5,000 respectively, a student award of £2,000 and the Evelyn Williams Drawing Award of £10,000, which is given every other year.

There is also a separate submission and selection process for working drawings with a prize of £2,000.

All submissions from the UK need to reach the selectors by June 30, 2023.

“Drawing is hugely important to everybody as a vital means of communication and expression,” said Anita.

“It’s something that we all do, but it has become a very sophisticated language and something that enables us to see where we are in the world – to understand what it is to be human and to communicate effectively.

“It covers the whole range of languages, medium, purposes. We’re looking for drawings that are different in their form, intent, content and execution.

Anita founded the prize to provide a place to see drawings other than in museums

“It might be a performance drawing, a diagram, an expressive drawing – we don’t define what a drawing is, but we do ask people to consider what a drawing is.

“Then, it’s for the panel to decide what a good drawing is and find a good drawing they can agree on.

“It’s a very broad field and this is part of our discussion about what a drawing is today. That’s why we have a series of experts reflecting on this.

“We’ve had works entirely found, works that have been performance drawings and works that are beautifully executed – more conventional drawings.

“We’ve had fantastic things and amazing artists in the show.

“We’ve had phenomenally well-established artists, either at the beginning of their career and also later in their career.

“It’s a great thing where people feel open to test their own drawings.

“We see works by students, by various published artists and people who draw but may not be artists – engineers, for example.

“It’s the panel’s decision whether to include digital work, but if it’s original work, then some argue it shouldn’t be reproducible – but it really depends what its purpose is.

“David Hockney’s digital drawings are really amazing, for example, so we think we will see drawings that reflect that interest, but it will be down to the selectors to see which ones they want to include in the exhibition.”

The exhibition will be in Trinity Buoy Wharf from September 27, 2023

The 2023 panel making those decisions for the main prizes will be Laura Hoptman, executive director of The Drawing Center in New York, Dennis Scholl, collector, arts patron and president and CEO of Oolite Arts and British artist Barbara Walker.

It will be their deliberations, which result in the content of the exhibition, which is set to launch on September 27, 2023, at Trinity Buoy Wharf.

“I hope people who come and see it will be excited by drawing – that most humble of activities,” said Anita.

“It’s something that appeals to everyone. I hope they will see that drawing is really inclusive.

“It’s an extraordinary space that explores and reflects all sorts of different approaches to drawing, to see marks on paper, on the ground, on film, on tracing paper – testaments about being alive in the world today.

“I should like visitors to take from it that everyone can draw, and we’ll include everybody.

“We’ll also have a fantastic education pack and we’ll be encouraging schools and colleges – everybody – to get involved.

A panel will draw up a shortlist of entries, which will be exhibited

“The exhibition is set to finish on October 15 at Trinity Buoy Wharf before it goes on tour everywhere.

“It’s something people all over the country can really enjoy because drawing can help them deal with complex issues in a way that can engage others.

“That’s one of the beautiful things about it – it can take people on a journey without them feeling that it’s complicated.

“It’s perhaps less frightening and more inviting than other kinds of art.

“The space at Trinity Buoy Wharf is so welcoming, so open and so reflective.

“Anyone is welcome to submit work, but we would recommend that people are over 18.

“There’s no age limit as such – we don’t want anything that would stop work being submitted.

“So if you think it’s a drawing – a good one – and it’s a drawing you want to test in this kind of way, then it’s a fabulous opportunity to get your work seen by a really distinguished panel.”

Submit entires via this link.

Also coming up at Trinity Buoy Wharf is We Two Were Lovers – The Sea And I, a concert featuring singer Catherine Hooper and harpist Nicolette Chin.

The programme will include works by Haydn, Wagner, Dvorak and Coleridge-Taylor as well as readings of poetry by Emily Dickinson and Carol Ann Duffy.

The concert is set to take place on June 18 from 2pm-3.45pm with tickets costing £14.25.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

May 31, 2023May 31, 2023

Royal Docks: How Market Express delivers frictionless groceries at the Excel centre

Built By Levy store is the first of its kind at a UK events venue to use Amazon’s Just Walk Out tech

Market Express has opened at Excel in Royal Docks

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Almost imperceptibly things move on and sharpen up.

The Elizabeth Line’s final timetable has arrived, meaning its full service is now available across the city.

Already it’s the busiest railway in the UK, purple arteries pumping people through London.

Areas that were once challenging to get to, have been pulled dramatically closer to others in ways that many in the capital are only just starting to explore.

Take Canary Wharf and Royal Docks, for example.

The journey between them was once an awkward dog-leg.

A couple of stops on the Jubilee line followed by a couple on the DLR, or a change in trains on the latter, before a graceful meander over the River Lea.

Then, bang. The smoothest, quietest railway in TfL’s network takes that trip and drops it down to three minutes.

All of that bothersome friction has been removed at a stroke.

The decision to attend a show at Excel via Custom House has been transformed into one purely of desire, not practicality.

Suddenly, the decision to move City Hall to Royal Victoria Dock looks inspired, with this rapid conduit offering breathtakingly quick access to central London.

In short, it’s about speed – and that’s something that’s increasingly a focus inside Excel too.

The vast exhibition and conference centre recently saw Market Express open its gates.

Fully kitted out with the system that makes Amazon Fresh work without checkouts, this new convenience store isn’t just a carbon copy of the tech giant’s high street outlets, it’s an evolution.

Here there’s no faffing with an app to gain access, for example. Only a payment card or digital equivalent is needed.

Then it’s scan, grab anything you like off the shelves and leave.

Just as the Elizabeth Line eases the journey to Excel, so Market Express makes shopping there more effortless than ever.

Access to the store is via any payment card

It takes nearly all cards (even American Express was in the works when we visited), offers some 400 different products and is, in all likelihood, the future of shopping.

Created by a division of Levy UK + Ireland – the exhibition centre’s catering partner – it’s especially well placed given the nature of traffic at Excel.

“With about 400 events every year we host about 4million visitors and that’s a lot of mouths to feed,” said Phil Wetz, commercial manager at Excel.

“Levy is one of the biggest caterers in the sports and entertainment industry and we’ve been working with them for more than 23 years.

“We recently signed another long-term contract with them to ensure they will continue to operate in Excel for many years to come.

“We share a passion for sustainability and also technology, which is why we’re delighted to open Market Express – a frictionless store that is a first for any UK event venue.

“You simply tap a card or payment method, take what you want from the shelves and walk out without any of the hassle of waiting for or using a checkout.

“We think it’s really important to our customers.

“We get a lot of feedback from our visitors and event organisers and they say they want to have access to really good quality food, but they don’t want to spend a long time queueing.

“The quicker we can make that process by using technology, the better.”

The store will be located more or less in the middle of the venue when its 25,000sq m extension to the east is complete.

On its shelves are cold and hot dishes, an extensive range of snacks, fruits, drinks and other essential groceries.

In addition, it also sells products such as shower gel, tampons, tissues and deodorants – anything an exhibitor or visitor might need to grab to ensure comfort during their day.

“The principle remains the same as an Amazon Fresh store – once you go through the gate, a number of cameras are tracking you and creating a virtual basket of the things you pick up,” said Rak Kalidas, managing director of Built By Levy, which installed the store.

“It adds items and subtracts them if you put them back, no matter where that is in the store.

“We’ve done weeks of testing to ensure everything works.

“Digital receipts are then available by scanning a QR code on the way out if required.

“It’s the first store of its kind that we’ve opened and it’s really exciting to have done that at Excel in such a pivotal location.

“The stores still need staff to replenish the shelves and ensure customers are taken through the journey and that they are comfortable with the technology, because it’s not widespread in the UK at the moment.”

Market Express joins other technological innovations such as tablet ordering in restaurants and trials of automatic bars at selected events.

“The important thing is to make sure technology enhances a customer’s experience and doesn’t become a hindrance to service,” said Phil.

“Through this store we can provide a better, faster experience for visitors, allowing them more time to network, learn and trade at the event they are attending.”

This is, of course, the dream.

That technology will step in and free humans up to engage in the kinds of activities they want to, whether that’s being more efficient in business or having more leisure time.

But as the incremental advances from Amazon Fresh to Market Express show, it’s a path that’s likely to be gradual as systems are tweaked and developed to better serve customers.

Right now, the experience of walking into a store, filling a bag and leaving just got a fraction more frictionless than it was before.

How long before there are no gates on the stores at all?

Market Express stocks some 400 products customers can just take and go

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

May 31, 2023May 31, 2023

Canary Wharf: How Platform offers video games on consoles to delight and entertain

Crossrail Place bar and competitive socialising venue has opened its doors to gamers and firms

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“KO your CEO” reads the zesty pink neon on the wall just inside Platform in Canary Wharf.

Recently opened in Crossrail Place between Flying Tiger and Island Poke, at first glance it’s not immediately clear what this new arrival is.

There’s a little box office structure as you go in that has a distinct Wes Anderson vibe – a shelter, perhaps for a concierge.

Then there are the glowing pink and yellow lights on the ceiling and the unmistakable sugary aroma of popcorn being made.

The sensory effect is that of walking into some kind of timeless future cinema that’s scrambled all of the best bits of going out to see a movie and come up with something highly refined, a little like the sweetener on the snacks.

But Platform isn’t a movie theatre or a place to physically beat on senior executives, it’s a place to play video games in comfort with snacks and drinks.

Platform offers semi-private gaming areas to duos or groups

“I place us somewhere between competitive socialising operators, who are doing things like ping pong and darts, and a traditional cinema,” said Tomaso Portunato, co-founder and CEO of Platform.

“When you go and see a movie you’re consuming content with friends – having food and drinks and it’s much the same here.

“We have popcorn, a bar and we serve pizzas.

“I’m originally from Geneva in Switzerland and I came here to study economics and politics about 10 years ago.

“Before starting Platform I was doing event management for game companies and helping student associations out, but I never really had a job after university.

“The idea was to start small and to make something out of it.

“We began as a pop-up – putting on events, selling tickets and generating funding for about a year.

“We had gaming sponsors from doing that and decided, with my co-founders Lucas Weintraub, Jo Highfield and my brother Nicolo, that if we could afford a commercial property, then we would go for it.

Booths can accommodate up to eight people

“When I was working in Old Street, I used to go to a pizzeria for lunch – count the customers and try to estimate how much they would spend.

“I was trying to build a business model.

“Then the pizzeria went bankrupt and we took it over for the first Platform.

“Shoreditch is now in a really good spot – we have a loyal customer base and we do a lot of gaming events there – but we were also testing the ground.

“It’s still our baby and it’s doing great, but the Canary Wharf branch is closer to our finished concept.

“Shoreditch was an opportunity to see what we could do with little capital and a vague understanding of what we were doing.

“We tried everything – racing simulators, retro gaming, console gaming and PC gaming.

“We learnt a lot about our operating model and the type of experience we wanted to be focusing on.

“That’s why Canary Wharf is based on next generation console gaming and how we create a really fun experience around that.

“It’s streamlined and it’s simpler to operate – you don’t have issues like customers changing the language and alphabet on a PC and then not changing it back.

“But most importantly, we also feel that console gaming offers the most social experience of the lot.

The Mario from Platform, complete with Mushroom Kingdom mushrooms

“It caters for the crowd who want to go out and enjoy themselves, to play, have some food and some cocktails.

“Plus operators like Nintendo have made it really fun even if you lose – and that’s important.

“We want to make sure anyone coming to Platform, whether they are an experienced gamer or not, has a really good time.

“That means we’re careful about the games we select and how we present what we’re doing.”

While the pink glow and sweet aromas of the bar are ground level temptations, the business end of Platform is subterranean.

“Customers follow pulsating neon arrows downstairs to a surprisingly spacious bar area beyond which are located a series of semi-private booths of varying sizes.

These come equipped with Nintendo Switch and Playstation 5 consoles, a handy neon light to attract staff and plentiful sofa space.

Booths at Platform are ideal for date night

“We have about 30 games to choose from including racing, and sports titles, with big names like Street Fighter, Mortal Kombat, Call Of Duty and Fifa.

“But we also have cooperative games like Overcooked and Moving Out, which I think are great.

“If you’re out on date night, you might want to play more cooperatively rather than competitively.

“Our larger booths can accommodate up to eight people but we can easily arrange tournaments for our guests and take corporate bookings for up to 60.

“Most of our customers pre-book online, but people can just walk in too and we’ll do everything we can to accommodate them.

“Typically people book 90 minutes (£13.50 per person) and can always top that up if they would like to stay longer.

“After that, they are welcome to hang out in the bar, of course.

“We also offer packages such as £28pp for two cocktails and gaming or bottomless brunch for £35pp, which includes a pizza or nachos for each person and bottomless beer, Prosecco or Mimosas for 90 minutes.

“A lot of people want to get together to play games and the traditional way of doing that would be to meet at someone’s house on a Friday.

“Platform allows a larger group to meet with all the latest games in a comfortable environment.

“For some it will be a pit-stop when they’re out in London.

“But equally it could be a place to go with mates from work or on a date.

“For businesses it’s a way for colleagues to have fun and we can offer whole-venue booking for corporate customers with drinks, food and unlimited gaming.”

Following the success of the Shoreditch branch, Tomaso and the team were already looking at Canary Wharf as a place to open in 2019.

“I initially thought it was interesting because of the corporate scene,” he said.

“But since then Canary Wharf Group has done an amazing job of developing the area – picking the right operators to attract people.

“The deciding factor for us was the Elizabeth Line and the area is seeing massive footfall during the week and at weekends.”

Gaming at Platform starts at £5 for sessions off peak on Mondays.

A screenshot of the action in a typical Moving Out level

GAME REVIEW

>> Oh God. What’s going on? I just threw a chair through a window, my head is a toaster and it’s just fired two charred pieces of bread into the air.

Now a giant turtle is repeatedly slapping me. Worse still, I can barely move this fridge by myself…

These are just a few of the thoughts likely to run through your head as you and your friends take on Moving Out.

Published by Team17 and developed by some clearly very disturbed Swedes and Australians, this 2020 “cooperative moving simulation game” pits players against that timeless foe – moving day.

While the real-life process of relocating from one home to another is generally said to be amongst the most stressful things a person can do, playing Moving Out is curiously liberating.

Despite the oddness – you can play as a humanoid toaster, a unicorn or even a person – the simple act of frantically battling exaggerated physics against the clock to stuff a van with furniture and other ephemera is curiously relaxing.

True, you can be painstakingly careful (breakages are penalised to some extent) and go for a high score.

But the game doesn’t seem to mind too much if you decide that tossing a sofa through a plate glass window is a better way to expedite its journey to a new home.

There’s a cooperative element too. Heavier items must be carried with a pal and there’s an obvious temptation to invoke the sacred mantra of the Chuckle Brothers.

Failing that, keeping a selection of expletives handy is advised for the inevitable time your colleague is less than useful.

There are plentiful obstacles to contend with – rakes, ghosts, fires, a giant turtle – that serve to make the experience of play richer and more bizarre.

Fans of Overcooked (also on offer at Platform) will doubtless find this a silly, frantic blast with an unhealthy toaster obsession.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

May 18, 2023May 18, 2023

Greenwich: How Greenwich Theatre’s Pinter double-bill is exactingly realised

Pitch-perfect performances in The Dumb Waiter + A Slight Ache maximum oxygen for audiences

Jude Akuwidike and Kerrie Taylor in A Slight Ache -image Danny Kaan

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THEATRE REVIEW

The Dumb Waiter + A Slight Ache, Greenwich Theatre, Until June 3, 2023

On the face of it, The Dumb Waiter is a play about a pair of hapless, ground down hitmen awaiting their next job in a dingy basement in Birmingham.

This has little to do with the subject of A Slight Ache, which follows the musings of a couple whose relationship becomes increasingly pressured by the presence of a mysterious match-seller.

But Harold Pinter’s tragi-comic short plays sit surprisingly well together on stage at Greenwich Theatre, especially when – pause for dramatic effect – presented by an overlapping cast.

The double bill, which runs until June 3, 2023, is everything live theatre ought to be.

Despite a cast of only three actors and a spare, minimal set, the production is a sharp, lean sliver of a thing, twisting and turning as the characters wrestle with their precarious situations.

The performances that director James Haddrell has coaxed from his cast are exactly right for the material.

Tony Mooney and Kerrie Taylor in A Slight Ache -image Danny Kaan

Jude Akuwudike, Kerrie Taylor and Tony Mooney each breathe rich, believable life into the five characters we meet across the two plays, in a way that effortlessly lets the audience focus on the ideas and topics teased and hinted at.

These are skilled professionals laying bare the strangeness of Pinter’s plots, making them whole with flesh and blood people.

A Slight Ache, has Edward (Akuwudike) and Flora (Taylor) incarcerated in the claustrophobic existence of their brittle relationship.

Much remains unsaid. Instead, the horror is all in the detail – the brutal execution of a wasp trapped in marmalade using boiling water is juxtaposed with cheerful chit chat about the various plants in the garden.

But what are we to make of the mysterious figure of a match seller just outside their tranquil oasis?

A brooding, constant presence that Edward is both terrified of and obsessed by.

Made flesh by a completely impassive Mooney, this figure is the impervious rock against which main characters pound themselves to wreckage – a study of buried truths, fantasy, repression, fear and desire – both sexual and maternal.

While all three are powerful – notably Mooney’s ability to convey a completely leaden, static presence – it’s Akuwudike who shines.

With much of the play in monologue, his depiction of Edward finds layers in a proper man confronted with the unknown – a breakdown inevitable as he wears himself down against the granite face of the totally unresponsive match seller.

Mooney, left, and Akuwudike in The Dumb Waiter – image Danny Kaan

The switch to The Dumb Waiter comes as something of a shock as Akuwudike is transformed from arch middle class essayist to a working class football fan and hitman.

Along with Ben (a much more active Mooney) the pair are found in a claustrophobic basement bedsit as they grapple with boredom and the expectation of the next job.

While Pinter’s twist is over-telegraphed, the pressure-cooker atmosphere acts as an ideal counterpoint to A Slight Ache.

Here the unknown isn’t a character, but a series of mysterious messages via envelope under the door and what appear to be kitchen orders from an unseen and possibly defunct cafe above.

More dynamic than the first play, it casts its two characters as treading a fine line between the rational and irrational as they attempt to make sense of their lives, the dreadful murders they commit and the significance of why their boss hasn’t laid on any gas to make the tea.

This play too is a tense portrait of two people struggling and, along with its companion, makes for a refreshing, thought-provoking night out at the theatre.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

May 18, 2023May 18, 2023

West India Quay: How the Museum Of London Docklands is marking its 20th

Institution is planning a The Big Docklands Street Party with late access to its galleries on June 10

Drag queen Vanity Milan will headline The Big Docklands Street Party

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The Museum Of London Docklands is gearing up for a celebration.

On June 10, 2023, the chimes of the bells at St Mary-Le-Bow will ring out to mark 20 years since the late Queen officially opened the West India Quay institution.

Two decades on and it’s drag queen Vanity Milan – known for her appearances on RuPaul’s Drag Race UK in 2021 – who will headline The Big Docklands Street Party in celebration of the milestone.

Running from 7pm-10pm on the Saturday evening, the event will feature Hackney Showroom’s Bobby Dazzler outdoor stage with a line-up of live music acts and performances to entertain revellers.

Tickets, which should be pre-booked online, cost £20 dropping to £12 for those aged 20.

Other attractions will include a makers market featuring products from Craft Central creatives, street food stalls and pop-up bars as well as an East End-themed pub quiz.

The museum’s galleries will also stay open late to host a range of talks, tours and film screenings including a focus on the origins of street parties in the capital, the history of the Notting Hill Carnival and the other festivities that have brought Londoners together over the years.

The latter is something Museum Of London Docklands managing director Douglas Gilmore is very much hoping the street party will do.

“There will be film, dance and lots of activities and we’re really excited about it,” he said.

“We want to be diverse and to make sure everyone who might want to come to the museum can and for people who haven’t visited to feel that they can too.

“We’ve done these kinds of events before, so local people are used to them, but we also want people to come from further afield to grow our audience.

“Our research has shown some people think Docklands is hard to get to but we know it isn’t – there are five stations across three different lines within five minutes’ walk of us and most museums can’t say that.”

While the party, like Vanity Milan, is the headline attraction, the museum’s 20th birthday has also become the focus of a sequence of events taking place throughout the year.

The Queen opened the museum on June 10, 2023

“We’ve been open for two decades on this site,” said Douglas.

“We want to use that and incorporate it in our new strategy, which we’ve entitled Moving Centre Stage, because with the Museum Of London temporarily closed for its relocation to Smithfield we are now the centre.

“Our strategy has three main pillars – the first is to grow our audience, both in terms of numbers and diversity, the second is to improve our content, both in what we have and what we show and the third is the efficiency of how we operate.

“Our anniversary will be used to feed all of those. June is really our party month and, in addition to the main celebration there will be activities for both adults and children.

“Then, our next big month will be September when we’ll be organising a mudlarking festival.

“Ideally we’d like to grow that into an annual event, starting small but talking about it in the same way the Natural History Museum does Wildlife Photographer Of The Year, which has become an international event.

“We plan to run foreshore tours with an expert from the British Museum to assess items found on the banks of the Thames.

“There’s a lot of interest in mudlarking and part of what we do as a museum is to tell the story of the Thames though the Port Of London Authority’s archive and things found in the river.

“It’s a part of our identity with our Mudlarks Gallery for kids, which is hugely popular.”

The museum is seeking to boost the diversity of its audience

Whatever the museum does, Douglas is focused on making sure that as wide a range of people participate in its activities as possible.

“Museums are famously un-diverse,” he said.

“Ours is actually one of the best with 23% of visitors coming from diverse backgrounds, which is great because most national museums wouldn’t get anywhere near that.

“That’s partly because of where we are – the local boroughs around here are quite diverse – but also because we are one of only three museums in the country that has a permanent display about the slave trade, which is a diverse subject in terms of the audience it affects.

“These are the main reasons we’re doing so well already. However, we want to improve because the Museum Of London has an ambition to represent the city in terms of both our staff and the people who visit us.

“London’s population is around 40% diverse, so while 23% is good, it is only about half way to where we should be.

“The way we want to do that is partly through what we show here.

“This month we have a new display called Indo + Caribbean, and that’s very relevant for us as we tell the story of migration and Indian indenture.

The street party will feature live music and entertainment

“In October we’ll be opening Fashion City here as part of the 20th anniversary, which is a different thing for us to do and hopefully will bring in a new audience.

“The strap-line is how Jewish Londoners shaped global style, telling the story of how immigrants came to the East End and started making clothes here, with some moving to the West End to start couture houses.

“There will also be Windrush Day, with readings and performances from poets of Caribbean heritage on June 20 as we mark the arrival of the Empire Windrush at Tilbury Docks.

“For everything we do, we need to think about the audience we’re attracting here.

“One thing I definitely want to achieve while I am here is record visitor numbers.

“We’ll also be producing a masterplan this year to define where we want this building to be in 10 years’ time.

“From this, we’ll work backwards to see how we can achieve it – how the museum will look inside and what that might mean for the way it’s laid out.

“We could definitely use our outside space more to make the quay really come alive.”

The Bobby Dazzler stage will certainly be a vibrant starting point to that process.

Prepare for an evening of celebration and history

EVENTS COMING UP

Check out these upcoming events at the Museum Of London Docklands – all part of its plans to mark 20 years since opening in 2003:

Dal Puri Diaspora screening + Q&A

May 31, 6.30pm, ages 14+, paid

Follow the journey of dal puri across space and time, from indentured workers from India’s Gangetic Plain in 19th-century British and Dutch Caribbean colonies, to today’s global Indo-Caribbean community.

LGBTQIA+ Life In Limehouse

Jun 17, 2pm, ages 18+, paid

Join The Urban Rambler, Nick Collinson, for an afternoon jaunt through the streets of Limehouse stopping at queer-friendly and owned pubs along the way

Family Knees-Up

May 30, 11am / 2pm, under 5s, free

Listen and sing along to the sounds of the inimitable Tom Carradine as he brings a family friendly version of Carradine’s Cockney Singalong to the Museum. Expect plenty of ivory tinkling and bananas.

Spitalfields Ballad Walk

July 1, 11am, ages 14+, paid

Join folk singer and researcher Vivien Ellis for a musical walking tour focusing on the rich history of street vendors and others who used song to make a living on the streets. Learn about unsung heroes of the East End and discover how music brought communities together.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

May 18, 2023May 18, 2023

Canary Wharf: How Randox Health’s 20th clinic brings tests and IV drips to the Wharf

Brands’ roll out brings cost of its flagship Everyman and Everywoman packages down to £295

Randox Health’s new clinic at Cabot Place

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Unprecedented’ was one of the words that got more than its fair share of exercise during the pandemic.

But it is perhaps one of the best terms to describe the levels of information about ourselves that we can measure and record.

Never before have so many people been able to capture such a vast quantity of data about themselves.

What was once mostly the preserve of the healthcare sector, has now become part of daily life for the populace, with easy ways to measure everything from steps and sleep to blood sugar and oxygenation levels.

One of the effects of the pandemic is that most people have become used to the idea of testing themselves regularly – a normalising of such behaviour in a section of the population that might otherwise have not had much contact with the medical world.

It’s against this backdrop that Randox Health is engaged in a roll out of new clinics, including its latest opening in Canary Wharf’s Cabot Place.

While the brand first emerged in the early 2010s, it has grown from four locations to 20 with many more in the pipeline.

Essentially the consumer-facing arm of Randox proper – a provider of laboratory, health and toxicology services to some 145 countries that was founded in County Antrim more than 40 years ago – Randox Health offers an extensive menu of tests to paying customers.

“The plan was to make our services more accessible to the public,” said Celine Hasson, operations manager at the company who oversees six of its clinics in the capital.

“We already had locations in west London and then in central London but we weren’t reaching out to east London and we saw a demand for testing, which is why we’ve opened in Canary Wharf.

“It was our busiest opening with 22 appointments on the first day.

“The services we offer range widely over concerns about any aspect of a person’s body.

“We can test for conditions related to the kidneys, thyroid and hormones as well as things like sexually transmitted infections and genetic factors such as lactose intolerance.

“We like to give people a full-body MOT so they can get a better understanding of their bodies and any lifestyle changes which may be necessary to ensure good health.

“For this we offer a range of packages from smaller ones to the larger ones that incorporate everything.

“Depending on the results, we might suggest a customer seeks further guidance from a GP if there is anything in the results that needs to be flagged up.”

A wide range of tests is available at the clinic

Randox Health’s flagship offerings are its Everyman and Everywoman packages, both costing £295.

These provide up to 150 data points over two rounds of testing and include a personalised health plan.

“We arrange an initial appointment for blood and urine testing,” said Celine.

“Our clients will get their results within two to five working days through our app and also sent out by post.

“These are presented via a traffic light system – green’s fine, amber may be something to look into and red is where further investigation is needed.

“Included is an optional discussion with one of our scientists – although this isn’t a clinical or medical appointment.

“Customers can also talk to a GP for a consultation fee of £70.

“Then people come back six months later for a repeat set of tests – the biomarker tracking – and another consultation.”

The cost, excluding the doctor, works out at less than £25 per month as Randox’s ongoing expansion brings prices down. It previously worked out at more than £40.

“We feel it’s not that much money to spend on your health,” said Celine.

“We are providing preventative healthcare and, in the wake of the pandemic, we’re finding a lot of customers are concerned about their health.

“That’s why we’re opening new clinics. It’s up to the customer how they want to interpret their body – how often they feel they need to be checking in with themselves.

“We have some who come back every year, to ensure they are making any lifestyle changes that are necessary – diet, exercise or taking supplements, for example.

“Some have their tests and then take that information to their NHS GP to discuss the findings. In general they are very focused on what changes they could make to improve their health.

“We get a very broad range of people who come to us, with people aged 18, right up to those in their 50s, 60s and 70s.

“It’s for anyone who is concerned about their long term health and wants to take measures to improve it.”

Randox Health also offers other packages including its £2,600 Signature option, which provides 350 data points alongside genetic testing and GP advice. There are options aimed at pregnant women and athletes too.

In addition, the firm offers a range of more specific tests covering everything from genetic cancer screening to hormonal health for both sexes, gut health and a £45 test for prostate health.

“Two weeks ago, we had a customer in our Liverpool clinic who had a PSA test as part of their Everyman package,” said Celine.

“The results were elevated and quite concerning and their GP was able to refer them for cancer diagnosis at an early stage.

“The customer was really grateful because that was a potentially lifesaving result and it’s things like that which make it very worthwhile.”

Randox Health operations manager Celine Hasson

While Randox Health stresses that it’s not a clinical or medical company at heart, it has just struck a deal to offer intravenous vitamin infusions in its clinics in partnership with US firm Reviv.

Potentially, it’s a way for customers to top up their vitamin levels and address any imbalances in their bodies revealed by testing.

“This is something new for us, so we thought it would be good to partner with a company that has experience in the field,” said Celine, who splits her time between Northern Ireland and the London clinics she oversees.

“We have qualified nurses who do the canulation and then it’s a 45-minute appointment for the infusion drips.”

A selection of IV drip therapies are available starting at £85 for a Miniboost intended to help recharge energy levels in response to stress or jet lag. It contains a blend of B vitamins, Vitamin C and antioxidants.

The priciest option on the menu is the Heliix, which promises to deliver “a powerhouse of antioxidants, including vitamin C, glutathione and alpha lipoic acid” intended to help detoxify the body and support collagen production, sleep, mood and immunity.

A selection of booster shots is also available.

Bookings can be made at the Canary Wharf clinic via this link.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com

May 17, 2023May 17, 2023

Limehouse: How St Anne’s Limehouse plans to open the building to everyone

National Lottery Heritage Grant funding is crucial for plans to put in a lift and covert the crypt

St Anne’s Limehouse is working towards a £7million refurbishment

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St Anne’s Limehouse has a long history of welcoming and protecting the people of east London.

Completed in 1727 to a design by Nicholas Hawksmoor, the towering white structure is home to a diverse congregation under current rector, the Rev Richard Bray.

But the church also has a long history as a place of refuge for all, with its crypt converted into a bomb shelter for local residents in the 1940s during the Second World War.

Today, that partly refurbished space offers a place for the homeless to sleep in safety.

However, the church and Care For St Anne’s (CfSA) – the charity whose mission is to conserve and celebrate the building’s architectural heritage – have ambitious plans to go much further.

In addition to restoration and refurbishment, they want to open the building up to a wider audience with a scheme that should see its doors flung wide beyond the timings of services and its regular Friday and Saturday opening hours.

To that end, CfSA recently received some £613,000 from the National Lottery Heritage Fund to launch its Hawksmoor 300: A Landmark For Limehouse campaign.

This is money it will use to move forward with an application for a further £2.9million National Lottery Delivery grant from 2025, as part of a £7million scheme to remodel significant chunks of unused space and improve access to the building by 2030.

The plan is to clear and open up its crypt

“This project will infuse our historic building with fresh life for future generations, establishing it as the East End’s biggest, most accessible and welcoming community space,” said Rev Bray.

“We look forward to welcoming many of our neighbours into the renewed building before too long.”

There are really three parts to the project, as outlined to me by CfSA chair Philip Reddaway on a recent tour of the building – the steps, the crypt and the garden.

“There are a number of things we intend to do,” said Philip.

“First of all, there’s no step-free access to the church, which really doesn’t work in this day and age.

“Our plan is to install a lift from the crypt level to the nave and up to the gallery, which is a major project in itself. In terms of the building, the other big thing is the crypt.

“Part of it was cleared and refurbished in the 1980s with funding from the London Docklands Development Corporation.

“While that part is being used, it’s mainly for the church itself and we want to create a flexible, multi-use space – rather like Christ Church Spitalfields – that we can open to the wider community.

“That’s one of the things you have to demonstrate to get the Lottery funding – that it’s a project that will benefit and be used by a wide range of local people.

“At present, there are still more than 100 bodies buried in the crypt in walled off family tombs dating from the 18th century.

The crypt was used as a bomb shelter during the Second World War

“You had to be rather grand to be interred here rather than in the churchyard, but as part of this project those spaces will need to be cleared and the remains reburied.

“That’s a complicated process and there are lots of specialists involved to ensure all the correct procedures are followed.”

The unconverted space is also littered with decades of detritus – the dumped ephemera of operation, placed out of sight and out of mind.

A further challenge for the renovators is the extensive network of blast walls and facilities left over from its time as a wartime bomb shelter.

These include ancient toilet cubicles and a pair of sick bays for Londoners to use while the explosives rained down outside.

“When we carried out our consultation, we found some people thought the church had been deconsecrated because the doors were often shut when no services were taking place,” said Philip.

“We now have a team of volunteers opening up on Fridays and Saturdays to help change that.

“But it’s not just being physically open, it’s about building on the things we already do – creating all sorts of partnerships with local organisations.

There are even 1940s toilets still in place left over from the war

“We’re working with Queen Mary University, the Museum Of London Docklands, Whitechapel Gallery and the Building Crafts College in Stratford.

“Queen Mary’s history department, for example, spent time finding out more about the lives of the people buried in the crypt and gave a presentation about some of them.

“Sadly, but inevitably, this was one of the great shipbuilding areas of London, and several buried here were involved in the slave trade and we have at least one major slave trader buried here.

“We don’t walk away from that and I would like to see a permanent exhibition putting it in context.

“Another interesting finding was two brothers – John and Samuel Seaward – who lived near my home on Newell Street.

“They were maritime engineers who were involved in pioneering the first transatlantic steam ships – big cheeses in their field at the time.

“Queen Mary’s engineering department used their story as inspiration for a project with Cyril Jackson Primary School in Limehouse that saw 10-to-11-year-olds build boats in the spirit of the brothers, to help them learn basic engineering principles, with a view to building a working boat that can sail on one of the local canals.”

The church wants to make the space available for flexible use

In addition to opening a cafe in the crypt, another of the ambitions for the Hawksmoor 300 project will be to update the church’s grounds.

“We want to create something called the Remembrance Garden to commemorate the waves of migrants who have come through Limehouse over the years,” said Philip.

“From the Huguenots, the Jews, the Chinese, all the way through to the Bangladeshi community, we want to have different parts of the churchyard planted to reflect the people who have settled here so there’s something that’s relevant to all of them.

“We’re working with a great charity called Groundwork, who are specialists in this kind of thing, as well as with pupils at Cyril Jackson to create this.

“The churchyard is lovely – dog-walkers love it – and it’s one of the biggest green spaces in the area, but it is under-utilised and we want people to come here and enjoy it.”

CfSA is now embarking on a fundraising campaign to raise a further £3.5million in addition to the £3.5million anticipated from the Lottery.

This latest drive comes off the back of another successful project, that will see the church’s massive stained glass window removed, restored and put back in place.

Detail of St Anne’s’ east window, which is set to be restored

During the 12 months or so that it’s absent from the massive arch in the church’s east wall, a replacement window by artist Brian Clarke will occupy the space before it finds a new home, hopefully in the East End.

Then, following more than £100,000 worth of work, the original window will return to pride of place, its panels cleaned and the extensive buckling of the metal frames rectified.

“Inside, the church requires quite a lot of cosmetic attention, which has to happen to tackle the legacy of water getting in and things like that,” said Philip.

“But when the window returns, it will be another wonderful asset to the building opposite the fully restored organ that plays beautifully.”

Anyone interested in getting involved with the project in a fundraising or volunteering capacity can find out more online via the charity’s website here.

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- Jon Massey is co-founder and editorial director of Wharf Life and writes about a wide range of subjects in Canary Wharf, Docklands and east London - contact via jon.massey@wharf-life.com